Sentences with phrase «project as both a curator»

Sanders's recent projects as a curator include organizing a ten - day continuous screening installation, ITWAN, as part of the exhibition Film Programme at IPS International Project Space, Birmingham (UK), presented in November 2010.

Art Radar profiles internationally acknowledged New Delhi - based Raqs Media Collective by focusing on their latest transdisciplinary projects as curators and artists on view throughout the globe.

Besides carrying out manager tasks, she also actively participates in the Institute's art projects as curator and co-curator.

He is an independent curator, and his recent projects as curator include: Lygia Clark: a retrospective (Itaú Cultural, São Paulo, 2012, co-curator Paulo Sergio Duarte) and Abraham Palatnik (Centro Cultural Banco do Brasil, Brasília, 2013).

Not exact matches

Research Focus: Since 2008, I have been working as a Scientific Curator for the IEDB project, a globally - utilized bioinformatics research tool to aid development of vaccines, immunotherapeutics, and diagnostics.

The Library Writers Project engages with the writing community while promoting library staff as curators of books worth your time.

Bringing together newly commissioned essays from leading activists, curators, and humanitarians, extensive photographic documentation, and an array of archival materials, the catalogues will serve as the comprehensive record for this groundbreaking exhibition and provide readers with an expanded historical and political context for the project.

John R. Johnson (curator 1986 - present) has built a good comparative faunal collection, and the department serves as a repository for curation of archaeological material from Channel Islands National Park, Los Padres National Forest, and various cultural resource management projects.

As with any project this big, there will most certainly be bugs, glitches, and the like, but The Internet Archive's software curator Jason Scott assures visitors in a recent post that there will be no shortage of wonderful, old - school games for people to enjoy.

BOOKSHELF In addition to the forthcoming Alma Thomas volume, curator Lauren Haynes has authored and contributed to several of exhibition catalogs including «Speaking of People: Ebony, Jet and Contemporary Art» and «Stanley Whitney: Dance the Orange,» as well as «The Bearden Project» and «Fore.»

The project is organized by Ryan Inouye, Assistant Curator, Museum as Hub.

Presented by Queens Museum and No Longer Empty as part of Mel Chin: All Over the Place, Soundtrack is a new work of collaborative sound art initiated by Chin with project curator Jace Clayton (aka DJ / rupture).

Fatos Ustek recently curated fig - 2, a ground - breaking project initiated by OUTSET which presented 50 exhibitions in 50 consecutive weeks throughout 2015 at the Institute of Contemporary Arts (ICA), London, and acted as associate curator for the 10th Gwangju Biennale, South Korea.

Currently, she is working as an independent writer and curator on projects with Tony Albert, Trey Ratcliff, and Lena Liv.

Gabi Ngcobo already shares connections with the Berlin Biennale: In 2008 she participated in the second edition of the Young Curators Workshop Eyes Wide Open on occasion of the 5th Berlin Biennale, and in 2014 the Center for Historical Reenactments presented its project Digging Our Own Graves 101 as part of the 8th Berlin Biennale.

Helen Frederick Helen Frederick is recognized as a distinguished artist, curator, educator, coordinator of international projects, and as founder of Pyramid Atlantic.

As Senior Curator of The Contemporary Austin, Heather Pesanti has organized monographic exhibitions of Marianne Vitale, Do Ho Suh, and Robert Therrien, with forthcoming projects by Monika Sosnowska, John Bock, and Wangechi Mutu.

As a curator and pioneer of creative education, she has been responsible for developing ground - breaking projects, which established the Unit as of centre of excellence for the innovative use of digital mediAs a curator and pioneer of creative education, she has been responsible for developing ground - breaking projects, which established the Unit as of centre of excellence for the innovative use of digital medias of centre of excellence for the innovative use of digital media.

Presented No Longer Empty and the Queens Museum as part of Mel Chin: All Over the Place, Soundtrack is a new work of collaborative sound art initiated by Chin with project curator Jace Clayton (aka DJ / rupture).

As a curator and project coordinator, Baker has authored and edited numerous publications on contemporary art, writing about artists such as Kiki Smith and Andrea ZitteAs a curator and project coordinator, Baker has authored and edited numerous publications on contemporary art, writing about artists such as Kiki Smith and Andrea Zitteas Kiki Smith and Andrea Zittel.

Those members came from various different artworld backgrounds (critic, curator, historian, artist, etc), and the programme, as stated on its still - live website, «eschewed solo exhibitions in favor of thematically, conceptually and politically driven group exhibitions and projects», such as its inaugural outing, modestly named Part One, which featured Andrea Fraser's May I Help You?

As a curator of performance, Tancons organized the first New York solo exhibitions of artists Robin Rhode at Artists Space (2004) and Ralph Lemon at the Kitchen (2007) as well as one of the first showcases of Paul D. Miller aka DJ Spooky's Re-Birth of a Nation project at Paula Cooper GallerAs a curator of performance, Tancons organized the first New York solo exhibitions of artists Robin Rhode at Artists Space (2004) and Ralph Lemon at the Kitchen (2007) as well as one of the first showcases of Paul D. Miller aka DJ Spooky's Re-Birth of a Nation project at Paula Cooper Galleras well as one of the first showcases of Paul D. Miller aka DJ Spooky's Re-Birth of a Nation project at Paula Cooper Galleras one of the first showcases of Paul D. Miller aka DJ Spooky's Re-Birth of a Nation project at Paula Cooper Gallery.

As part of Kraftwerk — Retrospective 1 2 3 4 5 6 7 8, the installation at MoMA PS1 is organized by Klaus Biesenbach, Director, MoMA PS1, and Chief Curator at Large, The Museum of Modern Art, with the assistance of Eliza Ryan, Curatorial Assistant, MoMA PS1 and Lizzie Gorfaine, Project Coordinator, Exhibitions, MoMA PS1.

According to art historian and curator Ellen Tani, Rythm Mastr «powerfully advances Marshall's larger project as a site of engagement with art history.»

Amy Cheng (Taiwan), Taipei - based curator and writer, co-founder of TheCube Project Space, which serves as an independent art space devoted to the research, production and presentation of contemporary art.

Naturally, the international exposure of his work, widely exhibited in galleries and institutions such as Galerie Jeanroch Dard (Paris / Brussels), Rod Barton Gallery (London), Berthold Pott (Cologne) and in collective exhibitions at the Musée Musée Départemental du Sel (Marsal), Centre Georges Pompidou (Paris), BWA (Wroclaw) and Autocenter (Berlin) is considered, but also his role as a curator in several projects.

Her other projects include Roma - Sinti - Kale - Manush (May - July 2012) at Rivington Place, London, as co-curator with Mark Sealy, Director of Autograph ABP and Gabi Scardi, Independent Curator; Reflections on the Self — Five African Women Photographers London and touring the UK (2011 - 2014), as part of Hayward Touring; and [Kaddu Jigeen]-- Women Speak Out (2011 - 2013), Galerie Le Manège, Dakar and touring Africa.

This year's Artbus tour was much the same as last year if you replace Deitch Project's Kanye West and Vanessa Beecroft collaboration with a car hood reminiscent of Michael Jackson's Peter Pan golf cart, a bunch of crappy Josh Smith wall paintings and a guided tour by curator Fionn Meade at the Sculpture Center.

As an associate curator at The Studio Museum in Harlem (2011 — 2016), Keith's notable exhibitions include «Rodney McMillian: Views of Main Street» (2016), «Artists in Residence 2014 — 2015» (2015), «Samuel Levi Jones: Unbound» (2015), «Titus Kaphar: The Jerome Project» (2014), «Glenn Kaino: 19.83» (2014), «Robert Pruitt: Women» (2013), «The Shadows Took Shape» (co-curated with Zoe Whitley, 2013) and «Fore» (co-curated with Lauren Haynes and Thomas J. Lax, 2012).

She is the founder and curator of Lunch Bytes (www.lunch-bytes.com)-- a project on digital art and culture which includes talks, discussions and an online platform for which she collaborated with institutions such as Art Basel; CCA, Glasgow; ICA, London; and the Hirshhorn Museum and Sculpture Garden, Washington, D.C. among others.

He has also worked as freelance curator, organising projects for the Camden Arts Centre, the Freud Museum and the Wellcome Trust, amongst other organisations.

As a curator, he has organised a number of projects independently, including the exhibition Not ready yet (2011) at the Exchange Building in Nottingham and Tall tales and wayward narratives at Nottingham Contemporary (2015).

One wonders if Weber and Stritzler - Levine realised just how far off the map they would go when independent institutional curator José Roca, a native of Colombia who now lives in Bogotá, agreed to take on the project.1 Inspired by a show of Andean chuspas — bags made from coca leaves — that would run simultaneously in the BGC Focus Gallery, Roca envisioned immersive environments in which the paradoxes, polarities and points of contact between diverse artistic practices are explored through the tropes of the river and weaving.2 The works themselves provide their own context as they interact with each other and viewers, who are given a minimalist illustrated pamphlet as their only guide to what they will encounter in the gallery spaces.

Even when operating Minus Space as a curator website, Deleget found being located in New York to be vital to his project, and he believes that the new location in Brooklyn, particularly the gentrified area dubbed Dumbo, puts the gallery in the middle of the action.

As Jon Wood, the curator of the HMI exhibition, notes in his introductory essay, it is likely that no one apart from the organisers saw all the sculptures that comprised the City Sculpture Project.

As resident curator and researcher at the Dark Dark Science project, she explores the relationship between fine art and music with a continuing goal of creating her own work while gaining an understanding of the processes of others.

The Boiler Room started in the summer of 2012 as a curator run project room for contemporary art by the Swedish born Art historian and curator Joakim Borda - Pedreira.

She has served as arts project coordinator at the UCLA Chicano Studies Research Center, curator of the Claremont Museum of Art and director of the Latin American branch of the Artist Pension Trust.

Recent projects such as Crash Pad for the 8th Berlin Biennial, Every End is a Beginning at the National Museum of Contemporary Art in Athens and Fin de Siècle at Swiss Institute will be used to highlight aspects from Angelidakis's exhibition practice where the artist becomes curator, the exhibition becomes a medium and the exhibition device an exhibited object.

The «Foreign Affairs» project are three European artist - led curatorial initiatives collaborating in a cultural concept aimed to explore the relationship between artist as curator and artist each presenting the other's creative practice.

-- RCA (below left), a site - specific installation at the Tube Factory Artspace in Indianapolis, was exhibited from Aug. - Oct. 2016, and included anice conversation with Cranbrook curator Laura Mott — Rustic Sputnik (below right) was created as part of Site: Lab's exhibition Everything Is Transformed / Rumsey Street Project in Grand Rapids, MI, Sept. 2016

Your project has been chosen by ICA curator Anna Gritz as one of her Critic's Picks for October.

Join Cecilia Alemani, curator of the Frieze Projects for a tour of the works commissioned as part of the Frieze Projects program for the prestigious art fair, Frieze New York, held on Randall's Island.

This access, which has broadly democratized the field, has created not only a larger and more engaged audience for this kind of art, but has also created more opportunities for this work to be contextualized within the larger narratives of contemporary art, as can be seen in the various approaches of curators such as Lynne Cooke, Massimiliano Gioni and Daniel Baumann, for example, all of whom have, in different ways, framed the work of self - taught artists within their curatorial projects.

This Tuesday Evenings presentation, «William Cordova: Frameworks,» holds great promise as Kate Green, curator of the installation in Marfa; Carter Foster, who acquired Cordova's drawings for the Whitney Museum of American Art during his tenure as curator; and the artist unpack Cordova's dense project and practice.

As a curator, she has organized exhibitions with BAND Gallery, Wedge Curatorial Projects, Sheridan College, and the National Music Centre.

Life in the city was freer: people were able to play with roles, which were not so heavily based on gender and status as in the rural areas», says Anu Utriainen, the curator in charge of the exhibition project.

Since that time, Thompson has organized such major projects as the annual Creative Time Summit, Kara Walker's A Subtlety (2014), the group show Living as Form (2011), Paul Ramirez Jonas's Key to the City (2010), Jeremy Deller's It Is What It Is (with New Museum curators Laura Hoptman and Amy Mackie; 2009), Democracy in America: The National Campaign (multiple artists, 2008), Paul Chan's acclaimed Waiting for Godot in New Orleans (2007), and Mike Nelson's A Psychic Vacuum, with curator Peter Eleey.

WE (Not I) began as a series of discussions and presentations at South London Gallery, London and Artists Space, New York in 2015, which gathered over 100 women artists, writers and curators together to discuss their projects in relation to authorship, collaboration, and the valuation of feminist practices.

She works as independent curator based in New York and her recent projects include «Threshing Floors» at Cuchifritos Gallery on the Lower East Side and «Frames of War» at Momenta Art in Brooklyn.