Sentences with phrase «proven good character»

We recently noticed, however, an interesting aspect of the tribunal decision (not the court decision) relating to the applicant having proven good character to a different regulator.

Not exact matches

Although it may sound strange, developing entire fictional characters with distinct behavior patterns, values, pain points, budgets, and even skill levels can prove a significant help in segmenting your market and targeting the types of visitors, leads, and customers that will best increase your website's economic output.

For instance, a character may change from good to evil (or the reverse), become disillusioned, survive a series of tests, or prove to be more admirable in a crisis than anyone could have believed.

Character is destiny, yes, but the good news of the gospel is that while our character may consistently prove lacking, the character of Christ remains consistent, upright Character is destiny, yes, but the good news of the gospel is that while our character may consistently prove lacking, the character of Christ remains consistent, upright character may consistently prove lacking, the character of Christ remains consistent, upright character of Christ remains consistent, upright and true.

If dogmatic theology really does prove beyond dispute that a God with characters like these exists, she may well claim to give a solid basis to religious sentiment.

And countless biblical characters prove this — as well, of course, as Jesus» sacrifice of Himself.

Twitter, which destroys such traditional filters as time and good sense, is proving to be a great facilitator of feuds, allowing the slightest animus to spring immediately into all - out declarations of war, 140 characters at a time.

Science has proven, Tough says, «that the character strengths that matter so much to young people's success are not innate; they don't appear to us magically, as a result of good luck or good genes. . . .

«John Mills has proven himself to be a man of good character and judgment.

In brief, Price concluded that the groups he studied maintained good health not simply because they were limited to a more primitive environment and lacked industrial foods, but because they had accumulated wisdom about how to select important nutrient - dense foods and possessed the strength of character necessary to procure those foods even when doing so proved difficult.

Deadpool proves that even the most random comic book character can have a highly entertaining video game when he is portrayed well.

The actor proved his dedication to the role by staying in character throughout filming, which not only impressed Russell and Eklund, but will most likely surprise viewers as well.

Once again putting the story and characters before anything else (even though that's all this film really needs), he has always proven to be the very best of the best.

The director, Miguel Arteta, and the screenwriter, Mike White, who previously joined forces on the movies «Chuck & Buck» (2000) and «The Good Girl» (2002) and the short - lived HBO series «Enlightened,» have a proven knack for making their characters and audiences squirm.

With Harvey's New Eyes Daedalic proves that they can increase the quality of their even very good games before due to the funny conversations, the bizarre characters and even their deaths.

Although the levels could be a bit longer and in some of them a bit more challenging, this is a great game that proves that games don't need realistic graphics and crazy characters and stories with hours of gameplay to be good.

Critics Consensus: It's unabashedly sentimental, but thanks to reliably powerful performances from a well - rounded veteran cast, Unfinished Song proves a sweetly compelling character piece.

Critic Consensus: It's unabashedly sentimental, but thanks to reliably powerful performances from a well - rounded veteran cast, Unfinished Song proves a sweetly compelling character piece.

Beetlejuice proved Keaton's comeback: one of the year's most popular films, it allowed him to do some of his best work in years as the ghoulish, revolting title character.

The former Disney star, whose most well - known acting role is of «Wizards of Waverly Place» main character Alex Russo, was able to prove her relatability for her targeted audience, younger girls and teens.

But Beatty proved that bad situations can always be turned around; the actress said that her character, like herself, «is a fun - loving person who always has a plan (But) most of the time, her plans don't go the way she wants them to, but afterward she realizes she's had a good time anyway.»

The dialogue is more naturalistic, the characters believable and well written, and the statuesque queen of blaxploitation, Pam Grier proves that the years have in no way diminished her charisma and sex appeal.

But of course, it's Depp who steals the show once again, proving that he's at his best playing eccentric characters like Tonto, and it doesn't take a genius to realize that the oddball Comanche is the juicier of the two lead roles.

Kim has proven he can handle incredible action and great characters, as well as integrating some unique techniques.

In Atwood's book, as well as the series, Marks is a complicated character with many different sides and narratives, which proved to be a rewarding but challenging task for Gadon.

This tale of children and adults growing up doesn't quite have the emotional punch of THE DESCENDANTS, but Faxon and Rash once again prove that they can write compelling, flawed characters as well as writing young characters that seem real, which is a rare quality.

Such dull reinventions are typical of this one - joke fiasco, which boasts plastic - y characters and environments that look direct - to - video cheap, as well as musical numbers that prove as half - baked as the story's plotting.

Though Patrick Warburton's Kronk was undoubtedly the best thing about The Emperor's New Groove, this film proves that the character works best in small doses; forced to carry an entire movie, Kronk becomes tedious and (unbelievable as it seems) unfunny.

The performances prove to be one of the best parts of Collide because you can tell every character is embracing the mediocrity and trying to have fun with their archetypal roles.

Not bad at all.this film keeps you guessing in ways you never do a lot in horror films.Rob Zombie directs theses actors like I've never seen a horror director do before.this movie is truly amazing, people are calling it «terrible» I call it «good» it's the kind of horror film that actually deals with characters and not just pointless blood and guts.I felt like all these characters really did go through something, and this movie is truly just about them overcoming it.I don't consider this a horror film, I consider this a drama / horror film, cause that is what it is, and I love it.this mvie isn't just about a killer killing people, it actually deals with the people he's after anf even deals with himself at times, which I truly loved.Rob Zombie has proved to me again that he could direct.perfect seq...

Rockwell was immaculate as Hammer, and absolutely encapsulated everything about the character, proving to be the best villain and one of the only good things from

One of the easiest ways of getting around the possible lack of audience connection with a character is to cast a well - known actor, and Spacey proves that fact.

«Nobody Walks» proves to be unsatisfactory because it establishes a well - defined group of characters and shows them disrupted by the careless behavior of a tiresome young woman and two adults who allow themselves to be motivated in one way or another by her infectious libido.

And while Johnson engages in typical, old - school (super) heroics, most of his character's efforts prove to be distractions at best, futile at worst.

As now well - known as Kill Your Darlings» characters are, and as infamous as their cultural impact proved to be, the origins of their friendship and thinking — on film, at least — writhes with simplicity.

Gordon - Levitt also shines as Blake, once again proving to be one of the best young actors working today; his character also comes to play a big part in the story.

With the characters being as crucial as they are to the plot and the movie itself, bringing a number of good actors into the film proved to be an imperative.

More importantly, as Captain America: Civil War proves, they can balance a full - to - bursting line - up of superheroes and what is essentially three different movies — an extension of Winter Soldier's espionage vibe, an Avengers movie in everything but name, and a PTSD psychological drama — while still delivering something coherent, character - driven and more satisfying than the a series of things - blowed - up - real - good set pieces.

Characters who initially seem poised to become significant supporting players — among them Army Rangers James Badge Dale and Matthew Fox and rogue CIA operative David Morse — prove expendable, either by becoming food for the encroaching zombie horde, or simply by virtue of the pic moving on to another locale: first a ghostly military base in South Korea that might be the source of the outbreak; then to Israel, where a senior Mossad agent (well played by Dutch filmmaker Ludi Boeken) may hold some additional clues; and finally a WHO research lab in Wales, where — in the pic's most elegantly crafted setpiece — Gerry and a handful of uninfected scientists enter into a careful cat - and - mouse game with the otherwise zombified staff.

Baker, a proven character actor, plays Travis» father, Larry, with his real - life wife Beck Ann Baker turning in the film's best performance as Travis» rehabilitation / motivational coach.

She's a proven warrior yet mostly serves as witness to the events, a point of view character and the moral high ground in a war where the rules of engagement are at best ambiguous.

The Fault in Our Stars actor comes of age here; it may not prove to be quite as career - making a turn as Ryan Gosling in Drive, but he sells the character perfectly: a good guy caught in a bad situation.

Andy Serkis once again proves he is one of the best character actors of his generation.

When one character determines to save the life of a person he has been fighting with, he says the reason he's doing it is to prove he's a better fighter.

Sure, last year's win for «Elizabeth: The Golden Age» proved that the Academy does equate «most / biggest costumes» with «best,» but like «Marie - Antoinette» the year before, «The Duchess» deftly employs dress (and undress, in a manner Stella Bruzzi might approve of) to define boundaries of character and gender; the costume design is by far the most intellectually sophisticated element of the film.

The lack of appealing narrative, flawed combat system and the disappointing VR implementation makes it a tough recommendation for those who are looking for a good JRPG, but if you are a Neptunia fan, the inclusion of the VR Room that allows you to have some close encounters with your favorite characters should prove to be a nice addition.

The writer / director may have an affable personality, but he's also a whip - smart filmmaker whose previous two movies, Fruitvale Station and Creed, proved he was well equipped to make the jump from intimate, character - based indies to the blockbuster big leagues.

Derek Cianfrance once again proves himself to be a distinctive and masterful actor's director, uniting with his cast to create compelling characters and career - best performances

The screenplay has a good sense of characters, and the structure of it is presented well, even if the reporter's fall from grace angle proves not particularly appealing.

Allowing him to have a hand in tailoring the character to his own strengths proved to be a good decision.