Sentences with phrase «project by an individual artist»

Galleries have the opportunity to make a distinctive statement by presenting one specific project by an individual artist.

Galleries are making a statement by showing one specific on site project by an individual artist.

Not exact matches

Now Rosefeldt is releasing his project as a single 90 - minute feature, described on his website as «a series of striking monologues -LSB-...] created by editing and reassembling a collage of artists» manifestos, from declarations penned by the Futurists, Dadaists and Situationists, to the musings of individual artists, architects, dancers and filmmakers such as Sol LeWitt, Yvonne Rainer and Jim Jarmusch.»

All Collector's Circle Member benefits, plus: • Private collections» tours at the homes of New York's top collectors • Artist Studio visits led by the Executive Director • Conversations with Curators receptions, an opportunity to mingle with the Executive Director and curators and learn about upcoming exhibitions and projects • Private Tour of current Bronx Museum exhibitions with the Executive Director (up to twelve guests and by appointment) • One complimentary ticket to the Annual Fall Art Collection Tour • Recognition on the Bronx Museum's website and Annual Report • Sponsorship recognition for an exhibition or program • Two Individual - level gift memberships to share

Saul Melman (collaborator: Maria Petschnig), «Memory Palace» A video project inspired by conversations between the artists and individuals with memory disorders.

Bass Museum of Art Endless Renaissance The Bass Museum of Art will present six individual solo artist projects by contemporary artists: Eija - Liisa Ahtila (Finland), Barry X Ball (USA), Walead Beshty (UK), Hans - Peter Feldmann (Germany), Ged Quinn (UK) and Araya Rasdjarmrearnsook (Thailand).

November 13 to December 14, 2014 Fountain Street Fine Art, Framingham, MA Gallery artists bring a new twist to the 2014 Members Show by incorporating collaborative projects in photo, fiber, painting, drawing and sculpture alongside individual works.

In the crisp cool air, we crowded around an outdoor campfire before filling the Raumerweiterungshalle for a conceptual lecture, video work and music performance by a group of four individuals who, as non-artists, staked their claim in the Project Space Festival, pushing the limits of the project space as an exclusive «artist's»Project Space Festival, pushing the limits of the project space as an exclusive «artist's»project space as an exclusive «artist's» zone.

Past events include: • Curated tour of Harlem art spaces, including the inHarlem public art projects in Harlem's Historic Parks, the Harlem Hospital Murals, PS209, followed by a reception and artist talk at the Lewis Long Gallery • Private preview of artist Lynette Yiadom - Boakye's work at Jack Shainman Gallery with Yiadom - Boakye and Thelma Golden, Studio Museum Director and Chief Curator • Private tour of the JPMorgan Chase Art Collection led by Lisa K. Erf, Director and Chief Curator of the JPMorgan Chase Art Program, with Studio Museum Associate Curator Lauren Haynes • Private breakfast and studio visit with 2016 — 17 Studio Museum artists in residence Autumn Knight, Julia Phillips, and Andy Robert, with Thelma Golden and Hallie Ringle, Assistant Curator Studio Society offers two options: Individual ($ 1,500) or Steering Committee ($ 2,500) membership.

Seven group shows curated by selected artists will be exhibited alongside twelve individual projects selected by chief curator...

The Ulrich Projects Series brings visually, intellectually, and conceptually challenging exhibitions of work by individual artists of national and international reputation who have reached a critical juncture in their careers.

2014 - 2015 Individual Development Awards Program, Grant, New York State / United University Professions 2014 Art - A-Hack, Fellowship of collaborative creation for Artists and Technologists, Supported by O'Reilly, Microsoft, ThoughtWorks & Volumetric Society of New York 2014 World Maker Faire New York 2014, Editor's Choice, participated with an interactive VR gaming project «WobbleWonder» a collaboration with Martha Hipley, Sophi Kravitz, Adelle Lin.

Opens March 3, 2011 Making Histories: Changing Views of the Collection explores how a museum collection constructs and embodies histories to be reconsidered over time, offering various views into the museum's own history and its collections right up to the present day, through monographic installations of individual works or bodies of work by key artists and designers, thematic surveys, archival research projects, special projects and recent acquisitions.

The Ulrich Project Series brings visually, intellectually, and conceptually challenging exhibitions of work by individual artists of national and international reputation who have reached a critical juncture in their careers.

Including a major essay plus individual texts on each commission by Joan Simon, and filled with interviews, artist statements, plans, archival photographs and stunning new photography, this book charts the history of the project through each commission, through the eyes of the artists and the Olivers.

Columbine Cafeteria is the second solo exhibition that Rogers has had with the Berlin gallery, following Columbine Library in 2014, where the artist's book of poems Cunny Poems — bringing together distance and intimacy in each of its individual fragments — was read aloud by an avatar of Rogers in a video projected in the space, among prints and a large shelf of stuffed toys and accessorised children's backpacks.

The gallery produces four individual annual exhibitions with the artists that are part of its catalog and alternates four other exhibitions of projects by emerging artists.

In their passport project Antarctica, British - Argentine artist duo Lucy + Jorge Orta will envisage new possibilities for community and environment, by inviting visitors to symbolically transfer their individual national identity into that of a collective world citizen.

Recent projects include free play, Trestle Gallery Brooklyn with Jason Lujan, and Chez BKLYN, an exhibition highlighting the fluidity of individual and group dynamics of collective art practices across native, non-native, and immigrant experience; conceived by artists in Brooklyn and relayed at Galerie SE Konst, Sweden.

SOHO20 and The Feminist Art Project (TFAP) NYC are pleased to present Getting Basic: Misappropriation, Plagiarism, Fair Use, and Grey Areas, a panel and discussion hosted by artist Sue Jeong Ka about the issues surrounding copyright, power, and the unfair appropriation of individuals» work in art, pedagogical, and institutional settings.

A full body of work by each artist will also be presented in individual Terminal Project exhibitions, scheduled separately for viewing.

2016 A major award from Wellcome Trust for a new work in 2018 2013 Le Jeu de Paume production award for the Toulouse Festival, France 2012 Sharjah Artist's Production Award 2010 Paul Hamlyn Awards for Artists 2010 Arts Council England, Grants for the Arts for a residency in Tasmania 2009 Winner of Film London & Channel 4's Jarman Award (cash prize and a broadcast commission for Channel 4's, 3 Minute Wonder strand) 2009 Arts Council Individual Artist Award 2007 Wingate Scholarship at British Academy / British School at Rome 2007 British Council Award for new work 2006 AHRC Research Leave Award 2006 Arts Council National Touring Award 2005 British Council Award 2005 Arts Council Individual Artist Award 2004 Triangle International Artists Workshop, Mauritius 2003 Arts Council and Triangle Trust funded residency in Paraguay 1999 Arte Viva, residency and exhibition, Senigallia, Italy 1998 Beach Life, Public Art Project, supported by Islington Council 1997 - 2001 Residency with Acme Studios, The Old Fire Station, London 1997 Residency at The Irish Museum of Modern Art 1995 First Base Studio Award (One year studio residency at ACAVA) 1995 Ray Finnis Award (Slade) 1993 Slade Prize (Pankerd Jones Memorial Prize)

Each taking as their subjects the lives of a deceased creative individual and his personal belongings, their projects build meaningfully on the Whitney Biennial's recent history of both deceased artists and artist - curated «sub exhibitions,» notably from the 2012 edition the inclusion of George Kuchar (died, 2011); Robert Gober's presentation of work by Forrest Bess; Nick Mauss» curation of queer - oriented work culled from the museum collection; and also discursive contributions, such as Andrea Fraser's essay No Place Like Home.

His projects have been funded by multiple grants from the Regional Arts and Culture Council of Portland and an Individual Artist Fellowship from the Oregon Arts Commission.

As part of a notion of doing everything with a bare minimum of resources, Clemente Jacqs presented eleven individual projects, largely showcasing video, installation and performance, by artists Augusto Marbán, Cristian Franco, Arturo Gómez Guerra, Julián Jaime Contreras, Edgar Cobián, José Alfredo Elías Dabdoub, Omar Aguayo, Lisa Gutiérrez and Cristián Silva.

Home Mask Relations: A Social Art Project by Danish Textile Artist Isabel Berglund draws meaningful, individual connections through the actions of craft to the ways that domestic space is claimed and delineated in the US.

The Center for Book Arts» Featured Artist Project program showcases the work of individual artists by offering an exhibition or installation of a cohesive or recent body of work.

Chris Sharp, writer and independent curator, Mexico City, will be Guest Curator for the U-TURN Project Rooms section, which highlights the latest tendencies in contemporary art, and Sofía Hernández Chong Cuy, Curator of Contemporary Art at the Patricia Phelps de Cisneros Collection, New York and Caracas, will be in charge of the Solo Show Zurich section, where galleries present individual projects by Latin American artists.

Slave Rebellion Reenactment is / has been supported in part by: A Blade of Grass Foundation, Socially Engaged Artist Fellowship; Antenna; Art Matters; The Givens Foundation for African American Literature; The Kindle Project; The Joan Mitchel Center; The MAP Fund / Creative Capital; The McColl Center for Art + Innovation; Open Society Foundations; Smack Mellon as well as generous contributions from individual donors.

White has organized two eclectic series of small shows to highlight individual artists and recently - acquired or promised works — including sculptures by Leslie Hewitt, drawings by Trenton Doyle Hancock, objects from Claes Oldenburg's «Maus Museum» project and prints by Dorothea Tanning.

EFA Project Space, a program of The Elizabeth Foundation for the Arts, is a collaborative arts venue founded on the belief that art is directly connected to the individuals who produce it, the communities that arise because of it, and to everyday life; and that by providing an arena for exploring these connections, we empower artists to forge new partnerships and the expansion of ideas.

There were three shows: One Work, the start of an ongoing series of individual artworks in odd spaces around the galley, featuring David Blatherwick's Everyday; in the project room and window, The John Veenema Memorial Exhibition by the artists» association Brown Spot, presented by Lily White; and in the main gallery, Wake, by Chicago artist Doug Ischar.

Among previous projects are A Certain Slant of Light (2014 - 15), a large - scale installation at The Morgan Library & Museum inspired by its collection of medieval Books of Hours; Trying To Remember the Color of the Sky on That September Morning (2014), composed of 2,983 individual watercolors representing the artist's recollection of the sky on September 11, 2001; There Is Another Sky (2014), which transformed a formerly dark alley into an urban forest sanctuary at South Lake Union, Seattle; Painting Air (2012), an installation of more than 100 panels of suspended glass inspired by the colors of Claude Monet's garden at Giverny; and The River That Flows Both Ways (2009), a permanent installation composed of an existing series of windows transformed with 700 individual panes of glass representing the water conditions on the Hudson River over 700 minutes in a single day.

Within each of these geographic areas, the history of the galleries, artist collectives, individuals, collectors, artists, and institutions — including the South Dallas Cultural Center, the Arts District, Good / Bad Collective, Toxic Shock, and others — will be presented through the ephemeral objects produced by these neighborhoods over the past fifty years along with research compiled for the DallasSITES project.

Examples of events already held by presenting venues include a conversation between San Francisco - area artists and high school students at a screening of Suzanne Lacy's The Roof is On Fire; an artists» talk with Hong Kong - based video artist / activists; a mural project with the Juvenile Justice Center of Mahoning County in Ohio addressing themes of community, social justice, and individual rights; workshops connecting veterans with civilians with Warrior Writers, a Philadelphia - based arts organization; and presentations by Sahrawi artists during the Arts and Human Rights Festival in the Sharawi refugee camps of Tindouf, Western Sahara.

She was trained as an artist and architect, and her sculptures, parks, monuments, and architectural projects are linked by her ideal of making a place for individuals within the landscape.

In 2000 he founded «Open Studios», an ongoing arts education project in Shuafat Camp and a reflection of his underlying philosophy about the role of art and the artist: «Art should be for life and not just a thing done by an individual for his own gratification.

This highly personal project celebrates the everyday human experiences of individual artists who are championed by galleries at the fair this year.

The project's distribution of labor reinforces a cross-media turbulence, where each artist contributes elements marked by their distinct, individual practices: DeLucia carves a giant tire, a surrogate for the sun, that emerges from a wave of plywood construction; Scanavino's pattern of blue tiles hint at the cresting ocean; while a repeating motif of Cutler's face, representative of the audience, directly confronts the impending wave.

The Dallas Contemporary presents, from September 17th to December 18th, the individual show «Past Projects for the Future», by Laercio Redondo, the artist's first solo show in the USA.

Individual galleries also served up some stunning contemporary art fare: at Fabrik Projects, take in the gold and bronze sculptures of Stuart Kusher; at bG gallery the wide range of exciting, emerging LA - based artists included a richly dimensional silver work by Campbell Laird, evocative florals from Susan Lizotte, a small but dazzling lenticular piece by Heather Lowe, abstract work from Robyn Alatorre, and a smart diorama from Dwora Fried, as well as works by Johnny Naked, John Hundt, and quintessential LA scenes from Gay Summer Rick.

Hannah: Crowdfunding is pretty widespread among individual artists and artist collectives these days, but is also being used with more frequency by institutions (for creative projects) and celebrities.

His most recent shows include Telepathic Improvisation, a multi-partnered project that marks the first US solo exhibition for the collaborative duo Pauline Boudry / Renate Lorenz, which he co-curated at CAMH with Alhena Katsof; Atlas, Plural, Monumental, a 25 - year survey of sculpture, video and photography, drawing, and interactive artwork by the inimitable Paul Ramírez Jonas; A Traveling Show, in which individual artworks and the display of a decade - old visual correspondence project between Matt Keegan and Kay Rosen spoke to a long - standing friendship and shared interests in humor and language; and THE INTERVIEW: Red, Red Future — a solo exhibition of commissioned works by the artist MPA that traveled to the Whitney Museum of American Art — in which a live performance and sculptures became vehicles through which to imagine the future of the red planet and notions of colonization.

Dedicated to building community through site - responsive projects, C.S. 1 commissions and produces new work by collaborating with a wide range of artists, individuals, and institutions.

The first project of Matthew Higgs, the new curator of art and design at the college's Wattis Institute for Contemporary Arts, «To Whom It May Concern» assembles work by two dozen individual and collaborating artists using explicit communications.

Mirror / Echo / Tilt is a collaborative project between artists (Melanie Crean, Shaun Leonardo, Sable Elyse Smith), educators, and individuals affected by the criminal justice system.

Making Histories: Changing Views of the Collection explores how a museum collection constructs and embodies histories to be reconsidered over time, offering various views into the museum's own history and its collections right up to the present day, through monographic installations of individual works or bodies of work by key artists and designers, thematic surveys, archival research projects, special projects and recent acquisitions.

PIRC has also been core - funded for many years by the 1970 Trust, and grants for individual projects have in the past been given by other organisations including the Consumers Association, Social Science Research Council, Allen Lane Foundation, Artists Project Earth, Dag Hammarskjold Foundation, the Network for Social Change, Nuffield Foundation, Ford Foundation, the Sainsburys Family Trusts and Trocaire.