Not exact matches
It's teamed up with photographers (Ellen von Unwerth, David LaChapelle), designers (Karen Walker, Giles Deacon), DJs (Miike Snow, Steve Aoki), retailers (Opening Ceremony, Barneys New York) and
dozens of others — some on product alone and others on mixed - media projects, such as the short
film «Sin City»'s Robert Rodriguez
produced to accompany his collaboration.
For every movie featuring an Ellen Ripley, Sarah Connor, Alice or Katniss Everdeen, Asian
film industries managed to
produce several
dozen more entertaining, hard - hitting action flicks featuring strong female characters portrayed by butt - kicking heroines, many
of them real - life martial arts champions or physically gifted dancers or performers.
Collin Souter, our contributor who analyzes short
films every month in his brilliant «Short
Films in Focus» column, goes through
dozens of short
films every year to
produce two
of the best short
film programs you could possibly see in the city
of Chicago.
Trying to turn all this reporting into a coherent two - hour - long feature
film is like using the ground meat from
dozens of cows to
produce a single burger (one
of the many dangerous industry practices Schlosser assails in the book).
Over the past decade, Andrew Jones has written,
produced and / or directed a
dozen films, including Night
of the Living Dead: Resurrection, The Amityville Asylum and Poltergeist Activity, and two more are due out before the end
of August: Conjuring the Dead (formerly known as Valley
of the -LRB-...)
He has also
produced or co-
produced a
dozen films including The People vs. Larry Flynt, The Joy Luck Club, and Reversal
of Fortune.
How something so indebted to
dozens upon
dozens of other
films can't get the imitation right buggers the imagination, providing a nation
of yearning hacks that dulcet feeling
of hope that results in a few more horrifically inept screenplays (
produced and directed with commensurate incompetence) just like this one probably in the first half
of 2004 alone.
We've recognized many
of the great
films produced in 2017 across two
dozen candid video interviews.
Plus, in addition to his own directorial efforts, Fessenden has
produced or co-
produced dozens of films, including Kelly Reichardt's Wendy and Lucy and Night Moves, Ti West's The House
of the Devil and The Innkeepers, and Jim Mickle's Stake Land, through Glass Eye Pix, his own production shingle.
Produced by the Department
of Exhibition Programs, the
film follows the career
of Virginia Dwan, who opened her first art gallery in Los Angeles in 1959 and went on to organize
dozens of exhibitions
of remarkable range, representing movements as diverse as abstract expressionism, pop art, minimalism, conceptualism, and land art.
Since 1979, Checkerboard founder Edgar B. Howard has
produced or directed
dozens of films documenting the work
of significant artists, architects and writers, including Dorothea Rockburne, Eric Fischl, Ellsworth Kelly, Milton Glaser, David Libeskind, Steven Holl, George Plimpton, Brice Marden, James Salter, and Carrie Mae Weems, among others.
From 1963 through 1968 Andy Warhol
produced nearly 650
films, including hundreds
of silent Screen Tests, or portrait
films, and
dozens of full - length movies, in styles ranging from minimalist avant - garde to commercial «sexploitation.»