Sentences with phrase «produced by a different artist»

Not exact matches

What initially seems different about Richard Pearce's movie, written by Janus Cercone, is its refusal to get all morally het - up about the fraudulence of Steve Martins road - show evangelist, Jonas Nightengale, a con artist who produces fake miracles with fancy showbiz footwork and the help of backstage computers.

While Marvel and DC continue to focus on legacy properties that cater to a fairly narrow range of genre fans and are produced by artists who don't own the characters they work on, Image has gone in a different direction with an array of creator - owned comics that include superhero, science fiction, and other types of stories.

This, on the surface of it, seems reasonable enough: in general, women's experience and situation in society, and hence as artists, is different from men's, and certainly the art produced by a group of consciously united and purposefully articulate women intent on bodying forth a group consciousness of feminine experience might indeed be stylistically identifiable as feminist, if not feminine, art.

Produced in the same collaborative spirit as Chicago's The Dinner Party — which was created under her supervision with the participation of more than 400 men and women — each sculpture in Shaw's installation was created by a different artist, yet all including an abundance of «Oist» references.

While the major artists of the movement produced different kinds of work, they were united by an interest in unconventional — typically everyday — materials, evidenced in Mario Merz's Cone (1967), made from willow, and Mario Ceroli's Io (1968), an iron and coal sphere.

Today's artists, she believes, are no different from the vapid art they produce, taught to keep in line by the professionalization of art practice.

The contrast between this bleak vision of urban life and the confection of pastel plastic sheeting by Karla Black over the stairwell underlines the diversity of the work produced by artists living and working in Scotland, leaving very different pieces to exist in the same space without forcing connections.

The exhibition With Glass, Under Glass, Without Glass will comprise a dozen major works chosen from the Collection of the Musée d'art contemporain de Montréal and produced by nine different artists.

All of these artists have succeeded by avoiding what cultural historian Ian Buruma calls the «trap of hybridity,» in which self - conscious efforts to merge different traditions produce little more than superficial decoration hiding ill - digested ideas.

Designed by the artist, four different posters were produced in 2007 in conjunction with Darren Almond at Matthew Marks Gallery, New York (522 W 22 Street) 22 x 15 1/2 inches; 55.9 x 39.4 cm (each) Customers will be contacted for poster selection upon receipt of payment Poster is sold unframed

Contemporary art, a broad category that is defined by auction houses, galleries and collectors in many different ways, can mean anything produced after 1960, or everything since 1980, or sometimes, simply, works made by living artists.

CGAC - Centro Galego de Arte Contemporánea, Santiago de Compostela Curated by Armando Montesinos and Mariano Navarro This project is made up of three simultaneous and complementary exhibitions that map the most significant emerging lines of art critique by reviewing and re-interpreting a series of displays produced at that time, showing works by Spanish artists present in these exhibitions, and documentary material to contextualise the different successive episodes.

9800 is the inaugural exhibition of the 501 (c)(3) Foundation, a non-profit organization set to commission, curate and produce projects and works by contemporary artists across mediums, in a range of different sites and situations started by J. Shyan Rahimi.

The texts by Annette Amberg and Simone Neuenschwander embrace the exhibition and the different viewing directions into and at spaces as well as the newly produced works by the artists.

«Heavy Dreamers» is a film produced by Booooooom in collaboration with WeTransfer investigating different artists» creative motivations.

Likewise, the twenty - six works included in this exhibition, which were produced between 1958 and 2010 by a broad range of international artists, propose direct and indirect connections to the many different ways we experience solitude, reflection, and the passing and recording of time — both literally and conceptually — in a work of art, and in our daily life.

Critical Discourses in Spanish Art, 1975 - 1995 is made up of three simultaneous and complementary exhibitions that map the most significant emerging lines of art critique by reviewing and re-interpretinga series of exhibitions produced at that time, showing works by Spanish artists present in these exhibitions, and documentary material to contextualise the different successive episodes.

The exhibition was an anthology inspired by history, produced with different materials and techniques, and consisting of works by Turkish and international artists.