LandLab offers resources and space on the Schuylkill Center's 340 - acre wooded
property for visual artists to engage audiences in the processes of ecological stewardship through scientific investigation and artistic creation.
Our residency offers resources and space on the Schuylkill Center's
property for visual artists to engage audiences in the processes of ecological stewardship through scientific investigation and artistic creation.
Not exact matches
The 153,000 - square - foot industrial
property has been renovated into a workshop
for creative and artisan tenants such as photographers,
visual and sculptural
artists, candle makers, coffee roasters and furniture makers.
This just in: Dogtown
Artists United will land again at the historic Venice
property on the boardwalk, 811 Ocean Front Walk (entrance on Speedway) to make it live
for one night only with
visual arts, live performances, music, video and installations!
The eleven
artists juxtapose divergent approaches in conversation with each other, reflecting on primal questions consuming
artists over the millennia: Elliot Arkin's conceptual use of web - based commerce spins an absurdist view on the commodification of
artists; Babette Bloch's stainless steel reassessments of nature and artistic precedent limn positives and negatives through light; Christopher Carroll Calkins's street photography captures moments of under - the - radar narratives; Valentina DuBasky's acrylic and marble dust works on paper and plaster are a contemporary comment on the prehistory of art; Gabriel Ferrer's performance - like in - the - moment sumi - ink drawings on handmade paper reflect on memory and personal narrative; Christopher Gallego's realist, pure light - filled oil painting elevates the ordinariness of an
artist's space to
visual poetry; Ana Golici, in pergamano and collage, takes inspiration from 17th Century female naturalist, entomologist and botanical illustrator Maria Sibylla Merian to explore questions of science, nature and objective truth; Emilie Lemakis's monumental amplification of an ancient Greek krater employs scale to upend perceptions
for the viewer's reconsideration; Mark Mellon's bronzes address the oppositions of movement and stillness; the alchemy of Michael Townsend's uncontrolled poured acrylic paintings equate the
properties of materials with the turbulence of the universe; Jessica Daryl Winer's engagement with luminous color and choreographic line reflects in
visual resonance the sonic history of a musical instrument.