Sentences with phrase «production line of»

Accordingly, Samsung Display has started investing in a large - scale production line of flexible AMOLED panel, and is likely to invest in a larger - scale production line expanded from 2016, to satisfy the increasing demand for flexible AMOLED panel.

This is what separates him from the production line of Andy Warhol or the mathematical repetition of the Minimalists.

Also in 2014, Williams was the first artist to receive the Photography Catalogue of the Year, presented by the Paris Photo — Aperture Foundation PhotoBook Awards, for the two volumes specially designed and published on the occasion of his touring survey, The Production Line of Happiness (exhibition catalogue) and Printed in Germany (artist book).

This originated in mistakes in the production line of a factory of the British Steel Corporation, and as such is unique to this body of work.

The familiar grind of 1970s conceptualist retreads, the dry - as - dust photo and text panels, the production line of banal and impenetrable installations, the hushed and darkened rooms with their interchangeable flickering videos are the hallmarks of a decade of numbing right - on curatordom.

Organizers Christopher Williams: The Production Line of Happiness is organized by the Art Institute of Chicago and the Museum of Modern Art, New York.

United across all three levels of the museum by the artist's use of «supergraphics» — lengthy text excerpts printed at enormous size on a boldly colored background — The Production Line of Happiness offers 35 years of beautifully made, conceptually rich photography that mines the history of contemporary art and modern political opposition.

Eyeing off the production line of increasingly industrialised creative practices, art collectors and prospectors look «younger» for future favourites, across 46 exhibitors from 21 countries, but mostly major Western art centres dominated by the two «U's — the UK and USA.

2014 Artist's talk, The University of Ottawa, Canada Artist's talk, Ryerson University, Toronto, Canada Christopher Williams: «The Production Line of Happiness» Live with Mark Fisher, Lynne Tillman, David Hartt and Devin Fore, The Art Institute of Chicago, Chicago, IL, USA Belvedere, by David Hartt with Martine Syms, David Hartt and Jeff Khonsary, LA Art Book Fair @ The Geffen Contemporary at MOCA, Los Angeles, CA, USA

Lately, Grabner has rediscovered the conceptual photographer Christopher Williams, whose sublimely good - looking works question the conventions of the genre, as can be seen in his first retrospective, «The Production Line of Happiness,» at the Art Institute of Chicago through May 18.

Held in conjunction with the exhibition Christopher Williams: The Production Line of Happiness Christopher Williams: The Production Line of Happiness is the first retrospective of Christopher Williams's 35 - year career as one of the most influential cinephilic artists working in photography.

That exhibition's title is taken from a line in a documentary by Jean - Luc Godard, in which an amateur filmmaker compares his daily job as a factory worker with his hobby of editing his films of the Swiss countryside by calling it «the production line of happiness.»

He speaks here about his three - part exhibition «The Production Line of Happiness,» which is Williams's first major museum survey.

In conjunction with the exhibition Christopher Williams: The Production Line of Happiness In the Film exhibitions Carte Blanche: Christopher Williams and Modern Mondays

To illustrate this aspect of his artistic practice, The Production Line of Happiness features a series of rarely shown short films shot on a Super-8 camera, made while he was a student, and also features a series of experimental short films curated by the artist.

The Production Line of Happiness brings norm - flouting exhibition design to arts institutions (the academic Art Institute of Chicago, the high - gloss MoMA, and the public Whitechapel Gallery) in an effort to draw attention to the naturalised codes of the white cube.

Christopher Williams: The Production Line of Happiness runs until 2 November at Museum of Modern Art in New York.

In conjunction with his retrospective exhibition, Christopher Williams: The Production Line of Happiness, the artist joins Stuart Comer, MoMA's Chief Curator of Media and Performance Art, for a discussion of Williams's longstanding engagement with cinema.

As a new exhibition, Christopher Williams: The Production Line of Happiness, at the Museum of Modern Art in New York suggests, perhaps no artist has done more over the last 30 years to explore the specific «social relations among people» that our image culture and media embody and conceal than the American - born and Düsseldorf - based conceptual artist Christopher Williams (b. 1956).

Christopher Williams: The Production Line of Happiness is on at Whitechapel Gallery until 21 June.

¹ Reconstructed six times: a wall designed and constructed by Bonner Kunstverein, Bonn, initially used in the exhibition Mathias Poledna / Christopher Williams, 7 February — 26 April, 2009, Bonner Kunstverein, Bonn and subsequently used as the title wall for The Production Line of Happiness, 29 April — 21 June, 2015, Whitechapel Gallery, London, then exhibited in Open Letter to Model No. 1740, 29 April — 4 June, 2016, Capitain Petzel, Berlin, reconstructed for the exhibition Supplements, Models, Prototypes, 3 February — 11 March, 2017, Corbett vs. Dempsey, Chicago, and exhibited in and reconstructed for the exhibition Supplements, Models, Prototypes, 1 March — 2 June, 2017, gta Exhibitions, ETH Zürich.

«The Production Line of Happiness» brings together over 50 photographs from influential American artist Christopher Williams» 35 - year career.

Christopher Williams: The Production Line of Happiness Through to 21st June 2015, Galleries 1, 8 & Victor Petitgas Gallery (Gallery 9) Whitechapel Gallery, 77 — 82 Whitechapel High Street, London E1 7QX www.whitechapelgallery.org

3 Christopher Williams: The Production Line of Happiness, Whitechapel Gallery — review: A photographer who genuinely loves his medium: London Evening Standard

«Christopher Williams: The Production Line of Happiness» runs through Nov. 2 at the Museum of Modern Art; 212-708-9400, moma.org.

'' Christopher Williams: The Production Line of Happiness» is, as a whole, a similar act of exposure.

---- Christopher Williams: the Production Line of Happiness runs at the Art Institute of Chicago through May 18, 2014.

Christopher Williams: The Production Line of Happiness review — an exercise in fastidious cogitation

Printed in Germany is the second volume in an ambitious series of books developed by Williams in conjunction with his first major museum survey, The Production Line of Happiness, a critically acclaimed exhibition co-organized for 2014 - 2015 by The Art Institute of Chicago with The Museum of Modern Art, New York and Whitechapel Gallery, London.

Christopher Williams's ascetic aesthetic mode is the subject of a traveling mid-career retrospective, The Production Line of Happiness, on view at Whitechapel Gallery, London, until the end of June.

In 2014, Williams was the first artist to receive the Photography Catalogue of the Year, presented by the Paris Photo — Aperture Foundation PhotoBook Awards, for the two volumes specially designed and published on the occasion of his touring survey, The Production Line of Happiness (exhibition catalogue) and Printed in Germany (artist book).

This popped out at me while reading the Christopher Williams catalogue, The Production Line of Happiness (yellow edition, btw) last night:

Christopher Williams: The Production Line of Happiness marks the artist's first major museum survey, which spans thirty - five years of work.

Christopher Williams, The Production Line of Happiness, Installation view: Whitechapel Gallery, Photo: Stephen White

Christopher Williams has generously donated a special limited edition of ten prints to the Whitechapel Gallery to coincide with the first UK retrospective of the American artist, Christopher Williams: The Production Line of Happiness.

Christopher Williams: The Production Line of Happiness — the first retrospective ever mounted of Christopher Williams (American, b. 1956)-- spans the impressive 35 - year career of one of the most influential cinephilic artists working in photography.

The Production Line of Happiness features Williams's little - seen Super-8 shorts, major projects from the 1980s to the early 1990s, and photographs from his subsequent magnum series For Example: Die Welt ist schön (The world is beautiful)(1993 — 2001) and For Example: Dix - huit leçons sur la société industrielle (Eighteen lessons on industrial society)(2003 — today).

For the title of this exhibition, Williams has taken a line from a documentary by French director Jean - Luc Godard, in which an amateur filmmaker compares his daily job as a factory worker with his hobby of editing his films of the Swiss countryside as «the production line of happiness.»

Olsen & Fischli: Your film Production Line of Happiness shows the class of Christopher Williams at Kunstakademie Düsseldorf poring over the fundamental questions posed by artistic production: What is counter culture?

The exhibition's title is borrowed from a 1967 documentary by French director Jean - Luc Godard, in which an amateur filmmaker describes the process of editing his films of the Swiss countryside as «the production line of happiness.»

The first, entitled The Production Line of Happiness, is equal parts artist's book and exhibition publication, and includes texts by the curators Mark Godfrey, Roxana Marcoci, and Matthew S. Witkovsky.

The Production Line of Happiness, the major survey of work by Christopher Williams, travelled from The Art Institute of Chicago to The Museum of Modern Art in New York and London's Whitechapel Gallery in 2014 — 2015.

Williams was the first artist to receive the Photography Catalogue of the Year, presented by the Paris Photo — Aperture Foundation PhotoBook Awards, for The Production Line of Happiness and Printed in Germany.

Recent publications include Christopher Williams: Printed in Germany, and Christopher Williams: The Production Line of Happiness.

The exhibition presented a group of five walls drawn from prior exhibitions including Christopher Williams: The Production Line of Happiness, the artist's first major museum survey which travelled from The Art Institute of Chicago to The Museum of Modern Art in New York and London's Whitechapel Gallery in 2014 - 2015.

Christopher Williams: The Production Line of Happiness, published by Art Institute of Chicago / The Museum of Modern Art / Whitechapel Gallery, 2015

Entitled The Production Line of Happiness, the first volume is equal parts artist's book and exhibition publication.

Like The Production Line of Happiness, Printed in Germany has been produced in yellow, red, and green versions.

Williams's critically - acclaimed 2014 - 2015 retrospective, The Production Line of Happiness, was exhibited at The Art Institute of Chicago, The Museum of Modern Art in New York, and the Whitechapel Gallery in London.

Most of the enemies seem to have come from a production line of thick - headed warriors, although, as always, the officers are generally smarter, whilst some basically have longer power bars and block every now and then, others actually present some form of challenge.