Sentences with phrase «provide additional galleries»

the extension will also provide additional galleries, allowing more of the growing art collection to be permanently presented.

2009: SFMOMA announces plans for a major expansion that will provide additional gallery, public and support space, including larger and more advanced conservation facilities and an expanded library.

Not exact matches

Disc two includes nearly six hours of additional material including a 196 - minute making - of documentary, entitled Strength and Honor: Creating the World of Gladiator, and as if this was not exhaustive enough more behind the scenes technical information is provided in the five - part Image and Design section which includes featurettes on sets, costumes, and weapons as well as extensive photo galleries.

Additional photos of the undercarriage are provided in the gallery below.

Additional photos of the car during the repaint are provided in the gallery showing the hood and trunk stripped to bare metal.

The The Philadelphia Inquirer and Daily News apps that come pre-installed are full digital replicas of the regular newspapers, and the additional Inquirer Android app was designed specially for the 10 ″ Arnova tablet and provides access to bonus content like photo galleries and videos.

Sprawling through four jam - packed galleries — including a large tea garden (fitted with a real koi pond and a model of Mount Fuji), two additional rooms dedicated to handmade artifacts (one specifically for tea tools), and a miniature Sachs retrospective (to provide context)-- «Tea Ceremony» makes it evident that this isn't the first time Sachs has tackled tea.

Providing 50,000 square feet of additional gallery space, MoMA's Diller Scofidio + Renfro - designed building project will «allow the museum to reconceive the presentation of its collection and exhibitions, and will provide greater visitor accessibility through the enhancement of the museum's public areas,» according to a press release.

Additional generous support is provided by the National Endowment for the Arts; Mary Ittelson; The Estate of Edward Anixter; The Efroymson Family Fund; Jack and Sandra Guthman; David Kordansky Gallery; Hauser & Wirth; Massimo De Carlo / Carlson Gallery, Milan - London; Liz and Eric Lefkofsky; Paul Gray and Dedrea Armour Gray; Marilyn and Larry Fields; Susan D. Bowey; Paul and Linda Gotskind; Lenore and Adam Sender; David Shuman; Dr. Daniel S. Berger; Galerie Guido W. Baudach; Dr. Anita Blanchard and Martin H. Nesbitt; Monique Meloche and Evan Boris; and Lynn and Allen Turner.

Additional funding is provided by The Tower Project of the National Gallery of Art and Steven Elmendorf.

Additional support provided by: Brooklyn Museum, Chambers Fine Art, James Cohan Gallery, The Metropolitan Museum of Art, The Museum of Modern Art, New York Public Library, Sotheby's, Warwick Hotel, Whitney Museum of American Art, and Noelle Xie.

Additional support of the exhibition has been provided by the Center for Visual Music; Feuer / Mesler; Gagosian Gallery; Massimo De Carlo Gallery; Michael Rosenfeld Gallery; and Venus Over Manhattan.

Additional support is provided by Sotheby's, Ana and Lenny Gravier, John and Amy Phelan, Sean Kelly Gallery, Stephen Friedman Gallery, Roberts & Tilton, and Pamela K. and William A. Royall, Jr..

Additional funding was provided by Marian Goodman Gallery, New York / Paris; Frith Street Gallery, London and the Dietrich Foundation.

An additional 10 works on paper included in the installation (shown in two rotations of five works each) provide a broader perspective on Pollock's career and highlight the Gallery's collection of works on paper by the artist.

Additional generous support is provided by the Pamela Alper Curatorial Fund, Dr. Anita Blanchard and Martin H. Nesbitt, Lester N. Coney and Mesirow Financial, Anne and Don Edwards, Denise and Gary Gardner, Vicki and Bill Hood, Jeanne and Kevin Poorman, Linda Johnson Rice, Desirée Rogers, Lloyd A. Fry Foundation, Nickol and Darrel Hackett, Connie and Ed Horner, Inman Gallery, and Shirley and Walter Massey.

Additional support provided by the Blaffer Art Museum at the University of Houston; Irish Museum of Modern Art; Lora Reynolds Gallery; Tonya Bonakdar Gallery and Bill & Bettye Nowlin Research Fellowship in Photography at the University of Texas at Austin.

With additional commissioning funds provided by the Holland Festival and with the kind assistance of Marian Goodman Gallery, Goodman Gallery and Lia Rumma.

Additional support is provided by Lauri and Douglas Freedman, Sondra Gilman and Celso Gonzalez - Falla, the Lenore G. Tawney Foundation, Volume Gallery, and the Andy Warhol Foundation for the Visual Arts.

Additional support provided by the Israeli Center for Digital Art, Holon; Centro da Cultura Judaica, São Paulo; Annet Gelink Gallery, Amsterdam; and Sommer Contemporary Art, Tel Aviv.

Additional support for this exhibition is provided by C L E A R I N G, New York / Brussels, Marianne Boesky Gallery, Jessica Silverman Gallery, and those who wish to remain anonymous.

Additional generous support is provided by Sandra and Jack Guthman; Anne and William J. Hokin; Cari and Michael Sacks; the David C. and Sarajean Ruttenberg Arts Foundation; Charlotte Feng Ford; Mary E. Ittelson; Ashlee and Martin Modahl; Naomi Mori Reese and Rusty Reese; The Robert Mapplethorpe Foundation; Vicki and Bill Hood; Rodney Lubeznik and Susan D. Goodman; Nion McEvoy; Phillips; Melissa Weber and Jay Dandy; Anton Kern Gallery, New York; and Marc Foxx Gallery, Los Angeles.

Additional generous support is provided by Margot and George Greig, Anne and Burt Kaplan, Ruth Horwich, the Broad Art Foundation, Gagosian Gallery, Lindy Bergman, Helyn Goldenberg, Sara Szold, and the Elizabeth F. Cheney Foundation.

Additional help was provided locally by Javier Roberto Carlos Briones, 32K Productions (video production for Amor Muñoz), and by the numerous guitarists who are performing in our Floor 2 galleries over the course of the exhibition, including Erin Allen, Allyson Baker, Mike Ballan, John Burke, Giacomo Fiore, Shaina Lerner, Sean Nieves, Ryan Pate, Elsa Trash, and Christine Tupou (custom soundtracks for Chris Kallmyer and Mark Allen).

Additional support is provided by Isabella Bortolozzi Galerie, Gavin Brown's enterprise, Galerie Buchholz, and Marian Goodman Gallery.

Elevators are located through the main entrance doors providing additional access to the 2nd floor gallery, offices, and studios.

My sculpture will be part of a new sculpture park which, along with a gallery, will provide a reason for tourists to visit and bring additional income to the area.

This reference sheet documents the museum and gallery labels that have been affixed to the verso of Rauschenberg's Untitled [glossy black painting] and provides additional detail about related exhibitions.

Generous additional support is provided by Hauser & Wirth Zürich London; Marian Goodman Gallery, New York and Paris; The MOCA Contemporaries; the National Endowment for the Arts; the Graham Foundation for Advanced Studies in the Fine Arts; Mary and Robert Looker; the Pasadena Art Alliance; Betye Monell Burton; Peter Gelles and Eve Steele Gelles; John Morace and Tom Kennedy; Eileen and Michael Cohen; Bagley and Virginia Wright; and Marieluise Hessel.

Additional generous support is provided by the TWO x TWO for AIDS and Art Fund; the Kadre Family; Galerie Gisela Capitain, Cologne; Massimo De Carlo, Milan London Hong Kong; Galerie Bärbel Grässlin, Frankfurt Main; Greene Naftali, New York; Galerie Max Hetzler, Berlin Paris; Gió Marconi, Milan; and Almine Rech Gallery, Paris Brussels London New York.

The Fischbach Gallery website provides additional works by the artists in the exhibition, along with biographical information and previous exhibition images.

This reference sheet documents museum and gallery labels that have been affixed to the verso of Rauschenberg's Rosalie / Red Cheek / Temporary Letter / Stock (Cardboard) and provides additional details about the related exhibitions.

Knowing the value of giving their audience access to the additional facts that help round out this exhibition, the Wexner Center has provided a lovely gallery guide, as well as an interactive app.

Additional support for the presentation at the Grey Art Gallery is provided by the Grey's Director's Circle, Inter / National Council, and Friends; and the Abby Weed Grey Trust.

A new photography gallery location on the Wieland Pavilion's Lower Level, which provides additional space to present exhibitions from the growing collection of more than 7,000 photographs

Additional funding for the presentation at the Grey Art Gallery is provided by the Grey's Director's Circle, Inter / National Council, and Friends; and the Abby Weed Grey Trust.

NGCA, Sunderland, UK Some Panoramas, Pump House Gallery, London, England Arrangement: the use of flowers in art, Rhodes + Mann, London, England (catalogue) Please Take One, 39, London, England Bad Touch, Keith Talent Gallery, London, England Ponce, the Ship, London, England Phillip Allen, Diana Cooper, Paul McDevitt, Kerlin Gallery, Dublin, Ireland Tullie House, Carlisle, UK 2002 Non-Plan, domoBaal, London, England (catalogue) YesteryearNowadays, Hales Gallery, London, England Air Guitar: Art Reconsidering Rock Music, MK G, Milton Keynes; toured to Cornerhouse, Manchester, UK; curated by Emma Mahony (catalogue) Neverland, Cell Project Space, London, England Reverberator, Houldsworth, London, England; curated by Michael Archer Lovely, Kohlenhof, Nuremberg; curated by Andreas Oehlert 2001 Please Use The Space Provided For Additional Information, Andrew Mummery Gallery, London, England What's Wrong?

Additional support for this exhibition was provided by the Kaori Kitao Endowment for the List Gallery and the Swarthmore College Department of Art.

Image: Alexis Smith, The Promised Land for Peggy (from Porgy & Bess), 1981, Mixed media collage, 16 x 271 inches, Museum purchase with additional funds provided through prior gift of the Sidney and Diana Avery Trust, Donald A. Collins, Mrs. Bea Gersh, William A. Graham IV, Mr. Felix Juda, Donald Judd, Newspace Gallery, Mrs. Harry Rathner, Donald L. Thal, and Mrs. W. Daniel Woodruff

The accompanying catalogue documenting the gallery's sixteenth solo exhibition of the artist includes a written essay by Glimcher, providing additional insight into the artist who coined the term, «Art Brut.»

Renovated galleries as well as two new Tower galleries and a Roof Terrace provide an additional 12,250 square feet of display space.

Additional sponsorships, underwriting and support provided by Dave Perry - Miller & Associates, Wells Fargo Advisors, Arcodoro & Pomodoro, The Goss - Michael Foundation, Heritage Auction Gallery, and Museum Tower.

Additional support is provided by Sotheby's, Ana and Lenny Gravier, Sean Kelly Gallery, Stephen Friedman Gallery, John and Amy Phelan, Roberts & Tilton, and Pamela K. and William A. Royall, Jr..

Additional support is provided by Jack Shainman Gallery.

Additional generous support is provided by James Chanos, and the Lehmann Maupin Gallery, Sonnabend Gallery, Shelley Fox Aarons and Philip E. Aarons, Millennium Partners, Francis Greenburger, Howard Wolfson, the Arline and Norman M. Feinberg Exhibition Fund, the Alvin E. Friedman - Kien Exhibition Fund, Andrew B. Cohen and Suzi Cohen, Leon and Michaela Constantiner, Sotheby's, and other generous donors.

Finally, the Archives & Access project included the creation of six new dedicated learning and public Archive Gallery spaces at Tate Britain, providing visitors to Tate Britain with additional means of encountering Tate Archive collections.

Additional support is generously provided by Nanette L. Laitman, KLM Royal Dutch Airlines, the Stavros Niarchos Foundation, Regina and Marlin Miller, Jun and Ree Kaneko, The Robert Lehman Foundation, Leatrice and Melvin Eagle, Dick and Gloria Anderson, Ted Rowland, the Knafel Family Foundation, and Jeffrey Spahn Gallery.

The Louvre will provide up to 300 works of art, while additional items will be loaned by other Parisian galleries like the Georges Pompidou Centre of Modern Art, the Musee d'Orsay, and the Musee Rodin.

- National Artists are encouraged to organize additional programs or projects using the gallery space and to provide resources or exhibition opportunities in their own regions.

Additional in - kind support is provided by The Frame Maker, ArtWorks San Diego, and Quint Gallery.