Sentences with phrase «produce portrait art»

On the demon side, the unfortunate reality of just how much effort would be needed to produce portrait art for every single demon means that there's a wild mixture of art from older games, newer games, games in between those games, and brand - new monstrosities created not only by Doi himself, but also various guest artists from the world of tokusatsu media (Japanese live - action fare like Godzilla, Kamen Rider, and Ultraman).

Not exact matches

The art of Stephen Wiltshire Stephen Wiltshire is a British architectural artist with an incredible gift — he can look at something once, and then produce an intricate, detailed portrait of the subject.

Sally is highly respected for her portraits and original art, meticulously producing paintings to evoke emotions and allow the viewer to enjoy the beauty and true personality of the subject.

Brilliantly witty, shocking, poignant and nihilistic, his art presents a portrait of contemporary America and is, in part, an investigation into the act of producing and looking at art.

Watch IL LEE discuss Rembrandt portraits in Season 2 of The Artist Project produced by The Metropolitan Museum of Art.

Watch IL LEE discuss Rembrandt portraits in Season 2 of The Artist Project produced by The Metropolitan Museum of Art: http://metmuseum.org/artistproject/il-lee The Metropolitan Museum of Art invited 100 contemporary artists from around the world to discuss works in the Met's collection that they find particularly inspiring.

In an unusual twist on the theme, an exhibition at the Sainsbury Centre for Visual Arts tells the fascinating story of how in 1907, King Edward VII commissioned Russian jewellery designer Peter Carl Fabergé to produce portrait sculptures of dogs and horses for the Sandringham estate as a gift for Queen Alexandra.

Exhibitionism's 16 exhibitions in the Hessel Museum are (1) «Jonathan Borofsky,» featuring Borofsky's Green Space Painting with Chattering Man at 2,814,787; (2) «Andy Warhol and Matthew Higgs,» including Warhol's portrait of Marieluise Hessel and a work by Higgs; (3) «Art as Idea,» with works by W. Imi Knoebel, Joseph Kosuth, and Allan McCollum; (4) «Rupture,» with works by John Bock, Saul Fletcher, Isa Genzken, Thomas Hirschhorn, Martin Kippenberger, and Karlheinz Weinberger; (5) «Robert Mapplethorpe and Judy Linn,» including 11 of the 70 Mapplethorpe works in the Hessel Collection along with Linn's intimate portraits of Mapplethorpe; (6) «For Holly,» including works by Gary Burnley, Valerie Jaudon, Christopher Knowles, Robert Kushner, Thomas Lanigan - Schmidt, Kim MacConnel, Ned Smyth, and Joe Zucker — acquired by Hessel from legendary SoHo art dealer Holly Solomon; (7) «Inside — Outside,» juxtaposing works by Scott Burton and Günther Förg with the picture windows of the Hessel Museum; (8) «Lexicon,» exploring a recurring motif of the Collection through works by Martin Creed, Jenny Holzer, Barbara Kruger, Bruce Nauman, Sean Landers, Raymond Pettibon, Jack Pierson, Jason Rhoades, and Allen Ruppersberg; (9) «Real Life,» examines different forms of social systems in works by Robert Beck, Sophie Calle, Matt Mullican, Cady Noland, Pruitt & Early, and Lawrence Weiner; (10) «Image is a Burden,» presents a number of idiosyncratic positions in relation to the figure and figuration (and disfigurement) through works by Rita Ackerman, Jonathan Borofsky, John Currin, Carroll Dunham, Philip Guston, Rachel Harrison, Adrian Piper, Peter Saul, Rosemarie Trockel, and Nicola Tyson; (11) «Mirror Objects,» including works by Donald Judd, Blinky Palermo, and Jorge Pardo; (12) «1982,» including works by Carl Andre, Robert Longo, Robert Mangold, Robert Mapplethorpe, A. R. Penck, and Cindy Sherman, all of which were produced in close — chronological — proximity to one another; (13) «Monitor,» with works by Vito Acconci, Cheryl Donegan, Vlatka Horvat, Bruce Nauman, and Aïda Ruilova; (14) «Cindy Sherman,» includes 7 of the 25 works by Sherman in the Hessel Collection; (15) «Silence,» with works by Christian Marclay, Pieter Laurens Mol, and Lorna Simpson that demonstrate art's persistent interest in and engagement with the paradoxical idea of «silence»; and (16) «Dan Flavin and Felix Gonzalez - Torres.&raqArt as Idea,» with works by W. Imi Knoebel, Joseph Kosuth, and Allan McCollum; (4) «Rupture,» with works by John Bock, Saul Fletcher, Isa Genzken, Thomas Hirschhorn, Martin Kippenberger, and Karlheinz Weinberger; (5) «Robert Mapplethorpe and Judy Linn,» including 11 of the 70 Mapplethorpe works in the Hessel Collection along with Linn's intimate portraits of Mapplethorpe; (6) «For Holly,» including works by Gary Burnley, Valerie Jaudon, Christopher Knowles, Robert Kushner, Thomas Lanigan - Schmidt, Kim MacConnel, Ned Smyth, and Joe Zucker — acquired by Hessel from legendary SoHo art dealer Holly Solomon; (7) «Inside — Outside,» juxtaposing works by Scott Burton and Günther Förg with the picture windows of the Hessel Museum; (8) «Lexicon,» exploring a recurring motif of the Collection through works by Martin Creed, Jenny Holzer, Barbara Kruger, Bruce Nauman, Sean Landers, Raymond Pettibon, Jack Pierson, Jason Rhoades, and Allen Ruppersberg; (9) «Real Life,» examines different forms of social systems in works by Robert Beck, Sophie Calle, Matt Mullican, Cady Noland, Pruitt & Early, and Lawrence Weiner; (10) «Image is a Burden,» presents a number of idiosyncratic positions in relation to the figure and figuration (and disfigurement) through works by Rita Ackerman, Jonathan Borofsky, John Currin, Carroll Dunham, Philip Guston, Rachel Harrison, Adrian Piper, Peter Saul, Rosemarie Trockel, and Nicola Tyson; (11) «Mirror Objects,» including works by Donald Judd, Blinky Palermo, and Jorge Pardo; (12) «1982,» including works by Carl Andre, Robert Longo, Robert Mangold, Robert Mapplethorpe, A. R. Penck, and Cindy Sherman, all of which were produced in close — chronological — proximity to one another; (13) «Monitor,» with works by Vito Acconci, Cheryl Donegan, Vlatka Horvat, Bruce Nauman, and Aïda Ruilova; (14) «Cindy Sherman,» includes 7 of the 25 works by Sherman in the Hessel Collection; (15) «Silence,» with works by Christian Marclay, Pieter Laurens Mol, and Lorna Simpson that demonstrate art's persistent interest in and engagement with the paradoxical idea of «silence»; and (16) «Dan Flavin and Felix Gonzalez - Torres.&raqart dealer Holly Solomon; (7) «Inside — Outside,» juxtaposing works by Scott Burton and Günther Förg with the picture windows of the Hessel Museum; (8) «Lexicon,» exploring a recurring motif of the Collection through works by Martin Creed, Jenny Holzer, Barbara Kruger, Bruce Nauman, Sean Landers, Raymond Pettibon, Jack Pierson, Jason Rhoades, and Allen Ruppersberg; (9) «Real Life,» examines different forms of social systems in works by Robert Beck, Sophie Calle, Matt Mullican, Cady Noland, Pruitt & Early, and Lawrence Weiner; (10) «Image is a Burden,» presents a number of idiosyncratic positions in relation to the figure and figuration (and disfigurement) through works by Rita Ackerman, Jonathan Borofsky, John Currin, Carroll Dunham, Philip Guston, Rachel Harrison, Adrian Piper, Peter Saul, Rosemarie Trockel, and Nicola Tyson; (11) «Mirror Objects,» including works by Donald Judd, Blinky Palermo, and Jorge Pardo; (12) «1982,» including works by Carl Andre, Robert Longo, Robert Mangold, Robert Mapplethorpe, A. R. Penck, and Cindy Sherman, all of which were produced in close — chronological — proximity to one another; (13) «Monitor,» with works by Vito Acconci, Cheryl Donegan, Vlatka Horvat, Bruce Nauman, and Aïda Ruilova; (14) «Cindy Sherman,» includes 7 of the 25 works by Sherman in the Hessel Collection; (15) «Silence,» with works by Christian Marclay, Pieter Laurens Mol, and Lorna Simpson that demonstrate art's persistent interest in and engagement with the paradoxical idea of «silence»; and (16) «Dan Flavin and Felix Gonzalez - Torres.&raqart's persistent interest in and engagement with the paradoxical idea of «silence»; and (16) «Dan Flavin and Felix Gonzalez - Torres.»

Featuring an extensive interview with Douglas Gordon on the process of making his 2016 film I had nowhere to go: Portrait of a displaced person, this video, produced by Berlin Art Link, includes clips of Jonas Mekas and revealing anecdotes about the creation of the film.

The remarkable naturalism and minutely observation of nature never deserted the American landscape artist and just a few of them surrendered to the spontaneity of European movement's idiom, while the rest continued producing realistic style portrait art and Barbizon School landscape paintings.

Sue Williamson has been a key figure on the South African art scene since the early 1980s when she produced A Few South Africans, a groundbreaking series of portrait prints featuring women in the struggle against apartheid.

Also included in the program is the early video piece East Coast / West Coast (Nancy Holt and Robert Smithson, 1969), where Holt and Smithson humorously take on the stereotypical and opposing personas of the coastal «art scenes» in philosophical debate; and the conversational Carl Andre: A Video Portrait, produced by Virginia Dwan in 1976 — just one document reflective of Dwan's many relationships and sustained friendships with the artists she represented.

A mesmerizing example of the artist's photo - painting practice, it takes its place alongside the exceptional works produced during this year, including Onkel Rudi (Lidice Collection), Frau die Treppe herabgehend (The Art Institute, Chicago), Motorboot (Kunstmuseum, Basel), Mutter und Tochter (Ludwig Galerie Schloss Oberhausen), Schwimmerin (Froehlich Collection, Stuttgart), Portrait Prof. Zander and Tante Marianne.

Last year, Art Toronto hosted an Asia focus adding 14 exhibitors to the roster, whereas this year, they produced «All the Artists are Here,» a high school yearbook - style wall hanging of artist portraits by artist and curator Thom Sokoloski.

German photographer Thomas Struth also uses the chromogenic color printing process to produce his monumental prints, dealing with subjects like people looking at art in museums, portraits of families, and the hidden machine rooms that keep modern life moving forward.

William Oxer is a UK - based artist who has been painting professionally for over 25 years, undertaking regular portrait commissions for private clients and producing artworks for art gallery exhibitions and collectors across the globe.

The late East Village artist, whose paintings stand as some of the most original and brave art produced in New York in the past 40 years, painted an intimate portrait of one in bed, still wearing... Read More

An extensive archive of photographs produced in silver gelatin print, taken since 1999 (and still on going), this series focuses on marginalized rural communities in Western Rajasthan, portrayed through a range of local photographic methods including studio portraits, religious calendar art and Bollywood posters, at times collaborating with subjects, and sometimes not including them at all.

After 9 April: ACME Film Company produces Sculptor Discards Clay to Ply His Art in Wire, a film of Calder's wire sculpture that includes footage of Calder creating a wire portrait of Elizabeth «Babe» Hawes, a reporter and aspiring fashion designer whom he had met in Paris.

McDonald's work has been produced in Berlin at Brotfabrik; in Melbourne, Australia at Linden Centre for Contemporary Arts and Craft Victoria; in Sydney, Australia, at Elizabeth Bay House; in New York at P.S. 122, The Joyce SoHo, HERE Center for the Arts and Galapagos Arts Space; in Washington, DC, at the Smithsonian National Portrait Gallery; in San Francisco at Theatre of Yugen; in Chicago at Links Hall; in Baltimore at the Evergreen Museum & Library and 14K Cabaret; and in Philadelphia at the Institute of Contemporary Art, Painted Bride Art Center, The Prince Music Theater and the Philadelphia Live Arts Festival.

Schjerfbeck also produced a number of extraordinary portraits testifying an increased interest in the fashion of her time — an aspect that has only drawn little attention in art historical research to date and is now explored in more detail in the Schirn's presentation for the first time.

Lease's portraits of Richmond bus operators, produced for a collaborative project entitled Driving Richmond, were shown at the 2013 Richmond Street Art Festival.

He continued to work in several genres, producing self - portraits and group portraits with mocking references to myth, art history and contemporary politics.

This volume, handsomely produced by the august Jargon Society, offers a gently haunting portrait of these often ephemeral memorials, drawing out their folk - art qualities.

While in residence, Ellen will be producing a new body of work and shooting dog portraits on site at Pro Arts.

They have become part of museum art collections including Tate Modern, the Saatchi Gallery and the UK National Portrait Gallery, and have also been mass produced as postcards sold in museum shops throughout the world.

(In 1937, in company with Worth Griffin, he founded the Nespelem Art Colony, producing a large number of portraits and landscapes about life on the Colville Indian Reservation.)

Although realist sculpture first emerged in the form of portrait busts of Roman Emperors (compare these gritty works with romantic Greek sculpture), and was continued most memorably by sculptors like Auguste Rodin (1840 - 1917), it wasn't until the advent of Pop - Art in the 1960s that artists like Duane Hanson (1925 - 96), John De Andrea (b. 1941) and Feuerman began to produce superrealist figurative sculpture.

Later, he painted her portrait - now in the Ulster Museum - and interviewed her in a film of her life and art, which was produced shortly before her death in 1989.

During a sojourn in Paris in 1939, he produced a few landscape paintings and some portraits in a cubist style, but the outbreak of war meant he returned to Switzerland, where he created little more that might be called fine art until 1949.

• Andy Warhol (1928 - 87) Leader of the American Pop Art movement, best - known for his celebrity silkscreen portraits, but also produced several avant - garde sculptures of boxes of Brillo soap pads, Heinz ketchup and Campbell's tomato juice.

In addition, the collection offers artist interviews produced by external producers and producing organizations — including Artists Television Network, Long Beach Museum of Art, and the University of Colorado — and experimental documentaries and portraits, many of them produced by other artists.

Parr, Martin (b. 1952) Postmodernist art photographer producing portraits and still lifes, as well as advertising and fashion photography.

Inspired by the Metropolitan Museum of Art's 2015 exhibition and catalogue of Paul Cézanne's portraits of his wife, Baldessari abstracted the differences in Madame Cézanne's hairstyle to produce eight screen - prints in the conceptual artist's trademark witty style.

In addition to these works, he has produced and directed films and multi screen installations for a variety of clients, both in the art world and the commercial, with clients as diverse as; the J. Paul Getty Museum; Los Angeles County Museum of Art; Newport Harbor Museum of Art; Lannan Foundation; The Whitney Museum of American Art and The National Portrait Gallery, Universal Studio Tours, Florida and The Mirage Hotel, Las Vegart world and the commercial, with clients as diverse as; the J. Paul Getty Museum; Los Angeles County Museum of Art; Newport Harbor Museum of Art; Lannan Foundation; The Whitney Museum of American Art and The National Portrait Gallery, Universal Studio Tours, Florida and The Mirage Hotel, Las VegArt; Newport Harbor Museum of Art; Lannan Foundation; The Whitney Museum of American Art and The National Portrait Gallery, Universal Studio Tours, Florida and The Mirage Hotel, Las VegArt; Lannan Foundation; The Whitney Museum of American Art and The National Portrait Gallery, Universal Studio Tours, Florida and The Mirage Hotel, Las VegArt and The National Portrait Gallery, Universal Studio Tours, Florida and The Mirage Hotel, Las Vegas.

2002 Illustraded Catalog, Big Girl Paintings, Gagosian Gallery, Beverly Hills, CA 2001 Included in exhibition, Mythic Proportions: Painting in the 1980's, Museum of Contemporary Art, Miami 2000 Included in exhibitions: The International Festival of Contemporary Sculpture: Contemporary American Sculpture, Monaco; The Lenore and Burton Gold Collection of 20th Century Art, High Museum of Art, Atlanta 1999 Included in exhibitions: The American Century: Art and Culture 1950 - 2000, the Whitney Museum of American Art, New York; The Virginia and Bagley Wright Collection of Modern Art, Seattle Art Museum, Washington; Bad - Bad: That is a Good Excuse, Staatliche Kunsthalle, Baden - Baden, Germany 1997 Included in exhibitions: The Hirshhorn Collects: Recent Acquisitions 1992 - 1996, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.; La Biennale de Venezia: Future, Present, Past, XLVII International Arts Exhibition, Venice 1996 Release of film, Basquiat, directed and produced by Schnabel 1994 Julian Schnabel: Retrospective, at the Museo de Monterrey, Mexico; included in exhibition, U.S. Painting of the 1980s, at the Irish Museum of Modern Art, Dublin, Ireland 1993 Included in Drawing the Line Against AIDS, exhibition in conjunction with Art Against AIDS Venezia, under the aegis of the 45th Venice Biennale, Peggy Guggenheim Colletion, Venice 1992 Included in exhibitions: Le Portrait Dans L'Art Contemporain, at the Musée d'art moderne et d'art contemporain, Nice, France; Manifeste, at the Musée national d'art moderne, Centre Georges Pompidou, Paris, France 1991 Solo exhibition, Julian Schnabel, at the Nelson - Atkins Museum of Art, Kansas City; included in exhibitions: The 1980's: Selections from the Permanent Collection, at the Whitney Museum of American Art, New York; Toward a New Museum: Recent Acquisitions in Painting and Sculpture, 1985 - 1991, San Francisco Museum of Modern Art, California 1989 Traveling solo exhibition, Julian Schnabel: Works on Paper 1975 - 1988, originating at the Museum für Gegenwartskunst, Basel, Switzerland 1986 Traveling solo exhibition, Julian Schnabel: Paintings 1975 - 1986, originating at the Whitechapel Art Gallery, London 1985 Completes four etching, lithographs published by Pace Editions, New York 1984 - 2001 Solo exhibitions at PaceWildenstein, New York 1984 First solo exhibition at the Pace Gallery, New York 1979 First solo exhibition at the Mary Boone Gallery, New York

In addition to his Impressionist landscape painting, Roberts produced a wealth of portrait art, notably his masterpiece The Big Picture (1901 - 4, Parliament House, Canberra).

In this work Shulie (1997) Subrin remade, almost shot for shot, a rediscovered 1967 film produced by four male graduate students about a young female art student, 22 year - old Shulamith Firestone, in an attempt to create a portrait of the «Now» generation.

Outside the classroom, he specialized mostly in portrait art but also produced numerous landscapes, interiors and still lifes.

He was also a lover of, landscape painting, producing a series of atmospheric mountain and coastal scenes, together with several examples of portrait art, including his amusing Self - Portrait (1939, Wadsworth Atheneum Museum of Art), which shows the aged, shy artist as a young, bleached - blond, gay sailor - type with tattoos and a stud portrait art, including his amusing Self - Portrait (1939, Wadsworth Atheneum Museum of Art), which shows the aged, shy artist as a young, bleached - blond, gay sailor - type with tattoos and a stud earriart, including his amusing Self - Portrait (1939, Wadsworth Atheneum Museum of Art), which shows the aged, shy artist as a young, bleached - blond, gay sailor - type with tattoos and a stud Portrait (1939, Wadsworth Atheneum Museum of Art), which shows the aged, shy artist as a young, bleached - blond, gay sailor - type with tattoos and a stud earriArt), which shows the aged, shy artist as a young, bleached - blond, gay sailor - type with tattoos and a stud earring.

Lush images of modern dance pioneers; haunting early cyanotypes of algae (the first photographic works to be produced by a woman); majestic geographical surveys taken along the Union Pacific Railroad, iconic Depression - era images taken under the Farm Security Administration's famed photography program; Berenice Abbott's epic documentation of 1930s New York for the Federal Art Project; stunning 19th century vistas of the Egypt and Syria; scenes and portraits of Ellis Island Immigrants, the Statue of Liberty under construction...