Sentences with phrase «produces installation works»

Xawery Wolski is a Polish - Mexican artist who works primarily in sculpture, but also produces installation works, works on paper, and digital prints.

Monica has produced installation work and photobooks that have been exhibited and collected within the UK and internationally.

Not exact matches

Her visual voice was developed while a student at New York University, when she began producing street installation art such as Butcherknives (1991), a work that addressed issues of sexual violence.

And yet she has never stopped producing bold, propulsive work that spans painting, sculpture, fashion, and installation, such as her mirrored infinity rooms, which surely reflect the cosmos of Kusama's own imaginings.

You Only Live Once will feature the first line of Arcangel Surfware, produced in partnership with the global music merchandising company Bravado, alongside an installation of new work by the artist.

For this program, Oppenheimer sat down with curator Robin Clark to discuss her architectural interventions and explore some of the challenges inherent in producing, presenting, and documenting her installation - based work.

From 1963, when he conceived the diagonal of May 25, 1963 (to Constantin Brancusi), a single gold, fluorescent lamp that hangs on a diagonal on the wall — a work which marks the artist's first use of fluorescent light alone, until his death in 1996, Flavin produced a singularly consistent and prodigious body of work that utilized commercially available fluorescent lamps to create installations of light and color.

Simmons produces photographic, installation, audio, performative, sculptural and video works.

Bailey produces a wide range of mixed - media works including two - dimensional collaged paintings, sculptures, and installations.

Film works and drawings from performances and installations Mirror Performance (1969), Volcano Saga (1985), Reading Dante (2007), The Shape, The Scent, The Feel of Things (2004 - 6) were shown in the space alongside a publication specially produced with the artist for the occasion.

Gorchov was one of the 78 artists who participated in creating installation and studio - produced work meant for specific rooms and spaces in the then newly revitalized P.S. 1 building.

Look for a new sculptural installation of 100 vertical forms assembled from wooden shapes and 40 works on paper produced with everything from coffee and markers to colored pencils.

Since the early «90s, Tracey Emin has produced a body of work that encompasses all forms of artistic expression, including painting, print - making, drawing, film, photography, installations, appliqué, sculpture and neon text.

Numerous institutions have shown his work: the Dia: Beacon, New York this year, the Whitney Museum of America Art, New York in 1977 and 2013, the San Diego Contemporary Art Museum in 2008, the Dia: Chelsea, New York in 1999, the MoCA of Los Angeles in 1993, the San Francisco MoMA in 1985, the MoMA, New York in 1970,... He produced the installation for the United States Pavilion at the Venice Biennale in 1976.

Her photographs and installations feature thoughtfully composed, hand - crafted scenes which combine elements of still - life, portraiture, landscape, and performance to produce unique and evocative works of art.

Jeff Becker, Joshie Fishbein, Greg Garvey (Cabinet of Wonders, Persistence and the Fugitive, animation still, 2017 pictured) Toni Simon, and Susan Stair have produced works that address geological time, persistence of nature, communication among trees and humans, and the fragility of our planet through ceramic installation, poetry, and video works.

Artists often debut new work, produce site - specific installations, and organize live performances.

After a period of producing a series of work on canvas and exhibiting in «white wall» style exhibitions, Herakut returns to an approach like their early years in presenting a fully immersive installation.

Curated by Jens Hoffmann, Fontaine produced the work during her residency in San Francisco as part of the Capp Street Project, the first residency program created in the United States dedicated only to the making of art installations.

The exhibition presents forty - six small and medium size works belonging to different series produced between 2010 and 2017 and two site - specific installations.

New York - based artist Elena Berriolo has created many sculptures and installations and, since 2009, she has worked exclusively in the book format, performing while producing books on the sewing machine.

For that event, she produced Towards a Metalanguage of Evil, a collage - based installation around the topic of psychopaths, in which she included the text of the eponymous essay she wrote in 1987 and work by colleagues from Sherrie Levine to Steven Parrino.

It is the first exhibition of the American artist in Italy, and brings together over 80 works including installations, assemblages, collages and sculptures produced between 1966 and 2016.

In 2010, for Location One Gallery in New York, Saro - Wiwa produced and co-curated the group exhibition Sharon Stone in Abuja, which explored the narrative and visual conventions of the Nigerian «Nollywood» video - film industry through Saro - Wiwa's video installations and works by Wangechi Mutu, Mickalene Thomas, Andrew Esiebo and Pieter Hugo.

In residence in Marfa from June through August, Esparza will produce new work and conceive of a site - specific installation that is particular to the landscape and cultural context of the Big Bend region and northern Mexico, where adobe building is prevalent.

In the first - ever installation of sound art on Dartmouth's campus, produced in collaboration with guest - curator faculty member Spencer Topel, the Hood Museum of Art will showcase the work of emerging and established international artists with diverse aesthetic and cultural backgrounds.

After working as a studio manager with sculptor Thomas Sayre and Clearscapes architecture for five years, he founded McConnell Studios and for 16 years has been producing sculpture, lighting, architectural installations, furniture, and much more at all scales.

It presents a diverse and eclectic selection of the finest works produced, from the 19th century to the present, and features paintings, sculpture, video installation, works on paper, photography, and fashion design.

Tara Donovan often constructs her installations and sculptures by transforming large quantities of mass - produced items — such as drinking straws, straight pins, wooden toothpicks, and plastic buttons — into stunning works of phenomenal impact.

Sarah Hughes is a British artist, composer and performer, producing work that explores the boundaries of interdisciplinary practice, often moving between sculpture, installation, composition and music.

As A.i.A. senior editor William S. Smith pointed out in his essay on Michael Heizer (whose 1970 installation Actual Size: Munich Rotary is on view at the Whitney Museum of American Art through April 10) our April issue, «Land art was photogenic out of necessity... images produced in tandem with the construction of giant earthworks could greatly expand the works» aesthetic and conceptual range.»

They have attained the status of «art world superstars,» as such figures are commonly called today, for continuing Baldessari's mission of raiding mass - produced entertainment in such a direct, unmediated way that it has become increasingly unclear what sets their photographs, collages, paintings, videos, and installations apart from the commercial products they are «appropriating,» except for the fact that their work is displayed in art galleries and museums and auction houses.

Since the mid-1990s, Halley has produced site - specific installations for exhibitions and as permanent public works.

The New York Times produced an excellent slideshow of Chamberlain overseeing the installation of his work at Gagosian and the gallery's website has a great video of the artist and his work as well.

The 44 year old Romanian - born brothers, based in Cologne, Germany, work as a collaborative producing fantastical, enigmatic, otherworldly imagery, employing a diverse range of traditional and contemporary artistic practices in their woodcuts, collages, ceramic sculptures and installations.

demonstrates the breadth of the artist's oeuvre to date, encompassing numerous works on paper produced since 2001, plus two large - scale installations and two video works.

The exhibition is curated by Elvira Dyangani Ose and brings together over 80 works including installations, assemblages, collages and sculptures produced between 1966 and 2016.

The public nature of Esparza's process — and the community effort that he engages to create the building blocks of his installations — is a unique opportunity to produce new work that bears distinct ties to our region.

The selected works range from the pioneering geometric abstraction of Rafael Soriano, Mario Carreño and José Mijares executed in Cuba in the 1950s, the concrete art of Carmen Herrera and constructive experiments of Zilia Sánchez produced in the diaspora, to the hard - edge abstraction of Fernando García from the 1980s and the more recent multi-dimensional installations by Cuban - Americans María Martínez - Cañas, Leyden Rodríguez Casanova, and Vanessa Díaz, to name only a few.

Curated by Abdellah Karroum, the exhibition will feature Neshat's existing and newly produced works, including the major photographic series, The Book of Kings (2012) as well as a selection of video installations commenting on the historical, cultural and political realities that she has focused on for over 30 years.

Also on display: the work Shonibare did for the Fourth Plinth in London; «The Big Three», a group of sculptures representing the managers of the three major American car companies; the film «Un Ballo in Maschera»; the first group of collages made by Shonibare; and «Cannonball Heaven», an installation produced especially for this show.

Brooklyn born and raised Shelley Hirsch is a critically acclaimed vocal artist, composer, and storyteller whose solo compositions, staged multimedia works, improvisations, radio plays, installations and collaborations have been produced and presented in concert halls, clubs, festivals, theaters, museums, galleries and on radio, film and television on 5 continents.

Following its installation in Berkeley, Jim Campbell / MATRIX 208 Memory Array will travel to SITE Santa Fe from March 27 to June 13, 2004, and subsequently tour as part of a jointly produced exhibition of new and recent work by the artist.

Presently, Anthony lives and works in the city of Denver, producing photography and fine art installations for both commissions and exhibition.

Turrell's work Dawning, produced for Magasin 3 and this exhibition, is the first and only permanent installation at Magasin 3 Stockholm Konsthall.

Alongside Eoghan Ryan's multi-faceted installation of new work, a publication was produced which further explores the conditions of the contemporary human body and features contributions from Hannah Black, Susan Conte, Sam Keogh, Laura Morrison, Joseph Noonan - Ganley, Eoghan Ryan, Linda Stupart and Nina Wakeford.

Large scale, light filled rooms are provided alongside complete living accommodations and wood shop access to produce work in two or three dimension, installation, or writing.

Working across a range of different mediums, he produces both single entities and all encompassing, multi-sensory installations that utilise sight, sound and smell.

Titles include Boomerang by Richard Serra (1974), featuring Nancy Holt vibrantly experimenting with the then - new and immediate medium of video; SHEDS (Jane Crawford and Robert Fiore), a short documentary produced for the 2004 Robert Smithson retrospective at the Museum of Contemporary Art, Los Angeles, that features newly compiled footage of two Smithson works (Partially Buried Woodshed and Mica Spread); video excerpts from artist Renee Green's Partially Buried gallery installation; and the experimental 16 mm films Monuments by Redmond Entwistle (2010) and Center of the Cyclone by Heather Trawick (2015), among other titles.

Bearing this in mind, Rezac worked closely with curator Solveig Øvstebø to produce «a cohesive installation informed by and responding to the openness of the gallery.