Sentences with phrase «progress as a painter»

This painting is on my mind every day, and in many ways I chart my slow progress as a painter against the fullness of the world it presents.

Not exact matches

I visited a sixty - three - year - old portrait painter in her studio, traced the history of her work chronicled in her large portfolio, and watched as she applied thin luminous layers of paint to a portrait in progress.

Noa falls madly in love with a painter who offers to cure her of magic, but as their relationship progresses, she finds herself giving up her dreams to advance his own.

In an epoch when older painters tended to work for forty years exploring the same image, Wool blew willy - nilly through different images, often concurrently, challenging traditional notions about artist identity and branding and paint handling as well as the Modernist notion of progress.

Collection, Museum of Art, Fort Lauderdaie, FL; travelled to Oklahoma Museum of Art, Oklahoma City, OK; Santa Barbara Museum of Art, Santa Barbara, CA; Grand Rapids Art Museum, Grand Rapids, MI; Madison Art Center, Madison, WI; Montgomery Museum of Fine Arts, Montgomery, AL 1981 Drawing Invitational, Harm Bouckaert Gallery, New York, NY 1981 New Work, Roy Boyd Gallery, Chicago, IL 1981 Artists Books, Metrònom, Barcelona, Spain 1980 Little Books, Franklin Furnace, New York, NY 1980 New York 1980, Banco - Massimo Minini, Brescia, ltaly 1980 Pool Project Documentation, Artists Space, New York, NY 1980 New York Painters, University of Rochester, Rochester, NY 1980 Works of Art, Patricia Sneed Gallery, Rockford, IL 1980 Group Show, Roy Boyd Gallery, Chicago, IL 1980 Collection of Dr. Milton Brutten and Dr. Helen Herrick, Ben Shahn Gallery, William Patterson College, Wayne, NJ 1980 Group Exhibition, Susan Caldwell, Inc., New York, NY 1980 Pool Projects, Wake Forest University, Winston - Salem, NC 1980 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post College, Greenvale, NY 1979 Prospectus, Aldrich Museum, Ridgefield, CT 1979 New Wave Painting, The Clocktower, MoMA P.S. 1, New York, NY 1979 Artist's Postcards, Ananas Gallery, Abrau, Switzerland 1979 Poets and Painters, The Denver Art Museum, Denver, CO; traveled to Atkins Museum of Fine Art, Kansas City, MO; La Jolla Art Museum, La Jolla, CA 1979 14 Painters, Lehman Gallery, CUNY, Bronx, NY 1979 Drawings, Hal Bromm, New York, NY 1979 Summer Show, Hal Bromm, New York, NY 1979 Drawings, Pyramid Gallery, Providence, MA 1978 Detective Show, Gorman Park, Jackson Heights, NY 1978 Works on Paper, Studio La Citta, Verona, Italy 1978 Group Exhibition, Arte Fiera, Bologna, Italy 1978 Group Exhibition, Art - 9, Basel, Switzerland 1978 Black and White on Paper, Nobe Gallery, New York, NY 1978 Paperworks, Galerie Wirz, Milan, Italy 1978 Selections from the Collection, Aldrich Museum, Ridgefield, CT 1978 Artists Books: USA, New Gallery, Cleveland, OH 1977 Fine / Fleishman / Stamm, Franklin Furnace, New York, NY 1977 Painting 75,76,77, Sarah Lawrence College, Bronxville, NY; traveled to American Foundation for the Arts, Miami, FL; Contemporary Arts Center, Cincinnati, OH 1977 Book Objects, Albright - Knox Art Gallery, Buffalo, NY 1977 A Painting Show, MoMA P.S. 1, Long Island City, NY 1977 New York Group Show, Galerie Denise Rene, New York, NY 1977 Group Exhibition, Art Fiera, Bologna, ltaly 1977 Group Exhibition, Documenta - 6, Kassel, Germany 1977 Collection in Progress, Moore College of Art, Philadelphia, PA 1977 Ideas — Images, Eugenia Cucalon Gallery, New York, NY 1977 Postcards and Other Mail, Jock Truman, New York, NY 1977 Wrapping Paper Invitational, Nobe Gallery, New York, NY 1977 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1976 Group Exhibition, Art Fiera, Bologna, Italy 1976 Summer Group, Max Protetch Gallery, Washington D.C. 1976 SoHo and Downtown Manhattan, Akademie Der Kunste, Berlin, Germany 1976 Selections SoHo - Berlin, Louisiana Museum, Humlebaek, Denmark 1976 Works on Paper, Hal Bromm, New York, NY 1976 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1975 Contemporary Reflections 1971 — 1974, AFA; travelling exhibition Spare, Central Hall Gallery, Port Washington, NY 1975 Group Indiscriminate, 112 Greene Street, New York, NY 1975 A Collection in Progress (Herrick - Brutten Collection), The Clocktower, MoMA P.S. 1, New York, NY 1975 Group Exhibition, International Art Fair, Cologne, Germany 1975 Five from SoHo, Rose Art Museum, Waltham, MA 1975 Spare, Central Hall Gallery, Port Washington, NY 1975 Abstraction Alive and Well, SUNY, Potsdam, NY 1975 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1974 Tight and Loose, State University, Albany, NY; travelled to State University, Potsdam, NY 1974 Black as Color, Reed College, Portland, OR 1974 Drawings, Albright - Knox Art Gallery, Buffalo, NY 1974 Paperworks, Rosa Esman Gallery, New York, NY 1974 10th Anniversary Exhibition 1964 — 1974, Aldrich Museum, Ridgefield, CT 1974 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1973 Painting in America, Decorative Arts Center, New York, NY 1973 Black Paintings, Nancy Hoffman Gallery, New York, NY 1973 DiDonna / Stamm, O.K. Harris Gallery, New York, NY 1973 Nine New York Artists, Hartwick College, Oneonta, NY 1973 Recent Acquisitions, Phoenix Museum, Phoenix, AZ 1972 Contemporary Reflections 1971 — 1972, Aldrich Museum, Ridgefield, CT 1971 What's Happening in SoHo, University of Maryland, College Park, MD 1971 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1971 Alumni Show, Hofstra University, Hempstead, NY 1970 Young Artists: New York 1970, Greenwich, CT

With recurring themes of life and mortality, Australian painter Erin Smith's exhibition at Amy Li Projects, The Right Place At The Right Time, marks the progress she's made as an artist since the last time she was shown by gallerist Amy Li, who says Smith has been focusing on creating backgrounds first, and then adding images on the foreground.

Inspired by the 18th - century painter William Hogarth's moral tale, A Rake's Progress, the tapestries follow the life of a fictional character called Tim Rakewell, as he develops from infancy through his teenage and middle years, to his untimely death in a bloody car accident.

Emerson Woelffer (1914 - 2003) studied academic painting at the Art Institute of Chicago, and immediately afterwards got a job as an easel painter for the Works Progress Administration.

As the decade progressed, Murray became increasingly ambitious as a painteAs the decade progressed, Murray became increasingly ambitious as a painteas a painter.

Philip Guston was a painter and printmaker who began as a social realist painter, associated with the mural movement involving artists such as Diego Rivera and working for the Works Progress Administration's Federal Arts Project in New York City during the 1930s.

This oil painter does not stop at the eerie progress of a night bus though London's lamp lit streets, but sees the waiting people outside a late night off license on Brick Lane as secrets revealed by lights from shop windows; the city becomes a beacon of life no matter the time of day.

She also worked as a mural painter for the Works Progress Administration, and spent years experimenting variously with collage, biomorphic abstraction, hard edge abstraction, small - scale works inspired by her Jewish heritage and large - scale works informed by her personal life.

Sally Yard, author of Willem de Kooning: The First Twenty - Six Years in New York, details the progress of de Kooning's career, from his brief stint as a WPA painter, to his first one - person exhibition of abstract work in 1948.

During the 1930s, the Works Progress Administration hired him as a mural painter, and he was one of the first artists to create completely abstract designs for the project.

As the 1960s progressed, he added the minimalist sculptors Donald Judd and Robert Morris, and painters Dan Flavin, Richard Serra, Bruce Nauman and Richard Artschwager, among others.

The focus is often on historical shows, such as «Mark Rothko: A Painter's Progress, The Year 1949,» or the frequent revisits of Picasso's drawings and Calder's models.

Showing me one of his black - and - white paintings from the late 1950s, he told me that his self - doubt was shared by many New York - based painters as the»60s progressed.