Sentences with phrase «produce new shoots»

The plant may not have enough oomph to produce new shoots later in spring, affecting biomass yield in agronomic settings or competitive ability in natural plant communities.

Not exact matches

The first representative of this new generation of wines is the Sassicaia, that a branch of the Antinori family began to produce with some cabernet vine shoots coming from Bordeaux, that the family had planted in 1944 in its estate in Bolgheri, on the southern coast of Tuscany.
In front of a crowd of just 40,181, the lowest for an England match at the new Wembley, Hodgson's men carried on where they had left off in Brazil: producing one of their trademark stuttering, incoherent performance whilst mustering just two shots on target.
A Manhattan federal judge ordered The New York Times to produce the author of an editorial for testimony next week in former Alaska Gov. Sarah Palin's lawsuit alleging she was defamed by a false claim that her political committee incited the gunman who shot Rep. Gabrielle Giffords in 2011.
A powerful new laser that shoots 90 kilometres into the atmosphere to produce an «artificial star» has been tested for the first time by the Very Large Telescope in Chile.
But the new shoots that prairie cordgrass produced died back completely.
In addition, the new species» one - to - four inflorescences — flower - bearing structures — are produced on a shoot that extends along the ground from an underground stem (rhizome), a very unusual plant character.
Unlike present - day rice plants, the new variety, which was developed at the IRRI's research station in the Philippines, produces seed heads on every shoot.
They focused on sugars, which are produced in the leaves by photosynthesis and transported through tubes 20 times narrower than a human hair to roots and new shoots.
Although other tRNA halves have been described before — specifically those that are produced during a cellular stress response — this discovery represents a new and distinct species of tRNA halves that the authors coined SHOT - RNAs, for sex hormone dependent tRNA - derived RNAs.
Trees produce these resins at the site of a plant injury and on new shoots.
It's interesting to note that during filming Deakins invented a new type of a combination of lenses, appropriately dubbed «Deakinizers,» which he used to produce the effect of old camera footages in several transitional shots throughout the film.
«Today at work shooting my new untitled film produced by Jamie Kennedy its gonna be super cool!»
With shooting set to kick off shortly, Dwayne Johnson is continuing to play main cheerleader and PR rep for the new based - on - truth wrestling film he's producing and cameoing in.
J.J. Abrams produced this iconic monster horror, shot as if from found - footage, in which an unidentified gigantic creature lays waste to New York City.
This is a guest post by Jeff Unay, who directed, produced and shot The Cage Fighter, the new documentary feature film more ►
I came across the new Senses of Cinema too recently to have sampled much beyond their «Special Dossier» on the cinematic history of Tasmania, but even that's provided several articles of interest, including Jeannette Delamoir's history of the now mostly - lost silent Jewelled Nights (whose star and chief creative force, Louise Lovely, claimed she here innovated the shortcut of using shots of ship's funnels and locomotive wheels to stand in for long voyages); director John Honey on the making of the state's first self - produced feature, 1980's Manganinnie; and two looks at the island's most famous son: Robert de Young on how Tasmania's wildlife and raging seas formed Errol Flynn, and Adrian Danks on the star's superb collaboration with Raoul Walsh.
The Killers have revealed the music video for their new single, «Shot at the Night,» which was produced by M83's Anthony Gonzalez.
Escape from New York is both a marvelously scruffy film and a well - produced piece of dystopian cinema superbly shot by Dean Cundey in Carpenter's beloved Panavision widescreen.
The film, which premiered at the Sundance Film Festival, was produced in conjunction with the New York - based independent production company Shooting Gallery, where Angelic had a production deal at the time.
Well, The New Yorker did — they produced this one - shot video of Ron and his students at the Ron Clark Academy.
SCHOOL SHOOTINGS IN CONTEXT: Kudos to John Woodrow Cox and Steven Rich for producing a lovely new piece about the number of kids who've been exposed to school gun violence since Columbine, and for considering my feedback that the story would be stronger if it gave readers some context (ie, a denominator) rather than just the raw number.
While other tuners are still in the design phase and can only show either virtual renders or «in progress» shots of the base car being scanned renowned German exotic car tuner DMC has already completed an entire aerodynamic kit for the brand new Lamborghini Huracan... and not only produced it in clear carbon fiber... but also have it installed on a stunning Verde Mantis V10.
Produced in the new factory from Kecsemet, Hungary, CLA was launched in January 2013 followed by the CLA Shooting Brake in January 2015.
To be produced with the same range of gasoline and diesel engines as the second - generation CLS sedan and boasting more luggage space than key rivals such as the Audi A6 Avant and the BMW 5 - series Touring, the CLS shooting brake is the first of at least two new style - led estate models planned to be added to the Mercedes - Benz lineup by the middle of the decade.
Known internally under the codename EVA (electric vehicle architecture), it has been conceived to allow the new model to be built alongside the car maker's conventional compact car models in the same factories that produce the existing A-Class, B - Class, CLA, CLA Shooting Brake and GLA.
The very high efficiency LTPS technology allows the new Nexus 7 display to provide a full 100 percent Color Gamut and at the same time produce the brightest Tablet display that we have measured so far in this Shoot - Out series.
When A Wet Fish Slaps You Even as self - publishing authors may weary of hearing about the problems of much independently produced content — typos and other editorial woes — a new showcase means yet another reason to shoot for precision and excellence to meet the marketplace's standards.
- the game's shading mechanism has changed, which allows for increased gear texture quality - all graphical aspects and programming mechanisms have been built up from scratch for this sequel - maximum resolution is 1080p in TV mode - a bigger focus for Nintendo was the 60 frames per second - occasionally the resolution will be scaled down when there is too much ink displaying on the screen - Nintendo reduced the CPU load and refined the way to use CPU power effectively to maintain 60 fps in all matches - weapons were tweaked to let players be more creative by thinking about unique weapon characteristics and their best uses - weapons are designed to be effective when they are used during the right occasion - Special weapons are stronger than the original ones when used in the right situation, but weaker otherwise - the damage and effect of slowing down your movement when you step in the opponent's ink are reduced from original - you can jump up in rank if you're good enough, but only up until S - you can't jump up from C, B or A to S + - when you win battles in Ranked mode, the Ranked meter fills and your rank goes up when its fully filled - when you lose a battle, the gauge does not decrease, but the meter starts to crack - once the meter reaches its limit, it breaks - when the meter breaks, you have to start over again from the beginning or from a lower rank - highest rank is still S +, but if you fill up the Ranked meter, you get numbers after the alphabet such as «S +1», «S +2» and so on - maximum number is «S +50», but this number will not be displayed to your opponent - you are the only one to see it, and you can check it on your own status screen - Ranked Power is calculated by an algorithm to measure how strong each player is with minuteness - this will determine if a player's rank is worthy of receiving a big jump (like from «C» to «A»)- Ranked Power has no relation to your splat rate, and is more tied into to how well you lead your team to victory - you won't drop off more than one rank even if you play poorly - stage rotation time was changed to two hours - this was done because the devs expected people to play for an hour or so, but they found people play much longer - with Salmon Run, Nintendo considered how to implement a co-op oriented mode in a player - versus - player type of game - the devs will monitor how users are playing this mode to see if there's some tweaks they can throw in - more Salmon Run maps will be added in the future, but Nintendo wouldn't comment on adding more enemy types to the mode - rewards are changed each time Salmon Run is played - you can obtain rewards when playing locally, but not gear - originally Nintendo had an idea for this mode, but had no background setting, enemy designs, etc. - Inoue suggested that it should be salmon - themed - when Nintendo hosted the Splatfest that pit Callie against Marie, the development of Splatoon 2 had started - the devs had already decided to have the result reflected in the sequel - they even had an idea to announce the Splatfest with a phrase «Your choice will change the next Splatoon» - the timing to announce a sequel wasn't right, so they decided against this - they eventually released a series of short stories about the Squid Sisters to show how the Splatfest affected the sequel's story - Nintendo wouldn't say if Marina is an Octoling, and noted that Inklings are not paying attention to this too much - Inklings don't care about appearances, as long as everyone is doing something fresh - the Squid Sisters had composers who produced their songs, but Off the Hook are composing their music by themselves - Pearl is genius artist, but she couldn't find a right partner because she's a bit too edgy - she eventually found Marina as a partner though, and their chemistry is sparkling right now - Nintendo is planning a year of content updates for Splatoon 2 - when finished, the quantity of stages will be more than the original - some of the additional stages are totally new and some will be arranged stages from the first game - not all original stages will return and they are choosing stages based on the potential for them to be improved - Brella is shotgun-esque weapon, so the ink hits your opponent more if you are closer - it can shield damage when you open it, but the amount of damage has a limit and once it reaches it, it breaks - you can shoot ink, but you can't use the shield feature when it breaks - the shield won't prevent your allies ink - there are more new weapon categories which haven't been revealed yet - there are no other ranked modes outside of the three current options - the future holds any sort of possibility, but the devs didn't get specific about adding more content like that - for the modes, they adjusted the rule designs so that players will experience the more interesting aspects
These new augmentations range from an armoured layer of defense that will soak up a lot of damage, a built in stun gun that can take down 4 enemies at once, and the option to shoot blades from your arms to produce a satisfying and vicious death upon your enemies.
Using blueprints you find throughout the campaign, you can craft new weapons with varying levels of damage, accuracy, and other traits such as whether it produces fire after the shot, if it is affected by wind, how much it bounces, etc..
The 2018 Shoot»Em Up Construction Kit (SEUCK) competition is currently underway, organised by The New Dimension (headed by Richard Bayliss) who are known for producing a library of freeware games for the Commodore 64.
Finnish studio Housemarque has spent the last 20 years producing brilliant retro shoot»em ups that pay homage to the past while adding intriguing new ideas.
Despite most of them having active emerging careers as solo artists, they've produced collaborative solo exhibitions every year for the past seven years (with the exception of 2016) at places like Shoot the Lobster in New York, Queer Thoughts in Chicago (it's since moved to New York), Library Plus in London, and Courney Blades in Chicago.
One Mile Film (5,280 feet of 35 mm film negative and print taped to the mile - long High Line walk way in New York City for 17 hours on Thursday, September 13th, 2012 with 11,500 visitors — the visitors walked, wrote, jogged, signed, drew, touched, danced, parkoured, sanded, keyed, melted popsicles, spit, scratched, stomped, left shoe prints of all kinds and put gum on the filmstrip — it was driven on by baby stroller and trash can wheels and was traced by art students — people wrote messages on the film and drew animations, etched signs, symbols and words into the film emulsion lines drawn down much of the filmstrip by visitors and Jwest with highlighters and markers — the walk way surfaces of concrete, train track steel, wood, metal gratings and fountain water impressed into the film; filmed images shot by Peter West — filmed Parkour performances by Thomas Dolan and Vertical Jimenez — running on rooftops by Deb Berman and Jwest — film taped, rolled and explained on the High Line by art students and volunteers) 2012, 58 minutes, 40 seconds 35 mm negative and film print transferred to high - definition video, no sound Commissioned and produced by Friends of the High Line and the New York City Department of Parks and Recreation
In addition to producing exhibitions, events and photo shoots, she is an art consultant for Tiwani, a new contemporary arts gallery with a focus on artists from Africa, the diaspora and global south.
With grants from the Center, Arcadia has organized a traveling survey of Beijing - based Ai Weiwei's ceramics — the first museum show of his work outside of New York — and produced a major new film by Berlin - based Tacita Dean, shot in Death Valley and the Salt Lake FlaNew York — and produced a major new film by Berlin - based Tacita Dean, shot in Death Valley and the Salt Lake Flanew film by Berlin - based Tacita Dean, shot in Death Valley and the Salt Lake Flats.
Based in New York, Eberle is known for producing images that are clean and minimal — a figure who began to draw attention after shooting Donald Judd's art and furniture in Marfa, Texas, in the 1990s.
2000 The Work Shown in this Space is a Response to the Existing Conditions and / or Work Previously Shown Within the Space III, Neuger Riemschneider, Berlin, DE Sequences, Galerie Roger Pailhas, Marseille, FR La Frontière, Recit d'Expériences, one of several exhibitions collectively entitled «Réseau Galleries / Multilangages de l'Art», Institut d'Art Contemporain - FRAC Rhône - Alps, Villeurbanne / Collège de Prévessin - Moëns (Ain), Academie de Lyon, FR TransAct - Platform for Transitional Activities in the Cultural Field, «Museum in Pro-gress» in cooperation with «Art Pool», Vienna, AT Shoot: Moving Pictures by Artists, Malmö Konsthall / The Cinema Spegeln / Restaurant Hipp, Malmö, SW; Living Art Museum, IS, as part of Kyikar Myndir show, Reykjavik, IS Never Exhibited: Works from the Marieluise Hessel Collection, Center for Curatorial Studies, Bard College, Annandale, New York, US Copyright / Copywrong, Ecole Régionale des Beaux - Arts de Nantes, Nantes, FR Thirtieth Anniversary Benefit Silent Auction, White Columns, New York, US Two by Two for Aids and Art, Dallas Museum of Art, Dallas, Texas, US Dust and Dirt, De Witte Zaal in cooperation with SMAK, Ghent, BE L'Elemento Verbale Nell» Arte Contemporanea, Galleria Martano, Torino, IT; Galleria Martano, Milan, IT Sentimental, Galerie Yvon Lambert, Paris, FR Die Natur der Dinge, NRW - Forum Kultur und Wirtschaft, Düsseldorf, DE Pure, one of several simultaneous exhibitions around UK, collectively entitled On the FRAC Track: A Selection of International Art from the Collection of Fonds Régional d'Art Contemporain (FRAC), Nord - Pas de Calais, Maidstone Library Gallery, Maidstone, UK Under the Apple Tree, Galleria Massimo de Carlo, Milan, IT A Tribute to Robert Hopper, Yorkshire Sculpture Park, West Yorkshire, UK From Here to There - Passageways at Solitude, Akademie Schloss Solitude, Stuttgart, DE Topologies, White Box, New York, US Multiple Configurations: Displaying the Contemporary Portfolio, Busch - Reisinger Museum, Harvard University, Cambridge, Massachusetts, US Heimatweh — Fernlust, Galerie Herbert Winter, Vienna, AT In the Mirror of Space and Time, Listasafns ASÍ, Reykjavik, IS Árátta, Listasafn Kópavogur, Reykjavik, IS Recent Works on Paper, Leo Castelli Gallery, New York, US Présumés Innocents: l'Art Contemporain et l'Enfance, Musée d'Art Contemporain, Bordeaux, FR l'Oeuvre Collective, les Abattoirs, Toulouse, FR Arteast 2000 + The Art of Eastern Europe in Dialogue with the West, from the 1960s to the Present, Moderna Galerija Ljubljana, SL Works by Peter Friedl, Thomas Hirschhorn, Lawrence Weiner, Arndt & Partner [Gallery], Berlin, DE (E Così Via)(And So On): 99 Artisti Della Collezione Marzona, Galleria Comunale d'Arte Moderna e Contemporanea, Rome, IT Collection Lambert en Avignon: Rendez - vous # 1, Rendez - vous # 2, January 12 - December 31, Hôtel de Caumont, Avignon, FR Wallpapers, Art Gallery of Nova Scotia & Nova Scotia College of Art and Design, Halifax, CA Orbis Terrarum: Ways of Worldmaking, Museum Plantin - Moretus, Antwerp, BE Drawings 2000, Barbara Gladstone Gallery, New York, US Von Edgar Degas bis Gerhard Richter / Arbeiten auf Papir aus der Graphischen Sammlung..., Kunstmusem Winterthur, Winterthur, US; Nationalgalerie Prag, CZ; Rupertinum, Salzburg, AT; Westfälischer Landesmuseum, Münste, DE; Neues Museum, Nürnberg, DE Proposals from Halifax: An Exhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Barcelona, ES
While in residence, Ellen will be producing a new body of work and shooting dog portraits on site at Pro Arts.
Artists Space is now producing a BC «retrospective» in typical restyled form, encompassing a new photo shoot along with relics from the group's early fashion line, cine - tracts like Get Rid of Yourself (2003), pages from the short - lived magazine Made in USA (2000 — 2001), and more recent forays into poetry and sculpture — all displayed within a total exhibition architecture conceived with set and production designer Gideon Ponte.
Case in point: the Ohio State researchers who claim that a warmer climate produces more violence - this «new» theory that hotter temperatures cause more aggression has been easily debunked before (and debunking this theory is kinda like shooting politically correct fish in a barrel).
A shot of a flower produced more detailed textures than the OnePlus, while a New York City skyline shot looked equally vivid from both phones.
«The very high efficiency LTPS technology allows the new Nexus 7 display to provide a full 100 percent Color Gamut and at the same time produce the brightest Tablet display that we have measured so far in this Shoot - Out series.»
The front - facing camera also has a 16MP sensor with a new HDR Boost mode which is similar to the HRD + mode of on the Google Pixel, allowing it to produce more balanced shots since the final image is created from multiple exposures.
A medium - distance shot of a bunch of chili peppers taken under the shade of a tent in New York's Union Square farmers market appeared too yellow, while the same shot with the iPhone 7 Plus produced more accurate colors.
Both have the new 12MP, 4K - recording rear camera with dual - pixels, which Samsung says helps focus ridiculously fast and produce fantastic lowlight shots.
Including the monochrome sensor adds a new dimension to discussing the dynamic range of our smartphone photos, as it's there mostly to collect additional light for every single shot produced from this camera.
While this effect isn't anything new to smartphones, Samsung did a better job of implementing it than most, and it's not just because it produces two different shots at the same time.
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