Sentences with phrase «producing film installations»

Julien graduated from Central Saint Martin's School of Art in London in 1984, and has been making films and producing film installations for more than 20 years.

He has been making films and producing film installations for over twenty years, including Stones Against Diamonds (2015), PLAYTIME (2014), Ten Thousand Waves (2010), Western Union: Small Boats (2007), Fantôme Afrique (2005), True North (2004), Baltimore (2003), Paradise Omeros (2002), Vagabondia (2000), and Long Road to Mazatlan (1999).

Not exact matches

In addition to the Honda FCX Clarity fuel cell electric vehicle, the Fit EV and the future plug - in hybrid vehicle, Honda is currently producing and marketing thin - film solar panels in Japan, and an installation is planned at Honda Performance Development in Southern California in early 2011.

American artist Jenny Holzer's 2001 installation at the Neue Nationalgalerie in Berlin is the subject of a short film, one of forty produced to mark the fortieth anniversary of the Freunde der Nationalgalerie (Friends of the National Gallery).

Since the early «90s, Tracey Emin has produced a body of work that encompasses all forms of artistic expression, including painting, print - making, drawing, film, photography, installations, appliqué, sculpture and neon text.

Since the start of their collaboration in 1994 Dutch artists Jeroen de Rijke and Willem de Rooij have produced a select corpus of 35 mm and 16 mm films, photographs, objects, installations and texts.

He often starts with an existing building, producing models, films, ruins, installations or alternative histories, blurring fact and fiction, smoothing out the borders between the real and the virtual.

In 2010, for Location One Gallery in New York, Saro - Wiwa produced and co-curated the group exhibition Sharon Stone in Abuja, which explored the narrative and visual conventions of the Nigerian «Nollywood» video - film industry through Saro - Wiwa's video installations and works by Wangechi Mutu, Mickalene Thomas, Andrew Esiebo and Pieter Hugo.

Since 1993, Sharjah Biennial has commissioned, produced and presented large - scale public installations, performances, and films, offering artists from the region and beyond an internationally recognised platform for exhibition and experimentation.

Over the past five decades she has produced groundbreaking art in the fields of photography, performance, video, film, and interactive installation.»

Artes Mundi 2 winner Eija - Liisa Ahtila is a visual artist and film maker who produces photographs and video or film installations that fill and subvert gallery spaces.

Also on display: the work Shonibare did for the Fourth Plinth in London; «The Big Three», a group of sculptures representing the managers of the three major American car companies; the film «Un Ballo in Maschera»; the first group of collages made by Shonibare; and «Cannonball Heaven», an installation produced especially for this show.

Brooklyn born and raised Shelley Hirsch is a critically acclaimed vocal artist, composer, and storyteller whose solo compositions, staged multimedia works, improvisations, radio plays, installations and collaborations have been produced and presented in concert halls, clubs, festivals, theaters, museums, galleries and on radio, film and television on 5 continents.

Titles include Boomerang by Richard Serra (1974), featuring Nancy Holt vibrantly experimenting with the then - new and immediate medium of video; SHEDS (Jane Crawford and Robert Fiore), a short documentary produced for the 2004 Robert Smithson retrospective at the Museum of Contemporary Art, Los Angeles, that features newly compiled footage of two Smithson works (Partially Buried Woodshed and Mica Spread); video excerpts from artist Renee Green's Partially Buried gallery installation; and the experimental 16 mm films Monuments by Redmond Entwistle (2010) and Center of the Cyclone by Heather Trawick (2015), among other titles.

Eija - Liisa Ahtila is a visual artist and film maker who produces photographs and video or film installations that fill and subvert gallery spaces.

The first exhibition in China to focus on the experimental, mechanically produced areas of Warhol's practice, Andy Warhol: Contact features photographs, installations, and films that broke the boundaries of contemporary art when they were first made, and still compel viewers today with their extraordinary immediacy.

Since the mid-1970s, James Casebere has produced a diverse body of work involving photography, sculpture, installation, and film.

Over the last 15 years, DuBois has produced a prodigious body of work ranging from musical composition and collaborative performance, to large - scale public installations, film, and generative computer works.

These bizarre materials, along with more conventional artistic media, were all mixed in the cauldron of an alchemical mind to produce works — paintings, drawings and photographs, collages, sculptures, performances and film installations — which play with styles that range from abstract expressionism through pop to conceptualism.

Focussing on materials, labour and production, this installation features a collection of experiments, prototypes and failures produced at Granby Workshop, shown alongside a film of Ibstock Brick Ltd, a factory with a history that dates back to the 1800s.

Throughout the exhibition, Chetwynd will be producing a new chapter of her Hermitos Children project, a raucous, carnivalesque performance played out and filmed among the installations.

Over the past four decades he has produced more than 100 films, videos, and installations.

Drawing from black experimental poetry, as well as popular texts produced for films, magazines, TV, and books, the works on view deconstruct the structural elements of language to rupture its intended purpose through collage, drawing, text - based installation, and video.

His photographs, books, installations, and collaborative films produce new forms for visualizing the social, economic and geographical boundaries that prevent communities from interacting with each other.

Installation view of Sharon Lockhart: Lunch Break, San Francisco Museum of Modern Art, October 15, 2011 — January 16, 2012, showing entrance to the film screening gallery (left), the neighboring gallery with a series of lunch - related photographs, and a pile of Lunch Break Times — Bay Area Edition, the 24 - page tabloid newspaper Lockhart produced in San Francisco for this show.

Birrell employs a range of media including film, sculpture, installation, music, text, events and publications to produce works which interweave contexts of poetry, philosophy, politics, and place.

Edwin Burdis» multifaceted practice traverses drawing, painting, sculpture, film, sound installation and performance, all part of an on - going compulsion to produce.

Finishing School produces interdisciplinary actions, installations, workshops, design, publications, film, studio art, performance and new media.

She has produced work in various media including photography, film, video and installation.

Since 1993, the Sharjah Biennial has commissioned, produced and presented large - scale public installations, performances and films by artists from around the world, bringing a broad range of contemporary art cultural programmes and cultural producers to the communities of Sharjah, the UAE and the region.

Hans Op de Beeck produces large installations, sculptures, films, drawings, paintings, photographs and texts.

Informed by his film background, Julien's gallery installations produce complex narratives that reflect critical thinking about race, globalization, and the politics of representation.

This October in New York, Independent Curators International (ICI) produces the Curatorial Intensive: Curating Time - Based Media, a ten - day professional development program that offers curators the opportunity to discuss, among colleagues, the concepts, logistics, and challenges of organizing exhibitions featuring durational art, installations, performance, dance, video, film, and sound art.

Since 1993, Sharjah Biennial has commissioned, produced and presented large - scale public installations, performances and films, offering artists from the region and beyond an internationally - recognised platform for exhibition and experimentation.

Over the last decade, New York - based DuBois has produced a prodigious body of work ranging from musical composition and collaborative performance, to large - scale public installations, film, and generative computer works.

He was a pioneer of new thinking in sculpture and over five decades produced sculptures that took the form of actions, performances, installations, film and architecture.

Judith is known primarily as an installation artist and also produces films, videos, and new media work, drawings, photographs, sculptures, performances and exhibition designs.

Since the 1980s, he has produced film works, photographs and installations investigating historical events and sites.

After a process of collecting stories, information and materials related to their histories and values, Stokes produces artworks that depart from his research and take on a conceptual and aesthetic life of their own through films, installations and events.

Besides photographs and installation works (among others, loans from the Victoria & Albert Museum in London), Bhimji's two films Out Of Blue (2002) and — produced especially for the exhibition — Yellow Patch (2011) will be presented in Switzerland for the very first time.

The other artists shortlisted were a film - maker called Phil Collins who dealt with reality TV in Turkey; sculptor Rebecca Mitchell who produced a cabinet for her entry; and installation artist Mark Titchner.

The Battle of Orgreave Archive (An Injury to One is an Injury to All) Artist: Jeremy Deller born 1966 Date: 2001 Classification: installation Medium: Wall painting, paint on fibreboard, vinyl text, map, books, jack Dimensions: overall display dimensions variable duration: 62 min Commissioned and produced by Artangel, film directed by Mike Figgis.

Darren Almond's diverse practice incorporates film, installation, sculpture, painting and photography, to produce evocative meditations on time and duration as well as the themes of personal and historical memory.

Join artist Darren Almond as he speaks to curator and writer William A. Ewing about his diverse practice which incorporates film, installation, sculpture, painting and photography, to produce evocative meditations on time and duration as well as the themes of personal and historical memory.

Olafur Eliasson grew up in Iceland and Denmark and produces artworks across a wide range of media, including installation, painting, sculpture, photography, and film.

Featuring a major new sound and video installation and a large - scale drawing project by Anri Sala, the exhibition Take Over addresses central themes in Anri Sala's oeuvre, exploring the relationships between music and narrative, architecture and film and interleaving qualities of different media in both complex and intuitive ways to produce works in which one medium takes on the qualities of another.

The installation will also include a new film work, Strips (mirror) 2013 produced specially for BALTIC 39.

Over the last decade, Thomas has produced sumptuous, ecstatic, and excessively tactile paintings, photographs, collages, films, and installations.

On view at the gallery's Chelsea and Lower East Side locations, Prager has produced a series of large - scale pigment print photographs depicting elaborately staged crowd scenes and a companion piece, an immersive three - channel film installation starring the actress Elizabeth Banks.

The exhibition presents a large - scale sculpture from the Eternity series, Xu's 1998 film Rainbow, selections from his Under Heaven paintings and a new wall installation, Corporate --(Erected), produced this year.