Sentences with phrase «produce live images»

Ultrasound is a simple, pain - free diagnostic tool that utilizes high - frequency sound waves to produce live images of your pet's internal organs.

Producing a live image of an astronomical object on a screen is also a LOT harder than it may sound.

The standard Rear Vision Camera with active guidelines produces a live image of what's behind you on the Buick Infotainment † screen to help you navigate when driving in reverse.

The Encore's Rear Vision Camera produces a live image of what's behind you on the Color Touch Radio screen to help you better navigate while driving in reverse.

The Rear Vision Camera produces a live image of what's behind you on the Color Touch Radio screen to help you better navigate while driving in reverse.

Enclave's standard Rear Vision Camera with active guidelines produces a live image of what's behind you on the Buick Infotainment † screen to help you when driving in reverse.

Not exact matches

Light and small enough to live in your travel bag, 3M's MP180 produces a 30 - inch diameter image that is respectably bright in daylight.

The iPhone 6s, and the 6s Plus, produce beautiful colors, sharp images, and more true - to - life photos than some of Apple's newer devices.

The artist, tradition, has quite properly been involved in the creation of an image, exercising an appropriate interpretive function, but tradition has produced the portrait working originally from a life model, from a living presence.

Jules is a Caltech graduate who now makes his living as a professional photographer; he combines an artistic talent with his scientific abilities in the darkroom to produce some astonishingly beautiful images of nature that now adorn his living room.

To take any one of the basic elements of the preaching image of the ministry, therefore, as exclusive, or to lift it out of context of the whole, produces pathology; and hardly anything that can be imagined has failed to happen in actual life.

He says that Catholic artists are no longer producing life - giving images of God, that Church people are themselves admitting that even in their rare moments of prayer they can not evoke the image of God nor call on his name (because these are inextricably linked with transcendence) and that many of the Church's own radical prophets and seers have witnessed to the death of God and to the fact that we can speak of God only when we speak of Christ.

This could be poetic reference to an artist (creator God) simply washing off the canvas and starting over with Noah, a symbolic picture of how those who believe in the Hebrew God of that day are carried away above the storms of life in the protective hands of God, symbolic of judgment for those not created in the image of God, a narrative of why the Hebrew race is the chosen race, prophecy of end time judgment or literal in that the babies and people resulting from $ ex with the nephlium produced evil beyond that imaginable and God was showing mercy.

When you get underneath the sentimentality that surrounds the cultural image of motherhood and fatherhood, you have touched one of the deepest guilt - producing emotions of human life.

Family Publications has produced a booklet which is beautifully illustrated with photographs of places visited by St Paul, and images of events from his life from stained glass.

The images show two large sperm pumps called Zenker's organs, resembling those found in living giant - sperm - producing ostracods (Science, DOI: 10.1126 / science.1173898).

To produce crystal clear life - size images, Musion's system incorporates a high - definition camera that costs at least # 4500 ($ 7500) and a professional - standard codec — hardware that compresses the data into a package small enough to be sent via the internet.

«So we've never been able to image the cells in high resolution as they produce this all - important biological material inside living plants.»

The images produced by this duet have given scientists their first noninvasive view of living cells in action.

Such pulses can be used to produce high - resolution images or holograms of living cells.

He produces intense, raw images of athletes pushing their sports to the limit and has risked life and limb on a variety of assignments to bring back stunning images of rock climbers, mountaineers, kayakers, and mountain bikers in remote locations around the world.

He produces intense, raw images of athletes pushing their sports to the limit and has risked life and limb on a variety of assignments to bring back stunning images of rock climbers, mountaineers, kayakers, and mountain bikers in remote locations around the world.

There is no sex or foul language, but the images might be considered scary (though far from terrifying) and the dour themes of a planet full of dead people and menacing robots who co-opt the skulls of former living beings for parts might still produce a few bad dreams for the more impressionable members of the audience.

BEST DOCUMENTARIES: GROUNDBREAKER: A Walk To Beautiful: Mary Olive Smith ABOVE AND BEYOND: Wings Of Defeat: Risa Morimoto COURAGE IN FILMMAKING: Traces Of The Trade: Katrina Browne MOST OFFENSIVE MALE CHARACTERS Aaron Eckhart: Towelhead Sam Rockwell: Choke Larry Bishop: Hell Ride Paul Rudd, Sean William Scott: Role Models Jason Mewes: Zack And Miri Make a Porno TOP TEN HALL OF SHAME Roman Polanski: Wanted And Desired House Of The Sleeping Beauties The Women The Life Before Her Eyes The Hottie and the No ttie Savage Grace Made Of Honor The Family That Preys Hounddog Zack And Miri Make A Porno Alliance of Women Film Journalists Best Film Slumdog Millionaire Best Direction Danny Boyle — Slumdog Millionaire Best Screenplay Original Wall - E — Andrew Stanton, Pete Docter, Jim Reardon Best Screenplay Adapted Frost / Nixon — Peter Morgan Best Documentary (Tie) Man On Wire — James Marsh Trouble The Water — Tia Lessen, Carl Deal Best Actress (Tie) Sally Hawkins — Happy - Go - Lucky Kate Winslet — The Reader and Revolutionary Road Best Actress In Supporting Role Viola Davis — Doubt Best Actor Sean Penn — Milk Best Actor in Supporting Role Heath Ledger — Dark Knight Best Ensemble Cast Rachel Getting Married Best Editing The Curious Case of Benjamin Button — Kirk Baxter, Angus Wall Best Foreign Film Tell No One EDA FEMALE FOCUS AWARDS Best Woman Director Courtney Hunt — Frozen River Best Woman Screenwriter Jenny Lumet — Rachel Getting Married Best Breakthrough Performance Sally Hawkins — Happy - Go - Lucky Best Newcomer Misty Upham — Frozen River Women's Image Award Kristin Scott Thomas Hanging in There Award for Persistence Melissa Leo — Frozen River Actress Defying Age and Ageism Catherine Deneuve — A Christmas Tale 2008 Outstanding Achievement By A Woman In The Film Industry Sheila Nevins, Producing / Programming at HBO Lifetime Achievement Award Catherine Deneuve AWFJ Award For Humanitarian Activism All of the Women in Pray The Devil Back To Hell EDA SPECIAL MENTION AWARDS AWFJ Hall Of Shame Award 27 Dresses Actress Most in Need Of A New Agent Kate Hudson Movie You Wanted To Love But Just Couldn't (Tie) Mamma Mia!

Ever since the first Batman serial was produced in the 40s, Hollywood has struggled with how to adapt images in comics that make sense on the page but might look a little odd in live action.

Instead, produce useful, helpful content in the form of blogs, articles, videos, live streams, online courses, short challenges, image cards, webinars, podcasts, books, and eBooks, and allow your education to sell you instead.

Pop Art Activities After observing selected art works by Roy Lichtenstein and Andy Warhol, students produce a still life collage and a computer generated image.

The title refers not only to films but also to the fact that everything about life in the Hermit Kingdom was managed and directed to «produce» a certain image to its citizens (Sharon B).

One Mobile Ring attended the London version of the global event, where we live blogged the press preview here, published images of Windows Phone 7 «Mango» here and produced a hands - on video walkthrough here.

The five megapixel rear camera produces poor results with heavily pixelated images even in good light (though in fairness this is somewhat typical of tablets still) and the battery life lasted well under seven hours — not appalling but short of the competition.

Despite what you may have heard, ebooks are not easy to produce especially, if you have images, or live links in them.

The tablet also turned in a mediocre Delta E color accuracy score of 6.6 (0 is perfect accuracy), when the category average is 5.3 and competitors like Samsung Galaxy Tab S 10.5 (3.4), Sony Xperia Z2 (2.6) and Lenovo A10 (1.2) produce images that are much more true to life.

He produces intense, raw images of athletes pushing their sports to the limit and has risked life and limb on a variety of assignments to bring back stunning images of rock climbers, mountaineers, kayakers, and mountain bikers in remote locations around the world.

The exhibition will feature images Penn took while working «on assignment» for publications such as The New Yorker, Vogue, Look and Vanity Fair and advertising campaigns for Clinique and De Beers, among others, for which he produced some of the most compelling fashion photographs, portraits and still lifes of our time.

Gradually she began abstracting from the still - life images, pulling apart the compositions, re-introducing the grid, and arriving at a kind of abstraction where the original image has almost completely disappeared and small geometric units remain supreme, producing an illusion of subtle gradations and nuanced change across the surface.

Throughout the 80s, Mapplethorpe produced a bevy of images that simultaneously challenge and adhere to classical aesthetic standards: stylized compositions of male and female nudes, delicate flower still lifes, and studio portraits of artists and celebrities, to name a few of his preferred genres.

He developed his own painting style in the 1950s by producing iconic, cool and effective images of life in the wealthy leisure class and of natural idylls.

In the early 1950s, when Rauschenberg was living with artist Susan Weil in a one - room apartment on West 95th Street in Manhattan, they produced a series of cyanotypes — images produced without a camera, by shining an ultraviolet light on an object or nude model resting on blueprint paper, exposing the paper where the light isn't blocked and creating a negative shadow of the object or model's outline, similar to the way an X-ray is done.

In 1993 the filmmaker Cheryl Dunye approached Leonard about producing a trove of images recording the life and career of a fictional black lesbian actress working in Hollywood in the early 20th century.

The panel will explore the timeliness of this recent iteration of digital abstraction, with three artists who variously work through issues such as: how gesture, expression, and authenticity might continue to be possible in a contemporary image - based culture; whether our digital era truly produces an ahistorical condition in which images and marks have no specific reference and no relevant point of origin; how structures of and interfaces with digital technologies have necessitated new models for thinking about memory, distribution, and reproduction, as well as degradation, rupture, breakdown, and the void; and how the ubiquity of the screen in all aspects of life has given rise to a renewed interest in the relationship between two - dimensional and three - dimensional space, with a refreshed focus on tromp l'oeil and «topographical» painting.

He produced highly evocative, sometimes homoerotic, iconic images of urban life.

Painting, drawing and printing constantly taught him more about life and the process of producing images.

Exhibitionism's 16 exhibitions in the Hessel Museum are (1) «Jonathan Borofsky,» featuring Borofsky's Green Space Painting with Chattering Man at 2,814,787; (2) «Andy Warhol and Matthew Higgs,» including Warhol's portrait of Marieluise Hessel and a work by Higgs; (3) «Art as Idea,» with works by W. Imi Knoebel, Joseph Kosuth, and Allan McCollum; (4) «Rupture,» with works by John Bock, Saul Fletcher, Isa Genzken, Thomas Hirschhorn, Martin Kippenberger, and Karlheinz Weinberger; (5) «Robert Mapplethorpe and Judy Linn,» including 11 of the 70 Mapplethorpe works in the Hessel Collection along with Linn's intimate portraits of Mapplethorpe; (6) «For Holly,» including works by Gary Burnley, Valerie Jaudon, Christopher Knowles, Robert Kushner, Thomas Lanigan - Schmidt, Kim MacConnel, Ned Smyth, and Joe Zucker — acquired by Hessel from legendary SoHo art dealer Holly Solomon; (7) «Inside — Outside,» juxtaposing works by Scott Burton and Günther Förg with the picture windows of the Hessel Museum; (8) «Lexicon,» exploring a recurring motif of the Collection through works by Martin Creed, Jenny Holzer, Barbara Kruger, Bruce Nauman, Sean Landers, Raymond Pettibon, Jack Pierson, Jason Rhoades, and Allen Ruppersberg; (9) «Real Life,» examines different forms of social systems in works by Robert Beck, Sophie Calle, Matt Mullican, Cady Noland, Pruitt & Early, and Lawrence Weiner; (10) «Image is a Burden,» presents a number of idiosyncratic positions in relation to the figure and figuration (and disfigurement) through works by Rita Ackerman, Jonathan Borofsky, John Currin, Carroll Dunham, Philip Guston, Rachel Harrison, Adrian Piper, Peter Saul, Rosemarie Trockel, and Nicola Tyson; (11) «Mirror Objects,» including works by Donald Judd, Blinky Palermo, and Jorge Pardo; (12) «1982,» including works by Carl Andre, Robert Longo, Robert Mangold, Robert Mapplethorpe, A. R. Penck, and Cindy Sherman, all of which were produced in close — chronological — proximity to one another; (13) «Monitor,» with works by Vito Acconci, Cheryl Donegan, Vlatka Horvat, Bruce Nauman, and Aïda Ruilova; (14) «Cindy Sherman,» includes 7 of the 25 works by Sherman in the Hessel Collection; (15) «Silence,» with works by Christian Marclay, Pieter Laurens Mol, and Lorna Simpson that demonstrate art's persistent interest in and engagement with the paradoxical idea of «silence»; and (16) «Dan Flavin and Felix Gonzalez - Torres.»

As a founder of e-flux, Vidokle has produced projects such as DO iT, Utopia Station Poster Project, Pawnshop, An Image Bank for Everyday Revolutionary Life, the Martha Rosler Library, Time / Bank, e-flux video rental, and unitednationsplaza.

His images rarely include figures, although he did produce a series of portraits in 2009 of cultural figures that have influenced his work, titled Millions Now Living Will Never Die, it included images of Andy Warhol and James Rosenquist.

As part of this experimental residency, Pescador will produce a feature - length film emerging from a set of actions, gestures and images oriented around neighborhoods he has lived in since moving to Los Angeles.

As a founder of e-flux he has produced projects such as DO iT, Utopia Station Poster Project, Pawnshop, An Image Bank for Everyday Revolutionary Life, the Martha Rosler Library, Time / Bank, e-flux video rental and unitednationsplaza.

As Founding Director of e-flux, he has produced projects such as Next Documenta Should Be Curated By An Artist, Do it, Utopia Station poster project, and organized An Image Bank for Everyday Revolutionary Life, and Martha Rosler Library.

Her commission will respond directly to the long and rich history of the Ashmolean's collection to produce a hugely significant new work — the first ever moving image work by a living artist to be acquired by the institution.

Though widely recognized for her photographic images of the American modern dance movement from the 1930s and 1940s, Barbara Morgan began her career as a painter, and continued to produce works on paper throughout her life.