Sentences with phrase «pseudo-incendiary electronic score»
This 7 - foot alley offers electronic scoring and sound effects.
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These video cameras will record the action in the ring from each judge's perspective; if supervisors suspect a judge of logging phony hits — or failing to register hits, another common trick — the electronic scoring data entered by that judge can be superimposed on the video.
It features both manual and electronic scoring so you can use whichever is easiest for you.
It has both a manual and electronic scoring system so you can use whichever you like best.
The electronic scoring system has a LED display with a push - button control panel.
MTV Yoga also includes a pulsing electronic score from DJ and composer BT.
Can't not mention the score can I, the first completely electronic score in a movie.
One conspicuously fine contribution is Cliff Martinez's propulsive electronic score, which makes the movie sound much hipper than it is.
The rumbling, churning electronic score by Ben Salisbury and Portishead's Geoff Barrow, who previously collaborated on the score to Ex Machina, finds a path directly to the viewer's anxiety button and presses it incessantly.
I also viewed The Circle, with an electronic score by DANNY ELFMAN.
Everything about «Beverly Luff Linn» feels slightly off, from scenes that continue far beyond their apparent punchlines to banter littered with wordplay and an ominous electronic score by Andy Hung.
Carolyn Genzkow delivers a spirited performance, and the moody electronic score keeps us on constant edge, but it's the creepy parasitic manifestation that steals the show: looking like a cross between E.T. and Belial (the twisted brother from Frank Henenlotter's Basket Case), this nightmare creature is at once repellent and oddly endearing.
Like the previous films, «Blood Dynasty» is slow, hypnotic, immersive and challenging, and is driven by Alexander's own pulsing electronic score.
And the 1998 launch of the iMac, following his triumphant return to the company, is shot digitally and features a contemporary electronic score.
The electronic score by Cliff Martinez throbs and pulses like Giorgio Moroder.
He did everything on Assault: writing, directing, editing, and putting together the eerie electronic score.
He does have decent taste in music, however: the film has a great, moody electronic score by Max Richter, and at times I found myself enjoying the soundtrack more than the visuals, which for the most part aren't that interesting, save for some brilliant overhead shots at the beginning.
And the grandfather is playing the violin, and that fades out to be replaced with a piece of the electronic score.
A dread - filled electronic score, neon, zombie - like performances and violent scenes of amputation — all fail to distract from the emptiness and sheer silliness of Nicolas Winding Refn's Bangkok - set, bloody and hilariously pompous revenge yarn «Only God Forgives».
The films are set to a haunting electronic score composed by members of Sigur Rós in collaboration with Hilmar Örn Hilmarsson.
This is a world where the sun always shines, black - and - white science - fiction is usually showing on TV, and only Disasterpeace's John Carpenter-esque electronic score reminds you something awful is looming.
The twitchy, dagger - sharp electronic score makes proceedings even more terrifying.
Gray told me afterwards it was Wolodarsky, the composer on the ship who creates electronic scores to the documentaries within the movie (the role eventually played by Noah Taylor).
Trent Reznor and Atticus Wall's electronic score fits, rarely distracts.
Antony Partos's electronic score, for the most part an atmospheric enhancement, is turned way too loud at times, blotting out lines of dialogue in its reach for the epic.
Still, no one can doubt the director can cook up some well - crafted action scenes — backed here by a thrilling electronic score by Hans Zimmer.
Hans Zimmer's all electronic score is also something quite beautiful, enhancing the endearing quality of a film peppered with a series of grueling sequences, such as Chappie's being abused by a group of callous youth before he's physically butchered by Jackman's cruel antagonist.
You're never quite sure where «Good Time» is headed next, and the movie has a jarring energy (and a propulsive electronic score from Oneohtrix Point Never) that keeps it buzzing.
It explores the heartache and pain caused by a break - up and coming to terms with it through abstract and often haunting visuals, accompanied by an electronic score composed by musician St. Vincent.
When a film like Prince appears out of nowhere, with its pseudo-incendiary electronic score and sophisticated examination of revenge, it revives hope for a pop - art cinema that's not only capable of balancing enraged critique with playful, irreverent aesthetics, but also treats its characters like actual human beings rather than pawns on a chess board.
The first electronic score I ever heard was for a movie called Forbidden Planet back in» 56.
What William Friedkin's remake loses in atmosphere and psychology, it almost makes up for in sheer action chops, Roy Scheider's unforgettable lead performance, and a legendary electronic score by Tangerine Dream.
The movie also boasts a terrific, throbbing electronic score by Daniel Lopatin, a.k.a. Oneohtrix Point Never.
This is your first electronic score.
When I was even writing the film, I knew that I wanted an electronic score.
«I think Neon Demon had some similarities to Drive,» he says to Vice's Thump, adding «it's kind of a sparse electronic score.»
This essential cult classic features a hypnotic electronic score by Tangerine Dream's Edgar Froese as well as gleefully mind - bending production design.
Sam Care's photography and a haunting electronic score abet the atmosphere.
The maladjusted misadventures of Connie and Nick over one wild night, related at a relentless clip to the heady and propulsive Tangerine Dream - inspired electronic score by Oneohtrix Point Never (Daniel Lopatin to his folks), amounts to something akin to a convergence of Martin Scorsese's After Hours (1985) and Mike Leigh's Naked (1993), yet remaining it's own altered beast.
«People could listen to Ex Machina and go, «Yeah that sounds like a standard electronic score.»
Plus, Alan Silvestri's electronic score for the film is still a fantastic earworm.
Cinematographer Rob Hardy creates indelible images of beauty and terror set to a pulsating electronic score by Ben Salisbury and Portishead's Geoff Barrow.
The bleakness and desolation of space is effectively captured by Boyle, with a sparse and subdued electronic score, provided by Underworld, who previously scored for Boyle on Trainspotting, working with 28 Days Later's John Murphy.
Meanwhile, the electronic score by Trent Reznor and Atticus Ross helps sustain the on - edge atmosphere, its chimes and drones serving as fitting aural correlatives to the film's fairly woozy visual register.
Ironically, though, the synthesizer was losing its chic in movies just as Zimmer came on the scene, after a decade of electronic scores like Wendy Carlos's The Shining, Giorgio Moroder's Midnight Express, and Vangelis's Chariots of Fire.
The 5.1 DTS - HD master audio soundtrack is also on point, distributing Cliff Martinez's electronic score and the little bit of dialogue well.
One of the most distinctive elements of The Black Case is its ominous ambient sound and haunting electronic score.
The director's hand - held camera work and a hypnotic electronic score by Cliff Martinez added to this sense of immediacy.
Good Time features a collective of cinema artists working at the top of their game, from Robert Pattinson's career - best performance, to ace cinematographer Sean Price Williams» near - psychedelic neon color schemes, to Benny Safdie and Ronald Bronstein's relentless and breathless editing, to Oneohtrix Point Never's nervy electronic score.
And my editor, Matt Newman, who is a very good, close collaborator of mine — I always wanted an electronic score, but I'm not an expert — but he is, and he was very good at finding suggestions that I would then choose from.