I'll share a few stories from
the production after the screening.
Not exact matches
After productions of Ghost Busters, Star Wars and Back To The Future, the latest offering from the immersive film / theatre company tackles nuclear warfare and communist conspiracies with the help of 35 actors in a cavernous warehouse boasting a six -
screen auditorium.
Studies show exposure to light
after dusk, particularly light from computer
screens, iPads, iPhones, televisions, and other electronic items, significantly inhibits the
production of melatonin, your body's sleep hormone.
Deleted scenes,
production notes and stills, an anamorphic wide -
screen transfer, trailers, and before - and -
after special effects footage round out this muscle - bound package of no - nonsense nostalgia.
Parenthood goes for a second try at the small
screen after delays caused by cast and
production changes to introduce the extended Bravermans clan.
After the war, his film parts multiplied, and he was very busy on the
screen during the 1950s, in
productions as different as Anthony Asquith's The Importance of Being Earnest and Tony Richardson's Look Back in Anger, and playing every kind of character role from coroners (in Cast a Dark Shadow) to British admirals (in Sink the Bismarck!)
After he completed his studies, he was cast in the off - Broadway
production of Horton Foote's Laura Dennis, and, as a member of Douglas Carter Beane's Drama Department, he appeared in John Cameron Mitchell's off - Broadway
production of Kingdom of Earth.Sarsgaard made his
screen debut in Tim Robbins» Dead Man Walking (1995) but had his first substantial role in The Man in the Iron Mask (1998), which cast him as the ill - fated son of John Malkovich's dueling Muskateer.
It take a serious pair of stones to release a
production this major without warning, and their bold choice to make the film available directly
after the game caught more eyeballs than a usual press cycle of
screenings and reviews might have.
Only the third film that the acclaimed actor has made as a director (
after 2002's Antwone Fisher and his last, 2007's The Great Debaters), Washington certainly had familiarity with August Wilson's beloved Pulitzer Prize - winning material when he decided to bring it to the big
screen; the actor won a Tony Award of his own for starring in the 2010 revival of the
production, to go along with the play's Tony for Best Revival (and the many that it won during its first run on stage in 1987).
They co-created a
production company called Ramona Films, named
after the street they grew up on, and have begun developing films that range in genre and budget but all represent «something we've never seen before on
screen.»
After decades of stopping and starting, attempted
productions that included talents such as Francis Ford Coppola and Marlon Brando, Jack Kerouac's definitive Beat novel «On The Road» has finally been brought to the
screen through the caring hands of director Walter Salles and writer Jose Rivera.
Screen Daily is reporting that director Sebastián Lelio flew to Berlin to attend the 67th Berlinale International Film Festival yesterday
after wrapping up
production on «Disobedience ``.
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Wong Kar - wai's latest film «The Grandmaster» will finally be released
after taking 14 years to get to the
screen from planning to
production.
The Blu - ray features the 19 - minute featurette «The 12 Year Project,» made up of interviews with the director and the cast (often interviewing one another on camera) over the course of
production, from year one to year twelve, and the 52 - minute «Q&A with Richard Linklater and the Cast,» shot
after a
screening of the film at L.A.'s Cinefamily on June 15, 2014.
Seventeen months
after its big
screen debut, this Bristol Bay
Production finds itself at the Mouse House, picked up and released to disc alongside another underperforming soccer drama, Goal!
After the
screening, we were taken through the impressive
production compound and grounds with its many iconic models and props of some of the greatest films of our era.
But «Mudbound,»
after showing to great acclaim at the Sundance, Toronto, New York and AFI film festivals, is a Netflix
production, and while its 17 - theater nationwide release is a generous allotment by company standards, it's a shame that a movie this aesthetically, historically and politically rich will have to shrink itself to the dimensions of the world's TV and computer
screens.
«(as a designer) If you are happy with 75 % of what goes on
screen you're doing pretty well», referring to the fact that
after the director, the producer, the actor, the
production designer, the director of photography and the sound man are satisfied, then the costume designer gets to do what makes us happy `.
We could mention the heap of establishing shots of San Francisco that make no sense to the story, the out of place football throwing scene, the rooftop set with such painfully atrocious green
screen work that words escape us, or the character of Peter — whose role is replaced midway
after the actor left
production due to other commitments, but like many things, the monstrosity that is The Room needs to be seen to be believed.
««Blade Runner 2049» is filled with mind - blowing images, with cinematographer Roger Deakins and
production designer Dennis Gassner giving us frame
after frame of impossible, forbidding beauty: Overhead shots of a gray, cluttered Los Angeles skyline, with brief, mysterious glimmers of those iconic neon
screens below; desolate, dust - blasted orange wastelands; abandoned cities stacked with ornate, neoclassical ruins; even, yes, snow.
The darker text is certainly an improvement on the Sony and Kindle and makes reading in lower lighting conditions somewhat easier, but considering the Vizplex
screens have been in
production since 2007, you'd think that
after 3 years the new and improved Pearl
screens would blow the old ones out of the water.
After moving to Los Angeles he worked as a
screen - writer on major studio
productions.
A tight - knit crowd packed in for a night of experimental animation called «The Magic Floot,» part of an ongoing
screening series dubbed «Thurb's Grand Guignol,»
after the 1900s Parisian theater that specialized in
productions full of questionable taste and high entertainment value, all videos projected from Thurber's laptop to a gallery wall.