Sentences with phrase «production work history»

Skills Extremely quick learner Assembly line production Work History machine operator, 04/2012 to Current... with finished pieces.

Not exact matches

His story about how he made Peerless Clothing into a world leader in the production of men's suits is a straight - ahead account of savvy business practice, exceedingly hard work, and fearlessness in the face of risk - both a valuable document for anyone building a company who wants to know how high - wire entrepreneurship works, and an important contribution to the history of garment manufacturing in Montreal.»

Throughout Lee's history, the brand has designed many key features that are still used to this day, and has had a great influence over things such as work wear clothes and the overall quality of denim production.

Owens spent the rest of 1957 working mostly on loan - out, but it was a 1958 Fox production that secured her place in motion picture history — as Helene Delambre, the wife of scientist Andre Delambre in The Fly.

Budgeted at five and a half million dollars — a veritable fortune for a Hong Kong film — it has a lengthy and troubled production history: Wong started shooting in northern mainland China in 1992, suspended work when his all - star cast had to leave to meet other commitments, then resumed shooting in the summer of 1993.

When Australian cinematographer John Seale got word of the Sisyphean development of Mad Max: Fury Road in its early stages, he was just glad that it wasn't his cross to bear, not realizing that he would soon find himself working on one of the most infamously challenging productions in recent film history.

The Life and Death of Colonel Blimp is one of the great works of art in the history of film, and yet, except for some recent television screenings, this British production is largely unknown in the United States.

At the film's Los Angeles press day, Collider got the opportunity to sit down with director Dean Devlin to chat 1 - on - 1 about what made him want to tell this story, what led him to David Tennant and Robert Sheehan for these roles, why he told the cast that he would never ask them to do something that he wouldn't do myself, how the script changed from the first time he read it, and why his history directing TV worked to his advantage on this production.

Based on Martinez's extensive history as a go - to music composer within the filmmaking industry, it should come as no surprise that his inclusion in Mangold's production should be welcomed with open arms — as his penchant for orchestrating moody and atmospheric soundscapes is impeccable, most notably with his recent string of work with Danish filmmaker Nicolas Winding Refn on The Neon Demon, Drive and Only God Forgives.

For an introduction, the actor uses a humorous bit of production history to frame the film as a profound work of alternative mythmaking as well as a prescient vision of a privatized future.

Already working on another batch of motion pictures, The Arsenal and Midnight Riders, the production company has differentiated itself by focusing solely on films rooted in American history.

For the teacher ready to experiment with a school show from student devised material, this has a detailed introduction followed by 12 sections with tips, ideas and frameworks for devising and working up productions on themes, including the 1960s, characters, practitioners, local history, teenage angst, the generations, messages, literature, TV and film and ground - breaking ideas.

The script includes full production notes, with ideas for staging, props, costumes and effects plus some great history, english and drama follow - on activities for further work in the classroom.

The script includes full production notes, with suggestions for staging, props and costumes, plus great follow - on drama, english and history activities for further classroom work.

Thankfully, Mustang fans - both those old enough to remember McQueen's Mustang GT390 dicing with a Dodge Charger through the streets of San Francisco and those younger ones for whom the Bullitt concept served as a cinematic and automotive history lesson - clamored for a production version, and Mustang engineers quickly got to work.

The production version of the MINI John Cooper Works World Championship 50 features numerous exterior and interior details reflecting the racing history of the brand.

Greenwell Farms offers tours of its working Kona coffee farm every day starting at 8:30 a.m. through 4:30 p.m. Friendly, knowledgeable guides take farm visitors on an interesting walking tour of coffee fields, highlighting farm history, pointing out various stages of coffee growth, production, and, depending on the season, visitors to the farm watch coffee cherry being processed.

He also possesses an established work history on other major IPs and brands such as Dark Souls, Saint's Row, SEGA, Adidas and Ford in the areas of art and visual effects, trailer production, motion graphics, and more.

SEGA Mega Drive / Genesis: Collected Works will be equal parts lush «coffee table» art book and incisive history document, combining the highest values in graphic design, production and journalism.

All of the artists have started making their mature work, if not lived their entire lives since the advent of Postmodernism; the interaction between the history of images and present production is ingrained in how they approach the canvas.»

Comprised of a range of works on paper as well as two large - scale sculptures previously shown at last year's Venice Biennale, Moran explores the intersection of American history with that of cultural production — namely jazz and art.

Presented within The Roundhouse — a 17,000 sq. ft space built in 1881 and designed by Burnham & Root — at the DuSable Museum of African American History, the exhibition will present an intimate dialogue between original productions and pre-existing works to open during the sixth edition of EXPO CHICAGO (September 13 — 17), and will run concurrently through the 2017 Chicago Architecture Biennial (September 16, 2017 — January 7, 2018).

Even so, his work is meaningfully, and indeed crucially, connected to important activities, movements, and genres of American artistic production — sculptural assemblage using found objects, appropriation of existing text and image, institutional critique, the politics of representation, performance — and, moreover, to the colonial history and political struggles of the country.

Works by Allan McCollum and Dario Robleto use fossils and artifacts to provoke memory and question the production of history.

Organised in a chronological sequence, documents are on show alongside these works that generate a «context» with information on the history and the production processes of the group.

If Betbeze's personal history and practice raise questions about how location and identity affect creative production, Matthew Angelo Harrison's work confronts those questions head - on.

Smooth Flow was an exhibition of new works exploring the social history of production and manufacture at Tetley's Brewery.

For their first solo show as Ultra Violet Production House, Citarella and Troemel have chosen to materialize 20 works (out of the 200 they've conceived of and rendered over the past two years) that specifically reference art and art history (as opposed to some of the other subjects they've tackled like interior design, small business proposals, and food.)

Finally, due to both the rational structure of her media - spanning, multi-layered works and her diverse spectrum of subject - related references to music, literature, and European cultural history, Hanne Darboven prefigures strategies and discourses of aesthetic knowledge production and mediation in current art.

Working in sculpture, collage, photography, video, installation, and performance, Ward captures the makeshift qualities of everyday life and imbues his production with a visceral relationship to history and the real world.

«The Cosmopolitan recognizes the importance of embracing visionary artists and commissioning permanent works that become both a destination and part of the dialogue of art history», said Co-founders of Art Production Fund, Yvonne Force Villareal and Doreen Remen.

, discussing directions in which photographic collections could or should develop, Discussing Provoke, a cross-analysis of the cult Japanese photo magazine, its historical context and its ties to the emergence of performance art in Japan in the 1960s, Photography Beyond the Image, on techniques used to produce photographic works that seek to go beyond the production of an image; Photography & Cinema in Practice, discussing vernacular photography in cinematic production and the role of still photography in the history of art; and The Artist As..., discussing the different roles that artists undertake.

Across these disparate histories and cultural productions, Chicago - based artist Michael Rakowitz has deployed clever substitutions and subtle comparisons in his work, to either shift contextual meanings, or simply to demonstrate the -LSB-...]

Across these disparate histories and cultural productions, Chicago - based artist Michael Rakowitz has deployed clever substitutions and subtle comparisons in his work, to either shift contextual meanings, or simply to demonstrate the ways contextual meanings can shift on their own.

«She's an artist who has a lot of images in her head and imagines the work to be in dialog with the whole history of western image production,» says Moca curator Helen Molesworth, who teamed up with Hammer curator Connie Butler to make the Opie double - bill possible.

Though Diaz did not mention it, one can't help but connect the history of production behind Calder's fiber - based work (some crafted by 100 Nicaraguan laborers at four times the usual rate) to the culture of low - wage immigrant labor in which Diaz grew up.

With a detailed production and exhibition history of the video and performance works, as well as the first comprehensive bibliography and biography of the artist, this intensively researched and authoritative book documents the range, breadth and depth of one of the most prolifically original artists of the twentieth and twenty - first centuries.

Her curatorial work focuses on artistic production from the neo avant - garde until today, particularly rooted in global art histories, the intersections of sound and performance with traditional media, and the function of contemporary art within encyclopedic museums.

They took up residence in our studio, next to the laboratories, back in March and have been working on a very exciting new body of abstract work for their show which takes the history of Rose Madder production (closely connected to Winsor & Newton) as the central theme.

In his contribution to remixthebook, literary critic Joe Tabbi's practice - based theory mashes up Nietzsche's «Use and Abuse of History for Life» with selected works of new media writing and confronts us with the worth and worthlessness of digital cultural production.

Works on view were created in cooperation with the Manufacture de Sèvres, an atelier outside of Paris known for it's production of porcelain and it's history of working closely with artists since the 18th century.

Hunt, Shepard and Mead display works that reinterpret the construction of images that reflect art history, still life, production and memory.

Through an individual lens, Work Hard suggests an imaginary time and place in art history as past, present and future converge in a narrative of national identity and art production.

With this new body of work, Deschenes furthers her inquiry into the history of image production techniques and the conditions of viewing developed in previous series, such as Zoetropes and Stereographs.

Packaged as «Mighty White» corn (a not - so - subversive nod to the history of corn and trade in the Americas, not to mention its context produced in New York City), Murillo's work here renders the hard labor and efforts of workers in corn production visible, bringing the wage - labor involved in the creation and dissemination of global foodstuffs directly before the visitor.

Working across video, painting, and performance, Cheryl Donegan explores the production and consumption of images in mass culture, middlebrow design, and art history.

A giant in the history of video art, Charles Atlas has been steadily pushing the boundaries of his medium since the early 1970s with his varied and highly influential films and productions, including especially his pioneering work in media - dance or «dance for camera» with renowned choreographer Merce Cunningham.

This word is befitting for him, firstly due to the fact that one would literally be flattened under certain works if they were ever to fall (the marble blocks being one example), but also because the artist himself bears a certain pressure of accountability; the vertigo of global production and the weight of art history.

Constantina Zavitsanos works with affect, economy, and personal histories, and seeks to resignify reproductive labor through artistic production.

A Century in Flux aims to make a selection of modern works accessible for study by researchers, scholars, artists, curators, and art enthusiasts to encourage a greater understanding of the region's history of artistic production.