Sentences with phrase «production of a short film»

After the Lab they will receive grants to fund the production of their short films, targeted support from a supervising producer and participation in the annual Native Forum at the 2017 Sundance Film Festival.

After the Lab they will receive targeted support from supervising producers, grants to fund the production of their short films and will attend the annual Native Forum at the January 2018 Sundance Film Festival for ongoing support on their projects.

«The Making of Assassin's Creed Lineage» delves into the production of these short films and how they were created with focus on visuals.

There are many roles that students can play in the production of a short film, making for a meaningful learning experience.

Outside of the office, Blake exudes his passion for luxury through his involvement in the Dallas art scene, volunteering with the local non-profit Art Conspiracy and participating in the production of the short film Moving Cities Dallas, which highlights the intersection of art and commerce within the community.

Not exact matches

Fast - casual chain Chipotle Mexican Grill added some spice to its long - running «Food With Integrity» sustainable farming campaign by teaming with Academy Award - winning design firm Moonbot Studios for The Scarecrow, an animated short film and accompanying mobile game created to increase consumer awareness of animal confinement, synthetic growth hormones, toxic pesticides and other fixtures of industrial food production.

With a production schedule of about five months, Moment needed to produce four hours of top - quality content that would represent the essence of L.A. to the world — the equivalent of making 62 short films, each with different producers, actors and themes, some in 3 - D.

Previously, Flanagan has targeted some of Cuomo's multibillion - dollar economic development programs, including $ 420 million in tax breaks to film and TV productions in exchange for often short - term jobs created in New York.

Every year the ASCB chooses two or three proposals from those submitted by member labs across the world and awards each of them a $ 1,000 unrestricted production grant to turn its research into a short film.

But only moments later, their song is abruptly cut short by the film's blue - jacketed bunny hero (voiced by James Corden) defiantly announcing that this won't be that kind of production.

This Walt Disney Signature Collection release on Blu - ray includes a new rendition of «When You Wish Upon a Star,» rare artwork from the Pleasure Island sequence, archival recordings of Walt Disney during the film's production and a restored 1927 animated short of Oswald the Lucky Rabbit.

Every October for most of the last two decades, director Adam Green and his production company Ariescope have released a new Halloween - themed short film, resulting in classics like Jack Chop (2009) and the hilarious Halloween «deleted scene» Driving Lessons (2012), and this year's 18th annual film, Don't Do It, has just arrived.

EXTRAS: There's a pair of featurettes on production and the real - life events that inspired the film, as well as an animated short detailing how David and Efraim were able to exploit the system.

Each of Green's meticulously crafted pieces draws on his background as a production designer, where he honed his creative eye for 12 years, before making his directorial debut in 2006 with his short film «NASA,» for Audi through BBH.

The actress didn't let the film's small budget and short production schedule stop her from doing work of the highest order.

Fans of Coppola's work will be particularly pleased with the inclusion of Lick the Star, a 1998 short film she made in 16 mm black - and - white just before she started production on The Virgin Suicides.

They are short featurettes centered on Jeremy Renner, Elizabeth Olsen, and writer - director Taylor Sheridan, unfolding with a standard mix of talking head interviews, film clips, and footage from the location production.

All it takes is a short stroll to the lowest level of the massive Palais des Festivals to check out dozens of stands by various national film institutes, distributors and production companies.

The shorter pieces, which take on various aspects of the film, the story, production and special effects details (like the use of miniatures, which has become a rarity in the CGI age), range from under two minutes to just over twelve minutes.

So, like «Garfield: A Tail of Two Kitties,» «Alvin and the Chipmunks» and «Yogi Bear» — films which tried to incorporate CGI with live action — The Smurfs 2 comes up woefully short, leaving «Who Framed Roger Rabbit» as the still clear - cut winner of the genre, and that particular production is more than 25 years old.

The score from Alexandre Desplat has a timeless feeling to it; it's endlessly charming when it needs to charm, electrifying when we're required on the edge of our seat; Paul D. Austerberry's production design is aces, the film drowns in this ocean blue, soaking wet aesthetic that emanates this sensual but creepy world; and the creature design is nothing short of righteous, a perfect throwback to the era of practical effects reigning supreme that uses just the right intermitted splashes of CGI.

Signatures is a short film scheme for the making of live - action, fiction films that act as a proving - ground for Irish creative talents which aims to encourage strong, original storytelling, visual flair, and production values appropriate to the big screen.

Indeed, Robert Eggers — whose debut feature this is — has previously directed a few short films, but mainly worked as a Production Designer, Art Director and Costume Designer on the films and theater productions of others.

The ultimate haptic heroine of the AFI FEST was the unnamed protagonist of Krotkaya (A Gentle Creature), the third narrative film of the Berlin - based Ukrainian filmmaker Sergei Loznitza.45 The Russian title is that of the original short story by Dostoyevsky (1876) about a meek young woman inexplicably committing suicide, but, in its country of production (France), the film is called Une Femme douce — like the 1969 adaptation of the same story by Robert Bresson directed.

«The Gathering Storm: The Chronicles of the Hobbit Part 3» is a making - of documentary that runs just short of five hours and «Here at Journey's End» (aka «The Appendices Part 12») goes into detail on aspects of the production and pulls out to see the film in the context of the entire Tolkien story told in the six films.

It's been six long years since we've witnessed a new feature film from Hou Hsiao Hsien; that being his French - Taiwanese production of Flight of the Red Balloon, an ode to the classic 1956 French short The Red Balloon directed by Albert Lamorisse.

The former is a standard - issue behind - the - scenes featurette with brief talking - head interviews with the majority of cast and crew members, while the latter serves as a too - short but intriguing look at the film's costume and production design.

BEST SUPPORTING ACTOR: Sam Rockwell, «Three Billboards outside Ebbing, Missouri» BEST MAKEUP AND HAIRSTYLING: «Darkest Hour» (Kazuhiro Tsuji, David Malinowski, Lucy Sibbick) BEST COSTUME DESIGN: «Phantom Thread» (Mark Bridges) BEST DOCUMENTARY FEATURE: «Icarus» (Bryan Fogel, Dan Cogan) BEST SOUND EDITING: «Dunkirk» (Richard King, Alex Gibson) BEST SOUND MIXING: «Dunkirk» (Gregg Landaker, Gary A. Rizzo and Mark Weingarten) BEST PRODUCTION DESIGN: «The Shape of Water» (Paul D. Austerberry, Jeffrey A. Melvin, Shane Vieau) BEST FOREIGN LANGUAGE FILM: «A Fantastic Woman» from Chile BEST SUPPORTING ACTRESS: Allison Janney, «I, Tonya» BEST ANIMATED SHORT FILM: «Dear Basketball» (Kobe Bryant, Glen Keane) BEST ANIMATED FEATURE FILM: «Coco» (Lee Unkrich, Darla K. Anderson) BEST VISUAL EFFECTS: «Blade Runner 2049» (John Nelson, Gerd Nefzer, Paul Lambert and Richard R. Hoover) BEST FILM EDITING: «Dunkirk» (Lee Smith) BEST DOCUMENTARY SHORT: «Heaven Is a Traffic Jam on the 405» (Frank Stiefel) BEST LIVE ACTION SHORT: «The Silent Child» (Chris Overton, Rachel Shenton) BEST ADAPTED SCREENPLAY: «Call Me by Your Name» (James Ivory) BEST ORIGINAL SCREENPLAY: «Get Out» (Jordan Peele) BEST CINEMATOGRAPHY: «Blade Runner 2049» (Roger Deakins) BEST ORIGINAL SCORE: «The Shape of Water» (Alexandre Desplat) BEST ORIGINAL SONG: «Remember Me» from «Coco» BEST DIRECTING: Guillermo del Toro, «The Shape of Water» BEST ACTOR: Gary Oldman, «Darkest Hour» BEST ACTRESS: Frances McDormand, «Three Billboards outside Ebbing, Missouri» BEST PICTURE: «The Shape of Water» (Fox Searchlight Pictures)

This edition features both Blu - ray and DVD copies with new supplements, including commentary by Neil Marshall, the hour - long documentary «Werewolves vs. Soldiers: The Making of Dog Soldiers» with new interviews with Marshall, many of his collaborators, and the film's stars, and a 13 - minute featurette on the production design, plus Marshall's 1999 short film Combat and a couple of photo galleries.

The two original short films in which the Christmas tale was born, Rare Exports Inc. (2003) and Rare Exports - The Official Safety Instructions (2005) The Making of Rare Exports: A Christmas Tale «Blood in the snow» — a look at the concept art Animatics & computer effects video comparison Behind the scenes production stills photo gallery Original theatrical trailer from Finland

Cinema Eye presented its first Nonfiction Short Film award (it went to The Poodle Trainer by Vance Malone) and the first Heterodox Award, recognizing fiction films which imaginatively incorporate nonfiction strategies, content and / or modes of production.

Even when a campaign falls short of its funding goals, many filmmakers find other creative avenues to accomplish their film production goals.

The three - disc Blu - ray edition features the 69 - minute «Secrets of The Force Awakens: A Cinematic Journey,» which chronicles the production from the development of the story through filming, and a collection of shorter featurettes, all under ten minutes apiece.

The movie was filmed mostly within a short drive of the Utah Film Studios outside Park City, which was the production's base of operations.

Despite the best intentions of the production team behind the movie, the film itself is actually mediocre and unfortunately falls short as a tribute to the victims.

As usual, however, the Blu - ray package makes a collectible of even a minor Pixar effort for enthusiasts: it's positively festooned with extras, from techie features on the production design and Randy Newman's bouncy score to, of course, the short film The Blue Umbrella, a sleekly designed, inanimate - object romance that you'll either find enchanting or insipid.

The movie - brat generation established the tradition of directors using short films as calling cards — most famously, George Lucas with Electronic Labyrinth: THX 1138 4EB (1967), which he expanded into THX 1138 (1971), and Steven Spielberg with Amblin» (1968), which helped win him a deal at Universal's TV division (and later supplied the name to his production company).

Blu - ray Highlight: There really isn't a standout special feature on Universal's two - disc release, but there are still a few good extras worth checking out, including a short but sweet making - of featurette that covers a range of topics like the script, casting and production; an in - depth look at the film's fight choreography; and a featurette on ex-CIA operative Luis Falcon III's assistance in making the movie as accurate as possible.

Featuring never - before - seen Coltrane family home movies, footage of John Coltrane and band in the studio — discovered in a California garage during production of this film — along with hundreds of never - before - seen photographs and rare television appearances from around the world, Coltrane's story is told by the musicians that worked with him including Sonny Rollins, McCoy Tyner, Benny Golson, Jimmy Heath, Reggie Workman, musicians that have been inspired by his fearless artistry and creative vision like Common, John Densmore, Wynton Marsalis, Carlos Santana, Wayne Shorter, Kamasi Washington, along with Coltrane's children and biographers, in addition to well - known admirers such as President Bill Clinton and philosopher Dr. Cornel West.

Extras include audio commentary by film critic Stephen Farber; a retrospective piece surrounding the making of the movie; a vintage behind - the - scenes short; and a vintage (and entertaining) half - hour TV production on Camelot's world premiere.

The Blu - ray edition looks stunning (I did not view the DVD, which features no supplements) and includes the 30 - minute making - of documentary «Hard - Wires Humanity: Making Ghost in the Shell,» which covers the production with lots of behind - the - scenes footage, and the shorter featurettes «Section 9: Cyber Defenders» (11 mins) and «Man & Machine: The Ghost Philosophy» (10 mins), plus bonus DVD and Ultraviolet Digital HD copies of the film.

Having been on the Croisette before with his debut film Un 32 août sur Terrre (Un Certain Regard), and the Directors» Fortnight was home for his epic short Next Floor and sobering Polytechnique, the Quebecois helmer saw his critically lauded Incendies and Enemy receive a pass from the fest, but it was this work that ultimately convinced backers with deep pockets to have the auteur filmmaker move onto large - scale productions (Prisoners, Story of Us, the Blade Runner sequel), and in turn Sicario is now among the hopefuls for the Palme d'Or.

DVD Features: The single - disc DVD release of «RV» features cast / crew commentary, five production featurettes, a story - to - film comparison and a short gag reel, but that still doesn't make this movie worth seeing.

The Blu - ray of «The Hobbit: An Unexpected Journey» comes with a bare - bones Blu - ray as well as a second disc that features a short making - of video and a feature - length presentation of the film's production diaries.

Aspiring and seasoned scriptwriters, producers and directors can apply for this award which will fund up to three new short films from a total fund of $ 30,000 (an additional production and post-production facilities package is -LSB-...]

Ken Loach and Paul Laverty interview (The Wind that Shakes the Barley) • Dylan Moran interview (Tell it to the Fishes) • Ardmore Sound: The importance of post-production sound • Commercial's director Enda McCallion interview • The work of the locations department in Becoming Jane • The state of production in Northen Ireland • Practical guide to short film funding • Writer / director Terry George interview • 2006 Cannes Film Festival Report • Introduction to manga.

EXTRAS: There's an audio commentary by director Jorge R. Gutierrez, a trio of featurettes on production, art direction and the soundtrack, a new short film and more.

EXTRAS: There's an audio commentary by director Peter Sohn and several crew members, a series of production featurettes, deleted scenes and the Oscar - nominated short film, «Sanjay's Super Team.»

Rounding out the set is another production featurette («The Man, the Movie, the Legend»), a look back at the Max Baer fight with crew commentary («Ringside Seats»), and a short piece («The Friends & Family Behind the Legend») on the Braddock family's reaction to the making of the film.

The first round of announcements, for nominees in cinematography, costume design, film editing, makeup and hairstyling, original score, production design, animated short film, live action short film, sound editing, sound mixing, and visual effects, will take place at the oddly specific time of 5:22 a.m. PT / 8: 22 a.m. ET.