Sentences with phrase «production shoots including»

Production Assistant for production shoots including setting up equipment, boom and sound operations.

Not exact matches

To pull it off, Catullo's team had to get over 180 permits to do the shoot, create a perimeter around the Acropolis that included over 400 security people, bring in their own TV truck and all key gear from the U.K., and become the first production granted permission to film at the Parthenon in almost 60 years.

Asked to explain the specific purchases noted in the Moreland documents, Joe Bachmeier, a spokesman for Ball, responded in an email, «The clothing purchases were for campaign use, including campaign photos, television shoots and production.

What began a few years ago as a trickle of small independent films shot in and around Kingston has of late turned into a veritable flood, including big - budget productions with real movie stars, thanks to a new tax break and efforts by local officials to woo and accommodate the industry.

If Winter can translate his success on The Sopranos and Boardwalk Empire to the big screen, and Scorsese can wrangle a cast that includes Matthew McConaughey, Jonah Hill, Jon Favreau, Kyle Chandler, Jean Dujardin, Margot Robbie, Jon Bernthal, and Rob Reiner, then this digitally shot production (a first for Scorsese) should be another must - see from the team that brought us Gangs of New York, The Aviator, The Departed, and Shutter Island.

Shooting got underway on the story (about a search - and - rescue medical spaceship that rescues a man who's smuggled an alien artifact on board), with a cast including Angela Bassett, James Spader, Robert Forster and none - more - nineties faces like Robin Tunney and Peter Facinelli, but things went swiftly south, with the studio cutting Hill's budget midway through production.

Blu - ray Highlight: In addition to an excellent six - part documentary that runs the entire gamut of production — from location shooting in Romania, to Nicolas Cage's (creepy) performance capture of the Ghost Rider, to special effects and more — the Blu - ray also includes a feature similar to Warner Bros.» Maximum Movie Mode where directors Mark Neveldine and Brian Taylor dissect the film (sometimes pausing it to discuss certain scenes in more detail) with the help of behind - the - scenes footage.

Deadline reports that in order for Verbinski, producer Jerry Bruckheimer, and star Johnny Depp (who is playing Tonto), «the cutting process has included the reworking of deals... and trimming the production budget and the long shoot.»

The film just wrapped after a tumultuous production that included a temporary delay to bring the budget down, only for it to soar again once shooting got underway.

Shot in nondescript Los Angeles locations, including a generic apartment where much of the action takes place, the movie has a flat, featureless look more suitable to one of the low - budget, semiprofessional productions that Mr. Affleck helps sponsor through the «Project Greenlight» contest.

EXTRAS: The Blu - ray release includes a behind - the - scenes look at production — including visual effects, stunt choreography and location shooting in Gabon — as well as a featurette examining Tarzan and Jane's iconic relationship.

Audio Commentary: Director Brad Peyton provides a running commentary touch on all aspects of the production include casting and character development, as well as all the details on the special effects work and shooting challenges.

«Star Wars» Sequel: All six previous «Star Wars» film have shot some scenes at U.K. studios, but almost all of the production on J.J. Abrams» upcoming sequel will be done in the country, including the visual - effects work.

The first feature is called «Shoot the Moon (The Making of Hugo)», it runs about twenty minutes and includes great both cast and crew discussing the film and its production.

It is packed with interesting interviews (including one from 1978 with Donald Pleasance who fails to conceal his contempt for the project) and production trivia (e.g. the mask of the killer originally bore the face of William Shatner), and includes two scenes which were shot later to make the film long enough for NBC to televise.

Shot on a minimal budget, with a production design that favors ingenuity and creativity and a cast that includes such major European actors as Geraldine Chaplin, Mathieu Amalric, Udo Kier, and recent Oscar nominee Charlotte Rampling (some of them in multiple roles), it has a whimsical, absurdist sense of humor.

EXTRAS: The Blu - ray release includes an interview with Adam Sandler and Drew Barrymore, deleted scenes, a gag reel and nine short featurettes covering various elements of production, including actress Bella Thorne's «makeover,» location shooting in Georgia and more.

This collection of production - diary - style footage finds Brian De Palma on the set of his 2002 film Femme Fatale directing the shoot, a process that — as seen in these specific clips — includes rehearsals with actors Rebecca Romijn and Antonio Banderas, working through movement / blocking and fight choreography, and the management of the movie's bravura opening setpiece that takes place at the 2001 Cannes Film Festival.

Constructed around a few locations (including Stevens» own home for Anne's gilded prison) and a cast of four central characters and shot in an economical ten days, it is both a handsome production (shot by veteran, Oscar - nominated DP Ted McCord sometime between Treasure of the Sierra Madre and The Sound of Music, and camera operator Conrad Hall) and a visually evocative world taut with palpable tension and he orchestrates the quartet nicely.

The film was major flop, quite a surprise given the talent at work here, including screenwriter Carole Eastman (under the psuednym Adrian Joyce, which she also used on The Shooting) and production designer Richard Sylbert, who gives the west coast settings a low - rent, sun - baked handsomeness.

The Killer Elite (Twilight Time, Blu - ray) is included not for the film itself — one of Peckinpah's impassioned expressions of loyalty, betrayal, professionalism, and violence as a way of life hung on a weak scrip — but for its very special supplements: the American home video debut of Peckinpah's 1966 made - for - television drama Noon Wine, an intimate 52 - minute production shot on a combination of film and videotape and broadcast on TV once.

Features relaxed commentary by director Lone Scherfig and actors Carey Mulligan and Peter Sarsgaard (who spend as much time reminiscing over the shoot and appreciating key moments as discussing the production and the characters), a nine - minute making of featurette (which also includes interviews with screenwriter Nick Hornby and author Lynn Barber) and 11 deleted scenes among the supplements on both DVD and Blu - ray.

After working on a few more independent films, including «Reckless» (1984), «Old Enough» (1984) and «Heartbreakers» (1984), he made another important personal and professional connection when Martin Scorsese hired him to shoot a low - budget indie - style film that he was working on as a way of collecting his bearings after a string of increasingly complex and complicated productions, the dark comedy «After Hours» (1985).

Utilizing clips of interviews with the cast and crew plus a good amount of production footage, this program covers a number of facets of the film's production including casting, plot / character changes, shooting in locations around the world, the numerous cameos, and designing Phileas» inventions.

Other production sections include «Sequence Breakdowns,» covering 6 key fight scenes and locations, and offers viewers the chance to read the scene in Goyer's screenplay, compare it with the final shooting script, view the scene through storyboards, jump to the scene in the finished film, and view video footage from the set.

In 1978, when the movie opens, Madeline is starring in a stage musical based on Sweet Bird of Youth, and it's typical of the movie's demeaning approach to women that it cuts from a shot of her face on the cover of a playbill lying in a mud puddle to a closeup of her onstage in an extended production number, «Me» («I see me, I like what I see»), that includes a chorus line of hotel bellboys.

Although Samuel Shellabarger's novel had been bought by Fox long before the cameras rolled in 1946, it took a few years before everything was set to begin filming one of the studio's costliest production (which also included, Forever Amber, shot concurrently).

Though the club itself has been faithfully re-created by production designer Craig Stearns on a Georgia soundstage (including, reportedly, the real CBGB toilets), New York City location shooting is notably sloppy, with Kristal at one point catching a gleaming new subway train from the recently renovated Bleecker Street station.

Cast members including Aaron Eckhart, Bill Nighy, Miranda Otto Yvonne Strahovski will be calling the state of Victoria home for thee ten - week shoot that kicks off production on 27 February.

Also included is a photo gallery featuing behind the scenes production shots.

The video transfer is beautiful, and the extras are excellent, including insightful audio commentary by Zemeckis, Gale and Kurt Russell, a series of radio commercials that perfectly reflect the times, as well as some local car commercials Kurt Russell appears in for the lot that the production actually shot on.

The creative team on A Monster Calls also includes production designer Eugenio Caballero, an Academy Award winner for Pan's Labyrinth who previously collaborated with the director on The Impossible; costume designer Steven Noble (The Theory of Everything); and cinematographer Óscar Faura, who shot both The Impossible and The Orphanage for Mr. Bayona.

The most basic reason for this is the great look of the film; the production and costume design is superb, and there are some shots, including an impressive (if somewhat obviously CG) flyover of Rome, that dazzle the eye.

Other topics arising: costumes (which included CGI armor), linguistics, fighting styles, production design, visual effects (from the unsettling depiction of X-ray vision), set pieces (the tornado sequence, Lois Lane's complicated single shot work escape), underwater filming, and filming locations.

The production will also shoot on location in Fresno, California, as well as locations in Louisiana, including Baton Rouge and New Orleans.

EXTRAS: The Blu - ray release includes nine featurettes — covering a range of topics like the cast, stunts, visual effects, production design, location shooting in Johannesburg and A.I — as well as an alternate ending, an extended scene and a concept art gallery.

A generous section of full - screen Galleries is divvied up into numerous sub-sections - «Production Stills» (55 pictures); shots of an Old Yeller comic book under «Publishing» (13 stills); «Biographies» (43 frames) for Tommy Kirk, Dorothy McGuire, Fess Parker, Kevin Corcoran, Beverly Washburn, and Chuck Connors (strangely, the remaining cast member, Jeff York — who also played with Parker in the «Davy Crockett» series — is not included); lobby cards, posters, and merchandise in «Advertising» (17 stills); fan letters to Fred Gipson and invitations for early movie screenings found within «Documents» (30 stills).

Meanwhile, Doctor Strange hasn't started shooting yet — production starts this fall — but Benedict Cumberbatch recorded a video message promising fans that the movie will include, «Girls, cars, explosions, and a little bit of astral projection into multiple dimensions.

He talked about what it's like to be part of a famous filmmaking family and still earn recognition on his own terms, the difficult process of shooting Kill Your Darlings that gives the movie an extra spark, how he prepared to play Kerouac at this stage in his life, his character's arc on Boardwalk Empire, American Hustle and the unusual way they shot the film, upcoming projects including an Errol Flynn biopic and a production of Strangers on a Train in London, and more.

Thrones received 23 prime - time 2016 Emmy nominations, more than any other show, but requires a heavy amount of winter location shooting for the next season (locations include a production unit filming in Iceland).

Solo: A Story Wars Story has encountered numerous roadblocks during production, including the departure of directors Phil Lord and Christopher Miller during the shoot.

Other non-Duplass-related credits for Langhoff include as a production coordinator for 2010's locally shot «The Last Exorcism»; and as the assistant to the director on the forthcoming, locally shot Nicolas Cage thriller «Seeking Justice.»

Touting the unique production angle that had Linklater shooting this film for 11 years, using the same actors, including Ethan Hawke and Patricia Arquette, the trailer is basically a highlight reel of a film that perfectly encapsulates what it's like to grow up, without hitting all the cliche trials and tribulations that we've seen countless times before.

Running a little over a minute each, the shorts include some footage from the first movie, but prefer unique original content, shot and performed with production values comparable to the films.

Variants included a P1800S model when the production was moved to Volvo's Lundby Plant in Gothenburg, an upgraded engine in 1970 known as the P1800E and the P1800ES, which was a two - door station wagon or «shooting - brake.»

Revealed during Monterey Car Week just five days ahead of the Pebble Beach Concours d'Elegance, Aston says production will be limited to 325 units total, including 99 Coupes, 99 Volantes, 28 Speedsters, and 99 Shooting Brakes.

In addition to providing vehicles for the movie production, General Motors also allowed filmmakers to use GM locations for shooting including the GM Design Center at the Warren Technical Center, Milford Proving Grounds and the Lansing Grand River Assembly Plant.

«Ben - Hur» — Rare behind - the - scenes materials including makeup and wardrobe tests, production design sketches, sample matte paintings — A forward and captions written by Charlton Heston's son, Fraser C. Heston — Excerpts from Charlton Heston's acting and shooting journals during filming — Details about the development of Panavision and MGM's proprietary widescreen process (MGM Camera 65)

Every Inside the Script title includes the film's complete shooting script in a customizable ebook format; dozens of chapters about the script and the film that detail the movie's development; rare historical documents such as production notes, storyboards, and candid photos; and an interactive image gallery of costumes, on - set stills, movie posters, set designs and behind - the - scenes photos.

Though the Great American Novel trope includes the fantasy of wowing a publisher, getting a huge advance, shooting to the top of the New York Times bestseller list, getting a movie deal and retiring in Tuscany, the fact is, to be a successful writer, you don't have to run the gamut of submissions and rejections, expensive production and distribution costs and constant second - guessing of your ability to succeed.