Sentences with phrase «production design mark»
Garland, well supported by the imaginative production design Mark Digby and the work of five special effects companies, has directed a worthy film of adventure, horror and existential reflection.
https://www.rottentomatoes.com/ Not exact matches
«Bacteria development marks new era in cellular design: Scientists have built a miniature scaffold inside bacteria that can be used to bolster cellular productivity, with implications for the next generation of biofuel production.»
Directed by Mark Waters; written by Sean Anders, John Morris and Jared Stern, based on the novel by Richard and Florence Atwater; director of photography, Florian Ballhaus; edited by Bruce Green; music by Rolfe Kent; production design by Stuart Wurtzel; produced by John Davis; released by 20th Century Fox.
Directed by David Yates; written by Steve Kloves, based on the novel by J. K. Rowling; director of photography, Eduardo Serra; edited by Mark Day; music by Alexandre Desplat; production design by Stuart Craig; costumes by Jany Temime; produced by David Heyman, David Barron and Ms. Rowling; released by Warner Brothers Pictures.
Danny Boyle's purposeful direction and Mark Tildesley's imaginative and resourceful production design keep this fresh and edgy; the images of a wasted London and the details of a paramilitary organization in the countryside are both creepy and persuasive.
Directed by Robert Schwentke; written by Brian Duffield, Akiva Goldsman and Mark Bomback, based on the novel by Veronica Roth; director of photography, Florian Ballhaus; edited by Nancy Richardson and Stuart Levy; music by Josep Trapanese; production design by Alec Hammond; costumes by Louise Mingenbach; produced by Douglas Wick, Lucy Fisher and Pouya Shahbazian; released by Summit Entertainment.
BEST PRODUCTION DESIGN Paul Denham Austerberry, Shane Vieau, Jeff Melvin — The Shape of Water - Winner Jim Clay, Rebecca Alleway — Murder on the Orient Express Nathan Crowley, Gary Fettis — Dunkirk Dennis Gassner, Alessandra Querzola — Blade Runne 2049 Sarah Greenwood, Katie Spencer — Beauty and the Beast Mark Tildesley, Véronique Melery — Phantom Thread
Best Picture: (tie) «Gravity» and «Her» Best Director: Alfonso Cuaron, «Gravity» Runner up: Spike Jonze, «Her» Best Actor: Bruce Dern, «Nebraska» Runner up: Chiwetel Ejiofor, «12 Years a Slave» Best Actress: (tie) Cate Blanchett, «Blue Jasmine» and Adele Exarchopoulos, «Blue is the Warmest Color» Best Supporting Actor: (tie) Jared Leto, «Dallas Buyers Club,» James Franco, «Spring Breakers» Best Supporting Actress: Lupita Nyong» o, «12 Years a Slave» Runner up: June Squibb, «Nebraska» Best Foreign Language Film: «Blue Is the Warmest Color» Runner up: «The Great Beauty» Best Animation: «Ernest & Celestine» Runner up: «The Wind Rises» Best Documentary: «Stories We Tell» Runner up: «The Act of Killing» Best Screenplay: Richard Linklater, Ethan Hawke and Julie Delpy, «Before Midnight» Runner up: Spike Jonze, «Her» Best Cinematography: Emmanuel Lubezki, «Gravity» Runner up: Bruno Delbonnel, «Inside Llewyn Davis» Best Editing: Alfonso Cuaron and Mark Sanger, «Gravity» Runner up: Shane Carruth and David Lowery, «Upstream Color» Best Production Design: K.K. Barrett, «Her» Runner up: Jess Gonchor, «Inside Llewyn Davis» Best Music Score: T Bone Burnett, «Inside Llewyn Davis» Runner up: Arcade Fire and Owen Pallett, «Her» Douglas Edwards Independent / Experimental Film / Video Award: «Cabinets of Wonder: Films and a Performance by Charlotte Pryce»
The two biggest question marks were Original Screenplay and Best Picture — Jordan Peele took Original Screenplay for «Get Out,» while «The Shape of Water» grabbed Best Picture as well as Best Director, Production Design and and Original Score.
This is all built into Mark Digby's gorgeous production design.
Best Achievement in Craft Chris King (editing), «Amy» Fiona Weir (casting), «Brooklyn» Mark Digby (production design), «Ex Machina» Andrew Whitehurst (production design), «Ex Machina» Adam Arkapaw (cinematography), «Macbeth»
Film: Dunkirk Director: Christopher Nolan Cast: Cillian Murphy, Tom Hardy, Harry Styles, Kenneth Branagh, Mark Rylance Oscar Nominations (8): Best Picture, Best Director, Best Original Music Score, Best Cinematography, Best Film Editing, Best Sound Mixing, Best Production Design, Best Sound Editing Where to Stream: Available for purchase on YouTube, iTunes and Google Play
Helen Mirren seemed a great bet in the lead actress race and of course design heads Sandy Powell (costumes) and Mark Friedberg (production design) were going to be in the conversation.
Mounting and soaring around characters is the spectacle, created by the production design with monochromatic blocks a la Jack Kirby and a synth score by Wes Anderson's four - time collaborator Mark Mothersbaugh.
Peter Rogness» art design and Mark Friedberg's production design are simply splendid and the lavish costumes by Sandy Powell change throughout the film to suit the seasonal changes in the plot.
Mark Tildesley's lavish production design ranges from mouldering fruit bowls to posh parties decadent enough to cause a French revolution.
Moderated by Tim Gray, the honorees were Paul D. Austerberry, production design, The Shape of Water; Mark Bridges, costume design, Phantom Thread; Alexandre Desplat, music score, The Shape of Water; Morrison, cinematography, Mudbound; John Nelson, visual effects, Blade Runner 2049; Tatiana Riegel, editor, I, Tonya; Julian Slater, sound mixing, Baby Driver; Arjen Tuiten, makeup, Wonder; and Matthew Wood, sound editing, Star Wars: The Last Jedi.
Geoff Barrow and Ben Salisbury's industrial - strength dissonant score uproots us (though it dips into quiet, acoustic tones for the truly shocking moments) while Mark Digby's production design and Rob Hardy's cinematography seem to always position us so that there is nowhere to plunge but deep into the most terrifying part of the landscape.
Tags 2015 oscars 87th academy awards american sniper benedict cumberbatch bennett miller best actor best actress best adapted screenplay best animated feature best art direction best cinematography best costume design best director best documentary feature best film editing best foreign language film best makeup & hairstyling Best Original Score best original screenplay Best Original Song best picture best production design best sound editing best sound mixing best supporting actress best visual effect birdman birdman or (the unexpected virtue of ignorance) boyhood bradley cooper citizenfour eddie redmayne edward norton emma stone ethan hawke felicity jones finding vivian maier foxcatcher Ida into the woods j.k. simmons julianne moore last days of vietnam laura dern maleficent marion cotillard mark ruffalo meryl streep michael keaton morten tyldum mr. turner nightcrawler One Night oscar noms oscars reese witherspoon robert duvall rosamund pike selma steve carell still alice the grand budapest hotel the imitation game the salt of the earth the theory of everything Two Days Unbroken virunga whiplash wild
The film, even when it slips into fiasco, has considerable polish with cinematographer Dante Spinotti's («L.A. Confidential») clever eye and a crack creative crew that includes Kristi Zea («Revolutionary Road») on production design and Mark Russell («The Adjustment Bureau») responsible for some major palm - sweating visual effects.
Art Direction & Production Design Catherine Martin, Beverly Dunn — The Great Gatsby (Warner Bros.) Maria Djurkovic, Tatiana Macdonald — The Invisible Woman (Sony Pictures Classics) Tim Galvin, Diane Lederman — Lee Daniels» The Butler (The Weinstein Company) Robert Stromberg, Nancy Haigh — Oz the Great and Powerful (Disney) Mark Digby, Patrick Rolfe — Rush (Universal) Michael Corenblith, Lauren E. Polizzi — Saving Mr. Banks (Disney)
So the glass of water with a blue mark showing up again is an accident in production design or a co-incidence....
BEST SUPPORTING ACTOR: Sam Rockwell, «Three Billboards outside Ebbing, Missouri» BEST MAKEUP AND HAIRSTYLING: «Darkest Hour» (Kazuhiro Tsuji, David Malinowski, Lucy Sibbick) BEST COSTUME DESIGN: «Phantom Thread» (Mark Bridges) BEST DOCUMENTARY FEATURE: «Icarus» (Bryan Fogel, Dan Cogan) BEST SOUND EDITING: «Dunkirk» (Richard King, Alex Gibson) BEST SOUND MIXING: «Dunkirk» (Gregg Landaker, Gary A. Rizzo and Mark Weingarten) BEST PRODUCTION DESIGN: «The Shape of Water» (Paul D. Austerberry, Jeffrey A. Melvin, Shane Vieau) BEST FOREIGN LANGUAGE FILM: «A Fantastic Woman» from Chile BEST SUPPORTING ACTRESS: Allison Janney, «I, Tonya» BEST ANIMATED SHORT FILM: «Dear Basketball» (Kobe Bryant, Glen Keane) BEST ANIMATED FEATURE FILM: «Coco» (Lee Unkrich, Darla K. Anderson) BEST VISUAL EFFECTS: «Blade Runner 2049» (John Nelson, Gerd Nefzer, Paul Lambert and Richard R. Hoover) BEST FILM EDITING: «Dunkirk» (Lee Smith) BEST DOCUMENTARY SHORT: «Heaven Is a Traffic Jam on the 405» (Frank Stiefel) BEST LIVE ACTION SHORT: «The Silent Child» (Chris Overton, Rachel Shenton) BEST ADAPTED SCREENPLAY: «Call Me by Your Name» (James Ivory) BEST ORIGINAL SCREENPLAY: «Get Out» (Jordan Peele) BEST CINEMATOGRAPHY: «Blade Runner 2049» (Roger Deakins) BEST ORIGINAL SCORE: «The Shape of Water» (Alexandre Desplat) BEST ORIGINAL SONG: «Remember Me» from «Coco» BEST DIRECTING: Guillermo del Toro, «The Shape of Water» BEST ACTOR: Gary Oldman, «Darkest Hour» BEST ACTRESS: Frances McDormand, «Three Billboards outside Ebbing, Missouri» BEST PICTURE: «The Shape of Water» (Fox Searchlight Pictures)
His camera not only magnificently captures the richness of the production design and incredible costumes (designed by Mark Bridges), but has a special eye for his performers» subtleties, the withering barbs and the emotional wounds they leave behind.
The production design by David Crank and costume design by Mark Bridges are impeccable in capturing 1970s styles, though the movie never presents the time period on a grand scale.
TECHNICAL ACHIEVEMENT AWARD» 71, Chris Wyatt, editing Birdman, Emmanuel Lubezki, cinematography Dawn of the Planet of the Apes, Joe Letteri, visual effects The Grand Budapest Hotel, Adam Stockhausen, production design Inherent Vice, Mark Bridges, costumes Leviathan, Mikhail Krichman, cinematography Mr Turner, Dick Pope, cinematography A Most Violent Year, Kasia Walicka - Maimone, costumes Under the Skin, Mica Levi, score Whiplash, Tom Cross, editing
Directed by Tony Scott; written by Shane Black; photographed by Ward Russell; production designed by Brian Morris; edited by Mark Goldblatt and Mark Helfrich; music by Michael Kamen; produced by Joel Silver and Michael Levy.
Featuring a colorfully ingenious landscape right out of Princess Mononoke or Howl's Moving Castle, Mark Digby's (Dredd, Never Let Me Go) exquisite production design is like a surrealistic Hayao Miyazaki - inspired animated wonderland come to vibrant practical life.
Directed by Jon Favreau; written by Roberto Orci, Alex Kurtzman, Damon Lindelof, Mark Fergus and Hawk Ostby, based on a screen story by Mr. Fergus, Mr. Ostby and Steve Oedekerk and the graphic novel by Scott Mitchell Rosenberg; director of photography, Matthew Libatique; edited by Dan Lebental and Jim May; music by Harry Gregson - Williams; production design by Scott Chambliss; costumes by Mary Zophres; produced by Brian Grazer, Ron Howard, Mr. Kurtzman, Mr. Orci and Mr. Rosenberg; released by Universal Pictures / DreamWorks Pictures (United States) and Paramount Pictures (Britain).
Executive producers, Ron Milbauer, Terri Hughes, Vic Kaplan, Rick Kellard; producers, Allan Arkush, Bruce Johnson; director, Arkush; writers, Milbauer, Hughes; camera, Paul Maibaum; production design, Timothy Kirkpatrick; editor, Neil Mandelberg; music, Mark Mothersbaugh; casting, Debbie Romano, Brett Benner.
Directed by Robert Schwentke; screenplay by Jon Hoeber and Erich Hoeber, based on the comic book by Warren Ellis and Cully Hamner; director of photography, Florian Ballhaus; edited by Thom Noble; music by Christophe Beck; production design by Alec Hammond; produced by Lorenzo di Bonaventura and Mark Vahradian; released by Summit Entertainment.
Directed by Matt Reeves; written by Mark Bomback, Rick Jaffa and Amanda Silver; director of photography, Michael Seresin; edited by William Hoy and Stan Salfas; music by Michael Giacchino; production design by James Chinlund; visual effects supervisor, Joe Letteri; produced by Mr. Jaffa, Ms. Silver, Peter Chernin and Dylan Clark; released by 20th Century Fox.
The filmmaking here is luscious, Anderson's camera (he is the uncredited cinematographer) panning, tracking, and swooping as it showcases Mark Tildesley's gorgeous production design and Mark Bridges's glorious costumes while Jonny Greenwood's score — featuring harps, piano, and flutes that serve as a constant presence throughout the film — accompanies the action.
None of that is important for the first 30 - 40 minutes of the movie, though, because Cuarón and his team of collaborators — notably Emmanuel Lubezki (gorgeous cinematography), Steven Price (unsettling musical score), Mark Sanger (seamless editing with Cuarón), and Andy Nicholson (meticulous production design)-- have created a setting and a mood and a tempo and a feeling that sweeps from sheer beauty quickly into sheer, sustained terror.
Best Production Design «Changeling,» James J. Murakami; Gary Fettis «The Curious Case of Benjamin Button,» Donald Graham Burt; Victor J. Zolfo «The Dark Knight,» Nathan Crowley; Peter Lando «Revolutionary Road,» Kristi Zea; Debra Schutt «Slumdog Millionaire,» Mark Digby; Michelle Day
Best Production Design «Changeling» (James Murakami; Gary Fettis) «The Curious Case of Benjamin Button» (Donald Graham Burt; Victor Zolfo) «The Dark Knight» (Nathan Crowley; Peter Lando) «Revolutionary Road» (Kristi Zea; Debra Schutt) «Slumdog Millionaire» (Mark Digby; Michelle Day)
BRIDGE OF SPIES (5) Best Picture Best Supporting Actor — Mark Rylance Best Director — Steven Spielberg Best Original Screenplay — Matt Charman and Ethan Coen & Joel Coen Best Production Design — Adam Stockhausen, Rena DeAngelo
With a fantastic, subtle score courtesy of unique composer Clint Mansell, incredible production design from Mark Tildesley, and a brief moment in the film that demands a specific mention - a mid-film montage set to sounds of Portishead covering ABBA's «SOS» - High - Rise is clearly enough of a filmmaking package to warrant seeking out.
TECHNICAL ACHIEVEMENT AWARD American Hustle — Judy Becker, production design Behind The Candelabra — Howard Cummings, production design Filth — Mark Eckersley, editing Frances Ha — Sam Levy, cinematography Gravity — Tim Webber, visual effects The Hunger Games: Catching Fire — Trish Summerville, costumes Inside Llewyn Davis — T Bone Burnett, music Stoker — Kurt Swanson & Bart Mueller, costumes 12 Years A Slave — Sean Bobbitt, cinematography Upstream Colour — Johnny Marshall, sound design
Mark Suter, a computer tech teacher at Pandora - Gilboa High School (OH), talks about how and why he invited students to join an entrepreneurial tech club that would provide Web design, video production and staff training to community businesses and nonprofit organizations.
All that and much more with hosts John McElroy of Autoline.tv and Gary Vasilash from Automotive Design & Production with guest panelist, Mark Phelan, Detroit Free Press
The second - generation IS marked the next introduction of Lexus» new L - finesse design philosophy on a production vehicle, following the premiere of the 2006 Lexus GS performance sedan.
All that and more with John McElroy, Autoline.tv; Gary Vasilash, Automotive Design & Production; Mark Phelan, Detroit Free Press.
John McElroy, Autoline.tv; Gary Vasilash, Automotive Design & Production; Aaron Bragman, Cars.com; Mark Phelan, Detroit Free Press.
«The breathtaking design of the Concept S - Class Coupe marked by sporty - classic proportions and sensual purity is transferred to the series - production S - Class Coupe virtually unaltered.
The cars, based on the LF - LC concept and astonishingly close to that design as they reach production, will sneak in under the $ 100,000 mark whether you go for the naturally - aspirated V8 or the hybrid model.
All that and much more with John McElroy, Autoline.tv; Gary Vasilash, Automotive Design & Production; Mark Phelan, Detroit Free Press.
The Z06s design marks the widest production Corvette yet.
All that and more with Gary Vasilash, Automotive Design & Production; Mark Phelan, Detroit Free Press; and Keith Naughton, Bloomberg News
Founders Mark and Renee D'Antoni have more than five decades of combined experience in print and digital publishing production including manuscript editing, book and magazine design, typesetting, layout, and ebook coding and development.