Sentences with phrase «programme of modern and contemporary art»

The Kunsthistorisches Museum, Vienna, is pleased to announce a new programme of modern and contemporary art exhibitions beginning in 2012.

Not exact matches

Jerwood Gallery is situated next to the historic fishing beach in Hastings» picturesque Old Town, the award winning Jerwood Gallery is home to the Jerwood Collection of Modern and Contemporary British art, and a diverse temporary exhibition programme.

The Hayward was one of the first galleries for modern and contemporary art that articulated this kind of programme, which has now in the last 10 years become the new rule for designing museums.

Representation of artists from diverse backgrounds — or a lack thereof — is an ongoing concern for museums, particularly those like the Whitney Museum of American Art, whose programme aims to cover the full scope of modern and contemporary art in the Art, whose programme aims to cover the full scope of modern and contemporary art in the art in the US.

There has been an amazing response to the initiative from audiences and especially younger people, who have enjoyed free access to displays of world - class modern and contemporary art with specially tailored learning programmes.

Artists: Ayisha Abraham, Ravi Agarwal, Nikhil Chopra, Debkamal Ganguly, Sheela Gowda, Sakshi Gupta, Shilpa Gupta, Subodh Gupta, N.S. Harsha, Abhishek Hazra, Anant Joshi, Ruchir Joshi, Jitish Kallat, Amar Kanwar, Bharti Kher, Bose Krishnamachari, Riyas Komu, Nalini Malani, Kavita Pai / Hansa Thapliyal, Prajakta Potnis, M.R. Rajan, Sumedh Rajendran, Raqs Media Collective, Priya Sen, Surabhi Sharma (med Siddharth Gautam Singh), Sudarshan Shetty, Tejal Shah, Dayanita Singh, Kiran Subbaiah, Ashok Suk - umaran & Shaina Anand, Hema Upadhyay, Avinash Veeraraghavan, Vipin Vijay og Vivek Vilasini Curators: Gunnar B. Kvaran, Director, Astrup Fearnley Museum of Modern Art, Julia Peyton - Jones, Director, Serpentine Gallery and Co-Director, Exhibtitions and Programmes, Serpentine Gallery and Hans Ulricb Obrist, Co-Director, Exhibitions and Programmes and Director, International Projects, Serpentine Gallery, in association with Stinna Toft, Chief Curator, HEART Herning Museum of Contemporary Art

Taking place each year in March, Art Dubai presents a select yet diverse line - up of around 90 galleries from the UAE and around the world, across three programmes: Contemporary; Modern, devoted to masters from the Middle East, Africa and South Asia; and Marker, a curated section of artspaces that focuses each year on a particular theme or geography.

A diverse programme of public and family events accompanies the exhibition, including free exhibition tours, regular and February Half Term children's workshops, a Friday night film programme selected by the artist (to enrich the references to these works in the catalogue), and Daria Martin In Conversation with Catherine Wood, Curator, Contemporary Art / Performance Tate Modern, on Thursday 23 February at 6.30 pm.

1 Introduction The Whitechapel Gallery seeks to promote public understanding and enjoyment of modern and contemporary art though its exhibition programme.

Designed by the architectural practice HAT Projects, the gallery houses the Jerwood Collection of modern and contemporary British art, along with a changing exhibitions programme.

The MG BOOKSTORE offers a variety of publications related to the museum's exhibitions programme and focusing on modern and contemporary art, art monographs and catalogues of past and current exhibitions.

Six artists / curators were selected on the basis of their relevant knowledge and experience as mentors in a six month mentoring programme: Michelle Cotton (then independent curator and writer and holder of Cubitt Gallery curator's bursary, now Curator at Firstsite), Harriet Godwin (curator of Modern and Contemporary Art, Norwich Castle Museum and Art Gallery), Andrew Hunt (director, Focal Point Gallery), Simon Liddiment (artist), Sally O'Reilly (writer and event organiser and now Wysing Ambassador), Jamie Shovlin (artist).

Dublin City Gallery The Hugh Lane is committed to providing dynamic, innovative and engaging programmes of education, appreciation and information on modern and contemporary art.

The programme includes exhibitions at the Centre for Chinese Contemporary Art; Middlesbrough Institute of Modern Art; Nottingham Contemporary and Turner Contemporary.

Artguide magazine, Institute BAZA, Business school «RMA», Culture PR - agency «Komanda +1», Ekaterina Cultural Foundation, Gorky Park, Garage Teens Team, Hair salon «Birdie», British Higher School Of Art & Design (various programmes), Jewish Museum and Tolerance Center (exhibition department), Moscow 24 TV, Moscow International Biennale For Young Art, Moscow Museum of Modern Art (MMoMA), Moscow Art Lyceum, Moscow City Museum, The Park of Arts «Muzeon», Late Night Performance School «PYRFYR», Performance Art Studio, PUMA Social club, The Pushkin State Museum of Fine Arts, Strelka Institute, Drama school MHAT, Institute of Contemporary Art, Moscow, Center for Dance and Performance «TSEKH», Theater Ballet Moscow, UK Style store, instructors of the World Class Fitness Chain, online media www.w-o-s.rOf Art & Design (various programmes), Jewish Museum and Tolerance Center (exhibition department), Moscow 24 TV, Moscow International Biennale For Young Art, Moscow Museum of Modern Art (MMoMA), Moscow Art Lyceum, Moscow City Museum, The Park of Arts «Muzeon», Late Night Performance School «PYRFYR», Performance Art Studio, PUMA Social club, The Pushkin State Museum of Fine Arts, Strelka Institute, Drama school MHAT, Institute of Contemporary Art, Moscow, Center for Dance and Performance «TSEKH», Theater Ballet Moscow, UK Style store, instructors of the World Class Fitness Chain, online media www.w-o-s.rof Modern Art (MMoMA), Moscow Art Lyceum, Moscow City Museum, The Park of Arts «Muzeon», Late Night Performance School «PYRFYR», Performance Art Studio, PUMA Social club, The Pushkin State Museum of Fine Arts, Strelka Institute, Drama school MHAT, Institute of Contemporary Art, Moscow, Center for Dance and Performance «TSEKH», Theater Ballet Moscow, UK Style store, instructors of the World Class Fitness Chain, online media www.w-o-s.rof Arts «Muzeon», Late Night Performance School «PYRFYR», Performance Art Studio, PUMA Social club, The Pushkin State Museum of Fine Arts, Strelka Institute, Drama school MHAT, Institute of Contemporary Art, Moscow, Center for Dance and Performance «TSEKH», Theater Ballet Moscow, UK Style store, instructors of the World Class Fitness Chain, online media www.w-o-s.rof Fine Arts, Strelka Institute, Drama school MHAT, Institute of Contemporary Art, Moscow, Center for Dance and Performance «TSEKH», Theater Ballet Moscow, UK Style store, instructors of the World Class Fitness Chain, online media www.w-o-s.rof Contemporary Art, Moscow, Center for Dance and Performance «TSEKH», Theater Ballet Moscow, UK Style store, instructors of the World Class Fitness Chain, online media www.w-o-s.rof the World Class Fitness Chain, online media www.w-o-s.ru.

The Platform programme is a coalition of visual arts organisations in the South East: Turner Contemporary, Margate; Aspex, Portsmouth; MK Gallery, Milton Keynes and Modern Art Oxford, and has been initiated by Contemporary Visual Art Network South East.

The Gallery develops and maintains a contemporary and modern art collection, operates an international and New Zealand artist residency programme, and presents a diverse programme of exhibitions and public engagement.

Art critic Louisa Buck recalls first edition fig - 1 in 2000, painting a picture of the second edition of the project and the changes in the contemporary art world in the intervening fifteen years; Director of the Contemporary Art Society Caroline Douglas explores shifting models of philanthropy and patronage in the arts; Serpentine Gallery co-director Hans - Ulrich Obrist discusses curatorial approaches and the role of the institution with Fatos Ustek; Writer and lecturer Gilda Williams uses the fig - 2 programme as a vehicle to explore language and differing approaches; Tate Modern Curator of performance Catherine Wood dissects the role and impact of performanArt critic Louisa Buck recalls first edition fig - 1 in 2000, painting a picture of the second edition of the project and the changes in the contemporary art world in the intervening fifteen years; Director of the Contemporary Art Society Caroline Douglas explores shifting models of philanthropy and patronage in the arts; Serpentine Gallery co-director Hans - Ulrich Obrist discusses curatorial approaches and the role of the institution with Fatos Ustek; Writer and lecturer Gilda Williams uses the fig - 2 programme as a vehicle to explore language and differing approaches; Tate Modern Curator of performance Catherine Wood dissects the role and impact of contemporary art world in the intervening fifteen years; Director of the Contemporary Art Society Caroline Douglas explores shifting models of philanthropy and patronage in the arts; Serpentine Gallery co-director Hans - Ulrich Obrist discusses curatorial approaches and the role of the institution with Fatos Ustek; Writer and lecturer Gilda Williams uses the fig - 2 programme as a vehicle to explore language and differing approaches; Tate Modern Curator of performance Catherine Wood dissects the role and impact of performanart world in the intervening fifteen years; Director of the Contemporary Art Society Caroline Douglas explores shifting models of philanthropy and patronage in the arts; Serpentine Gallery co-director Hans - Ulrich Obrist discusses curatorial approaches and the role of the institution with Fatos Ustek; Writer and lecturer Gilda Williams uses the fig - 2 programme as a vehicle to explore language and differing approaches; Tate Modern Curator of performance Catherine Wood dissects the role and impact of Contemporary Art Society Caroline Douglas explores shifting models of philanthropy and patronage in the arts; Serpentine Gallery co-director Hans - Ulrich Obrist discusses curatorial approaches and the role of the institution with Fatos Ustek; Writer and lecturer Gilda Williams uses the fig - 2 programme as a vehicle to explore language and differing approaches; Tate Modern Curator of performance Catherine Wood dissects the role and impact of performanArt Society Caroline Douglas explores shifting models of philanthropy and patronage in the arts; Serpentine Gallery co-director Hans - Ulrich Obrist discusses curatorial approaches and the role of the institution with Fatos Ustek; Writer and lecturer Gilda Williams uses the fig - 2 programme as a vehicle to explore language and differing approaches; Tate Modern Curator of performance Catherine Wood dissects the role and impact of performance?

Since joining The Metropolitan Museum of Art, New York in early 2013, Dr Cullinan has taken an important role in developing a number of projects including the programme for the museum's occupancy of the Whitney Museum of Art's Marcel Breuer building in 2016 (following the Whitney's move to another location), expanding and redisplaying the permanent collection and increasing the Modern and Contemporary Department's base of supporters.

18 Jan 2005 Minister Announces IMMA Programme for 2005 A series of exhibitions by leading Irish and international artists, including Jasper Johns, Laurie Anderson, Dorothy Cross and Tony O'Malley; special shows to celebrate the work of the White Stag Group and to mark 50 years of collecting by the Contemporary Irish Art Society, and the publication of a full - colour catalogue of IMMA's Collection are all part of an exciting and wide - ranging programme for 2005 at the Irish Museum of Modern Art announced today (Tuesday 18 January) by the Minister for Arts, Sport and Tourism, Mr John O'Donoghue, TD.

Our publishing programme focuses on promoting the work of unknown and artists, writers and thinkers whose perspectives on modern and contemporary visual art and culture challenge and provoke international discussion and debate.

«This is part of our remit and aspiration to share the collection and programmes as widely as possible and to promote public understanding and enjoyment of British, modern and contemporary art.»

The anniversary programme has involved a screening of the video recording of the performance and artist's talk at SAVVY Contemporary in Berlin (20 September 2016), an exhibition at Leeds College of Art of the archive of the project including drawings, preparatory notes, film and photographs (20 October — 16 December 2016) and a show on Resonance 104.4 FM (19 January 2017), which included a re-transmission of the original broadcast 10 years to the date followed by a conversation between Asemota and Mark Miller (Tate Britain and Tate Modern).

As part of its Spring / Summer programme of exhibitions, The Museum of Modern Art (MoMa) is reinstalling its second - floor contemporary galleries with three large - scale, single - work installations by contemporary artists Nan Goldin, Teiji Furuhashi and Tony Oursler.

The curators are: Sally Tallant, Director, Liverpool Biennial Dominic Willsdon, Curator of Education and Public Practice, San Francisco Museum of Modern Art Francesco Manacorda, Artistic Director, Tate Liverpool Raimundas Malasauskas, curator and writer Joasia Krysa, Head of Research, Liverpool Biennial and Director, Exhibition Research Centre Rosie Cooper, Head of Programmes, Liverpool Biennial Polly Brannan, Education Curator, Liverpool Biennial Francesca Bertolotti - Bailey, Head of Production and International Projects, Liverpool Biennial Ying Tan, Curator, Centre for Chinese Contemporary Art (CFCCA) Sandeep Parmar, Co-Director, Centre for New and International Writing Steven Cairns, Associate Curator of Artists Film and Moving Image, ICA

28 Apr 2016 07 May 2017 IMMA Collection: A Decade IMMA, as the national cultural institution for collecting modern and contemporary art, aims to acquire examples of the most significant Irish art of the day as well as key works by international artists many of whom have been part of the museum's temporary exhibition and residency programmes.

Several events will be part of the project at the Moscow Museum of Modern Art, including publication of a catalogue and a programme of debates and round tables revolving around two key issues: — Merging of private and national interest in the creation of a contemporary art collectiArt, including publication of a catalogue and a programme of debates and round tables revolving around two key issues: — Merging of private and national interest in the creation of a contemporary art collectiart collection.

In January 2016, Addis Fine Art opened its main gallery space in the heart of Addis Ababa, Ethiopia launching an innovative programme of exhibitions, talks and events, showing a diverse set of modern and contemporary artists from Ethiopia and the diaspora.

Attending will be Zdenka Badovinac, director of the Moderna Galerija, Museum of Modern Art; Agustín Pérez - Rubio, director of MUSAC; Bart De Baere, director of the Museum of Contemporary Art (MuHKA); Vasif Kortun, director of research and programmes at SALT; Charles Esche, director of the Van Abbemuseum; Carles Guerra, chief curator at MACBA; Rodolfo Kronfle, independent curator; Bartomeu Marí, director of MACBA; Justo Mellado; director of the Valparaiso Cultural Park; Tadeu Chiarelli, director of the Museum of Contemporary Art of the University of São Paulo (MAC USP); Ann Gallagher; head of British art collections at the Tate Britain; Giancarlo Hannud; curator of the Pinacoteca do Estado de Brasil; Maria Inés Rodríguez, head curator at MUAC; Osvaldo Sánchez, curator and critic, and Roberto Amigo, curator at the National Fine Arts Museum, Buenos AirArt; Agustín Pérez - Rubio, director of MUSAC; Bart De Baere, director of the Museum of Contemporary Art (MuHKA); Vasif Kortun, director of research and programmes at SALT; Charles Esche, director of the Van Abbemuseum; Carles Guerra, chief curator at MACBA; Rodolfo Kronfle, independent curator; Bartomeu Marí, director of MACBA; Justo Mellado; director of the Valparaiso Cultural Park; Tadeu Chiarelli, director of the Museum of Contemporary Art of the University of São Paulo (MAC USP); Ann Gallagher; head of British art collections at the Tate Britain; Giancarlo Hannud; curator of the Pinacoteca do Estado de Brasil; Maria Inés Rodríguez, head curator at MUAC; Osvaldo Sánchez, curator and critic, and Roberto Amigo, curator at the National Fine Arts Museum, Buenos AirArt (MuHKA); Vasif Kortun, director of research and programmes at SALT; Charles Esche, director of the Van Abbemuseum; Carles Guerra, chief curator at MACBA; Rodolfo Kronfle, independent curator; Bartomeu Marí, director of MACBA; Justo Mellado; director of the Valparaiso Cultural Park; Tadeu Chiarelli, director of the Museum of Contemporary Art of the University of São Paulo (MAC USP); Ann Gallagher; head of British art collections at the Tate Britain; Giancarlo Hannud; curator of the Pinacoteca do Estado de Brasil; Maria Inés Rodríguez, head curator at MUAC; Osvaldo Sánchez, curator and critic, and Roberto Amigo, curator at the National Fine Arts Museum, Buenos AirArt of the University of São Paulo (MAC USP); Ann Gallagher; head of British art collections at the Tate Britain; Giancarlo Hannud; curator of the Pinacoteca do Estado de Brasil; Maria Inés Rodríguez, head curator at MUAC; Osvaldo Sánchez, curator and critic, and Roberto Amigo, curator at the National Fine Arts Museum, Buenos Airart collections at the Tate Britain; Giancarlo Hannud; curator of the Pinacoteca do Estado de Brasil; Maria Inés Rodríguez, head curator at MUAC; Osvaldo Sánchez, curator and critic, and Roberto Amigo, curator at the National Fine Arts Museum, Buenos Aires.

19 Jan 2011 Minister Hanafin Launches IMMA's 20th Anniversary Programme An exhibition of paintings by the celebrated Mexican Modernists Frida Kahlo and Diego Rivera; works by younger generation Irish artists, recently acquired for the Museum's Collection; a special season of performances, including opera and contemporary dance, and greatly increased web resources for schools are all part of a rich and exciting 20th anniversary programme at the Irish Museum of Modern Art, announced today (Wednesday 19 January) by the Minister for Tourism, Culture and Sport, Mary Hanafin, TD.

Tate has announced its new acquisitions of modern and contemporary African art and related programme in Africa as part of its unique partnership with Guaranty Trust Bank plc (GTBank).

Large - scale exhibitions by such leading artists as Howard Hodgkin, Barry Flanagan and Michael Craig - Martin; a wide - ranging exhibition of Irish art from the 1970s, including works from the important PJ Carroll Collection, and a major symposium on access policies and programmes in contemporary art museums are all part of an exciting and diverse programme for 2006 at the Irish Museum of Modern Art, announced today (Wednesday 25 January) by the Minister for Arts, Sport and Tourism, Mr John O'Donoghue, art from the 1970s, including works from the important PJ Carroll Collection, and a major symposium on access policies and programmes in contemporary art museums are all part of an exciting and diverse programme for 2006 at the Irish Museum of Modern Art, announced today (Wednesday 25 January) by the Minister for Arts, Sport and Tourism, Mr John O'Donoghue, art museums are all part of an exciting and diverse programme for 2006 at the Irish Museum of Modern Art, announced today (Wednesday 25 January) by the Minister for Arts, Sport and Tourism, Mr John O'Donoghue, Art, announced today (Wednesday 25 January) by the Minister for Arts, Sport and Tourism, Mr John O'Donoghue, TD.

Tate has announced new acquisitions of modern and contemporary African art and a related programme in Africa as part of...

He continued: «New acquisitions by contemporary artists combined with a regularly changing and ambitious exhibition programme of historic, modern and contemporary art continue the progressive artistic legacy of the Wakefield Art Gallery foundeart continue the progressive artistic legacy of the Wakefield Art Gallery foundeArt Gallery founders.

The Gallery is internationally renowned for its exhibitions of modern and contemporary art and its pioneering education and public events programmes.