The movement of peoples and artefacts is breaking down borders and
producing new identities outside and beyond those of the nation state.
Not exact matches
1) Copenhagen demonstrated that global governance has overreached itself; 2) The crisis provokes a shift away from idealistic globalism, back to pragmatic concerns; 3) «Global consensus» established by «experts» is not and has never been genuine; 4) The institutions of global governance prove unable to resolve their
identity crisis and to reform themselves; they are fragmented; 5) Global governance pays the bill for not taking into account non-western cultures and civilisations; 6) Displaying an incapacity to provide real leadership,
produce a vision for the world,
new ideas / ideologies, global governance opts for a survival approach.
During the intervening six decades, Kaplan
produced an enormous output of essays, articles and books in which he sought to elucidate the significance of the national element in the Jewish religion and the spiritual components of Jewish
identity in the light of
new developments in the social sciences, philosophy, and theology.
The foreign debt continues to be an issue and
new voices have began to sound the need to look for ways to face it; (ii) At the national level two questions are concentrating increasing attention: one is the reassessment of the necessary role of the state to correct the distortions of a runaway market (currently discussed in Europe and in the discussions about the role the initiatives of «an active state has played in the economic development of Asian countries); the other is the need for a «participative democracy over against a purely representative formal democracy: in this sense the need to strengthen civil society with its intermediate organizations becomes an important concern; (iii) the struggle for collective and personal
identity in a society in which forced immigration, dehumanizing conditions in urban marginal situations, and foreign cultural aggression and massification in many forms
produce a degrading type of poverty where communal, family and personal
identity are eroded and even destroyed.
The
new visual
identity reflects the brand's focus on innovative, fresh and forward - thinking offerings as it continues to meet growing consumer demand for healthier and indulgent on - the - go
produce and snack options.
«There is a huge historical and cultural
identity associated with wine -
producing regions,» Jones remarks, but some areas might need to shift to a
new type of grape that would flourish under the different conditions.
Filmmaker Joseph Lovett, himself a gay activist who
produced one of the first major investigative stories on AIDS to be broadcast on American television, interviewed a number of men who survived the»70s for his documentary Gay Sex in the»70s, which offers a sometimes witty and sometimes rueful look back at the discos, bathhouses, underground clubs, and gay - friendly resorts which dominated the social and sexual scene of the day, as well as the stories of the men who sought to declare their
new identities through sex.
Over the past 12 months, we've served as a continuing resource for consumers and Member Agencies by
producing up - to - date and relevant educational materials such as one of our
newest features — Financial Fast Facts — a series of informational videos that consumers can access online to learn about such fundamentals about improving their financial situation, how to protect themselves against
identity theft, and how to choose a credit counselor.
New sculptures by Matthew Angelo Harrison, which incorporate 3D printers, will theatrically produce new sculptures over the course of the exhibition that examine the relationship of labor to identi
New sculptures by Matthew Angelo Harrison, which incorporate 3D printers, will theatrically
produce new sculptures over the course of the exhibition that examine the relationship of labor to identi
new sculptures over the course of the exhibition that examine the relationship of labor to
identity.
Farah Khelil's current research revolves around tropes of cultural
identity, which she subverts to
produce new meaning and representations.
Against this backdrop, a
new generation of black and Asian artists, writers and curators began to respond to the political, social and sexual issues of the day, getting together to create exhibitions and develop subversive strategies, and to
produce art, film and literature that reflected their diverse
identities and experiences.
Taking this approach allows us to consider how the role of self - portraiture has shifted over time from
producing likenesses as keepsakes for friends or as public statements of creative
identity, to more recent conceptual responses to self - portraiture such as Felix Gonzales - Torres» text portrait (Untitled, 1989), the content of which is added to each time it is shown in a
new location.
They called upon the talents of local designer Oscar Maia to develop a
new brand: «It seemed fundamental that Barbearia Porto's
new identity should somehow be based on everything related to vintage, not only by the way in which typography and layout would be used, but also by how the various materials would be
produced and finished.»
Recent exhibitions include Mixed Messages: A (I) DS, Art, and Words,
produced for Visual AIDS at LaMama La Galleria (
New York) and Transformer Gallery (Washington DC), and Queer Threads: Crafting
Identity & Community at the Leslie - Lohman Museum of Gay and Lesbian Art (
New York), the Maryland Institute College of Art (Baltimore), and the Mills Gallery at the Boston Center for the Arts.
As a studio, Werkflow research
new and unusual workflows, exploring unique hardware / software combinations to
produce a range of work including interactive live visuals, music videos, computer games, album artwork and brand
identity, as well as assisting artists and musicians in realising their ideas.
Through her studio she has worked on many award - winning projects: as lead in the process of identifying a design strategy, and team, for the Whitney Museum's
new graphic identity, and its consequent spatial implementation in the Renzo Piano - designed architecture; art directing, designing and implementing the graphic identity for the New Art Dealer's Alliance (NADA); designing and producing art catalogues for publishers such as Rizzoli Publishing, Koenig Books, and Dashwood Books; as well as consulting for The Menil Collection and Casa Wabi Puerto Escondi
new graphic
identity, and its consequent spatial implementation in the Renzo Piano - designed architecture; art directing, designing and implementing the graphic
identity for the
New Art Dealer's Alliance (NADA); designing and producing art catalogues for publishers such as Rizzoli Publishing, Koenig Books, and Dashwood Books; as well as consulting for The Menil Collection and Casa Wabi Puerto Escondi
New Art Dealer's Alliance (NADA); designing and
producing art catalogues for publishers such as Rizzoli Publishing, Koenig Books, and Dashwood Books; as well as consulting for The Menil Collection and Casa Wabi Puerto Escondido.
Since launching
New York's first biennial dedicated to the medium in 2005, the organisation has become known not merely for its
identity as a commissioning and
producing body, but also for its role in shaping and expanding contemporary understandings of it.
Positioning this energy
producing province as an internationally - competitive player in the resource sector, the Honourable Danny Williams, Premier of Newfoundland and Labrador, today unveiled the
new name and corporate
identity of the province's energy corporation: Nalcor Energy.
The implementation of the model rules across Canada will place
new duties on lawyers to determine the
identity and, depending on the nature of the transaction in which they are acting, to verify the documents that are
produced to them by way of identification.
Through this collaboration, Microsoft expects «to
produce a cross-chain
identity solution that can be extended to any future blockchains or
new kinds of decentralized, distributed systems.»
The maintenance of heritage culture and
identity, and the adaptation to the
new host (or mainstream) culture in the form of relationships sought among the larger societal group, are the two orthogonal factors that interact to
produce measurements of acculturation [49], [50].