Most people tend to
project human emotions on dogs.
Real Steel surgically removes the homoerotic elements of contact sports, while hoping to
project human emotions onto the robots, having its cock and eating it too.
Not exact matches
well i get where you come from but i wouldnt call it less passionate but more practical, i just do nt like to be butthurt ^ ^ i am fan of arsenal to enjoy the time i spend on football but if it ends in failures i try to get over its and be constructive about it, and i am not a fan of people who cant control their anger pains and have to
project their frustrations onto the people who could be held responsible but not in this scale, in my opinion of the society
humans should be able to control their
emotions a bit and never stoop as low as to be abusive and i do think that a lot of comments on justarsenal were abusive and sorry but i do nt think of it as passionate an extreme example would be ultras you could call them muuuuch more passionate than me but in my opinion they are just scum of football, but of course i do nt want to compare the JA - commenters to ultras xD i just tried to illustrate my opinion ^ ^
Managing anxiety in order to tackle a big
project, managing anger to work through a marital conflict, managing fear to apply for a job — the ability of a
human being to manage his or her
emotions in a healthy way will determine the quality of his life in a much more fundamental way than his mental IQ.
The title of the exhibition fits well: from his earliest object on display, Hunting Dogs
Project (1961), a model for a public garden in the form of a maze, to PN27 Penetrable, made in 1979, a year before his death, there is a definite drive in the artist's work to contain a boundless and unpredictable
human body, including the collective body — with all its joyful and painful
emotions — within a certain aesthetic frame.
He has been particularly focused on how the
human body uses its corporeal mechanisms, especially the face and head, to express identity and
project emotions.
«Tokyo Morandi «is an exhibition
project that allows the participating artists from Berlin and Montreal to probe the only indirect knowability of
emotions, cognitive information and rational processes in
humans, and to explore this in the context of space, object and installation.
As long as we can not accept all of our
human experience, including the full gamut of
human emotions, from assertive anger, to the pain of disappointment, from the sadness of loss, to our need for closeness, we will always fall short of realizing our most precious
project: to become who we are, not more than who we are.