Sentences with phrase «produce objects made»

While experimenting with increasingly three - dimensional canvases at the California College of Art in the late 1950s, the artist began to produce objects made with industrial materials, including plywood, sprayed lacquer, and pigmented resin, creating the highly reflective, smooth surfaces that he was to become known for.

I freestyle with mass - produced products like sneaker rubber, beauty products, backscratchers, and crackpipes, combined with artist - produced objects made from materials such as clay and velvet — telling stories, making dedications, erecting structures, and leaving evidence.»

Not exact matches

Yet he didn't make the light producing objects (the sun and the stars) until the fourth day (1:14 - 19).

Although this little book (it can be called an occasional address, yet without having the occasion which produces the speaker and gives him authority, or the occasion which produces the reader and makes him eager to learn) is like a fantasy, like a dream by day as it confronts the relationships of actuality: yet it is not without assurance and not without hope of accomplishing its object.

If people choose to make their breasts into purely sexual objects that's up to them, however my own children are all fully aware that breasts produce milk and are meant for feeding children, so no embarrassment is caused.

This hormone makes the ovaries produce more progesterone; it also suppresses your immune system, so that your body does not reject the baby as a foreign object.

We point at behaviours that we object to as a society and produce stocks in the public square where an example can be made of the greedy banker, corrupt politician, binge - drinking young person, sexually abusive celebrity, preacher of hate, benefit cheat or lying police officer.

«With CurveUps, we make it possible to produce 3D objects empowered with these same technologies, pushing the limits of digital manufacturing far beyond the current state.»

To make matters worse, the magnified object is a starbursting dwarf galaxy: a comparatively light galaxy (it has only about 100 million solar masses in the form of stars [3]-RRB-, but extremely young (about 10 - 40 million years old) and producing new stars at an enormous rate.

As this cosmic stuff rubs together it produces friction and light, making black holes among the universe's brightest objects.

Lastly, the animals had to make inferences about the location of the hidden food themselves, based on causal cues such as the noise produced by an object containing food when shaken.

In most people, the left side parietal lobe is thought of as dominant because of the way it structures information to allow us to read and write, make calculations, perceive objects normally, and produce language.

To aid the process of obtaining additional observations, the MPC produces a list that is generally available of objects that need further observations and are currently visible so that observers with telescope time can make a special effort to observe these objects, thus ensuring that the elements of the orbit are secure.

Year 4 Science Assessments Objectives covered: Recognise that living things can be grouped in a variety of ways Explore and use classification keys to help group, identify and name a variety of living things in their local and wider environment Recognise that environments can change and that this can sometimes pose dangers to living things Describe the simple functions of the basic parts of the digestive system in humans Identify the different types of teeth in humans and their simple functions Construct and interpret a variety of food chains, identifying producers, predators and prey Compare and group materials together, according to whether they are solids, liquids or gases Observe that some materials change state when they are heated or cooled, and measure or research the temperature at which this happens in degrees Celsius (°C) Identify the part played by evaporation and condensation in the water cycle and associate the rate of evaporation with temperature Identify how sounds are made, associating some of them with something vibrating Recognise that vibrations from sounds travel through a medium to the ear Find patterns between the pitch of a sound and features of the object that produced it Find patterns between the volume of a sound and the strength of the vibrations that produced it Recognise that sounds get fainter as the distance from the sound source increases Identify common appliances that run on electricity Construct a simple series electrical circuit, identifying and naming its basic parts, including cells, wires, bulbs, switches and buzzers Identify whether or not a lamp will light in a simple series circuit, based on whether or not the lamp is part of a complete loop with a battery Recognise that a switch opens and closes a circuit and associate this with whether or not a lamp lights in a simple series circuit Recognise some common conductors and insulators, and associate metals with being good conductors

Perhaps the book is hand made art object (the kind of handmade books Publication Studio produces) or perhaps the content is intended to be exclusive.

The combination of the above makes it highly useful to produce shiny intricately - crafted objects that last.

Character Artists work with 3D programs such as Maya or 3DS Max to produce the characters and objects that make up the video games.

If each artist makes a point of ensuring that every single piece of art and limited edition print created or produced carries the Fine Art Registry ID tag and the details of the art object are registered and recorded in the FAR database, both artists and their collectors are protected.

Re / Post, a group show of artists who produce images and objects to make works that seem to vibrate in some way.

The exhibition includes carpet paintings, chair sculptures, and other kinds of artworks made from postconsumer objects: goods that are designed, produced, sold, used until they're thoroughly worn, then discarded.

'' I feel attracted to an object by a magnetic force, without any premeditation whatsoever; then I feel attracted by another object which, when linked to the first, produces a poetic impact, first traversing this plastic, physical attraction, really making its poetry move you and without which it would not be effective.»

The conversation will touch on the ritual of and impulse to make art and produce physical objects.

Over a 50 - year period, between the late 1930s until his death in 1983, Von Bruenchenhein produced expansive bodies of work in poetry, photography, ceramics, painting, objects made from chicken and turkey bones, and drawing.

He first produced fiberglass sculptures in 1965, using casting to focus on the process of art - making itself, and entering the Process art movement by disregarding the art object itself in favor of its creation.

Upritchard is drawn to a variety of arts, crafts, and design from around the world produced over the past several centuries, and an array of objects and techniques have informed her work: the fifteenth - century German sculptor Erasmus Grasser's wooden figures; the Bayeux Tapestry, made in the eleventh century, with its scenes of the Norman conquest of England; the use of canopic jars in Egyptian mummification; the bronze figures of the Chola dynasty in India; and the blank expressions of the masks used in Japanese Noh theater.

Sawtell makes industrially produced locally made objects that are designed after a period of working with the manufacturer.

Founded in 2005 by Duncan MacKenzie, Richard Holland, and Amanda Browder, Bad at Sports (B @S) now features over 20 principal collaborators and is a weekly podcast, a series of objects, events, and a daily blog produced in Chicago, San Francisco, Detroit and New York City that features artists and art worlders talking about art and the community that makes, reviews and participates in it.

From 2002 to 2007 she was the Chief Curator of Exhibitions at the Wexner Center for the Arts where she organized the first US retrospectives of Louise Lawler and Luc Tuymans, as well as Part Object Part Sculpture which examined sculpture produced in the wake of Marcel Duchamp's erotic objects and hand made readymades of the 1960s.

Instead, it's messy and mocks the slickness of mass - produced objects with a vulnerable, hand - made appearance.

At best, the work makes you rethink your relationship to the mass - produced objects that infiltrate our lives; at worst, it becomes pun - filled one - liners.

Jeff has pushed that legacy further than any other artist in terms of the standards and level of detail with which he produces his work, and there's an essay in the exhibition catalogue by [Artforum editor] Michelle Kuo that argues that he is producing objects at a level that's higher even than science or industry today, with elements of his sculptures that are more exacting and complicated than equipment made by the aerospace industry.

He made furniture for Gropius's office, produced a demountable chair and made objects in glass.

(Koons made a mythical porno, Made in Heaven, though only produced images and objects around made a mythical porno, Made in Heaven, though only produced images and objects around Made in Heaven, though only produced images and objects around it.)

Curry's work always contains this constant osmosis between the warmth of material like natural wood and the artificial slickness of industrial colours, between the memory of a hand - made object and the mass - produced, reproduced, broadcast image, between tribal art and the world of consumption.

A number of cast bronze sculptures that appropriate objects from outside of the Western canon will also be on view, including Gamelan Figures, Naga Effigy, and Little Dancer (all from 2017); as well as Monochromes after Van Gogh Sunflowers: 1 - 12 (2015) in which the artist makes use of pixelation to produce a series of monochromatic panels where the individual colors are derived from Van Gogh's iconic paintings.

The exhibition, «Edward Hines National Forest,» introduces a site - specific installation that traces the material processing of trees, from plant to lumber and cellulose, to produce hybrid forms that expose the complex relationship between people, human - made objects and the natural ecosystem.

In this fifth lecture, originally delivered at the National Gallery of Art on May 4, 2003, the distinguished art historian Kirk Varnedoe explores the 1980s, when Roy Lichtenstein, Andy Warhol, Claus Oldenburg, and others confronted the ironic relationship between abstraction and the representation of man - made objects, thus producing a politicized critique of abstraction.

I make archives of found objects, photos, and drawings that provide a point of departure for paintings produced through experimentation, process, and chance.

2015 Wonder Women, Katherine E. Nash Gallery, University of Minnesota, Minneapolis, MN Tchotchke: The Mass - Produced Sentimental Object in Contemporary Art, Gund Gallery, Kenyon College, Gambier, OH Represent: 200 Years of African American Art in the Philadelphia Museum of Art, Philadelphia, PA Letters and Shadows: African American Art and Literature Since the Harlem Renaissance, Bowdoin College Museum of Art, Brunswick, ME America Is Hard to See, Whitney Museum of American Art, New York, NY I Like It Like This: S 2 x Drake, Sotheby's Contemporary Art Gallery, New York, NY Collector's Legacy: Selections from the Lloyd and Sandra Baccus Collection, David C. Driskell Center, College Park, MD Marks Made: Prints by American Women Artists from the 1960s to the Present, Museum of Fine Arts, St. Petersburg, FL Take an Object, Museum of Modern Art, New York, NY A Constellation, The Studio Museum in Harlem, New York, NY

A party popper is a cheap, mass produced plastic object, so making it in hand made glass by an expert maker was something I wanted to see happen.

In the end, he explains that «there are many possible interpretations when it comes to large amounts of mass - produced, almost identical objects doing all the same thing, or when things made from cheap and colorful plastic — the opposite of anything organic — start to behave organically like a swarm or wave.

This summer, Norton is producing a multi-part installation consisting of custom - made window inserts, sculptural objects, interactive hot houses and living plants.

As has frequently been noted, Sehgal seeks to make art without producing any physical artifact of the events that he stages in galleries and museums as a gesture against what he sees as the excessive proliferation of objects in the world.

This is represented in «Why Pictures Now» by objects Lawler produced while working with, or for, others: promotional materials from exhibitions and events she organized with Levine under the moniker A Picture Is No Substitute for Anything, production stills she took for a film by Lawrence Weiner, a business card she designed for Dan Graham, bronze wall reliefs she made with Allan McCollum.

Made by her own hand, her objects are produced through the languages that surround them, materials that are ready at hand, and sculptural procedures and traditions, taking in cutting, welding, moulding, handling, stuffing, assembling; monumental, ready - made, formal, quick - build, representational and abstrMade by her own hand, her objects are produced through the languages that surround them, materials that are ready at hand, and sculptural procedures and traditions, taking in cutting, welding, moulding, handling, stuffing, assembling; monumental, ready - made, formal, quick - build, representational and abstrmade, formal, quick - build, representational and abstract.

Each of these elements play a role in the current exhibition, which will feature an immersive array of wall paintings, several types of paintings on canvas, and installation - based gestures made in response to the overall effect produced by the other objects.

The show at the Kohn Gallery will encompass Ryden's famed painting of a meat dress (Yes, the Gaga outfit), tited Incarnation from 2009, along with a site specific installation produced with recycled and made objects relating to the general theme of the series.

Later in the summer of 1964, Warhol produced another set of the Most Wanted Men paintings with the screens he had used to make the mural and nine of these are assembled, forming the core of the 175 or so objects in the exhibition.

From teaspoons to cocktail shakers and unique objects made for New York World's Fairs, this stunning book examines the influence of modernism upon industrially produced silverware made in the United States from 1925 to 2000.

Made at a time of public and financial success, the image connects the artist's desire for money and success and her sexual desire (her role as consumer) with her use of her body and her emotional life to produce her art (the object of consumption).