I play a lot of games of all types of genres, but the sheer
production values of something like Uncharted again raised the benchmark.»
Not exact matches
In a rational system, if the extra costs involved in producing
something were equal to the
value of producing it,
production would cease.
«It's the whole idea
of value - added
production: you take
something that people would just burn before and then use these enzyme machines to extract sugar from it, which is fed to microbes, which can then make things for us.
Consequently I am inclined to question the
value of specialised strength development exercises where the athlete may be able to solve the task via increased force
production through ranges
of movement that do not correspond to that initial 50 %
of ground contact (why train
something that doesn't separate good athletes from average ones?).
With excellent
production values, quality voice work, and a healthy dose
of imagination, Flushed Away proves itself to be
something not easily disposable in the world
of family animation.
The gameplay is not
something particularly elaborated, as the
production's best
values reside in the entertaining direction, but this element is partially hampered by Wii's lack
of power.
ATLAS SHRUGGED PART I Rather than take the time to come up with
something witty to write about this heavy - handed screed that boasts all the
production values of a bad made - for - TV movie from the early 1980s, I'll just substitute the word «novels» with «films» in this popular quote and be done with it: «There are two films that can change a 14 - year - old's life: The Lord
of the Rings and Atlas Shrugged.
The film's Z - grade
production values and anti-formalist aesthetic sort
of makes The Toxic Avenger the anti-Carrie, but you can't really judge it by that comparison; it exists in an entirely different universe from de Palma's film, and in its own way it's
something of a masterpiece.
My new strategy is to focus on providing
value to others, create a sustainable stream
of income that is more than I need so that I can funnel it into new ventures; I've also come to realize that making money is not antithetical to creative
production — instead monetary reward is often the obvious outcome
of making
something that lots
of people like or need.
And while I won't squawk about
something that cost me only a dollar, the
production values on this video were noticeably worse than those
of «Away.»
Essentially it makes creating a game more similar to filming a small - scale film,
something Hellblade's creative director Tameem Antoniades says has made a huge difference in terms
of time, cost, and
production value.
Strip Doctor Who
of its BBC
production values, translate it into a 16 - bit role playing game and you have
something so deliciously geeky that it really ought be made a reality.
In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits
of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices
of a «fia backström
production,» a lesser
production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work
of a greater local network
of friends and peers; the lesser aesthetics
of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images
of a lesser art industry itself within a critique
of a greater institutional relationship to art
production; as such, the lesser display
of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex
of art and capital, but also serves as a lesser gesture toward
something like a memorial wall, not unlike a collection
of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution
of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser
value of the pasted paper and its repetition, which dispels the greater
value of precious originals; so the act
of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm
of Capitalism that can morph into an owner
of its own critique; so that lesser new york is greater than its initial critique, greater than a work
of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit
of artists working together playfully is lesser, whereas the critique
of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture
of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities
of the organizing systems by Backström continue to put pressure on both the defining features
of art
production in both the lesser context and the decade - later greater one; further, the greater question
of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.
In
valuing experience and memory over the
production of an object, Sehgal challenged one
of the most - rooted presuppositions
of visual art: that «
something» had to be a «thing.»
Perhaps there is
something of value in the following link regarding the challenges posed to humanity by unbridled consumption,
production and propagation activities
of the human species now overspreading the surface
of Earth.