While many artists
produce small paintings within an oeuvre that includes large - scale work, the artists included in the exhibition almost exclusively paint in a more modest scale.
It's still Katz's practice to
produce small paintings, which have different colors and textures than his large paintings.
Throughout his career, now spanning more than 60 years, Katz has continuously
produced small paintings.
Not exact matches
Abingdon's One And A Half — Jonathan Wood recalls the VA the
smallest of the three saloons made by MG towards the end of the»30s / Pau: A Popular Revival — The inaugural Grand Prix Historique contained all the ingredients for lasting success reports Douglas Blain / Bellows To Buses — Norman
Painting relates how a West Midlands general engineer became a diversified vehicle producer but lost the plot after the First World War / Maudslay's Might - Have - Beens — Concluding Nick Baldwin's account of the early years of the Maudslay Motor Co. / Japanese Microcars — Michael Worthington - Williams recalls some amazing light cars and microcars
produced up to the 1950s when Japan was far from the successful motor manufacturing nation it is today / Phantom a La Packard — This month the Editor tries out a Phantom II whose dual cowl bodywork was modelled on a Packard phaeton.
But that was just one
small element of his long career
producing abstract
paintings and print work for the likes of the ICI, the Arts Council, the Institute of Contemporary Arts and the Robert Fraser Gallery.
Very
small pictures, if
painted by gifted artists and installed in an adequate version of what Dave Hickey once dubbed a «clean, well - lighted place,» can
produce exhibitions just as ambitious and adventurous as larger - scale projects... these canvases address significant issues related to their respective genres while averaging little more than a square foot apiece.»
Small Paintings features the small - scale oil paintings that Katz (b. 1927)-- who has had a home and studio in Lincolnville, Maine, for more than sixty years — produces at the start of all of his works, regardless of finished
Small Paintings features the small - scale oil paintings that Katz (b. 1927)-- who has had a home and studio in Lincolnville, Maine, for more than sixty years — produces at the start of all of his works, regardless of finis
Paintings features the
small - scale oil paintings that Katz (b. 1927)-- who has had a home and studio in Lincolnville, Maine, for more than sixty years — produces at the start of all of his works, regardless of finished
small - scale oil
paintings that Katz (b. 1927)-- who has had a home and studio in Lincolnville, Maine, for more than sixty years — produces at the start of all of his works, regardless of finis
paintings that Katz (b. 1927)-- who has had a home and studio in Lincolnville, Maine, for more than sixty years —
produces at the start of all of his works, regardless of finished size.
Rules are: sculptures are made with pressure,
paintings with leisure; yet to reduce a sense of privilege, they are all
produced in artificial light and under strict parameters within four tiny, windowless studios in Brooklyn, each designated for only one activity — sculpture,
small painting, larger
painting, or video / audio.
There is a determined intention to
produce, for instance, piles red straws
painted white, entire
paintings made so that a
small section can be extracted, ceramics made and found and then disassembled, all to create the raw resources for his working process alongside an endless assortment of carefully chosen found material.
Tisa
produced the wall of
small paintings; one each day during the 1980s and early «90's as a way of coping psychologically with the AIDS crisis.
The pictorial economy of complicated deep
paintings depends on
producing a swarm of countless
small elements, organised into bundles with relatively unstable contours.
Parallel to these large - format
paintings in which Martin also integrated his art therapeutic work with HIV - infected patients, the painter
produced small - format coloured canvases.
Produce a series of
small paintings and composite photographs that articulate the regions flora;
However, in the late 1960s and early 1970s Lostutter
produced a number of
small watercolors and drawings of female subjects where he began to explore many of the elements seen in his later
paintings.
It also features abstract works, for which Richter draws from a changing repertoire of forms and colors to
produce both
small and monumental
paintings.
The first programs
produced by «The Center at St. Mark's Church» were a
small exhibition of
paintings and a two - week «LENA Festival,» with jazz concerts, poetry readings, and film screenings.
Fuchs has
produced an extraordinary body of work that is a testament to the meaning and potency of
painting, ranging from
small to large - scale works, and characterized by an expansive vocabulary of soft lines, gestural brushwork, and a subdued, muted palette.
On this occasion I have
produced a refined show living for the present,
painting small color studies, monotype woodcuts, etchings, and heavily textured Abstracts on canvas.
-- Lucas Samaras «During the first three decades of his long career, American artist Lucas Samaras (b. 1936 in Greece) turned to pastel to
produce small, intimate works that explored themes present in his better - known
paintings, sculptures, and installations.
Perhaps most known for founding the Galería de Arte Color - Luz, Loló Soldevilla (1901 — 1971)
produced only a
small but considered body of work, spanning kinetic sculpture, hard - edge
painting, and geometric collages that reveal her sustained and thoughtful engagement with historical and contemporaneous abstract tendencies.
Francis passed away in 1994, having
produced an astonishing 150
small paintings in his final year — demonstrating once again the creative drive of this modern master.
Apparently, the rich surface congestion of a
small wall piece such as «Monk» (1955)-- unhelpfully designated a «combine
painting» — implicates it in the ongoing studio tumult of materials and images that
produced blazoned free - standing structures such as «Minutiae» (1954) and «Odalisk» (1955/58).
In the early part of 1958, along with Philip Johnson, who had recently been told by Alfred Barr that Rothko was «the greatest living painter,» Lambert commissioned Rothko to
produce a series of
paintings for the
smaller of two planned dining rooms at the Four Seasons Restaurant.»
The catalogue presents numerous large
paintings on canvas from the 1960s to the early 1980s, as well as
small - scale
paintings on paper, to which Bishop turned exclusively in 1986 and which he continues to
produce today.
Two
small paintings were
produced and I thought immediately that they were terrific.
Dividing his time between Paris and a studio in Belle - Île, where reproductions of works by Pierre Bonnard, Paul Klee, and Pablo Picasso were tacked on his wall, Kelly
produced a stunning variety of works, from extensive studies and drawings to mixed media
paintings and
small - scale relief sculptures.
There was one year in which I stopped
producing my own works, and instead, I travelled to many
small counties within China and
painted murals for local museums with friends.
Roberts»
painting: s The Boxing Match,
produced between 1919 - 25 and The Barber's Shop, circa 1946, along with Bath Night, 1929, are all in this sale.In contrast, Barbara Hepworth's Mincarlo: Three Curves with Strings, created in 1971, only four years before the sculptor's death and, although
small in size — only 16.5 cm high, excluding black, polished stone base — is unashamedly extravagant and luxurious in use of materials.
[6] Between 1964 and 1966, Palermo
produced a
small series of
paintings on canvas in which he experimented with constructivist principles of order.
Nevertheless, he has continued to
produce sculptures and
paintings on a
smaller scale (relatively speaking, that is).
This intimate exhibition catalogue,
produced to accompany Marlborough gallery's recent posthumous New York exhibition of R.B. Kitaj's
small paintings, most of which measure well less than two feet square, and many of which depict his astonishingly influential circle of friends and heroes — Creeley, Auden, Freud, Arendt, Greenberg — is also a memorial of sorts.
At the Well,
produced to coincide with an exhibition of Neo Rauch's new works at David Zwirner in New York, brings together both
small and large format
paintings that expand the artist's unique iconography of eccentric figures, animals, and hybrids within vaguely familiar but imaginary settings.
A
small painting carves a face out of an oval Tiepolo sky with the faintest suggestion of a profile, while a large
painting of crisp, mirrored heads
produces a shallow space like a frieze.
Richard used a new inkjet printing process to
produce vinyl wallpaper from a recent drawing and Gary Stephan made a
small suite of works on paper that were
produced by carefully folding and spray -
painting each sheet with acrylic enamel.
At the Well,
produced to coincide with the 2014 exhibition of Rauch's new works at David Zwirner in New York, brings together
small and large format
paintings that expand the artist's unique iconography of eccentric figures, animals, and hybrids within vaguely familiar but imaginary settings.
Although he
produced a few
small - scale figurative history
paintings under the influence of Delacroix and the French Romantic school (eg.
White
Paintings, Black
Paintings, and Red
Paintings In 1951, Rauschenberg
produced his monochromatic «White
Paintings» - referred to by some art critics as hypersensitive screens which registered the
smallest adjustments in lighting and atmosphere on their surface, and by sceptics as blank canvases.
In Cell Project Space's main gallery space artist Ian Giles has
painted the back wall in faded olive green and there are
small ceramic bulb - like bowls with aromatherapy oils burning inside them
producing tiny streams that float above the first bench in the show.
Ruscha, showing a surprising interest in the new abstract
painting, has canceled out phrases appropriated from gangster movies - «You Cross Me I Wan na See Blood» - on
small canvases,
producing Suprematist - like abstractions.
For this summer's iteration of the contemporary art fair, Alÿs showed a group of
small paintings in a former bakery in Kassel, Germany, and a film entitled REEL / UNREEL in one of the fair's satellite venues in Kabul, Afghanistan, which was
produced in collaboration with Ajmal Maiwandi and Julien Devaux.
He specialized in
small - scale landscape
painting in oils and watercolours, featuring scenes of waterways and ports, but also
produced some outstanding figurative works.
And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984
produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach
paintings 1986 First pattern
paintings 1987 Joins Luhring Augustine Gallery 1987 First word
paintings 1988 Collaborative installation with Robert Gober one
painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two
paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white
paintings 1991 Creates edition of
small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes
painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower
paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray -
paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey»
paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas
Furthermore, he also excelled at plein - air
painting: his
small - scale outdoor sketches are as good as anything
produced by John Constable or the Barbizon painters.
Alex Katz Seeing Drawing, Making, [34] published in 2008, describes Katz's multiple - stage process of first
producing charcoal drawings,
small oil studies, and large cartoons for placing the image on the canvas and the final
painting of the canvas.
In one of the
smaller rooms in the central pavilion, Gioni has orchestrated a visually striking tête - à - tête between the machine - embroidered textile collages of the recently rediscovered Romanian neo-avant-garde artist Geta Brătescu and a group of anonymously
produced tantric
paintings.
A solo show by Gianni Politi organised by Galleria Lorcan O'Neill (Rome), a re-presentation of the works the artist
produced for his first solo show at the gallery, which included three types of work: abstract
paintings made using scraps of canvas with acrylic, oil and household
paint;
small portraits on canvas; and bronze stretchers of varying sizes realized with multi-coloured patinas, marble and
painted wood inserts.
In his spare time, he
produced a number of
small - scale abstract
paintings in the manner of the dominant New York school of Abstract Expressionism.
He also
produced a series of
smaller oil
paintings called Je t «aime (1954 - 8, mostly in private collections).
Untitled, c. 1956, for instance makes it clear that the distinct reds and blues of the shapes hugging the perimeter of the
painting were relied upon in
producing the washed - out violet that fills the remaining shapes in the center, indicating a
small palette of limited variety and duration — a palette that was predetermined and adhered to as long as it lasted.
Very
small pictures, if
painted by gifted artists and installed in an adequate version of what Dave Hickey once dubbed a «clean, well - lighted place,» can
produce exhibitions just as ambitious and adventurous as larger - scale projects.