Without the help of estradiol
produced by the monkeys, the rising release of luteinizing hormone began, but fell short of the full surge required to spark ovulation by about 70 percent compared to animals whose estrogen production wasn't suppressed.
Not exact matches
Opponents of the view that chance has any part to play in the order of nature tried to ridicule it in the famous analogy of the typewriting
monkeys, asking if a million
monkeys banging at random on a million typewriters could
by chance
produce one of Shakespeare's plays.
A molecule naturally
produced by the immune system protects mice and
monkeys against Zika virus infection, an international team of researchers has found.
The research team has been using NMR — a technique related to the one used in MRI body scanners and capable of visualising molecules at the smallest scales — to examine how small components of herpes virus help it to multiply
by binding themselves with other large molecules; this
produced images of a
monkey herpes virus protein interacting with mouse cellular protein and viral RNA.
«Meet Zhong Zhong and Hua Hua, the first
monkey clones
produced by method that made Dolly.»
The team computed the sounds and frequencies these
monkeys could, in theory,
produce from the 99 tract configurations they saw, and compared them with those made
by human vocal tracts (Science Advances, DOI: 10.1126 / sciadv.1600723).
Two injections of DNA followed
by one injection of protein, or two injections of protein,
produced large amounts of virus - eliminating antibodies in mice and
monkeys.
Reporting in Nature Medicine this week, Philip Johnson, a professor of pediatrics at the University of Pennsylvania, in Philadelphia, and his colleagues managed to protect
monkeys from infection with the simian immunodeficiency virus (SIV), the animal model that is closest to HIV,
by shuttling a gene into their muscles that
produces antibody - like molecules that work against SIV.
Thus,
by learning to operate this BMI,
monkeys were capable of enacting their voluntary motor intentions simply
by thinking what type of arm movement they wanted to
produce.
In these studies, a chronic low dose of aflatoxin
produced precancerous lesions in
monkeys fed 5 % casein but not in those fed 20 % casein; a chronic medium dose saved the low - protein
monkeys from precancerous lesions
by — yup, you guessed it — killing them, while the high - protein
monkeys suffered neither plight; and a chronic high dose was finally able to give the high - protein
monkeys pre-cancerous lesions.
Researchers have found that equity indices constructed randomly
by «
monkeys» would
produce higher risk - adjusted returns than an equivalent market capitalisation - weighted index over the last 40 years.
And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984
produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting
by Wool (Apocalypse Now) one sculpture
by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your
Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas
163 U.S. Copyright Office, Compendium of Copyright Office Practices § 306 (public draft dated Aug. 19, 2014), at 8 (stating, «[t] he Office will not register works
produced by nature, animals, or plants» and giving several examples including «[a] photograph taken
by a
monkey»).
A joint survey
by Global Blockchain Business and Survey
Monkey used the weighting scheme mentioned above in a research conducted in January 2018 and were able to
produce statistics regarding the cryptocurrency ownership and sentiments of the American Population with a + / - two percent margin of error.