Sentences with phrase «projected film frame»

Not exact matches

As you're reading this, we're on our way to Boston to film two projects and to shoot a photo story for The Frame.
In almost every frame, the film announces its project of portraying a family pushed to the brink of collapse — and, more specifically, a father who's taken on the impossible task of protecting his children from the unknown.
A couple enacts a break - up scenario over and over, a documentary crew films a crew filming the crew, locals wander casually into the frame: the project defies easy description.
In an early scene from Alfred Hitchcock's Rear Window, the panning camera reveals a framed photograph of a young, smiling blond woman — except, the image is on negative film, which serves as a presumable correlation for disabled protagonist Jeff's (Jimmy Stewart) outlook on women, which is tested in his gaze and projected desire from a lofty apartment window throughout the film.
Live action footage will be filmed and then projected, frame by frame, onto canvas and painted over in oils in the style of Van Gogh.
And while I'm agnostic regarding Jackson's innovation of projecting the film at twice the usual frame rate, the New Zealand landscapes to which we became accustomed in the Rings trilogy are as magnificent as ever.
With The Florida Project, the eye for framing that Baker hinted at comes centre stage through 35 mm film.
Berger's film spins off all sorts of jokey asides (Charlie's crime scene training video, a music video from a side project rock band one of the cops fronts), as well as a trial session framing device that features Sherilyn Fenn as a prosecutor and John Landis as the judge, and sometimes these bits don't connect.
The film's framing device involves Shields» attempt to launch a new project with three estranged players from his early career: director Fred Amiel (Barry Sullivan), actress Georgia Lorrison (Lana Turner), and screenwriter James Lee Bartlow (Dick Powell).
Notoriously made with new cameras designed to capture more frames per second than any before, Lee's latest film probably looked really interesting in the two theaters that could project it the right way.
Comics may be an entirely different medium but the projects original inception as a film can be felt throughout the pages as Pablo Peppino brings a strong cinematic style to the art, framing scenes beatifully to give the reader as much information as possible while building the world as a real place.
Dean's film work is characterised by long, meticulously framed takes in which the camera remains in a fixed position, the elements of the projected or screened image arranged in harmonious composition.
Since this project is predominately created without the use of a camera, the resulting images from the assorted elements cover several inches of the film, neglecting the conventional frame lines produced by camera shutters.
According to Axel Peemoeller, who worked with Greek designer Dimitris Papazoglou on the project, the identity draws on «key characteristics related to cinema: the projection screen, the repetition of film frames, the sense of movement and time, and cinema theatre seating.»
Through films, VideoSculptures, conceptual projects and installations, Van Der Auwera unravels the simulation and framing of messages, exploring conceptual and formal filters in the production and dissemination of images.
Conrad's previous work, «The Flicker,» was a very careful consideration or orchestration of black and white frames, first on paper, then transferred to a strip of film, which was then projected.
Mixing artifact with mythology, and history with invention, the project's wide - ranging material includes a 45 - minute film and still photographs from the forests of Oregon, to St. Petersburg and the White Sea in Russia; sculptures; topological maps; and site - specific framed works.
It presented film as the verbal and visual representation of sequential movement (storyboards drawn on blackboards); as sound (dubbing sheets and the work Foley Artist); as projected images and as stories (in the films); and as investigations and working processes (framed materials and documents).
‖ Photographed at The Factory (Warhol's studio in New York City from 1962 to 1968) on 16 mm black - and - white film stock at the standard sound speed of 24 frames per second (fps), the portraits were intended to be projected at 16 fps, the speed of earlier silent films.
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