Sentences with phrase «progressive graffiti»

Therefore this group show has developed into a «survey» that historicizes and canonizes each artist within the Progressive Graffiti thread, as well as within the larger Graffiti movement.

This is a significant exhibition because it connects all the artists across the continuum of this overlooked historical trajectory back to these forefathers to finally make the connections and give the recognition due to Progressive Graffiti in all its current manifestations and their historical referents.

Above and beyond the growing interest in Progressive Graffiti is the expanding interest in the over-all culture as well during these first two decades of the new millennium.

Another group show of significance was BrooklynStreetArt.com's exhibition «Geometricks» which held high the torch of Abstract Graffiti in it's title and Progressive Graffiti in its roster, which included Hellbent (the curator), Augustine Kofie, Drew Tyndell, Momo, OverUnder and SeeOne.

Also, a slew of solo and duo exhibitions opened every month around the world by many of the artists associated with Graffuturism and Progressive Graffiti: Poesia, Dale Marshal, Part2ism, Remi Rough, Augustine Kofie, Jaybo Monk, Mark Lyken, Moneyless, Carlos Mare, She One, Matt W. Moore, Jurne, Greg Lamarche, Delta, Hense, Rae Martini, Marco Pho Grassi, and Graphic Surgery.

With the internet as his podium and round table, he has been historicizing and canonizing these artists, young and old, who have been creating art outside the norms of traditional graffiti, esoteric forms of painting and sculpture that veer outside of the proscribed boundaries into the experimental, the abstract, the poetic, and the hybrid.Artists that fall under the term Progressive Graffiti are generally innately gifted draftsmen, who aspire to a Master's Level at their craft.

Collectives that center around abstract and progressive graffiti have formed or become active again, such as Agents of Change, Transcend Collective, and Ikonoklast Movement.

Across the board, 2012 has been an explosive year for Progressive Graffiti.

Also, the dedication of certain writers and photographers, such as Crist Espiritu and everyone at DozeCollective.com, as well as the freelance photographer Todd Mazer, exemplify the excitement and passion elicited by Progressive Graffiti at this time.

Artists that fall under the term Progressive Graffiti are generally innately gifted draftsmen, who aspire to a Master's Level at their craft.

Therefore this group show, like the website itself, has developed into a «survey» that historicizes and canonizes each artist within the Progressive Graffiti thread, as well as within the larger Graffiti movement.

Ending up in this unique dual position as artist and commentator, it has fallen on him to be the cultural instigator and diplomatic facilitator of the renewed interest, practice and discourse surrounding what he calls «Progressive Graffiti,» which has also previously been called «Abstract Graffiti.»

These are all testaments to the growing enthusiasm of scholars, historians, theoreticians and documentarians to examine, define and record the fifty year history of graffiti and street art, and, in particular, the Progressive Graffiti thread.

Since 2010 Graffuturism.com, a living archive of Abstract and Progressive Graffiti, has been supporting established painters, inspiring developing ones, and attracting a growing interest from the public.

Despite the loss of separation and individuality of the two different subcultures during the machinations of the commodification of Culture, this particular Graffuturist group exhibition, as well as the previous two, are significant steps in acknowledging the sub-subculture of Progressive Graffiti, and then defining and maintaining an understanding of it within Graffiti culture and mass Culture.

Above and beyond the growing interest in Progressive Graffiti is the expanding interest in the over-all culture as well during the first two decades of the new millennium.

Push has been known for being a pioneer in abstract and progressive graffiti and art.

Not exact matches

The concept and title of the show were developed by graffiti artist and curator, Poesia, who is also the editor of Graffufuturism.com and the cultural instigator at the center of the growing interest in abstract, progressive and hybrid Graffiti argraffiti artist and curator, Poesia, who is also the editor of Graffufuturism.com and the cultural instigator at the center of the growing interest in abstract, progressive and hybrid Graffiti arGraffiti art forms.

The concept and title of the show were developed by graffiti artist, Poesia, who is also the editor of Graffuturism.com and the cultural instigator at the center of the growing interest in abstract, progressive and hybrid Graffiti argraffiti artist, Poesia, who is also the editor of Graffuturism.com and the cultural instigator at the center of the growing interest in abstract, progressive and hybrid Graffiti arGraffiti art forms.

According to Graffuturism, there was an obvious gap in how the media had covered the art form: one side being about the new street art, and the other about traditional graffiti coverage, but no middle ground or coverage of graffiti artists who had pushed forward to explore progressive hybrid directions, or about the newer street artists who worked more like graffiti artists.

A couple of weeks ago opened A Major Minority, an amazing group show featuring the work of contemporary urban artists from around the world curated by graffiti artist and curator Poesia, who is also the editor of Graffuturism.com and the cultural instigator at the center of the growing interest in abstract, progressive and hybrid Graffiti argraffiti artist and curator Poesia, who is also the editor of Graffuturism.com and the cultural instigator at the center of the growing interest in abstract, progressive and hybrid Graffiti arGraffiti art forms.

An impressive collaboration from both artists as they continue to push graffiti and and a new progressive illustrative style.

Each artist has created a unique, progressive body of work due to their allowance for porous boundaries between the visual vocabularies and techniques of graffiti, street art and fine art.

The hand cut collages are detailed renditions of graffiti, trains and progressive shapes and imagery.

The concept and title of the show were developed by graffiti artist / curator, Poesia, who is also the editor of Graffuturism.com and the cultural instigator at the center of the growing interest in abstract, progressive and hybrid Graffiti argraffiti artist / curator, Poesia, who is also the editor of Graffuturism.com and the cultural instigator at the center of the growing interest in abstract, progressive and hybrid Graffiti arGraffiti art forms.