Sentences with phrase «production values of something»

I play a lot of games of all types of genres, but the sheer production values of something like Uncharted again raised the benchmark.»

Not exact matches

In a rational system, if the extra costs involved in producing something were equal to the value of producing it, production would cease.
«It's the whole idea of value - added production: you take something that people would just burn before and then use these enzyme machines to extract sugar from it, which is fed to microbes, which can then make things for us.
Consequently I am inclined to question the value of specialised strength development exercises where the athlete may be able to solve the task via increased force production through ranges of movement that do not correspond to that initial 50 % of ground contact (why train something that doesn't separate good athletes from average ones?).
With excellent production values, quality voice work, and a healthy dose of imagination, Flushed Away proves itself to be something not easily disposable in the world of family animation.
The gameplay is not something particularly elaborated, as the production's best values reside in the entertaining direction, but this element is partially hampered by Wii's lack of power.
ATLAS SHRUGGED PART I Rather than take the time to come up with something witty to write about this heavy - handed screed that boasts all the production values of a bad made - for - TV movie from the early 1980s, I'll just substitute the word «novels» with «films» in this popular quote and be done with it: «There are two films that can change a 14 - year - old's life: The Lord of the Rings and Atlas Shrugged.
The film's Z - grade production values and anti-formalist aesthetic sort of makes The Toxic Avenger the anti-Carrie, but you can't really judge it by that comparison; it exists in an entirely different universe from de Palma's film, and in its own way it's something of a masterpiece.
My new strategy is to focus on providing value to others, create a sustainable stream of income that is more than I need so that I can funnel it into new ventures; I've also come to realize that making money is not antithetical to creative production — instead monetary reward is often the obvious outcome of making something that lots of people like or need.
And while I won't squawk about something that cost me only a dollar, the production values on this video were noticeably worse than those of «Away.»
Essentially it makes creating a game more similar to filming a small - scale film, something Hellblade's creative director Tameem Antoniades says has made a huge difference in terms of time, cost, and production value.
Strip Doctor Who of its BBC production values, translate it into a 16 - bit role playing game and you have something so deliciously geeky that it really ought be made a reality.
In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.
In valuing experience and memory over the production of an object, Sehgal challenged one of the most - rooted presuppositions of visual art: that «something» had to be a «thing.»
Perhaps there is something of value in the following link regarding the challenges posed to humanity by unbridled consumption, production and propagation activities of the human species now overspreading the surface of Earth.
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