On November 25, 2014, I came from Winnipeg, Manitoba to Vancouver, British Columbia to join a group of eight carefully - selected female filmmakers from across Canada to participate in the nineteenth annual Women In the Director's Chair program, an internationally respected Canadian professional development offering, specially designed to advance the skills, careers and screen
projects of women directors.
Not exact matches
Every day I need to touch
Women Online (as creative
director), Boston Mamas (as founder / editor), Edit Your Life (as co-host), Brave New World Designs (as designer / co-owner) + Christine Koh LLC (as principal... this includes various freelance
projects, including one major managing editor contract) so efficiency and focus really are key, given that I need to cycle through
projects during the day and also given that Laurel and Violet are not in after school programs (Jon and I really 50/50 it in terms
of covering the after school window... I am so grateful for this)!
* Day 1 Monday, February 22, 2016 4:00 PM -5:00 PM Registration & Networking 5:00 PM — 6:00 PM Welcome Reception & Opening Remarks Kevin de Leon, President pro Tem, California State Senate Debra McMannis,
Director of Early Education & Support Division, California Department
of Education (invited) Karen Stapf Walters, Executive
Director, California State Board
of Education (invited) 6:00 PM — 7:00 PM Keynote Address & Dinner Dr. Patricia K. Kuhl, Co-
Director, Institute for Learning & Brain Sciences * Day 2 Tuesday February 23, 2016 8:00 AM — 9:00 AM Registration, Continental Breakfast, & Networking 9:00 AM — 9:15 AM Opening Remarks John Kim, Executive
Director, Advancement
Project Camille Maben, Executive
Director, First 5 California Tom Torlakson, State Superintendent
of Public Instruction, California Department
of Education 9:15 AM — 10:00 AM Morning Keynote David B. Grusky, Executive
Director, Stanford's Center on Poverty & Inequality 10:00 AM — 11:00 AM Educating California's Young Children: The Recent Developments in Transitional Kindergarten & Expanded Transitional Kindergarten (Panel Discussion) Deborah Kong, Executive
Director, Early Edge California Heather Quick, Principal Research Scientist, American Institutes for Research Dean Tagawa, Administrator for Early Education, Los Angeles Unified School District Moderator: Erin Gabel, Deputy
Director, First 5 California (Invited) 11:00 AM — 12:00 PM «Political Will & Prioritizing ECE» (Panel Discussion) Eric Heins, President, California Teachers Association Senator Hannah - Beth Jackson, Chair
of the
Women's Legislative Committee, California State Senate David Kirp, James D. Marver Professor
of Public Policy, University
of California, Berkeley Assemblyman Kevin McCarty, Chairman
of Subcommittee No. 2
of Education Finance, California State Assembly Moderator: Kim Pattillo Brownson, Managing
Director, Policy & Advocacy, Advancement
Project 12:00 PM — 12:45 PM Lunch 12:45 PM — 1:45 PM Lunch Keynote - «How Children Succeed: Grit, Curiosity, and the Hidden Power
of Character» Paul Tough, New York Times Magazine Writer, Author 1:45 PM — 1:55 PM Break 2:00 PM — 3:05 PM Elevating ECE Through Meaningful Community Partnerships (Panel Discussion) Sandra Guiterrez, National
Director, Abriendo Purtas / Opening Doors Mary Ignatius, Statewide Organize
of Parent Voices, California Child Care Resource & Referral Network Jacquelyn McCroskey, John Mile Professor
of Child Welfare, University
of Southern California School
of Social Work Jolene Smith, Chief Executive Officer, First 5 Santa Clara County Moderator: Rafael González,
Director of Best Start, First 5 LA 3:05 PM — 3:20 PM Closing Remarks Camille Maben, Executive
Director, First 5 California * Agenda Subject to Change
«It's in the interest
of everybody to really assist a
woman in that situation to rebuild her life and create a healthy home for her child,» Diana Claitor,
director of the Texas Jail
Project, told the Texas Observer in this week's Editor's pick, «Bonding Behind Bars» by health writer Alexis Garcia - Ditta.
The Baker
Project is dedicated to Martha Baker, a lifelong advocate for
women's rights and a founding
director of Eleanor's Legacy, and to Constance Baker Motley, the first African - American
woman elected to the New York State Senate.
Bunder
Project director Stefanie Loader said «Social and community development work has been happening at a range
of levels and across a range
of issues, initially focusing on the needs
of women and children.
Ron Deutsch, executive
director of the Fiscal Policy Institute, joined Alex Camarda, Senior Policy Consultant at Reinvent Albany, and Jennifer Wilson from the League
of Women Voters, on Capital Tonight to discuss the «clean contracting» bill, which would require transparency
of economic development
projects.
She spends about half
of her time on Crimson and other biorepository
projects; she is also the
director of the Brigham and
Women's Specimen Bank and the Partners Biorepository for Medical Discovery.
She was the founding executive
director of the
Women's Project of the Vietnam Veterans of America from 1979 to 1984 — even testifying before congress on behalf of the over 7,400 + women Vietnam vete
Women's
Project of the Vietnam Veterans
of America from 1979 to 1984 — even testifying before congress on behalf
of the over 7,400 +
women Vietnam vete
women Vietnam veterans.
Written by Being John Malkovich scribe Charlie Kaufman, Human Nature was the feature debut from acclaimed music - video
director Michel Gondry and featured Arquette as a
woman cursed with a coat
of fur covering her body.As the decade progressed, audiences could see Arquette in
projects ranging from the star - studded documentary Searching for Debra Winger to the sleeper family film Holes.
Greta Gerwig who wrote and directed «Lady Bird,» which won Best Motion Picture - Musical or Comedy, noted that «it's been such an incredible year for
women in film both as actors and also writers and
directors and producers and people who are really coming to the forefront to tell their stories about the world as they know it from where they are standing, and I think that the response to these
projects and the support that these
projects have gotten and the way that audiences are going to see them or watching them in their homes, I think all
of this just makes it so much easier for the next crop
of filmmakers who want to tell stories about
women.»
The WIDC's
Women In the Director's Chair Industry Immersion practicum provided eight mid-career women screen directors with the opportunity to further their projects with input from leaders in all aspects of the film indu
Women In the
Director's Chair Industry Immersion practicum provided eight mid-career
women screen directors with the opportunity to further their projects with input from leaders in all aspects of the film indu
women screen
directors with the opportunity to further their
projects with input from leaders in all aspects
of the film industry.
With «Before Midnight,» writer -
director Richard Linklater and actors Ethan Hawke and Julie Delpy continue one
of the most interesting
projects in film history: a movie franchise based almost entirely on simple conversations between a
woman and man.
The studio was banking on a cast
of up - and - coming actors like Michael B. Jordan and Miles Teller and a wunderkind
director in the form
of «Chronicle's» Josh Trank to push the Human Torch, the Thing, Invisible
Woman and Mr. Fantastic into the modern era, but production difficulties may have doomed the
project.
0:00 — Intro 10:20 — Headlines:
Woman Sues Over Drive Trailer, Werner Herzog to Play Villain in One Shot, Disney to Re-Release Four More Movies in 3D, Tower Heist to Get Comcast VOD Release 33:45 — Review: The Ides
of March 56:00 — Review: Real Steel 1:21:45 — Trailer Trash: Young Adult 1:26:55 — Other Stuff We Watched: Catching Hell, The Real Rocky, Halloween II, Blood Feast, A Nightmare on Elm Street 2: Freddy's Revenge, A Nightmare on Elm Street 3: Dream Warriors, The Innocents, Pulp Fiction, Jackie Brown, Black Sunday aka The Mask
of Satan, Black Sabbath, The Blair Witch
Project, The Living Corpse aka Dracula in Pakistan, Horror
of Dracula, The Lion King, The Beaver, The Company Men, Pee - wee's Big Adventure, Miracle, Charlie and the Chocolate Factory, Submarine, Mimic, George Harrison: Living in the Material World 2:23:00 — Junk Mail: Supporting Filmmakers You Like, The Disney Vault, LOTR Theatrical vs. Extended Editions, Fantasy Films Piggybacking on Harry Potter, Henry Rollins and Kobe Bryant, Mathematical Equation for Determining the Best
Directors, Friend in Me Remix 2:57:40 — This Week's DVD Releases 2:59:30 — Outro
But to a one, as far as I am aware, they've all been by male writers and male
directors projecting their insecurities about
women's ability — power, even — to give birth and their squickiness at the idea
of where babies come from.
Starting things off, there's an audio commentary from
director Mark Hartley, joined by «Ozploitation Auteurs» Brian Trenchard - Smith, Antony I. Ginnane, John D. Lamond, David Hannay, Richard Brennan, Alan Finney, Vincent Monton, Grant Page, and Roger Ward; a set
of 26 deleted and extended scenes, now with optional audio commentary from Hartley and editors Sara Edwards and Jamie Blanks; The Lost NQH Interview: Chris Lofven, the
director of the film Oz; A Word with Bob Ellis (which was formerly an Easter Egg on DVD); a Quentin Tarantino and Brian Trenchard - Smith interview outtake; a Melbourne International Film Festival Ozploitation Panel discussion; Melbourne International Film Festival Red Carpet footage; 34 minutes
of low tech behind the scenes moments which were shot mostly by Hartley; a UK interview with Hartley; The Bazura
Project interview with Hartley; The Monthly Conversation interview with Hartley; The Business audio interview with Hartley; an extended Ozploitation trailer reel (3 hours worth), with an opening title card telling us that Brian Trenchard - Smith cut together most
of the trailers (Outback, Walkabout, The Naked Bunyip, Stork, The Adventures
of Barry McKenzie, three for Barry McKenzie Holds His Own, Libido, Alvin Purple, Alvin Rides Again, Petersen, The Box, The True Story
of Eskimo Nell, Plugg, The Love Epidemic, The Great MacArthy, Don's Party, Oz, Eliza Fraser, Fantasm, Fantasm Comes Again, The FJ Holden, High Rolling, The ABC
of Love and Sex: Australia Style, Felicity, Dimboola, The Last
of the Knucklemen, Pacific Banana, Centrespread, Breakfast in Paris, Melvin, Son
of Alvin, Night
of Fear, The Cars That Ate Paris, Inn
of the Damned, End Play, The Last Wave, Summerfield, Long Weekend, Patrick, The Night, The Prowler, Snapshot, Thirst, Harlequin, Nightmares (aka Stage Fright), The Survivor, Road Games, Dead Kids (aka Strange Behavior), Strange Behavior, A Dangerous Summer, Next
of Kin, Heatwave, Razorback, Frog Dreaming, Dark Age, Howling III: The Marsupials, Bloodmoon, Stone, The Man from Hong Kong, Mad Dog Morgan, Raw Deal, Journey Among
Women, Money Movers, Stunt Rock, Mad Max, The Chain Reaction, Race for the Yankee Zephyr, Attack Force Z, Freedom, Turkey Shoot, Midnite Spares, The Return
of Captain Invincible, Fair Game, Sky Pirates, Dead End Drive - In, The Time Guardian, Danger Freaks); Confession
of an R - Rated Movie Maker, an interview with
director John D. Lamond; an interview with
director Richard Franklin on the set
of Patrick; Terry Bourke's Noon Sunday Reel; the Barry McKenzie: Ogre or Ocker vintage documentary; the Inside Alvin Purple vintage documentary; the To Shoot a Mad Dog vintage documentary; an Ozploitation stills and poster gallery; a production gallery; funding pitches; and the documentary's original theatrical trailer.
The film The first American feature by an African - American lesbian, Dunye's «The Watermelon
Woman» stars its
director as a video - store clerk and aspiring filmmaker working on a
project about a long - forgotten black actress
of the 1930s.
A U.S. Dramatic Special Jury Award for Musical Score was presented to: The Octopus
Project for Kumiko, the Treasure Hunter (
Director: David Zellner, Screenwriters: David Zellner, Nathan Zellner)-- A lonely Japanese
woman becomes convinced that a satchel
of money buried in a fictional film is, in fact, real.
Coates's career proves she was a pioneer, not only as a
woman, but also as an artist — someone unafraid to take risks, to challenge her
directors, and to coax the elemental story out
of each one
of her
projects, frame by frame.
Coming off a Foreign Language Oscar win for A Fantastic
Woman, writer /
director Sebastián Lelio is already back on the festival circuit in support
of his latest
project, Disobedience.
Neena Sohal,
Director of Arts Asia brought the HLF funded
project to fruition in 2014, which coincided with the celebration
of 100 years since the birth
of Noor - un-Nisa (the light
of women).
Emily Martin, deputy
director of the ACLU's
Women's Rights
Project, says that though single - sex education may be just the ticket for some kids, the risks far outweigh the benefits.
Levitan is also the co-founder and
Director of Educational Programing and Operations at the Sacred Valley
Project, a non-governmental organization dedicated to ensuring that Quechua young
women are able to attend secondary school and become powerful leaders in the Peruvian Andes.
Founder &
Director of The heART
of a
Woman Project.
Her other
projects include Roma - Sinti - Kale - Manush (May - July 2012) at Rivington Place, London, as co-curator with Mark Sealy,
Director of Autograph ABP and Gabi Scardi, Independent Curator; Reflections on the Self — Five African
Women Photographers London and touring the UK (2011 - 2014), as part
of Hayward Touring; and [Kaddu Jigeen]--
Women Speak Out (2011 - 2013), Galerie Le Manège, Dakar and touring Africa.
Usvitsky in Major Museum Exhibition on Fiber Art Noysky
Projects is pleased to announce the exhibition
of Katya Usvitsky's sculptures in «
Women's Work» — an international exhibition that calls for a reexamination
of traditional gender stereotypes, curated by San Diego Art Institute's Executive
Director Ginger Shulick Porcella.
While the history
of art is punctuated with epic painting
projects by men — from Giotto to Michelangelo to Diego Rivera — the
director of SFMoMA, Neal Benezra, said he was «hard - pressed to think
of another
woman painter working at this scale in a public place.»
She continued her collaboration with
director Koyo Kouoh, working with her on several
projects, such as Body Talk - Feminism, Sexuality and the Body in the Work
of African
Women Artists (to be held at WIELS, Brussels, in February 2015), and Streamlines, a
project that makes the oceans the metaphorical focal point for an international group exhibition which will examine the cultural repercussion
of the global stream
of goods and trade between the South and the North (to be held at Deichtorhallen, Hamburg, in October 2015).
«The Worlds
of Bernice Bing» Produced and directed by Madeleine Lim Co-Producer and
Project Director, Jennifer Banta Yoshida Presented by the Asian American
Women Artists Association and the Queer
Women of Color Media Arts
Project...
Long known for her unflagging commitment to art, artists, and activism as the dynamic
director since 1994
of Creative Time — the not - for - profit powerhouse that brought us Kara Walker's sugar sphinx last year, among many other spectacular
projects — with this appointment Pasternak becomes the first
woman to lead one
of the very large encyclopedic New York art museums.
After retirement from Southern Methodist University, he served as regional
director of the Texas
Project of the Archives
of American Art, Smithsonian Institution, and he continued to curate exhibitions including The American
Woman as Artist, 1820 — 1965, and Texas Painting and Sculpture: Twentieth Century for the Pollock Galleries and Seventy - five Years
of Art in Dallas for the Dallas Museum
of Fine Arts.
In the early part
of the 20th century, European artists had also questioned accepted ideals
of beauty, and the choice
of Rossy de Palma, often referred to as «a Picasso portrait come to life» — her asymmetric features so impressed film
director Pedro Almodóvar that he gave her a starring role in
Women on the Verge
of a Nervous Breakdown (1988)-- to model the latest Portable Art
project collection is apposite.
BSB
director of regulatory policy Ewen MacLeod says: «We are complementing [this report] with further
projects such as the recent
women at the Bar survey which has been designed to provide evidence about the challenges and experiences
of different segments
of the Bar.»
Among them are Niki Black, legal tech writer and speaker; Carolyn Elefant, founder
of MyShingle; Joan Feldman, editor - in - chief
of Attorney at Work; Mary Juetten and Jules Miller, the
women who cofounded Evolve Law before selling it this year to Above the Law; Sarah Glassmeyer,
project manager specialist at the ABA Center for Innovation; Ivy B. Grey, author
of American Legal Style for PerfectIt, a proofreading and editing software for lawyers, and a frequent contributor to Law Technology Today; Margaret Hagan,
director of the Legal Design Lab at Stanford Law School; Susan Hackett, CEO
of Legal Executive Leadership; Lisa Needham, editor at Lawyerist; Jean O'Grady, blogger at Dewey B Strategic; Lisa Salazar
of 3 Geeks and a Law Blog; and Nicolle Schippers, legal industry advocate at ARAG North America.
In 1972 Ginsburg joined the law school faculty at Columbia, and she founded and agreed to serve as
director of the
Women's Rights
Project of the ACLU.
Throughout her time as an elected bencher (
director)
of the Law Society
of Upper Canada (2003 - 2012), Laurie was engaged in specific
projects affecting legal education in Canada, and in advancing
women lawyers within the profession.
Angela is the Executive
Director of The Fight Back
Project, a non-profit organization created to raise awareness
of violence against
women and to promote personal safety.
When she was a law professor at Columbia, she, Brenda Feigen - Fasteau, former
director of the ACLU's
Women's Rights
Project, and 15 law students put together a report for the U.S. Commission on Civil Rights.
She has served on the
Women's Life Center Advisory Board to the West Florida Regional Medical Center and to the Board
of Directors to the Shands Home Care
Project.
Prior to joining the Center for
Women in Law, Linda served as the Assistant
Director of the
Project for Attorney Retention, an initiative
of the Center for WorkLife Law
of the University
of California Hastings College
of the Law.
«With the cases we are filing today, we are sending a clear message that we won't stop working until every
woman can get the care she needs no matter who she is, where she lives, or how much money she makes,» said Jennifer Dalven,
director of the ACLU's Reproductive Freedom
Project.
was named Research
Director of The Gottman Institute, Drs. John and Julie Gottman announced their new book, The Man's Guide to
Women, and we kicked off a new research
project.
She has been a
project director of the Massachusetts Cost and Quality Study
of Early Care and Education: Infant - Toddler Care and the Maine Cost and Quality Studies
of Community Preschools and Family Child Care at the Wellesley Centers for
Women since 2001.
Brad Wilcox,
director of the National Marriage
Project at the University
of Virginia, says young men and
women in their 20 ′ s today suffer from the effects
of modern hedonistic lifestyles that have shattered traditional family values and replaced them with a relationship wasteland instead.
She is also a board
director with The Lunch
Project, which empowers communities to support school lunch programs in Tanzania, a board
director with
Women Executives, and an active member
of International Association
of Business Communicators (IABC).