Marcela Cernadas is now back with the exhibition Cenacolo to the city that had already welcomed her back in 2015 with
the project Flesh and Spirit, curated by Manon Comerio and Paola Marini in the...
Not exact matches
Needless to say, this film is hardly as driven by its musical aspects as its 1969 counterpart,
and makes sure to remind you by underusing Richard Addinsell's score, which, upon actually being used, is typically not
fleshed out to the fullest,
and is all too often tainted by a degree of conventionalism that further disengages, but ultimately does only so much damage to Addinsell's efforts, which are still
spirited enough
and recurring enough to play something of a hefty part in breathing some liveliness into this generally dry
project.
During his tenure, he curated award winning exhibitions such as Ryan McGinness: Studio Visit (2014); Xu Bing: Tobacco
Project (2011); Sally Mann: The
Flesh and The
Spirit (2010); Chuck Close: People Who Matter to Me (2010); Artificial Light (2006), which appeared at VCU Anderson Gallery
and MOCA at Goldman Warehouse in Miami; Robert Lazzarini (2003), recognized by the International Association of Art Critics as one of year's best exhibitions; Outer
and Inner Space: A Video Exhibition in Three Parts (2002), recipient of an Emily Hall Tremaine Exhibition Award;
and Vanitas: Meditations on Life
and Death in Contemporary Art (2000).