Sentences with phrase «projects impacting arts»

County Executive Picente announced today 28 individual projects impacting arts, culture and STEM education that are funded through the Partners In Prosperity Funding.

Not exact matches

The «Ken Burns Lifetime Achievement Award» is presented jointly each year by Ken Burns and Old Sturbridge Village to an individual who has made a significant impact on the arts through projects related to history.

«This project will put the arts front and center in our city all while delivering enhanced economic impacts and jobs.»

This project was lead by the art teacher, Alison Flegal, who created the project as a way for students to voice their support for the Green Bank Telescope in response to 2016's Environmental Impact Statement (EIS) Call for Public Comments.

The PEGASOS project will investigate the impacts of European air pollution on climate change and vice versa by combining field measurements with state of the art atmospheric and climate models.

He shambles around projecting a certain faded mystique — though you quickly get the impression that his impact on the art world was minor, he casts a long shadow for his children, all of whom he's ignored at times, and burdened with lofty expectations at others.

Researchers from ECU's School of Arts and Humanities were awarded $ 349,700 in Discovery Project funding to investigate how toys equipped with cameras, recorders and internet connections impact children's privacy and safety.

Specifically, he will work with the PI and core project staff to develop an analysis plan, direct the evaluation of the efficacy of the Core Knowledge Language Arts Listening and Learning Read Aloud Program, articulate the fully specified multi-level models used to estimate treatment impacts on child - level vocabulary, listening comprehension and domain knowledge outcomes, and guide the secondary analyses that examine whether the quality of read alouds mediate treatment effects on child outcomes and the baseline, child - level moderators of treatment effects.

They're attuned to the challenges that kids can face, the easy - to - overlook value of a choral group or an arts project, and when the practical impact of policies seems arbitrary or unfair.

Superact is a UK based non-profit CIC using music and the arts to develop and deliver a range of social impact projects.

Bids were invited around five research areas, and the successful projects are: Tribe Arts; Alive and Kicking Theatre Company; Leyburn Primary School and Yorkshire Collaborative Academy Trust (YCAT); ImpactEd, in partnership with Bright Futures Educational Trust; and Victoria Academies Trust.

Arts Festival Impacts is a collaboration between Project Zero (PZ) and Independent Schools Victoria (ISV) that incorporates documentation and field research to investigate the impacts of ISV's Arts Learning Festival in Melbourne, AusImpacts is a collaboration between Project Zero (PZ) and Independent Schools Victoria (ISV) that incorporates documentation and field research to investigate the impacts of ISV's Arts Learning Festival in Melbourne, Ausimpacts of ISV's Arts Learning Festival in Melbourne, Australia.

She previously worked with Agency by Design (AbD) and Learning Innovations Laboratory (LILA), and she managed Art Works at Work, a project exploring the impact of art in the workplaArt Works at Work, a project exploring the impact of art in the workplaart in the workplace.

Christina is a Senior Research Manager at Project Zero, leading Arts Festival Impacts, a project investigating the impacts of a city arts learning feProject Zero, leading Arts Festival Impacts, a project investigating the impacts of a city arts learning festiArts Festival Impacts, a project investigating the impacts of a city arts learning feImpacts, a project investigating the impacts of a city arts learning feproject investigating the impacts of a city arts learning feimpacts of a city arts learning festiarts learning festival.

What if they devised action research projects to collect data and illustrate the impact art - infusion and artistic - reflection had in implementing the school's goals?

Arts Integrated Partnership Approach Has Definitive, Positive Impact on Student Performance Chicago Arts Partnerships in Education (CAPE), in partnership with Chicago Public Schools, has completed the Partnership for Arts Integration Research (PAIR) project.

The Philadelphia Cultural Participation Benchmark Project, funded by the John S. and James L. Knight Foundation, was a collaboration of the University of Pennsylvania's Social Impact of the Arts Project (SIAP), RFA, and Audience Insight...

For school communities already committed to providing arts integration practice, the alternative methods and tools developed in the PAIR project demonstrate how to qualitatively and quantitatively assess the impact of individual teacher arts integration professional development variables on individual student arts integration and academic learning outcomes.

ArtsEdSearch is a project of the Arts Education Partnership (AEP), and builds on Critical Links: Learning in the Arts and Student Academic and Social Development, a compendium of research that AEP published in 2002 exploring the impact of arts education on student success in school, life and wArts Education Partnership (AEP), and builds on Critical Links: Learning in the Arts and Student Academic and Social Development, a compendium of research that AEP published in 2002 exploring the impact of arts education on student success in school, life and wArts and Student Academic and Social Development, a compendium of research that AEP published in 2002 exploring the impact of arts education on student success in school, life and warts education on student success in school, life and work.

Building on previous research on the relationship between the arts and student engagement and achievement, researchers studied the impact of San Diego's Teaching Artist Project (TAP) on the attendance and speaking and listening skills of children in kindergarten through second grade, with a focus on English Language Learners (ELLs).

This project addresses the multiple facets of Alloway's life and career and his impact on art history and criticism.

2012 - 2013 syzygy, project space in a social housing flat in Elephant and Castle, hosting 8 residencies, workshop programs and curated exhibitions with invited UK and international artists, London 2011 - 2016 In The Company of Elders, reflections and performance with a group of Elders, London / Bath AWARDS AND GRANTS 2014 FreeSpace, awarded for impact and participation in The Big Lottery National funding Awards Wenlock Barn TMO, winners of national TMO Awards for involving community through Fourthland projects Awards for All funding, Wenlock Barn Estate, Meeting House 2011 - 2013 Big Lottery Funding, The Back Garden and Public Program, Wenlock Barn Estate 2010 - 2011 Big Lottery Funding, The Growing Kitchen Community, Wenlock Barn Estate 2008 - 2010 Shoreditch Trust Commission, The Growing Kitchen, Wenlock Barn Estate 2009 University of East London, Funding, Making architecture TEACHING 2015 Visiting Artists, Bergen Academy of Art and Design Norway Visiting Artists, CASS School of Art and Design Louise isik Sayarer (1982, British / Turkish) EDUCATION 2007 - 2011 BA Fine Art part time, Sir John Cass school of Art and Design, London 2006 Foundation in Art and Design, Sir John Cass School of Art and Design, London 2002 - 2005 BSc / BA Environmental Science and Development Studies, University of Sussex 2000 BTEC level 3 Tropical Habitat Conservation Madagascar Recent Training 2016 - 2017 Shakti dance 2015 - 2016 Dancing Tao - Movement Medicine circle Previous work 2008 - 2015 Artist associate SASA Works Architecture 2010 - present Bow Arts Trust, Education Artist 2007 - 2008 Education Officer Chelsea Physic Garden 2006 - 2007 Education Officer The Wildlife Trust 2005 Research associate Ethnomedica, Kew Gardens Eva Knutsdotter Vikstrom (1985, Norwegian / Swedish) EDUCATION 2009 - 2011 BA Fine Art, Sir John Cass school of Art and Design, London 2004 - 2005 Foundation in Art and Design, Einar Granum School of Art, Oslo Recent training 2015 - 2016 Kundalini Yoga teacher training Previous work 2014 - 2016 Art director for Ale Tarraf's feature film «Yupanqui» 2009 - 2011 The Readers performance Group LANGUAGES English Norwegian Swedish Spanish

She is the founder of large - scale art projects City As Site (2010), and The 96 Acres Project (2012 - Present), which examines the impact of incarceration through artistic interventions at the Cook County Jail located in her native community in Chicago.

Among his many interviews, curatorial projects, and artworks which helped impact the intellectual shape of the art world, he presented the idea that an art exhibition could happen in a magazine, when he guest - edited a 1967 issue for Aspen 5 +6.

«As Franklin Furnace approaches its 40th anniversary in 2016, collaborating with a formidable educational institution like Pratt will make it possible for us to provide public and pedagogical access to emerging artists, and for Pratt and Franklin Furnace to undertake long - term preservation and documentation projects that will have cultural impact long into the future,» said artist Martha Wilson, Franklin Furnace founding director and visiting associate professor of Fine Arts at Pratt Institute.

In honor of Veterans Day Art on Wheels will install the Veterans» Impact Project on the hilltop Belvedere in VMFA's E. Claiborne and Lora Robins Sculpture Garden.

Selected Exhibitions Art Projects International, New York, NY (2008); Red Gate Gallery, Beijing (2007); Art Projects International, New York, NY (2005); Impact 4 Printmaking Exhibition, Kollwitz Museum, Berlin, Germany (2005); Strong, Espace d'Art Contemporain, Antibes, France (2005); Asia Contemporary Art Exhibition, Gwangju Art Museum, Korea (2004); Hanes Art Center, Chapel Hill, NC (2004); Ackland Art Museum, Chapel Hill, NC (2004); Red Gate Gallery, Beijing (2004); Art Scene China, Shanghai (2003); Ink and Paper, Arras Museum, Paris (2001); The Emancipated Brush, Orange County Center for Contemporary Art, CA (2001); National Art Museum, Beijing (2000).

Of course, the rise of black - owned spaces has impact far beyond the market, and many prominent non-profit spaces, such as Rick Lowe's Houston - based Project Row Houses and artist Mark Bradford's Los Angeles - based Art + Practice, are positioned as «social sculpture,» an expanded concept of art coined by the German Fluxus artist Joseph Beuys, who sought to use art to address societal issuArt + Practice, are positioned as «social sculpture,» an expanded concept of art coined by the German Fluxus artist Joseph Beuys, who sought to use art to address societal issuart coined by the German Fluxus artist Joseph Beuys, who sought to use art to address societal issuart to address societal issues.

Recent solo exhibitions and collaborations include Low Impact (Resistance to Flow / ThisIsBobDylanToMe) Subject to Change, a collaborative project with Linda Post at Lawndale Art Center, Houston, 2012; Today Is Tomorrow, Art Palace Gallery, Houston, 2011; (v) = Variable Project, Houston, a site specific project w / Mick Johnson, 2010; A Powerful Hankering, artMoving, Brooklyn, NY, 2005; JIM NOLAN WORKS, NoName Exhibitions at the Soap Factory, Minneapolis, MNproject with Linda Post at Lawndale Art Center, Houston, 2012; Today Is Tomorrow, Art Palace Gallery, Houston, 2011; (v) = Variable Project, Houston, a site specific project w / Mick Johnson, 2010; A Powerful Hankering, artMoving, Brooklyn, NY, 2005; JIM NOLAN WORKS, NoName Exhibitions at the Soap Factory, Minneapolis, MNProject, Houston, a site specific project w / Mick Johnson, 2010; A Powerful Hankering, artMoving, Brooklyn, NY, 2005; JIM NOLAN WORKS, NoName Exhibitions at the Soap Factory, Minneapolis, MNproject w / Mick Johnson, 2010; A Powerful Hankering, artMoving, Brooklyn, NY, 2005; JIM NOLAN WORKS, NoName Exhibitions at the Soap Factory, Minneapolis, MN, 2002.

Jones developed this piece with curator Tessa Giblin — formerly at Dublin's Project Arts Centre and now director at Edinburgh's Talbot Rice Gallery — so that it maximises emotional and visual impact in its dark, high - ceilinged Arsenale setting.

IMMA / NIVAL ROSC 50 / 1967 - 2017: Closing Discussion / 28 June 2017 - 3:00 pm On the final week of the IMMA / NIVAL ROSC 50 1967 - 2017 in the Project Spaces, you are invited to join us for a series of reflections on the Rosc exhibitions and their impact on the visual arts in Ireland.

Artists will learn: - Methods of organizing community around social impact through arts and culture emphasizing available assets over deficits - Tools and activities to engage dialogue, break down barriers, and create a shared language among key stakeholders - Incorporation of art into city planning and urban development - How to negotiate, read / build contracts, and build robust budgets that both account for all aspects of project expense, including artist fee, and reflect the story of your project to funders and stakeholders.

Strikingly beautiful, her wire sculptures and wall drawings project optical experiences where questions of perception and misperception lead to further examination of the impact of twenty - first century technology on the arts.

At the same time Tate Britain will present a major rehang which will focus first on the visual impact of the Collection, then on holdings and projects which have been less often in the public eye and finally will include many recent acquisitions of contemporary art.

And what will be the impact on the New York arts scene of closing Deitch Projects?

WaveMaker Grants provides monetary awards — individual grants of up to $ 6,000 — to foster the development of non-commercial, non-institutional projects that are accessible to the public via process, presentation, production, or publication, and profoundly impact the critical, intellectual, and creative depth of Miami's vibrant arts community.

In 2010, he joined the Queens Museum of Art in a unique role that reports to both the curatorial and community engagement departments of the museum, identifying opportunities for commissioned artist projects to make meaningful connections with community organizations in Corona, as well as guiding artists towards the successful merger of aesthetic preoccupations with the social impact aspects of their projects.

The panel will include conversations by «Project 35» artists Beryl Korot and Wanda Raimundi - Ortiz and curator Raimundas Malasauskas around the use of video as a format for the increasingly international dissemination of artists» ideas; how expanded presentation possibilities for single channel works has created new audiences; and the impact that these developments have on art production.

In this frame, a specific research project funded by the Chamber of Commerce of Torino is organized for measuring the impact of the art fair on the city.

By creating art in unconventional places, or hosting events that are free to the public, we aim to engage the communities directly impacted by our projects.

The game's variations for artists originate from a research project beginning with the Yap's «Artists» Personal Impacts Survey» to explore positive psychological benefits of art practice.

The project was selected by participants in Public Process, SculptureCenter's intensive program for high school students that uses New York City's rich public art landscape to explore the history and impact of public art and its community influence.

She has worked for a variety of non-profits, galleries and research centers including the Seattle Art Museum, the Rebuild Foundation, the Social Impact of the Arts Project, the Society for Contemporary Art, and the Sullivan Galleries at the Art Institute of Chicago.

The project Sanctuary City, a spokesperson told the Art Newspaper, is a «response to President Trump being elected, and more specifically to the policies he has put forward that directly and negatively impact the country's immigrant (and by association non-immigrant) communities.

John Held, Jr. considers Japanese Gutai and its influences and impact in light of three San Francisco exhibitions: Kazuo Shiraga & Kour Pour: Earthquakes And the Mid Winter Burning Sun at Ever Gold Projects (through March 18), Tsuyoshi Maekawa, Alberto Burri, Lucio Fontana, et al.: Beyond Matter at Gagosian San Franciso (through March 18), and Japanese Art of the 1970's and 80's, Works from the Gallery and Bay Area Collections at Don Soker Contemporary Art (through February 25).

Solo Exhibitions 2015 If this walls had ears, Chert, Berlin Concrete Ribs, Govenhill Baths, Glasgow 2014 DOCU - PRESS 4, Frans Masereel Centrum, Belgium 2013 II Stile, with Nathan Peter, PSM, Berlin Occupying Forms, Glasgow Print Studio, Glasgow 2012 Hard edge, Soft line, David Dale Gallery, Glasgow Every friend of my friend is my friend, with Jérémie Gindre, Norma Mangione Gallery, Turin 2011 Every Which Way, Chert, Berlin The Royal Standard Presents: Cut - Fill - Skim, Liverpool Immovable Parts, with Karin Stewart, Project room 103, Glasgow 2010 Lines have edges, presented by ten til ten, 6 Dixon Street, Glasgow International Festival, Glasgow Open Space, Art Cologne, curated by Jacob Fabricius, Matthias Mühling and Heike Munder, solo presentation with Chert, Berlin 2009 Breadthless Lines, Glasgow Sculpture Studios, Glasgow Cut Line, Ten Til Ten, Glasgow Lines and Pours, Chert, Berlin 2005 The Factory, The Factory, Impact Arts, Glasgow

In Toronto, Noah Richler discusses the impact of creative - economy theories on the Ontario College of Art and Design with president Sara Diamond and author Richard Florida, and University of Guelph fine art program director John Kissick offers his perspective on art departments at major Canadian universities, accompanied by a special artist project by Kristan HortArt and Design with president Sara Diamond and author Richard Florida, and University of Guelph fine art program director John Kissick offers his perspective on art departments at major Canadian universities, accompanied by a special artist project by Kristan Hortart program director John Kissick offers his perspective on art departments at major Canadian universities, accompanied by a special artist project by Kristan Hortart departments at major Canadian universities, accompanied by a special artist project by Kristan Horton.

Pro Arts Project Space presents Musical Chairs, a community - based project led by artist Warith Taha that incorporates assemblage - altered chairs to explore the gentrification process and its impact on the Bay Area art scene, local artists, and native resProject Space presents Musical Chairs, a community - based project led by artist Warith Taha that incorporates assemblage - altered chairs to explore the gentrification process and its impact on the Bay Area art scene, local artists, and native resproject led by artist Warith Taha that incorporates assemblage - altered chairs to explore the gentrification process and its impact on the Bay Area art scene, local artists, and native residents.

Group Exhibitions 2018 Stretch / Pulled / Inked, Impact Arts, as part of the Glasgow International, Glasgow (upcoming) Glasshouse, Glasgow Botanic Gardens, Glasgow (upcoming) 2017 Amazing Perplexity, Curated by Nathalie Hoyos, Rainald Schumacher and Alevtina Kakhidze, Residents Group Exhibition of FACE — Artist Residence Program in Kiev 2016 Factually Real Illusions, curated by Lorna McDowell, Cookhouse Gallery Chelsea College of Art, London Semi-Gloss, Semi-Permeable, Glasgow International Festival 2015 International Women's Contemporary Art Forum — A Crossing Section of Art, BankART Studio NYK, Yokohama Finite Project Altered When Open, David Dale Gallery, Glasgow Abstraction from Architecture, Edinburgh Print Studio Hold, Sway, Generator Projects, Dundee 2013 Editionshow, Chert, Berlin You're my wife now, Infernoesque project space, Berlin Every Day, GoMA, Gallery of Modern Art, Glasgow 2012 Tintenfisch, CNEAI =, Paris, organized by Chert & Motto in the frame of Berlin - Paris exchange 2011 Industrial Aesthetics: Environmental Influences on Recent Art from Scotland, Times Square Gallery of Hunter College, City University of New York Annuale, Edinburgh 2010 Drinnen & Draussen, Chert, Berlin A man, some chickens and one corner, with Petrit Halilaj and Heike Kabisch, Berlin — Paris exchange, Galerie Carlos Cardenas, Paris, with Chert, Berlin 2009 Spacioux, curated by Michela Arfiero, Paola Gallio, Daniela Lotta, Lambretto Art Project, Milan Motto & Chert & Roses, Tulips & Roses, Vilnius 2008 You can't hide your love forever, LH Gallery, Paris And So It Goes, Art news Projects, Berlin MFA Degree Show, Tramway, Glasgow Flock, Bezalel Gallery, Tel Aviv 2007 MFA Interim show, Glasgow School of Art, Glasgow Devil Blue Dress, The Factory, Impact Arts, Glasgow 2005 Tercet, Intermedia, King Street, Glasgow 2004 Pieces, The Factory, Impact Arts, Project Altered When Open, David Dale Gallery, Glasgow Abstraction from Architecture, Edinburgh Print Studio Hold, Sway, Generator Projects, Dundee 2013 Editionshow, Chert, Berlin You're my wife now, Infernoesque project space, Berlin Every Day, GoMA, Gallery of Modern Art, Glasgow 2012 Tintenfisch, CNEAI =, Paris, organized by Chert & Motto in the frame of Berlin - Paris exchange 2011 Industrial Aesthetics: Environmental Influences on Recent Art from Scotland, Times Square Gallery of Hunter College, City University of New York Annuale, Edinburgh 2010 Drinnen & Draussen, Chert, Berlin A man, some chickens and one corner, with Petrit Halilaj and Heike Kabisch, Berlin — Paris exchange, Galerie Carlos Cardenas, Paris, with Chert, Berlin 2009 Spacioux, curated by Michela Arfiero, Paola Gallio, Daniela Lotta, Lambretto Art Project, Milan Motto & Chert & Roses, Tulips & Roses, Vilnius 2008 You can't hide your love forever, LH Gallery, Paris And So It Goes, Art news Projects, Berlin MFA Degree Show, Tramway, Glasgow Flock, Bezalel Gallery, Tel Aviv 2007 MFA Interim show, Glasgow School of Art, Glasgow Devil Blue Dress, The Factory, Impact Arts, Glasgow 2005 Tercet, Intermedia, King Street, Glasgow 2004 Pieces, The Factory, Impact Arts, project space, Berlin Every Day, GoMA, Gallery of Modern Art, Glasgow 2012 Tintenfisch, CNEAI =, Paris, organized by Chert & Motto in the frame of Berlin - Paris exchange 2011 Industrial Aesthetics: Environmental Influences on Recent Art from Scotland, Times Square Gallery of Hunter College, City University of New York Annuale, Edinburgh 2010 Drinnen & Draussen, Chert, Berlin A man, some chickens and one corner, with Petrit Halilaj and Heike Kabisch, Berlin — Paris exchange, Galerie Carlos Cardenas, Paris, with Chert, Berlin 2009 Spacioux, curated by Michela Arfiero, Paola Gallio, Daniela Lotta, Lambretto Art Project, Milan Motto & Chert & Roses, Tulips & Roses, Vilnius 2008 You can't hide your love forever, LH Gallery, Paris And So It Goes, Art news Projects, Berlin MFA Degree Show, Tramway, Glasgow Flock, Bezalel Gallery, Tel Aviv 2007 MFA Interim show, Glasgow School of Art, Glasgow Devil Blue Dress, The Factory, Impact Arts, Glasgow 2005 Tercet, Intermedia, King Street, Glasgow 2004 Pieces, The Factory, Impact Arts, Project, Milan Motto & Chert & Roses, Tulips & Roses, Vilnius 2008 You can't hide your love forever, LH Gallery, Paris And So It Goes, Art news Projects, Berlin MFA Degree Show, Tramway, Glasgow Flock, Bezalel Gallery, Tel Aviv 2007 MFA Interim show, Glasgow School of Art, Glasgow Devil Blue Dress, The Factory, Impact Arts, Glasgow 2005 Tercet, Intermedia, King Street, Glasgow 2004 Pieces, The Factory, Impact Arts, Glasgow

In her previous position at the Whitney Museum of American Art as director of access and community programs, Linzer led a collaborative research project to better understand the impact of youth programming in museums.