Sentences with phrase «project audio director»

Scott Lawlor, project audio director for Overwatch, said he was in awe of what the company pulled off.

- Scott Lawlor, project audio director, Overwatch

Not exact matches

Starting things off, there's an audio commentary from director Mark Hartley, joined by «Ozploitation Auteurs» Brian Trenchard - Smith, Antony I. Ginnane, John D. Lamond, David Hannay, Richard Brennan, Alan Finney, Vincent Monton, Grant Page, and Roger Ward; a set of 26 deleted and extended scenes, now with optional audio commentary from Hartley and editors Sara Edwards and Jamie Blanks; The Lost NQH Interview: Chris Lofven, the director of the film Oz; A Word with Bob Ellis (which was formerly an Easter Egg on DVD); a Quentin Tarantino and Brian Trenchard - Smith interview outtake; a Melbourne International Film Festival Ozploitation Panel discussion; Melbourne International Film Festival Red Carpet footage; 34 minutes of low tech behind the scenes moments which were shot mostly by Hartley; a UK interview with Hartley; The Bazura Project interview with Hartley; The Monthly Conversation interview with Hartley; The Business audio interview with Hartley; an extended Ozploitation trailer reel (3 hours worth), with an opening title card telling us that Brian Trenchard - Smith cut together most of the trailers (Outback, Walkabout, The Naked Bunyip, Stork, The Adventures of Barry McKenzie, three for Barry McKenzie Holds His Own, Libido, Alvin Purple, Alvin Rides Again, Petersen, The Box, The True Story of Eskimo Nell, Plugg, The Love Epidemic, The Great MacArthy, Don's Party, Oz, Eliza Fraser, Fantasm, Fantasm Comes Again, The FJ Holden, High Rolling, The ABC of Love and Sex: Australia Style, Felicity, Dimboola, The Last of the Knucklemen, Pacific Banana, Centrespread, Breakfast in Paris, Melvin, Son of Alvin, Night of Fear, The Cars That Ate Paris, Inn of the Damned, End Play, The Last Wave, Summerfield, Long Weekend, Patrick, The Night, The Prowler, Snapshot, Thirst, Harlequin, Nightmares (aka Stage Fright), The Survivor, Road Games, Dead Kids (aka Strange Behavior), Strange Behavior, A Dangerous Summer, Next of Kin, Heatwave, Razorback, Frog Dreaming, Dark Age, Howling III: The Marsupials, Bloodmoon, Stone, The Man from Hong Kong, Mad Dog Morgan, Raw Deal, Journey Among Women, Money Movers, Stunt Rock, Mad Max, The Chain Reaction, Race for the Yankee Zephyr, Attack Force Z, Freedom, Turkey Shoot, Midnite Spares, The Return of Captain Invincible, Fair Game, Sky Pirates, Dead End Drive - In, The Time Guardian, Danger Freaks); Confession of an R - Rated Movie Maker, an interview with director John D. Lamond; an interview with director Richard Franklin on the set of Patrick; Terry Bourke's Noon Sunday Reel; the Barry McKenzie: Ogre or Ocker vintage documentary; the Inside Alvin Purple vintage documentary; the To Shoot a Mad Dog vintage documentary; an Ozploitation stills and poster gallery; a production gallery; funding pitches; and the documentary's original theatrical trailer.

ThinkSpace Education's partner institution, the University of Chichester also has close links with the games community and the program liaison tutor Dr Stephen Baystead has a long list of credits as a top game composer (NEED FOR SPEED, PROJECT CARS and many more) as well as audio director at Slightly Mad Studios.

Tim is also an award winning audio engineer who manages a two studio media facility and is available to voice your project with an onsite director & editor to follow along with your script, meticulous attention to detail in the final file editing / delivery and quick turnaround.

Jamey Scott began his career as a sound designer in the mid-90's as the Audio Director for Presto Studios, where he developed audio content and playback technology for several pre-rendered and real - time rendered game engines which powered some highly acclaimed games such as The Journeyman Project 3, and Myst 3: Exile.

What can having actors and directors involved from the beginning of a project bring to game audio?

After two - plus years of work on the project, Thief 4 audio director and composer Paul Weir left the Eidos Montreal in March.

She has also been working with other media including audio, film and video, with her husband, writer and video / film director Ed Bowes, and with her son, musician and composer Ambrose Bye and nephew Devin Brahja Waldman, with whom she works on projects with The Fast Speaking Music label and live performance.

Speakers, who are invited to share information on their individual experiences, include Marcus Dickey Horley, Curator of Access Projects, Visitor Services Manager, Tate Modern; Anne Hornsby, audio describer, Mind's Eye; Anne McCarthy, Arts Officer, Mayo; Orla Moloney, Arts Council; Johanne Mullan, National Programmer, IMMA; Padraig Naughton, Director, Arts and Disability Ireland; Damien O'Connor, Disability Arts Coordinator, Mayo Arts Office; Sally O'Leary, Arts Officer, South Tipperary County Council; Loz Simpson, model maker, Topografik, and Georgie Thompson, Assistant Curator: Collections, IMMA.

Coordinating with the audio director to maintain style and approach of sound effects and music for assigned projects

• Excellent communication and collaboration abilities to work alongside directors and other film crew leaders • Technical knowledge of all audio equipment and extensive understanding of Adobe Audition CC • An analytical mind, finely tuned ear, evaluation skills, and a great attention to details • The ability to work on multiple projects at once, strong organization and administrative skills