Sentences with phrase «promise of this new age»

Can Christian believers be grasped by the promise of the new age and the perils of the transition in such a way that leads them into a fresh experience of the gospel of Christ and the power of the Spirit?

Not exact matches

Yes, Etsy's marketing promises reek of New Age hucksterism, but then again, the company is also wonderfully new and idealistNew Age hucksterism, but then again, the company is also wonderfully new and idealistnew and idealistic.

If someone wants adventure and new experiences, they are better motivated with the thought they could withdraw their RRSP contributions in five years to volunteer in Africa than with promises of an old age spent in Fort Lauderdale.

Their quick obedience is because we have laid a lot of track to get to that moment, a track of simple age - appropriate and developmentally - appropriate expectations, a track of lavish love and joy and laughter, a track of conversations and coaching and practicing, a track of grilled cheese and kept promises, of chapter books aloud and Saturday chores, of hymns and new songs, of scripture and sunsets, a track of belonging.

This is the age when the Holy Spirit is fulfilling the promise made in Isaiah (56: 2 - 8) that after the Messiah comes and the new covenant is established, those who are sexually different, who were formerly excluded from the community of God, will have a special place in the house of the Lord and «an everlasting name which shall not be cut off.»

Thus he is able to pronounce judgment on the existing order, threatening destruction of every order which resists the pressure of a higher level of community, and holding out the promise of a glorious new age to all who are faithful to this demand.

The God who last week was a highway engineer making new ways through the wilderness, a gardener turning deserts into flower gardens, is now the artist painting a new perspective of the age - old promise of the messiah.

Obviously the final consummation of all things in the full glory of the promised New Age has never come to pass.

But each new age brings with it new perils as well as new promises, and the perfected order of justice and joy is still a hope unrealized among the children of men.

About sons of Abraham the elder was Ismael since his wife Sara was not giving birth and that's why she married him to Hager her servant whom gave him Ismael and then he took Hager and Ismael to Mecca as a new found land for them to live on... At later stage at a different place when Abraham was visited by the Angels whom were heading for the people of «Lut / Lot» that they promised him that Sara will give birth towards which Abraham and Sara were surprised being at old age but Angels told them that for GOD is easy to give them same...

Expositors through the centuries have generally failed to deal with the fall of Jerusalem in a.d. 70 as a fulfillment of the promise of «the end of the age» that looms so large in the pages of the New Testament.

And this in spite of the fact that I do not by any means doubt that you have completely understood and assented to the newest philosophy, which like the modern age generally seems to suffer from a curious distraction, confusing promise with performance, the superscription with the execution; for what age and what philosophy was ever so wonderful and wonderfully great as our own — in superscriptions!

Jesus, who brings a new creation, a new kingdom, the turning of the ages, lives among the beasts — symbols of temptation and threat — but is blessed by the angels — symbols of astonishing promise.

When the new golden age of player recruitment, as promised by the Board, becomes a reality let's hope there are a few more Arnies up their sleeves.

Furthermore, the prime minister is able to use honours for leverage: many of the victims of Harold MacMillan's «night of the long knives» were mollified with peerages; more recently it was alleged in some quarters that Tony Blair convinced a number of ageing Labour MPs to retire in 2001 to make way for young New Labour high - fliers, by promising them peerages.

«By raising the age of criminal responsibility, this legislation will reduce crime, recidivism and costs to the state, and help us deliver on the New York promise to advance social justice and affirm our core progressive values,» Cuomo said.

This would raise money, he said, to fund the promised new national care service so it can cater properly for the needs of the rapidly ageing population.

Launch the «New York Promise» Agenda to Advance Social Justice and Affirm New York's Progressive Values - Reforms of the Criminal Justice System including «overhauling New York's antiquated bail system, ensuring access to a speedy trial, raising the age of criminal responsibility, improving witness identification procedures, recording police interrogations for serious offenses, and extending the Hurrell - Harring settlement reforms statewide.»

The agenda for New York's six - month legislative session promises big debates over the cost of higher education, government ethics and Uber's proposal to expand into upstate cities like Buffalo and Syracuse, as well as a bill that would «Raise the Age» — therein ending the state's practice of prosecuting 16 - and 17 - year - olds as adults.

A new age of biotechnology promises bigger, faster, better bodies — and no existing tests will catch it.

Yet this new age of promise carries within it peril.

In 2003, when we wrote about the Los Olivos Pilot Zero Energy House in Livermore, Calif., it stood as a beacon, promising a new age of homes that could produce as much energy as they used.

New advances in our scientific understanding of aging promise longer, healthier lives.

A new age of biotechnology promises bigger, faster, better bodies — and blood, urine, and saliva tests can't stop the cheating

Johns Hopkins Bloomberg School of Public Health researchers say a new candidate vaccine against respiratory syncytial virus (RSV) made with a weakened version of the virus shows great promise at fighting the disease, the leading cause of hospitalization for children under the age of one in the U.S.

«Therefore, urinary 8 - oxoGsn is promising as a new marker of aging.»

The study, published September 7 in Nature Medicine, provides promise for a new therapeutic approach to treating the millions of people suffering from muscle diseases, including those with muscular dystrophies and muscle wasting associated with cancer and aging.

«As we move into a post-silicon age, quantum materials are an emerging technology with enormous promise for science and engineering, and for our country's overall economy in the form of new products and business opportunities,» says Robert M. Westervelt, Mallinckrodt Professor of Applied Physics and Physics at Harvard, who will lead this Center.

These promised to provide a new therapeutic target for treating obesity, with the researchers finding that they share the fat - burning abilities of brown cells, though they do decrease in number as we approach middle age.

In the summer of 2010, we posted an entry about a significant advance in basic mitochondrial biology that held within it a tantalizing promise: a potentially new approach to obviating the problem of age - related accumulation of mutations in mitochondrial DNA (mtDNA), which are widely suspected to play an important role in the age - related rise in oxidative stress, Parkinson's disease, and age - related muscle degeneration.

Paulaitis says «the novel concepts put forth in this study, of investigating small molecules called microRNAs to see what they can tell us about mitochondria disorders in cells of the retina, hold great promise of providing new insights into how age - related macular degeneration develops, after which new treatments can be designed to save or improve vision.»

Film Editors Spencer Averick — «13th,» «Selma» Alexandre de Franceschi — «Lion,» «Bright Star» Keiko Deguchi * — «God Knows Where I Am,» «Fur: An Imaginary Portrait of Diane Arbus» Tracy Granger — «Still Life,» «Boys Don't Cry» Sabine Hoffman — «Maggie's Plan,» «Elvis & Nixon» Edie Ichioka — «The Boxtrolls,» «Toy Story 2» Janus Billeskov Jansen * — «The Hunt,» «The Act of Killing» Céline Kélépikis — «The Red Turtle,» «Now or Never» Melissa Kent — «American Pastoral,» «The Age of Adaline» Juan Carlos Macías — «Wild Horses,» «The Official Story» Jim May — «Goosebumps,» «The Chronicles of Narnia: The Lion, the Witch and the Wardrobe» Fredrik Morheden — «A Man Called Ove,» «The New Country» Christopher Murrie * — «Kubo and the Two Strings,» «Coraline» Tania Michel Nehme — «Tanna,» «Charlie's Country» Tia Nolan — «Annie,» «Friends with Benefits» Anne Østerud — «The Hunt,» «The Girl with the Dragon Tattoo» Gregory Perler — «Sing,» «Despicable Me» Jacopo Quadri — «Fire at Sea,» «The Dreamers» Fabienne Rawley — «Zootopia,» «MonsterHouse» Jake Roberts — «Hell or High Water,» «Brooklyn» Hayedeh Safiyari — «The Salesman,» «A Separation» Nat Sanders — «Moonlight,» «Short Term 12» Per Sandholt — «Land of Mine,» «A Funny Man» Suzanne Spangler — «Imperial Dreams,» «Smashed» Molly Malene Stensgaard — «Land of Mine,» «Melancholia» Alexandra Strauss — «I Am Not Your Negro,» «A Pigeon Sat on a Branch Reflecting on Existence» Christian Wagner — «The Fate of the Furious,» «Furious Seven» Monika Willi — «Amour,» «The Piano Teacher» Kate Williams — «The Whole Truth,» «Frozen River» Dan Zimmerman — «The Dark Tower,» «The Maze Runner» Lucia Zucchetti — «Their Finest,» «The Queen» Eric Zumbrunnen — «Her,» «Adaptation» Makeup Artists and Hairstylists Richard Alonzo — «Star Trek Beyond,» «Alice in Wonderland» Alessandro Bertolazzi — «Suicide Squad,» «Fury» Christine Beveridge — «The Monuments Men,» «Under the Skin» Felicity Bowring — «Gold,» «Tinker, Tailor, Soldier, Spy» Jerry DeCarlo — «Carol,» «Julie & Julia» Patricia DeHaney — «Sully,» «Interstellar» Naomi Donne — «Cinderella,» «Philomena» Linda Dowds — «RoboCop,» «Rampart» Audrey Doyle — «Legend,» «Mad Max: Fury Road» Tina Earnshaw — «The Promise,» «Titanic» Rick Findlater — «L'Odyssée (The Odyssey),» «The Hobbit: An Unexpected Journey» Paul Gooch — «Miss Peregrine's Home for Peculiar Children,» «Maleficent» Fae Hammond — «Fantastic Beasts and Where to Find Them,» «The Legend of Tarzan» Miia Kovero — «Inherent Vice,» «The Master» Michael Marino — «American Pastoral,» «The Wrestler» Frances Mathias — «Saving Mr. Banks,» «Beginners» Christopher Nelson — «Suicide Squad,» «Frank Miller's Sin City» Elaine Offers — «The Kids Are All Right,» «Far from Heaven» Conor O'Sullivan — «The Dark Knight,» «Saving Private Ryan» Daniel Phillips — «Florence Foster Jenkins,» «The Queen» Luigi Rocchetti — «Ben - Hur,» «The Nativity Story» Morag Ross — «Hugo,» «The Aviator» Nikoletta Skarlatos — «Free State of Jones,» «The Hunger Games: Mockingjay (Parts 1 & 2)» Vittorio Sodano — «Il Divo,» «Apocalypto» Shane Thomas — «The Dressmaker,» «Hacksaw Ridge» Kenneth Walker — «Loving,» «For Colored Girls» Kerry Warn — «The Great Gatsby,» «Australia» Carla White — «Hands of Stone,» «August: Osage County» Ann Pala Williams — «Live by Night,» «Click» Jeremy Woodhead — «Doctor Strange,» «Snowpiercer»

E Ridendo l'Uccise Ennio Morricone (2005) *** 1/2 Eagle Eye Brian Tyler (2008) *** Earthquake John Williams (1974) *** Earthsea Jeff Rona (2004) ** Eastern Promises Howard Shore (2007) **** The Edge Jerry Goldsmith (1997) **** Edge of Darkness Howard Shore (2010) *** Edge of Tomorrow Christophe Beck (2014) * 1/2 Effie Gray Paul Cantelon (2014) *** The Egyptian Bernard Herrmann and Alfred Newman (1954) **** 1/2 The Eiger Sanction John Williams (1975) *** 1/2 84 Charing Cross Road George Fenton (1987) **** 8 mm Mychael Danna (1999) ** Eight Below Mark Isham (2006) **** 1/2 Eight - Legged Freaks John Ottman (2002) *** Eleanor's Secret Christophe Héral (2009) *** 1/2 Elektra Christophe Beck (2005) *** Elf John Debney (2003) *** Elizabeth: The Golden Age Craig Armstrong (2007) *** 1/2 Eloise at the Plaza and Eloise at Christmastime Bruce Broughton (2003) **** Elysium Ryan Amon (2013) *** Emma Samuel Sim (2009) *** 1/2 The Emoji Movie Patrick Doyle (2017) *** The Emotion and the Strength Maurice Jarre (2002 compilation) ***** The Emperor's Club James Newton Howard (2002) *** The Emperor's New Groove John Debney (2000) *** 1/2 The Empire Strikes Back John Williams (1980) ***** En mai, fais ce qu'il te plaît Ennio Morricone (2015) ***** Enchanted Alan Menken (2007) **** > End of Days John Debney (1999) **** Ender's Game Steve Jablonsky (2013) * Endurance John Powell (1999) **** 1/2 Enduring Love Jeremy Sams (2004) **** L'Enfant des Loups Serge Franklin (1990) **** 1/2 The Enforcer Jerry Fielding (1976) **** The English Patient Gabriel Yared (1996) ***** Enough David Arnold (2002) ** Enter the Matrix Erik Lundborg (2003 computer game score) *** Entrapment Christopher Young (1999) *** 1/2 Epic Danny Elfman (2013) *** Epic Miklós Rózsa (2016 compilation) ***** The Equalizer Harry Gregson - Williams (2014) * 1/2 Eragon Patrick Doyle (2006) *** 1/2 Eraser Alan Silvestri (1996) *** L'Eredita Ferramonti Ennio Morricone (1976) **** 1/2 The Escape Artist Georges Delerue (1982) *** 1/2 Escape from the Planet of the Apes Jerry Goldsmith (1971) *** 1/2 Escape from Tomorrow Abel Korzeniowski (2013) *** Escape to Victory Bill Conti (1981) **** The Essential Elmer Bernstein Film Music Collection Elmer Bernstein (2005 compilation) **** The Essential Hans Zimmer Film Music Collection Hans Zimmer (2007 compilation) *** 1/2 The Essential Michel Legrand Film Music Collection Michel Legrand (2005 compilation) ***** Eternal Echoes John Barry (2001 concept album) **** 1/2 Eureka Bear McCreary (2008) *** Europa Report Bear McCreary (2013) **** Evan Almighty John Debney (2007) *** Everest Dario Marianelli (2015) ** 1/2 Every Day Jeanine Tesori (2010) *** Every Thing Will Be Fine Alexandre Desplat (2015) **** Evidence Atli Örvarsson (2013) No stars Evil Dead Roque Baños (2013) **** Executive Decision Jerry Goldsmith (1996) *** Exit to Eden Patrick Doyle (1994) *** Exodus Ernest Gold (1960) **** Exodus: Gods and Kings Alberto Iglesias (2014) *** The Exorcism of Emily Rose Christopher Young (2005) **** Exorcist II: The Heretic Ennio Morricone (1977) **** 1/2 The Expendables Brian Tyler (2010) **** The Expendables 2 Brian Tyler (2012) *** 1/2 The Expendables 3 Brian Tyler (2014) *** Explorers Jerry Goldsmith (1985) **** Exposed Georges Delerue (1983) **** The Express Mark Isham (2008) *** Extreme Close - Up James Horner (1990) ** Extreme Prejudice Jerry Goldsmith (1987) *** 1/2

(Crispin Glover narrated the live version we saw), the poignant, coming - of - age in tyrannical - Iran animated film, «Persepolis» directed by Vincent Paronnaud and Marjane Satrapi, Todd Haynes «Dylan fantasia, «I'm Not There» which breathed new life into the biopic (and was a perfect conceit for its elusive shape - changing protagonist), Pedro Costa «s gorgeous - looking, but little - seen, «Colossal Youth,» David Cronenberg «s episodic, but still engaging and continuing look into violence with, «Eastern Promises» and Noah Baumbach «s widely disliked, but still valuable, «Margot At The Wedding.»

Deathgasm (Jason Lei Howden, 2015) New Zealand appears to be in the low budget golden age of invention and splatter that was promised by Peter Jackson's first three films but is only now really exploding.

Around 63 million adolescents between the ages of 12 and 15 years are denied their right to an education, according to a new joint report from the UNESCO Institute for Statistics and UNICEF, Fixing the Broken Promise of Education for All: Findings from the Global Initiative on Out - of - School Children, released today during the Education World Forum.

While moving to a new community holds the promise of something new and different, school - age children often are more worried than excited.

Baş G., Şentürk, C. and Mehmet Ciğerci, F. (2017) Homework and academic achievement: A meta - analytic review of research, Issues in Educational Research, p31 - 50 Holstead, J., King, M. and Weikel, M. (2012) Homework provides children with key components for learning, School - Age NOTES, p3 - 7 McReynolds, K. (2005) Homework, ENCOUNTER: Education for Meaning and Social Justice, Vol.18, No. 2 Muller, R. (2016) Homework: Promises, Pitfalls and Purposes, KDP New Teacher Advocate, p16 - 17 Donadelli, G. (2017) Outdoor learning and geocaching, Interaction, Vol.45, Issue 2 Education Journal.

It's more like «no, seriously, we promise, it's coming» and then you root, buy a new phone, or just give up and die of old age.

The American population is simply aging too fast, and there isn't enough new money flowing into the system to cover all of the benefits we've promised to retirees.

Raven and Sasha came into rescue together, soulmates with a deep commitment to one another and given the strength of their bond, we are equally committed to ensure they live out the rest of their days together, in the care of a responsible, loving forever home — once promised by their owner who themselves have found that aging can create new life challenges and unfortunately, it is human life challenges that often impact the lives of our most treasured family members, our beloved Raven's and Sasha's.

The promise of «a new kind of festival for a new age of making» by co-founder, supporter and Lancashire - born designer, Wayne Hemingway, was fulfilled with 30,000 people taking part in over 100 making experiences, encountering 57 invited makers, spanning food, technology, major manufacturing, engineering and crafts, alongside indoor and outdoor markets, street performance, art installations, film screenings, celebrity cookery demonstrations and the opportunity to experience making with some of Pennine, Lancashire and the UK's most significant manufacturers.

2017 Inventing Downtown: Artist - Run Galleries in New York City, 1952 - 1965, Grey Art Gallery, New York University, New York, NY; New York University, Abu Dhabi Art Gallery, United Arab Emirates Picturing Mississippi: Land of Plenty, Pain and Promise, Mississippi Museum of Art, Jackson, MS Soul of a Nation: Art in the Age of Black Power, Tate Modern, London, England Sputterances, Metro Pictures, New York, NY Expanding Tradition: Selections from the Larry D. and Brenda A. Thompson Collection, Georgia Museum of Art, Athens, GA Regarding the Figure, The Studio Museum in Harlem, New York, NY Visionary Painting: Curated by Alex Katz, Colby College Museum of Art, Waterville, ME Color People, Rental Gallery, East Hampton, NY Victors for Art: Michigan's Alumni Collectors, University of Michigan Museum of Art, Ann Arbor, MI Figuratively Speaking, Michael Rosenfeld Gallery LLC, New York, NY

This major new hang of the permanent collection at the national gallery of British art promises a chronological overview of art in Britain since the Tudor age.

This three person show of new works by Ben Wolf Noam, Greg Parma Smith, and Korakrit Arunanondchai promises to «explore the half - life of material art objects in an age dominated by digital forms.»

ROYAL DANISH ACADEMY OF FINE ARTS, Copenhagen, Denmark 2011 «Some Structures; drawing, writing, finance» AARHUS, SCHOOL OF ARCHITECTURE, Aarhus, Denmark 2011 «Hunting Life in an Open Book» «Arts, Letters and Numbers: An expanded disciplinary geography» PARSONS THE NEW SCHOOL FOR DESIGN, New York, NY 2010 «Design and Existential Risk» Fall Lecture series «Risk Distribution: Why I teach algorithmic trading in an art school» GLASS HOUSE CONVERSATIONS; Dialogue in the Digital Age 2010 Invited Participant by Geoff Manaugh philipjohnsonglasshouse.org ACADIA 2010 Conference LIFE in: formation, New York, NY 2010 Lecture: «Time Promise Land: Notes on our current geographies» COOPER UNION, New York, NY 2010, «Hejduk, Hamlet and the Ghost Promise» with response from David Shapiro (poet) Rhode Island School of Design, Providence, RI 2010, National Science Foundation, Making Science Visible Conference «Embodied Knowledge Navigating Disciplinary Geographies» COOPER UNION Panel discussion, New York, NY 2010, «Light is Calling» Participant and moderator Bill Morrison, Kyna Leski, Chris Rose CÍRCULO DE BELLAS ARTES, Madrid, Spain Conference on John Hejduk 2009, «Hejduk, Hamlet and the Ghost Promise» COOPER UNION, New York, NY Public Art lectures with Dennis Adams 2009, «No More Shall We Part» HARVARD UNIVERSITY, GSD, Cambridge, MA Critical Digital Conference 2009, «Creative Imagination In the Shadow of Oppenhiemer» Rhode Island School of Design, Providence, RI How Do We Look to the OutsidOF FINE ARTS, Copenhagen, Denmark 2011 «Some Structures; drawing, writing, finance» AARHUS, SCHOOL OF ARCHITECTURE, Aarhus, Denmark 2011 «Hunting Life in an Open Book» «Arts, Letters and Numbers: An expanded disciplinary geography» PARSONS THE NEW SCHOOL FOR DESIGN, New York, NY 2010 «Design and Existential Risk» Fall Lecture series «Risk Distribution: Why I teach algorithmic trading in an art school» GLASS HOUSE CONVERSATIONS; Dialogue in the Digital Age 2010 Invited Participant by Geoff Manaugh philipjohnsonglasshouse.org ACADIA 2010 Conference LIFE in: formation, New York, NY 2010 Lecture: «Time Promise Land: Notes on our current geographies» COOPER UNION, New York, NY 2010, «Hejduk, Hamlet and the Ghost Promise» with response from David Shapiro (poet) Rhode Island School of Design, Providence, RI 2010, National Science Foundation, Making Science Visible Conference «Embodied Knowledge Navigating Disciplinary Geographies» COOPER UNION Panel discussion, New York, NY 2010, «Light is Calling» Participant and moderator Bill Morrison, Kyna Leski, Chris Rose CÍRCULO DE BELLAS ARTES, Madrid, Spain Conference on John Hejduk 2009, «Hejduk, Hamlet and the Ghost Promise» COOPER UNION, New York, NY Public Art lectures with Dennis Adams 2009, «No More Shall We Part» HARVARD UNIVERSITY, GSD, Cambridge, MA Critical Digital Conference 2009, «Creative Imagination In the Shadow of Oppenhiemer» Rhode Island School of Design, Providence, RI How Do We Look to the OutsidOF ARCHITECTURE, Aarhus, Denmark 2011 «Hunting Life in an Open Book» «Arts, Letters and Numbers: An expanded disciplinary geography» PARSONS THE NEW SCHOOL FOR DESIGN, New York, NY 2010 «Design and Existential Risk» Fall Lecture series «Risk Distribution: Why I teach algorithmic trading in an art school» GLASS HOUSE CONVERSATIONS; Dialogue in the Digital Age 2010 Invited Participant by Geoff Manaugh philipjohnsonglasshouse.org ACADIA 2010 Conference LIFE in: formation, New York, NY 2010 Lecture: «Time Promise Land: Notes on our current geographies» COOPER UNION, New York, NY 2010, «Hejduk, Hamlet and the Ghost Promise» with response from David Shapiro (poet) Rhode Island School of Design, Providence, RI 2010, National Science Foundation, Making Science Visible Conference «Embodied Knowledge Navigating Disciplinary Geographies» COOPER UNION Panel discussion, New York, NY 2010, «Light is Calling» Participant and moderator Bill Morrison, Kyna Leski, Chris Rose CÍRCULO DE BELLAS ARTES, Madrid, Spain Conference on John Hejduk 2009, «Hejduk, Hamlet and the Ghost Promise» COOPER UNION, New York, NY Public Art lectures with Dennis Adams 2009, «No More Shall We Part» HARVARD UNIVERSITY, GSD, Cambridge, MA Critical Digital Conference 2009, «Creative Imagination In the Shadow of Oppenhiemer» Rhode Island School of Design, Providence, RI How Do We Look to the OutsiNEW SCHOOL FOR DESIGN, New York, NY 2010 «Design and Existential Risk» Fall Lecture series «Risk Distribution: Why I teach algorithmic trading in an art school» GLASS HOUSE CONVERSATIONS; Dialogue in the Digital Age 2010 Invited Participant by Geoff Manaugh philipjohnsonglasshouse.org ACADIA 2010 Conference LIFE in: formation, New York, NY 2010 Lecture: «Time Promise Land: Notes on our current geographies» COOPER UNION, New York, NY 2010, «Hejduk, Hamlet and the Ghost Promise» with response from David Shapiro (poet) Rhode Island School of Design, Providence, RI 2010, National Science Foundation, Making Science Visible Conference «Embodied Knowledge Navigating Disciplinary Geographies» COOPER UNION Panel discussion, New York, NY 2010, «Light is Calling» Participant and moderator Bill Morrison, Kyna Leski, Chris Rose CÍRCULO DE BELLAS ARTES, Madrid, Spain Conference on John Hejduk 2009, «Hejduk, Hamlet and the Ghost Promise» COOPER UNION, New York, NY Public Art lectures with Dennis Adams 2009, «No More Shall We Part» HARVARD UNIVERSITY, GSD, Cambridge, MA Critical Digital Conference 2009, «Creative Imagination In the Shadow of Oppenhiemer» Rhode Island School of Design, Providence, RI How Do We Look to the OutsiNew York, NY 2010 «Design and Existential Risk» Fall Lecture series «Risk Distribution: Why I teach algorithmic trading in an art school» GLASS HOUSE CONVERSATIONS; Dialogue in the Digital Age 2010 Invited Participant by Geoff Manaugh philipjohnsonglasshouse.org ACADIA 2010 Conference LIFE in: formation, New York, NY 2010 Lecture: «Time Promise Land: Notes on our current geographies» COOPER UNION, New York, NY 2010, «Hejduk, Hamlet and the Ghost Promise» with response from David Shapiro (poet) Rhode Island School of Design, Providence, RI 2010, National Science Foundation, Making Science Visible Conference «Embodied Knowledge Navigating Disciplinary Geographies» COOPER UNION Panel discussion, New York, NY 2010, «Light is Calling» Participant and moderator Bill Morrison, Kyna Leski, Chris Rose CÍRCULO DE BELLAS ARTES, Madrid, Spain Conference on John Hejduk 2009, «Hejduk, Hamlet and the Ghost Promise» COOPER UNION, New York, NY Public Art lectures with Dennis Adams 2009, «No More Shall We Part» HARVARD UNIVERSITY, GSD, Cambridge, MA Critical Digital Conference 2009, «Creative Imagination In the Shadow of Oppenhiemer» Rhode Island School of Design, Providence, RI How Do We Look to the OutsiNew York, NY 2010 Lecture: «Time Promise Land: Notes on our current geographies» COOPER UNION, New York, NY 2010, «Hejduk, Hamlet and the Ghost Promise» with response from David Shapiro (poet) Rhode Island School of Design, Providence, RI 2010, National Science Foundation, Making Science Visible Conference «Embodied Knowledge Navigating Disciplinary Geographies» COOPER UNION Panel discussion, New York, NY 2010, «Light is Calling» Participant and moderator Bill Morrison, Kyna Leski, Chris Rose CÍRCULO DE BELLAS ARTES, Madrid, Spain Conference on John Hejduk 2009, «Hejduk, Hamlet and the Ghost Promise» COOPER UNION, New York, NY Public Art lectures with Dennis Adams 2009, «No More Shall We Part» HARVARD UNIVERSITY, GSD, Cambridge, MA Critical Digital Conference 2009, «Creative Imagination In the Shadow of Oppenhiemer» Rhode Island School of Design, Providence, RI How Do We Look to the OutsiNew York, NY 2010, «Hejduk, Hamlet and the Ghost Promise» with response from David Shapiro (poet) Rhode Island School of Design, Providence, RI 2010, National Science Foundation, Making Science Visible Conference «Embodied Knowledge Navigating Disciplinary Geographies» COOPER UNION Panel discussion, New York, NY 2010, «Light is Calling» Participant and moderator Bill Morrison, Kyna Leski, Chris Rose CÍRCULO DE BELLAS ARTES, Madrid, Spain Conference on John Hejduk 2009, «Hejduk, Hamlet and the Ghost Promise» COOPER UNION, New York, NY Public Art lectures with Dennis Adams 2009, «No More Shall We Part» HARVARD UNIVERSITY, GSD, Cambridge, MA Critical Digital Conference 2009, «Creative Imagination In the Shadow of Oppenhiemer» Rhode Island School of Design, Providence, RI How Do We Look to the Outsidof Design, Providence, RI 2010, National Science Foundation, Making Science Visible Conference «Embodied Knowledge Navigating Disciplinary Geographies» COOPER UNION Panel discussion, New York, NY 2010, «Light is Calling» Participant and moderator Bill Morrison, Kyna Leski, Chris Rose CÍRCULO DE BELLAS ARTES, Madrid, Spain Conference on John Hejduk 2009, «Hejduk, Hamlet and the Ghost Promise» COOPER UNION, New York, NY Public Art lectures with Dennis Adams 2009, «No More Shall We Part» HARVARD UNIVERSITY, GSD, Cambridge, MA Critical Digital Conference 2009, «Creative Imagination In the Shadow of Oppenhiemer» Rhode Island School of Design, Providence, RI How Do We Look to the OutsiNew York, NY 2010, «Light is Calling» Participant and moderator Bill Morrison, Kyna Leski, Chris Rose CÍRCULO DE BELLAS ARTES, Madrid, Spain Conference on John Hejduk 2009, «Hejduk, Hamlet and the Ghost Promise» COOPER UNION, New York, NY Public Art lectures with Dennis Adams 2009, «No More Shall We Part» HARVARD UNIVERSITY, GSD, Cambridge, MA Critical Digital Conference 2009, «Creative Imagination In the Shadow of Oppenhiemer» Rhode Island School of Design, Providence, RI How Do We Look to the OutsiNew York, NY Public Art lectures with Dennis Adams 2009, «No More Shall We Part» HARVARD UNIVERSITY, GSD, Cambridge, MA Critical Digital Conference 2009, «Creative Imagination In the Shadow of Oppenhiemer» Rhode Island School of Design, Providence, RI How Do We Look to the Outsidof Oppenhiemer» Rhode Island School of Design, Providence, RI How Do We Look to the Outsidof Design, Providence, RI How Do We Look to the Outside?

The title End of a New Dawn refers with nostalgia to the immense technological promises of the 60's & the 70's, before they dissipated into the ambiguities of the information age.

While these changes will open up the door to a new age full of incredible promise, there is apprehension about the various problems and confusion that will also be ushered in.

But there's a new generation of inductive bike lighting coming of age right now, which uses the naturally - generated eddy currents from the spinning wheel of the bike to produce enough electricity to drive bright (and energy - efficient) LED bulbs, and which promises to set cyclists free from the dreaded dead battery blues.

The video promises a new age of agricultural abundance will result from the doubling of the atmosphere's concentration of carbon dioxide.