Sentences with phrase «providing installation photographs»

Biennials and Beyond is the first book to position a range of contemporary exhibitions in the context of art history, providing installation photographs, exhibition floor plans and critical texts from the time, as well as an expansive account of recent exhibition history by Bruce Altshuler.

Biennials and Beyond is the first book to position a range of contemporary exhibitions in the context of art history, providing installation photographs, exhibition floor plans, and critical texts from the time, as well as an expansive account of recent exhibition history.

Not exact matches

The April 1974 memo also says that the Skylab photograph «in the public domain would almost certainly provide strong stimulus for media questioning and the potential near - term revelation of the missions of the installation.»

The show spans all visual media including paintings, sculptures, installations, photographs, and film, providing a comprehensive overview of the current state of art across the world.

With its collection of 45,000 works spanning the period from the nineteenth century to the present day and comprising paintings, sculptures, works on paper, installations, videos and photographs, GAM provides its audience with a wealth of events ranging from major exhibitions of Italian and international artists to contemporary research dedicated to young visitors.

While the photographs provide distant, externalized views of binary roles, the installations and sculptural tableaux provide a more «lived - in» experience, offering viewers insight into the possible worlds that lie beneath the veneer of Gaignard's characters.

The exhibition brings together seminal paintings, photographs and installations that provide an overview of the artistic, socio - economic and political concerns of post-war Germany, a time period when these artists were reconciling with the trauma of war, finding a national identity and constantly pushing the limits of modern and contemporary art, through to the present day.

WEDNESDAY, APRIL 1 Talk and Book Signing: Christo at 192 Books For the occasion of the release of Matthias Koddenberg's new book, Christo and Jeanne - Claude: In / Out Studio, a collection of photographs and archival material that provides a glimpse into the behind - the - scenes making of the couple's massive installation projects, the author will join Christo for a book signing and talk at Chelsea's 192 Books.

Exhibiting works from Missing (New York, 2001), Coming Soon... (Manchester, 2002), Occupy (New York, 2011), Twentytwo Pharmacies (Andalucia, 2017) and 43 (2015 - ongoing) in conjunction with the artist's publications, workbooks, photographs, drawings, texts, and a site - specific installation provide visitors insight into the artist's process.

The Werner and Elain Dannheisser Collection is a group of artworks — paintings, sculptures, texts, billboards, drawings, videos, neons, photomontages, installations, and photographs — that together provide a running account of the simultaneous attractions and provocations of contemporary art.

Lavish illustrations and numerous historical photographs of the versions of Perfect World created in 1999 and 2000, as well as of the complete version of the installation shown in its entirety for the first time in London in 2010 as 1:12 Perfect World provide a detailed insight into Rhoades's artistic cosmos.

Yayoi Kusama: Infinity Mirrors provides visitors with the unique opportunity to experience six of the artist's Infinity Mirror Rooms — her iconic kaleidoscopic environment — as well as additional large - scale installations, sculptures, paintings, works on paper and archival photographs and films from the early 1950s through the present.

The book, which is widespread among collectors and enthusiasts, provides an overview of the artist's work from 2006 to 2013, a rich oeuvre that includes photographs, drawings, installations.

Installed in the middle of the Yokohama Museum of Art, Michael Landy's massive Art Bin (2014) was the exhibition centerpiece — matched in scale and exuberance by installations such as Miwa Yanagi's mobile stage truck, which provided a site for gravity - defying pole dancing performances, and Shinro Ohtake's wheeled shed assembled from scrap materials and photographs — but many of the other works were distinguished by intimate reserve, apparent, for example, in René Magritte's small, black - and - white photographs from the portfolio «The Fidelity of Images» (1935), and Melvin Moti's film No Show (2004), depicting an empty Hermitage Museum through a single image accompanied by a voice track.