Our research focuses on the way in which animals use crystalline materials to manipulate light, for example, to
produce structural colors used in camouflage and display [1, 3].
For the installations and wall drawings in «Dentro, o que existe fora» (Inside, What Exists Outside), the artist used
colored planes to form simple geometrical compositions that nonetheless
produced complex experiential effects, giving the impression of three - dimensional shapes folding into and out of the corners, walls, and floors of the gallery, as if collapsing out of and drawing viewers into revealed spaces existing parallel to the
structural planes of the