Sentences with phrase «producer of the film second»

Not exact matches

Initial funding for the program was donated by David Evans Shaw, a Maine - based entrepreneur, AAAS treasurer and executive producer of the film «Second Century Stewardship: Science Beyond the Scenery in Acadia National Park.»

He serves as a director and Treasurer of AAAS, as a trustee of The National Park Foundation, and as Executive Producer of the film «Second Century.»

Meryl Streep, Julia Roberts, Benedict Cumberbatch, Chris Cooper, and Ewan McGregor head an ensemble cast in a darkly comedic tale of a large Oklahoma family reunited by a funeral, the second directorial effort for noted TV and film producer Wells (The Company Men).

Married three times, Bloom's first husband was actor Rod Steiger, with whom she co-starred in 3 Into 2 Won't Go (1969) and The Illustrated Man (1969); her second was producer Hillard Elkins, who packaged Bloom's 1973 film version of The Doll's House; and her third was novelist Philip Roth.

The second of producer Hal Roach's Topper films (based on the novels by Thorne Smith), Topper Takes a Trip would be followed in 1941 by Topper Returns... and, of course, by the eternally - rerun TV series of the 1950s.

Minnelli's second film suffers from the casting of Lucille Bremer (producer Arthur Freed's mistress) in the lead role, and the public was not crazy about seeing Astaire playing a thief.

The second film in the series, Fantastic Beasts: The Crimes of Grindelwald, raised the ire of Potter - heads around the world when producers declined to recast the role of the villainous wizard Gellert Grindelwald, whom Depp portrayed in the first installment.

Bad Samaritan is directed by veteran producer / writer (of the scripts for Universal Soldier, Stargate, Independence Day, Godzilla, «The Outpost») and now filmmaker Dean Devlin, making his second feature film after directing Geostorm previously.

At the Critics» Week — where, in the interest of full disclosure, I served on a competition jury comprised of three other critics and the South Korean director Lee Chang - dong — the highlight of an unusually strong lineup was Take Shelter, the second feature by Shotgun Stories director Jeff Nichols, an acknowledged Malick acolyte whose new film shares a producer with The Tree of Life as well as a leading lady, Jessica Chastain (reportedly at Malick's personal recommendation).

The second Blu - ray disc includes an in - depth look at the film with «A Filmmaking Journey» with Steven Spielberg, «Editing and Scoring» featuring Spielberg's long - time collaborators Michael Kahn and John Williams, «The Sounds of War Horse» about the sound design and «Through the Producer's Lens» which takes a look at the photographic journey of producer Kathleen Producer's Lens» which takes a look at the photographic journey of producer Kathleen producer Kathleen Kennedy.

Secret's box office prospects are tough to read, being that it is only the second film released by STX Entertainment, a studio founded last year by Robert Simonds, a veteran producer of Adam Sandler and Steve Martin comedies.

Attack of the Killer Donuts is directed by an American filmmaker named Scott Wheeler, who is also an experienced special / digital effects supervisor, camera operator, producer, and second unit director, plus director of a few other bad horror films previously including Martian Land, Transmorphers: Fall of Man, Sink Hole, and Avalanche Sharks.

Shane Black (Iron Man 3) was one of the producers and has assigned Scott Waugh, in just his second film after Act of Valor, as the director.

The first point is clearly absurd and as for the second, while I am rarely an advocate of very long albums for film scores, in this case I would have to agree; unfortunately, Goldenthal recorded half of his score in New York and half in Los Angeles and so because of reuse fees, he and producer Robert Townson had to choose which of the two sets of recordings to give on the album, and they decided that on the whole the New York half was more interesting - and I wouldn't disagree.

Awards are of obvious interest to this film, the second feature directed by John Wells, the longtime executive producer whose TV credits include «ER» and «The West Wing.»

American actress and film producer Jessica Chastain has landed the role of adult Beverly Marsh in the second part of the film.

Extras: Two audio commentaries from 2003, one featuring director Ken Russell and the other screenwriter and producer Larry Kramer; segments from a 2007 interview with Russell for the BAFTA Los Angeles Heritage Archive; «A British Picture: Portrait of an Enfant Terrible,» Russell's 1989 biopic on his own life and career; interview from 1976 with actor Glenda Jackson; interviews with Kramer and actors Alan Bates and Jennie Linden from the set; new interviews with director of photography Billy Williams and editor Michael Bradsell; «Second Best,» a 1972 short film based on a D. H. Lawrence story, produced by and starring Bates; trailer; an essay by scholar Linda Ruth Williams.

Two separate commentary tracks, the first and best with director Ben Wheatley and co-writer Amy Jump and the second with actors Neil Maskell, MyAnna Buring, and Michael Smiley, bring some of the film's more obscure passages into better focus, while a slew of formal interviews with the filmmakers, actors, and producers help illuminate the extent of the work that went into developing the project (Wheatley, for his part, comes across as surprisingly earnest and well - intentioned, which isn't quite what one expects after watching his film).

I would gather that the producers were equally at a loss as to what made the first film a phenomenal success, so to make sure this second film captured the essence of the first, no box was left unchecked in trying to recapture the «magic».

13 Rue Madeleine was the second feature from producer Louis de Rochemont, who previously spent a decade producing the «March of Time» newsreel series, the most widely seen non-fiction films on American screens.

Lustig returns with producer Andrew Garroni on a second yakker that ups the hilarity mainly by demonstrating that the passage of a few years (and perhaps the experience of working on the distribution side) has increased the distance and, at times, sense of irony both have for the film and for Spinell's performance.

THE DVD Of course, the real auteur of the film is producer Jerry Bruckheimer, a dated, hagiographic interview with whom is recycled, like almost all of the disc's supplementary material, from the previous DVD release of Gone in Sixty SecondOf course, the real auteur of the film is producer Jerry Bruckheimer, a dated, hagiographic interview with whom is recycled, like almost all of the disc's supplementary material, from the previous DVD release of Gone in Sixty Secondof the film is producer Jerry Bruckheimer, a dated, hagiographic interview with whom is recycled, like almost all of the disc's supplementary material, from the previous DVD release of Gone in Sixty Secondof the disc's supplementary material, from the previous DVD release of Gone in Sixty Secondof Gone in Sixty Seconds.

From Academy Award ® - winning producer Richard D. Zanuck (Deep Impact, Planet of the Apes) comes this terrifying second chapter of the film franchise that continues to keep audiences out of the ocean.

In terms of directorial duties, Steven Soderbergh has been replaced by Gregory Jacobs (although Soderbergh is still around as cinematographer), who served as producer and second unit director on many of Soderbergh's previous films.

These special effects are merely the epitome of Stargate's second - hand wonder; part of the film's value as a curiosity piece is its New York street - merchant vibe: like peddlers of the Rolux watch or Parda handbag, Emmerich and co - producer / co-writer Dean Devlin are selling us an approximation of a blockbuster by a licensed hitmaker, and we excuse them the same way we allow for the smudgy print of carbon copies or the colour bleed on VHS dubs.

The Blob contains two commentary tracks, one by director Yeaworth (along with actor Robert Fields) and a second one by producer Jack H. Harris (along with film historial Bruce Eder), as well as dozens of stills.

As Deadline points out, this is the second recent example of artists and producers taking dramatic steps to free their films from any association with the expanding list of Hollywood figures facing sexual harassment allegations.

Vixen Velvet's Zombie Massacre (Stefan Popescu, 2015) The co-director of SUFF returns with his fellow director Kathryn Berger — who is the producer here — to make their second film on foreign shores in Dawson City (look it up).

Hitchcock's second film for legendary producer David O. Selznick, «Spellbound,» re-teamed the director with Lee Garmes, the ace cinematographer of «Rebecca,» and went for a uniquely luminescent look.

With filming now underway on the second season of HBO's Big Little Lies, producer and star Nicole Kidman has taken to Instagram to share an image from the set, which features a first look at Oscar - winner Meryl Streep, who has joined the cast as Mary Louise Wright, the mother - in - law of Kidman's Celeste, and mother of -LSB-...]

Deemed the prelude to X-Men: The Last Stand by lead game designer Jason VandenBeghe and executive producer Scott Bandy, X-Men: The Official Game is set between the events of the second and third X-Men movies, and characters are voiced by the actors who portray them in the films.

In 2010, it first feature film, The Secret of Kells, was nominated for an Academy Award and in 2015 Tomm Moore's follow up feature, Song of the Sea, garnered Moore a second Oscar nomination and a first nomination for Producer Paul Young.

Thin - film silicon technologies from turn - key vendors will be ramping up in large scale during the second half of 2008, while cadmium telluride (CdTe) module producers such as First Solar