Sentences with phrase «programming at the art gallery»

«This kind of wholesale change — which is putting the visitor at the center of our thinking — is an attitudinal change,» says Kelly McKinley, director of education and public programming at the Art Gallery of Ontario in Toronto.

Until 2013, she was the Richard and Elizabeth Currie Executive Director, Education and Public Programming at the Art Gallery of Ontario in Toronto, Canada, where she oversaw the design, development and launch of AGO's new Weston Family Learning Centre, a $ 20 million 35,000 square foot community hub for community engagement and educational programming.

The jury included: Sophie Hackett, Associate Curator, Photography at the Art Gallery of Ontario; Erin Shirreff, winner of the 2013 Aimia AGO Photography Prize; and Kelly McKinley, Director, OMCA Lab at the Oakland Museum of California and the former Richard and Elizabeth Currie Executive Director, Education and Public Programming at the Art Gallery of Ontario.

Not exact matches

She is chairwoman of the student arts program Gallery 37, chairwoman of the Chicago Cultural Center Foundation and serves on the boards of the Terra Foundation for the Arts, the Golden Apple Foundation and Children at the Crossroads Foundatarts program Gallery 37, chairwoman of the Chicago Cultural Center Foundation and serves on the boards of the Terra Foundation for the Arts, the Golden Apple Foundation and Children at the Crossroads FoundatArts, the Golden Apple Foundation and Children at the Crossroads Foundation.

He told a gathering at the Albright - Knox Art Gallery that Buffalo is booming and announced a second phase of the Buffalo Billion program is coming as soon as Howard Zemsky figures out what it should involve.

Michael Grey and Randolph Huff, artists based in New York whose work is now on display at the Lisson Gallery in London, construct their unique works of art by writing computer programs for neural networks.

Gurutej will be teaching the Kundalini Yoga curriculum from her Essence Training Program from 12 - 9 pm on Wednesday, July 16th at JESSGO Studios, a 10,000 square foot studio / art gallery, in North Toronto.

The fantastic A New Tomorrow: Visions of the Future in Cinema program currently screening at Brisbane's Gallery of Modern Art includes two dystopian features that delve beyond the humour to explore the reality of the dichotomy of both unwanted and desperately needed offspring, courtesy of Andrew Niccol's 1997 effort Gattaca and Alfonso 2006 offering Children Of Men.

Lorena Bradford (left), head of accessible programs at the National Gallery of Art in Washington, D.C., leads a session of the museum's Just Us program.

As part of the Digital Creatives offering, Art / Code / Create workshops will be held at the NGV's education studios and gallery spaces, making use of the gallery's consultation with non-profit organisation, Code Club Australia and Scratch — a program that teaches students the foundations of coding.

Nathalie Ryan is a Senior Educator at the National Gallery of Art, Washington, where she has managed in - gallery and studio programs for families, teens, and adults sincGallery of Art, Washington, where she has managed in - gallery and studio programs for families, teens, and adults sincgallery and studio programs for families, teens, and adults since 2002.

Heidi Hinish is the head of the department of school, family, and adult programs: gallery and studio learning, in the division of education, at the National Gallery gallery and studio learning, in the division of education, at the National Gallery Gallery of Art.

Tom Sachs: Space Program documents his 2007 installation of a lunar module and control center, and a performance art staging of a complete «lunar» mission from launch to splashdown, at the Gagosian Gallery in Beverly Hills.

The gallery is a vital part of the Cannon Beach Arts Association's programming, which seeks at its core to enhance the viability of the arts in our region as its missArts Association's programming, which seeks at its core to enhance the viability of the arts in our region as its missarts in our region as its mission.

The Cannon Beach Arts Association is a volunteer run, non-profit director with several programs that directly impact the quality of cultural life on the northern Oregon Coast, including an Annual Summer Art Camp that is held at the Cannon Beach Elementary School in late July, an Individual Artist Grant, Scholarships to High school seniors pursuing the arts and the Cannon Beach GallArts Association is a volunteer run, non-profit director with several programs that directly impact the quality of cultural life on the northern Oregon Coast, including an Annual Summer Art Camp that is held at the Cannon Beach Elementary School in late July, an Individual Artist Grant, Scholarships to High school seniors pursuing the arts and the Cannon Beach Gallarts and the Cannon Beach Gallery.

Ramey attended the postbaccalaureate program at the School for the Museum of Fine Arts in Boston, and galleries in both the United States and Australia have exhibited his work.

«Some illustrators make a living creating personal work that's exhibited at major museums and sold through dealers [and college illustration programs that offer gallery / fine art as a concentration],» she says.

Tony Feher will present a site - specific installation as part of the IN / SITU program at Art Expo Chicago, alongside D'Amelio Gallery's booth at the fair.

Situated just outside of new galleries devoted to the musical instruments of Gunnar Schonbeck and works by experimental musician and artist Laurie Anderson, Slip conflates visual art and musical performance — cornerstones of MASS MoCA's program — at a grand architectural scale.

A special exhibition preview event to benefit the fellowship program of the Fine Arts Work Center will be held at the gallery on Thursday, May 1, 2014.

Anthony Allen, Associate Director, Paula Cooper Natalie Bell, Assistant Curator, New Museum Heather Darcy Bhandari, Adjunct Lecturer, Visual Art, Brown University Marina Chao, Assistant Curator, International Center of Photography Jean Cooney, Project Manager, Artist Commissions, Creative Time Sean Corcoran, Curator of Photographs and Prints, Museum of the City of New York Lisa Dent, Director of Resources & Award Programs, Creative Capital Kareem Estefan, Independent Art Critic and Editor - at - large, Creative Time Reports Hitomi Iwasaki, Director of Exhibitions and Curator, Queens Museum Flora Katz, Independent Curator Theodore Kerr, Writer, Hyperallergic William Petroni, Managing Director, Cristin Tierney Gallery Heather Reyes, Exhibitions and Collection Manager, The Bronx Museum of the Arts Matthew Schum, Independent Curator Anthony Allen, Associate Director, Paula Cooper Marco Antonini, Executive Director, NurtureArt and Writer Mark Beasley, Curator, Performa George Bolster, The Shelley & Donald Rubin Foundation Gary Carrion - Murayari, Kraus Family Curator, New Museum Susan Cross, Curator, Mass MoCA Clément Delépine, Assistant Curator, Swiss Institue Bridget Donahue, Owner / Director, Bridget Donahue Gallery Lisa Dent, Director of Resources & Award Programs, Creative Capital Elizabeth M. Grady, PhD, Programs Director, A Blade of Grass Stamatina Gregory, independent curator and critic Janice Guy, Owner, Murray Guy Nicole Hayes, Curator, The Fields Sculpture Park, Art Omi Amanda Hunt, Assistant Curator, Studio Museum Alexis Johnson, Associate Director, Paula Cooper Ruba Katrib, Curator, Sculpture Center Vitaly Komar, Artist Melanie Kress, High Line Art Curatorial Fellow, High Line Art Thomas Lax, Associate Curator in the Department of Media and Performance Art, MoMA Barbara London, Independent Curator, formerly of MoMA Matthew Lyons, Curator, The Kitchen Julie McKim, Curator, Galapagos Christiane Paul, Curator of New Media, Whitney Museum Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department of Drawings and Prints, MoMA Sara Reisman, Artistic Director, The Shelley & Donald Rubin Foundation Magda Sawon, Owner, Postmasters Nato Thompson, Chief Curator, Creative Time Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art, Brooklyn Museum

Michelle Jacques is the Chief Curator at the Art Gallery of Greater Victoria, where she is responsible for guiding an exhibition, education and acquisitions program that links contemporary practices, ideas and issues to the Gallery's historical collections and legacies.

The Visual Arts Program at Wave Hill presents the work of contemporary artists who explore the dynamic relationship between nature, culture and site through exhibitions in Glyndor Gallery and the Sunroom Project Space, and through the Winter Workspace Program and generated@wavehill.

by Tina Gelsomini On the heels of the international indigenous solidarity movement IDLE NO MORE, first sparked by four women in Saskatchewan in the fall of 2012, the Musée d'art contemporain de Montréal has programmed a timely and eclectic exhibition of aboriginal art from across the continent, first shown at the Vancouver Art Galleart contemporain de Montréal has programmed a timely and eclectic exhibition of aboriginal art from across the continent, first shown at the Vancouver Art Galleart from across the continent, first shown at the Vancouver Art GalleArt Gallery.

Prior to moving west, she held various curatorial positions in the Contemporary and Canadian departments of the Art Gallery of Ontario, ultimately that of Acting Curator, Canadian Art, and from 2002 - 2004, she was the Director of Programming at the Centre for Art Tapes in Halifax.

Seph Rodney, Editor at Hyperallergic Roderick Schrock, Director at EyeBeam Arden Sherman, Curator and Director at Hunter East Harlem Gallery Nathalie Arglés, Executive Director at Residency Unlimited Katie Fuller, Independent Curator Max Durón, Photo Editor at ArtNews Ysabel Pinyol, Curatorial Director MANA Contemporary Joey Lico, Curator and Director at The Cultivist Elisabeth Larison, Program Director at APEX Art Larry Ossei - Mensah, Independent Curator Amara Antilla, Assistant Curator at the Guggenheim Anne Barlow, Director, Art in General Laura Welzenbach, Program Manager, Eyebeam Dexter Wimberly, Independent Curator Alex Jovanovich, Associate Editor, Artforum.com Benjamin Sutton, Writer, Hyperallergic Brian Droitcour, Associate Editor and Online Editor, Art in America Nat Trotman, Curator, Performance and Media, Solomon R. Guggenheim Museum, New York Helga Christoffersen, Assistant Curator, New Museum Sharon Matt Atkins, Vice Director, Exhibitions and Collections, Brooklyn Museum Christopher Y. Lew, Associate Curator, Whitney Museum of American Art Rujeko Hockley, Assistant Curator of Contemporary Art, Brooklyn Museum Joeonna Bellorado - Samuels, Director, Jack Shainman Gallery

Formerly, she served as Director of 65GRAND gallery and Study Center Manager at Intuit: The Center for Intuitive and Outsider Art, and she now works with The School of the Art Institute of Chicago's Visiting Artists Program.

2012 Daniel Belasco, Henry J. Leir Associate Curator, The Jewish Museum Heather Darcy Bhandari, Director, Mixed Greens Gallery Jennifer Blessing, Senior Curator of Photography, Guggenheim Museum Kristen Chappa, Curatorial Associate, SculptureCenter Elizabeth Ferrer, Director of Contemporary Art, BRIC Arts Media Elizabeth Houston, Director, Hous Projects Ryan Inouye, Curatorial Associate, New Museum Lesley Johnstone, Curator, Musée d'Art Contemporain de Montréal Nina Katchadourian, Curator, Drawing Center Jonathan David Katz, Curator and Director of the Doctoral Program in Visual Culture Studies at State University of New York at Buffalo John Massier, Visual Arts Curator, Hallwalls Gallery, Buffalo Sara Reisman, Director, Percent for Art and Independent Curator Sara Jo Romero, Director, Schroeder Romero & Shredder Gallery Gregory Volk, Contributing Writer, Art in America Megan Holly Witko, Director, Andrea Meislin Gallery

2017 — Artist Portfolio Magazine, Honorable Mention, Abstraction Center Program, Hyde Park Art Center 2012 — Fellowship, Vermont Studios 2009 — Viewing Program, New York, New York 2007 — Illinois Arts Council Fellowship 2007 — Curator's Choice Award Chicago Artist Coalition 2007 — Professional Artist Residency, Cat» Art, Sainte - Columbe, France 2005 — Merit Award, 95h Water Tower Annual, Louisville, Ky, Julie Rodriquez, MCA, Chicago, juror 2004 — lst Place, 8th International Open, Woman Made Gallery, Chicago, IL Lynne Warren, MCA Chicago, juror 2002 — Professional Artist Residency, Ox - bow, Saugatuck, MI 2002 — Spectrum of Solutions Award, AT Kearney, Chicago, IL 1998 — Zanzi Scholarship, The School of the Art Institute, Chicago, IL 1997 — Merit Scholarship, The School of the Art Institute, Chicago, IL

Itinerary: The Gallery, Stratford, Ontario (June 6 — August 7); College Park, Toronto (August 18 — September 17); Musée du Quebec, Quebec City (September 22 — October 26); Art Gallery of Nova Scotia, Halifax (January 5 — February 6, 1984); Art Gallery of Windsor, Ontario (February 23 — March 25, 1984); Edmonton Art Gallery, Edmonton, Alberta (April 5 — May 13, 1984); Vancouver Art Gallery (July 5 — August 26, 1984); Glenbow Museum, Calgary, Alberta (September 13 — October 30, 1984); and Musée d'Art Contemporain, Montréal (November 29, 1984 — January 30, 1985) 1983 Biennial Exhibition: Painting, Sculpture, Photography, Installations, Film, Video, Whitney Museum of American Art, New York (March 15 — May 29) American Art at Rydhave, The Art in Embassies Program, Rydhave, Denmark

Sophie Hackett is the Curator, Photography, at the Art Gallery of Ontario (AGO) and adjunct faculty in Ryerson University's master's program in Film and Photography Preservation and Collections Management.

2009 100 Years, PS1 / MoMA, Queens, NY Reflections on the Electric Mirror: New Feminist Video, Brooklyn Museum of Art, NY Party at Chris's House, Janet Kurnatowski Gallery, Brooklyn, NY Supergirl, Nexus Foundation for Arts, Philadelphia, PA One Minute More, The Kitchen, New York, NY Pink Panther, Kumukumu Gallery, New York, NY Night Gallery Rosslyn, Arlington Arts, Arlington, VA Tell Me Everything, As You Remember It», Creative Research Lab, The University of Texas at Austin, TX Chewing Color: Patty Chang, Kate Gilmore, Marilyn Minter, Creative Time, Times Square, NY City Garden, Contemporary Art Museum, St. Louis, MO East Coast Video, Ramis Barquet, New York, NY I am a Video, Good Children Gallery, New Orleans, LA No Longer Empty, The Chelsea Hotel, New York, NY Practice, Practice, Practice, Lora Reynolds Gallery, Austin, TX Sixty Minutes, University of South Florida Contemporary Art Museum, Tampa, FL Feel the Force, Cafe Gallery London, London, England It's You, Not Me, San Jose Institute of Contemporary Art, San Jose, CA Theoretical Practice, International Studio and Curatorial Program, Brooklyn, NY Our Great Show: Selections from the Jefferson Godard Collection, Nice & Fit, Berlin, Germany

Her paintings, prints, and artist books have been shown at galleries and art institutions throughout the United States and internationally, including the 12th Cairo Biennale, BravinLee Programs, Clementine Gallery, and Aljira Center for Contemporary Aart institutions throughout the United States and internationally, including the 12th Cairo Biennale, BravinLee Programs, Clementine Gallery, and Aljira Center for Contemporary ArtArt.

He has participated in exhibitions and screening programs at Artists Space, Elizabeth Dee Gallery, Exit Art, and Art in General, all in New York; at Space102, Grenoble, France; Ecart at Art Basel, Switzerland; and Cinema Zero at the Maison de La Culture, Bourges, France.

In addition to this, Jarvis has independently curated and consulted on many fine art exhibitions including: The Amistad Center for Art and Culture's Double Exposure: African Americans Before and Behind the Camera five - city traveling exhibition (2007 - 2010); Black Abstraction at Harmony Hall Regional Art Gallery in Fort Washington, MD for the group Black Artists of DC (2011); GA Gardner: Interconnections at the Athenaeum in Virginia (2012); (in) Visible and (dis) Embodied: Repositioning the Marginalized as part of the Curatorial Initiative program at the District of Columbia Arts Center (2014) all in Washington, DC; and most recently, Of Present Bodies at the Arlington Arts Center, VA (201art exhibitions including: The Amistad Center for Art and Culture's Double Exposure: African Americans Before and Behind the Camera five - city traveling exhibition (2007 - 2010); Black Abstraction at Harmony Hall Regional Art Gallery in Fort Washington, MD for the group Black Artists of DC (2011); GA Gardner: Interconnections at the Athenaeum in Virginia (2012); (in) Visible and (dis) Embodied: Repositioning the Marginalized as part of the Curatorial Initiative program at the District of Columbia Arts Center (2014) all in Washington, DC; and most recently, Of Present Bodies at the Arlington Arts Center, VA (201Art and Culture's Double Exposure: African Americans Before and Behind the Camera five - city traveling exhibition (2007 - 2010); Black Abstraction at Harmony Hall Regional Art Gallery in Fort Washington, MD for the group Black Artists of DC (2011); GA Gardner: Interconnections at the Athenaeum in Virginia (2012); (in) Visible and (dis) Embodied: Repositioning the Marginalized as part of the Curatorial Initiative program at the District of Columbia Arts Center (2014) all in Washington, DC; and most recently, Of Present Bodies at the Arlington Arts Center, VA (201Art Gallery in Fort Washington, MD for the group Black Artists of DC (2011); GA Gardner: Interconnections at the Athenaeum in Virginia (2012); (in) Visible and (dis) Embodied: Repositioning the Marginalized as part of the Curatorial Initiative program at the District of Columbia Arts Center (2014) all in Washington, DC; and most recently, Of Present Bodies at the Arlington Arts Center, VA (2014).

On the occasion of his recent solo exhibition To New York With Love at James Fuentes Gallery, Jonas Mekas, the indefatigable advocate of American independent cinema, graciously took the time out of his busy schedule to meet with the graduate students of the Art Criticism and Writing program at the School of Visual Arts for an in - depth conversation.

She also maintains a position as Assistant Curator at BRIC Contemporary Art a program of BRIC Arts Media Bklyn, and at BRIC Rotunda Gallery she has curated a number of public programs and exhibitions.

Alumni from the Art History program have gone on to positions at the Smithsonian, Art Papers, and the Corcoran Gallery, among other art venues, publications, and schooArt History program have gone on to positions at the Smithsonian, Art Papers, and the Corcoran Gallery, among other art venues, publications, and schooArt Papers, and the Corcoran Gallery, among other art venues, publications, and schooart venues, publications, and schools.

The University of Maryland Art Honors Program presents seven of their students at the 39th Street Gallery.

Currently the Head of Exhibitions and Displays at Tate Liverpool, part of the family of Tate galleries, and previously Curator at Middlesbrough Institute of Modern Art, Delahunty is a leading specialist in post-war art with strong experience in expanding contemporary art collections and prograArt, Delahunty is a leading specialist in post-war art with strong experience in expanding contemporary art collections and prograart with strong experience in expanding contemporary art collections and prograart collections and programs.

Other concurrent and upcoming shows include the McNay's Something to Say: The McNay Presents 100 Years of African American Art and Four Texans: The Next Chapter, Manifest at Blue Star Contemporary, RE: KONSTRIKSYON at the UTSA Main Art Gallery, the all - female Reclaimed show at the Linda Pace Foundation, and the three artists currently at the Artpace International Artist - In - Residence program: Rafa Esparza, Kapwani Kiwanga, and Carlos Rosales - Silva.

Listing of programs in the Gateway Gallery for the exhibition «Primitivism in 20th Century Art: Affinity of the Tribal and the Modern,» June 23 - September 1, 1985, held at the Dallas Museum of Art.

Apart from its exhibition program, Vartai organizes exhibitions representing Lithuania at art events such as the Venice Biennale 2009, where the gallery presented Å 1/2 ilvinas Kempinas» installation Tube (2008) in the Scuola Grande della Misericordia.

Like Water At A Buffet is the title of Martin Creed's current exhibition at the Kappatos Gallery Art Residency program in Athens, GreecAt A Buffet is the title of Martin Creed's current exhibition at the Kappatos Gallery Art Residency program in Athens, Greecat the Kappatos Gallery Art Residency program in Athens, Greece.

His work has been exhibited at Flushing Meadows Corona Park / Queens Museum (2014), NYC DOT's Urban Art Program, New York (2013); Socrates Sculpture Park, New York (2012); Location One, New York (2011); The 4th Auckland Triennial, New Zealand (2010); and The Third Guangzhou Triennial, China (2008); The National Gallery, Thailand (2004); and The Third Asia Pacific Triennial of Contemporary Art, Australia (1999).

I guess at our core we are advocates: for our clients, for artists, for gallery programs, for the value of contemporary art dialogue.

Committed to experimenting at the intersection of disciplines, publications and design, the gallery Exit Art remained steadfast in its mission to provide new possibilities and opportunities for artists, curators and viewers through its expansive historical shows, exhibitions of emerging and under - recognized artists, experimental theater and performance works, as well as national and international film and video programs.

Since, his work has been shown extensively in international photography zines, gallery exhibitions, and websites, as well as presented as a solo program at the Museum of Arts and Design (NYC) in 2011.

In addition to cofounding the successful Chicago gallery NFA Space (1996 - 2002), Muirhead cofounded Chon Ji Dojang, a martial arts school with youth and adult programs directed at self - cultivation and violence prevention.

An exhibition of work by students in grades 7 through 12 who have won national awards from the Scholastic Art & Writing program will be on view at the Pratt Manhattan Gallery (144 West 14th...