Sentences with phrase «projecting high frame»

That was our goal, but we were being very realistic about it because at this point in time, especially two years ago, when we first began developing the process, there were no commercial theaters in the U.S. capable of projecting high frame rate, 4K, 3D.

Not exact matches

High throughput electrophysiological screening of Xenopus oocytes expressing exogenous genes in the frame of pharmacological or agricultural projects.

Developing, planning, and managing implementation of activities for complex eLearning projects and programs with broad scope, high impact and long implementation time frames.

Developing, planning, and managing implementation of activities for complex E-Learning projects and programs with broad scope, high impact and long implementation time frames.

This 1933 Plymouth High Boy Custom was a frame off custom build project and has an all steel body!

Description for Diy Queen Size Bed Frame High Quality Ana White Farmhouse Bed with Arch Diy Projects

We pride ourselves on making the highest quality framing with a personal approach to customer service, no matter the size of the project.

Listed alphabetically, selected Gill & Lagodich framing projects for the High Museum of Art include provision of period frames for Albert Bierstadt, Pioneers of the Woods, California, ca. 1863; William Mason Brown, Peaches on a White Plate, ca. 1880; Patrick Henry Bruce, Leaves, 1912; William Merritt Chase, Still Life with Fish, ca. 1910; Joseph Decker, Still Life with Peanuts, ca. 1890; Robert S. Duncanson, Woodland Stream, An Idyll by the Bridge, ca. 1865; Childe Hassam, Seascape — Isle of Shoals, 1902; May Hallowell, pastel portrait, ca. 1880s; Martin Johnson Heade, Twilight, ca. 1886; Alfred Cornelius Howland, Fourth of July Parade, ca. 1886; John F. Kensett, Camels Hump... Western Shore... Lake Champlain, 1852; Ernest Lawson, Washington Bridge, Harlem River, ca. 1915; Jervis McEntee, The Hudson River Valley, c. 1874; William Trost Richards, Lake Scene, Boating, 1861; John Sloan, Quaker Nell (Helen M. Taylor), 1916; Henry Ossawa Tanner, Destruction of Sodom and Gomorrah, 1929 - 30; Henry Ossawa Tanner, View of Fez, ca. 1912; Elihu Vedder, Waves at Palo, 1874; Thomas Worthington Whittredge, Rolling Hills, 1846; Hale Woodruff, Old Farmhouse in Beauce Valley, ca. 1927; Hale Woodruff, Results of Good Housing, ca. 1941 - 43; and Hale Woodruff, Results of Poor Housing, ca. 1941 - 43.

A cluster of house frames will soon populate the High Museum's piazza as the first in a series of projects commissioned for a two - year initiative to further develop its outdoor space.

New to the fair was a sector called Survey, bringing gravitas with a deliberately digital - free zone that called on 13 galleries to present tightly curated historical projects — the standout, New York artist Alison Knowles's The Boat Book, 2014, eight 8ft - high, wood - framed movable pages covered with images described by her dealer, James Fuentes, as «seminal social sculpture» that is «read» by crawling through it.

Toby Kamps (The Menil Collection, Houston) will curate the expanded Spotlight section for the first time; Cecilia Alemani (High Line Art, New York / Italian Pavilion 2017 Venice Biennale) will commission Frieze Projects; and Jacob Proctor (Neubauer Collegium for Culture and Society, University of Chicago) and Fabian Schöneich (Portikus, Frankfurt) will advise the Frame section.

For example, the role of International partnership is presented by the case of Eyeworks + M1, two Los Angeles based eyeglass designers that, in order to produce their innovative glass frames, have found a small manufacturer in a Dolomites» village with which they developed their projects; the cross-breeding between social networks and craftsmanship is represented through the story of Formabilio that, starting from a web community, now produce furniture and home accessories conceived by young designers, realized by local manufactures and sold online; the evolution of traditional craft techniques to realize high - quality products is expressed by the case of Bonotto, that combines mechanical looms with advanced technology, bringing craft into an industrial factory to produce unique textiles for the most renowned and innovative fashion brands.

Toby Kamps (The Menil Collection, Houston) will curate the expanded Spotlight section for the first time, alongside Cecilia Alemani (High Line Art, New York / Italian Pavilion 2017 Venice Biennale) organizing Frieze Projects, and Jacob Proctor (Neubauer Collegium for Culture and Society at the University of Chicago) and Fabian Schöneich (Portikus, Frankfurt) returning as curatorial advisors for the Frame section.

1990 Information, Terrain, San Francisco, California, US The 60s Revisited - New Concepts / New Materials, Leo Castelli Gallery, New York, US Various Small Fires in the Gutenberg Galaxy, Galerie Maier - Hahn, Dusseldorf, DE Time Span, Fundacio Caixa de Pensions, Barcelona, ES Aquarian Artists, University of Rhode Island, Kingston, Rhode Island, US Fragments, Parts, Wholes / The Body and Culture, White Columns, New York, US Che Fare: Concept Art / Minimal / Art Povera / Land Art, Kunsthalle Bielefeld, Bielefeld, DE Kunstenaarsboeken uit de verzameling A.S.P.C., Provinciaal Museum Hasselt, Hasselt, BE Group Show, Mai 36 Gallerie, Germany: Art Frankfurt, CH MeaMemphis Collezione» 89, Art to Use, Frankfurt A.M., DE Group Show, Galeria Marga Paz, Madrid, ES 5 Galerien zu Gast bei Breuninger, Brigitte March Galerie, Stuttgart, DE The Readymade Boomerang - 8th Biennale of Sydney, Art Gallery of New South Wales, Sydney, AU Saga 90, Eric Linard Editions, Grand - Palais, Paris, FR Concept Art, Deichtorhallen, Hamburg, DE Dreams of Artists, A Metamemphis Collection, 121 Art Gallery, Antwerpen, BE Two Decades of American Art: The 60s & 70s, Nassau County Museum of Art, Roslyn Harbor, US RE: Framing / Cartoons, Loughelton Gallery, New York, US; Wexner Center for the Arts, Ohio, US; Gallery A, The Ohio State University, Columbus, Ohio, US Robert Gober, Craigie Horsfield, Lawrence Weiner, Barbara Gladstone Gallery, New York, US Wir Nehmen an der Art, Mai 36 Galerie, Basel Art Fair, Basel, CH Word as Image: American Art 1960 - 1990, Milwaukee Art Museum, Milwaukee, Wisconsin, US; Oklahoma City Art Museum, Oklahoma, US; Contemporary Art Museum, Houston, Texas, US A Group Show, Marian Goodman Gallery, New York, US Selected Prints and Multiples, Mai 36 Gallery, Lucerne, CH Red, Galerie Christine and Isy Brachot, Brussels, BE Un Choix d'Art Minimal dans la Collection Panza, ARC, Paris, FR Children's Aids Project, Daniel Weinberg Gallery, Santa Monica, California, US Interventions / An Exhibition from the Collection of Delfryd Celf, Art Gallery of Ontario, Toronto, CA Savoire Faire / Savoire Vivre, Centre International d'Art Contemporain de Montreal, Montreal, CA Art Billboards in the Hague - Southwest, The Hague, NL The Readymade Boomerang Print Portfolio, Galerie Vorsetzen, Hamburg, DE Time Space Place, Galerie Ghislaine Hussenot, Paris, FR High Season I...

Twelve Screen Tests in this exhibition are projected on the gallery walls at large scale and within frames, some measuring seven feet high and nearly nine feet wide.

Also of note here were the handsome series of abstract collages, «Time Memory» (2010 --RRB-, which articulate the archaeological sense of accumulated time that informs the iconic «Scrapbooks» project (1977 --RRB- included in this year's Venice Biennale, as well as the three - story high structural work in the museum's atrium, Time Memory / BIBAI (2013), with pale - blue neon highlights accentuating the frame of a rusting bowling - pin - shaped tower.

Elsewhere, Theaster Gates's In Case of Race Riot II (2011), a fireman's hose coiled and framed in a wooden box, evokes the high - pressure water guns historically used to suppress civil rights protests; Kara Walker's deceptively playful cutouts tell narratives of the cruel racial dynamics and oppressive stereotypes of the antebellum South; and Titus Kaphar's chilling duo of paintings in The Jerome Project (My Loss)(2014) show the monumental, detailed face of a black man disappearing behind a rising glut of thick black paint.

• Urban, high density and high - rise buildings • Low - rise and rural approaches • Buildings from the arctic to the tropics • Policymakers with growing expertise in implementing Passive House programs • Multi-family housing, both affordable and market rate • Integration of renewable energy • Steel and concrete construction, wood frame construction and cross-laminated timber (CLT) construction • The processes, details and results of passive house projects

Contributing to the success of construction and renovation projects valued at up to $ 1.2 M for a builder specializing in custom - framed homes; adhering to project scopes, budgets, goals, and timelines and achieving consistently high levels of client satisfaction.

Coordinated contractors, architects and other project team members to deliver high quality projects within specified time frames.

Have a couple of wood - framed mirrors that would look beautiful in a high - gloss white, but keep putting the project off...