Sentences with phrase «producing abstract works»

Richter continued primarily producing abstract works interspersed with the occasional photo painting throughout the late; 90s.

There he set up a studio and began producing abstract works, characterized by their heavy black brush strokes.

In the 1970s, he concentrated on photography, returning to paint in the 1980s, when he produced abstract works created by chance through chemical reactions between paint and other products.

Others preferred to produce abstract works that captured the essence of their ideas or emotions.

Largely I paint producing abstract work and portraits.

Influenced by cubism and by the work of Henry Matisse, in the early 1930s he produced abstract works with geometric motifs and collages that sought inspiration in these two sources.

Others, like Steina Vasulka (born Steinunn Briem Bjarnadottir) and Woody Vasulka, explored the video genre itself, utilizing synthesizers to produce abstract works.

Not exact matches

More importantly, I would need to produce a body of work in the form of presentations, abstract, and journal articles.

How do these abstract mathematical relationships produce works of art?

Meanwhile the definition of experimental film — which traditionally has meant abstract, nonnarrative, and small - format works produced in a garret — has been expanding to address wider audiences.

Reeder is passionate about the importance of hands - on, real - life applications of abstract mathematical concepts, as well as the value of experience in working as a team to produce a product.

But that was just one small element of his long career producing abstract paintings and print work for the likes of the ICI, the Arts Council, the Institute of Contemporary Arts and the Robert Fraser Gallery.

Karwacki believes that through abstract design, the artist «transcends the limitation of medium, thus creating work that can produce an emotional response.

Consider the most visible trend in recent years of Zombie Formalism, a kind of reductive, easily produced abstract painting, sold quickly to collectors queued up on waiting lists and hungry for innocuous, decorative works in a signature style, so much so that the name of the artist himself becomes the brand.

Guyton's cleverly conceived works use an inkjet printer's inadvertent streaks and hiccups to produce stark, abstract effects.

Although Park died at he age of 49 in 1960, he produced a large body of powerful abstracted figurative work, especially during his mature period of about ten years.

Still, starting in the 1950s, the federal city was a cradle for a group of artists who produced colorful, abstract, even joyful works.

Motherwell initially produced both figural and abstract collages, but by the early 1950s Surrealist influences prevalent in these first works had given way to his distinctive mature style, which was firmly rooted in Abstract Expressionism.

His earlier works, produced in the 1980's, were signature Day - Glo, hard - edged paintings that acted as metaphors for the way in which social spaces have become delineated within the proliferating abstract nature of the technological world we now live in - as prisons or cells.

James Welling is known for his peripatetic practice, using diverse strategies to produce works that are at times representational, at times abstract, and often, paradoxically, both.

Known formerly for her figurative works in oil on canvas, as well as using everyday materials including biro and bleach, Saville has — since 2014 — been producing large - scale abstracts, made up of flawlessly gradating shades.

Working with woodcut, sculpture, video and performance, Büttner also produces contemplative, abstract fabric «paintings» made from heavy - duty material of workers» uniforms.

Referred to as «abstract figurative drawings,» by Mr. Owens, the new works are produced in ways that are «similar to the process of making photographic prints in a darkroom» but using everybody's favorite petroleum jelly, Vaseline, and everybody's favorite drug, coffee.

Although he continued to promote abstract work produced in Britain and throughout Europe, Sylvester believed at this time that figurative art «was capable of going further... that [it] could be more complex, more specific, richer in human content».18 By 1958, however, Sylvester had undergone what he later described as a «Damascene conversion'to the profound achievements of recent American abstraction.

«The Whitney Museum's revelatory survey of the work that earned O'Keeffe such derision, the evocative, more - or-less abstract art she made starting in 1915 — phenomenally early for an American artist — should reopen eyes to an undeniable fact: O'Keeffe produced some of the most original and ambitious art in the twentieth century.»

Hoyland (1934 — 2011) is one of Britain's most renowned abstract artists and this sensitively curated show covers works produced between 1964 and 1982, a key period in the artist's career that saw variation and experimentation in the creative process and visual impact of his work.

The Permanent Collection exhibition features a selection of landscape, figurative, and abstract work produced using a variety of traditional and modern processes.

As two working traditions within the abstract — two entire continents — came into collision, the shock produced that electrifying change in Modernism called Abstract Expressionism.

In 1936, a group of artists that included Josef Albers, Burgoyne Diller, Werner Drewes, Carl Holty, Ibram Lassaw, and Charles Shaw founded the American Abstract Artists as an «organization of all artists in this country who have produced work which is sufficiently in character with [a] liberal conception of the word «abstract.

Simões de Assis Galeria de Arte will bring together eight historical works by the Brazilian modernist Cícero Dias (b. 1907, d. 2003), which represent the height of his abstract creations and were produced following his move to Paris, where he became associated with other prominent artists at the time including Alexander Calder, Fernand Léger, Joan Miró and Pablo Picasso.

Employing traditional analog photography methods, British photographer Richard Caldicott produces a collection of stunningly beautiful, abstract works, deriving influence from iconic...

It was one of the rare figurations when the artist produced mostly abstract work.

The Iranian - born artist Sheree Hovsepian has been working with photograms, producing abstract images — such as in her «Haptic Wonders» series — that seem to exist, palpably, in real space.

While I sometimes produce work that is representative, I am most moved to paint abstracted landscapes.

Chicago produced a significant body of minimal abstract works in the 1960s and early 70s before beginning «Dinner Party» of 1974 — 79, which was recently permanently installed at the Brooklyn Museum.

His photographic works are made without the use of a camera, instead producing images, both figurative and abstract, with handmade «negatives.»

He was producing some on his most abstract works and with them, he challenged the boundaries of landscape painting and developed sophisticated and subtle color relationships that remain captivating decades later.

German visual artist Gerhard Richter is known for producing both abstract and photorealistic works, completely dismissing the idea of the artist's obligation to maintain a single cohesive style.

Stephen Pace is well known for two bodies of work: the dynamic abstract paintings he produced from 1949 to 1962 and the freely expressed figurative art, based in abstract principles...

She remained active in the regional art scene throughout the following decades, producing abstract and figurative work in oil, acrylic, watercolor, mixed media and collage.

Halkin: «Any abstract painter — Rauschenberg — anyone working in New York, is producing work, with rare exception, paintings, which tend to be open, and here they tend to be closed.

She even produced several really beautiful and successful pictures, ranging from an early, harmonious work, «Untitled» (c. 1938), on loan from the Parrish Art Museum in Southampton, to «Astraea» (1956), a raw, charged abstract with collage.

For the innovative work she produced in the 1960s — large - scale abstract relief sculptures made of welded steel, canvas, wire and soot — Lee Bontecou has earned a very lofty position in the canon of post-war American art history.

It also features abstract works, for which Richter draws from a changing repertoire of forms and colors to produce both small and monumental paintings.

«A legitimate abstract work of art can be produced only on the basis of profound knowledge of nature.»

Just like Jackson Pollock in his drip paintings or Gerhard Richter in his abstract canvases produced with a squeegee, Bradford employs methods of chance in his work.

On the other hand, both parts of Black in the Abstract make it perfectly clear that, on the whole, the quality of the work being produced by black artists whose practices include abstraction — as the inclusion of Hammons, McMillian and Donnett indicate, not everyone here is an «abstract painter» — does not suffer in comparison with that of their colleagues of other backgrounds, including major figures like Amy Sillman and Charline von Heyl, both of whom have work in Arning's Painting: A Love Story.

Reflecting on the Parsons exhibition, Rauschenberg was unusually self - critical, admitting «how completely indulgent» he had been when he started painting.47 He acknowledged that the works were youthful attempts at producing «allegorical cartoons, using abstract forms.»

He is most famous for his portraits of the youth culture during the late 1990s, but also for his later abstract work produced directly in a darkroom and often without a camera.

It is not known if Untitled [glossy black painting] was produced as part of the first or second campaign.8 But the work's facture resembles that seen in paintings associated with the first group, such as the Whitney Museum of American Art's Untitled [glossy black four - panel painting](fig. 4), and it explores the ambiguities of «monochrome» in ways that seem more closely tied to the abstract expressionist project than to the later paintings» concern with the degradation of materials, an interest often linked to Rauschenberg's 1953 visit to Alberto Burri's (1915 — 1995) studio in Rome.9