Sentences with phrase «psychological spaces through»

Sarah Hobbs's large - scale color photographs represent psychological spaces through which she explores the human psyche, relishing the idea that we are all beautifully flawed.

Not exact matches

A group comes into existence when, through interaction, there is a partial merging of the «psychological field» or «life space» of two or more individuals.

/ Couples 60 min $ 300 / 120 min $ 500) Entering a deep space of inner peace and relaxation through a unique energy transfer, emotional and psychological injuries are made clear and available for healing.

Given Hughes» Matisse - inspired focus on interior spaces, both literal and psychological, the overall effect is one of active immersion within the artist's imaginary realm, as if walking through one of her paintings.

Like the other more cohesive works in the show (for example, Fake Me Writing a Letter to Fake You), Far Out defines an intentional sense of space — foreground, middle ground and background — offering the eye fluid navigation through quirky psychological scenarios.

The pronounced and singular psychological character of her work has always been matched by a range of formal innovation and reinvention that allows her to share her singular vision with a wide public through infinitely mirrored space and the obsessively repeated dots for which she is best known.

Gordon has become known for drawing attention to the body's relationship to space, and the psychological repercussions of such experiences, through the creation of spaces that manipulate sensory expectations and emotional capacities.

Through convoluted portraits of anonymous black women poised in fluorescent illumination and wiring, she warps time and place, transporting viewers from the real world into a contemplative space that grants fleeting access into her subject's inaccessible psychological life.

The artist's work connects the mind and body through the experience of space, using sensory perception to align the physical and the psychological.

Through these, he examines the psychological space where individual expression confronts social constraint.

The press release tells us this show «explores themes of isolation, identity and connection — both physical and psychological — through intimate portrayals of recognizable spaces.»

Ortega y Gasset Projects is pleased to announce Retreat, a solo exhibition by Polly Shindler that explores themes of isolation, identity and connection - both physical and psychological - through intimate portrayals of recognizable spaces.

The casts form part of a complex array of artworks in which houses take on the lives of the people who occupy them, and psychological and emotional dramas are expressed through objects and built spaces.

Ortega y Gasset Projects is pleased to announce Retreat, a solo exhibition by Polly Shindler, curated by Will Hutnick, that explores themes of isolation, identity and connection — both physical and psychological — through intimate portrayals of recognizable spaces.

In either case, one might say these artists are involved with evolving cultural concerns, whether psychological or ecological, that speak through, and yet beyond, a particular time and space.

Catherine Yass creates photographs and films that explore the relationship between physical and psychological space, namely how environments are constructed and experienced by their inhabitants, through an emphasis on temporal duration.

As Cecily Brown describes, Stettheimer's work affects audiences through depictions of «interior spaces that read like psychological portraits.»

This psychological dramaticism is reiterated through sharp and exacting image crops, which force the viewer into a condensed and eerie narrative showing no evidence of who or what might occupy the space outside these scenes he presents.

Through an assortment of drawings, paintings, photographs, and videos, the artists in «Empty Distances» delve into creative perceptions of «the void» — a nebulous space that can refer to post-apocalyptic, pre-civilization, or even psychological vacuity.

Through these works and others, OPEN HOUSE echoes this gesture of openness and exchange, creating a space that oscillates between public and private, psychological and social and opens up a dialogue between the two galleries and their respective cities.

During his time in the Project Space, Salomone will explore and stage socially engaging events like knitting circles to address contemporary psychological issues and experiment with documenting these events through various lens - based methods.

Within this series Stewart incorporated photographs, video stills, projections and organza (a material characterized by its translucency, fragility and vulnerability to environmental change) to accentuate spatial and temporal considerations, creating a complex psychological space in which the viewer necessarily becomes complicit through entry into the work.

Paintings from the 1950s include such works as Stephen Pace's Untitled (51 - 90), a dynamic abstract painting in which forms move into and through the picture plane in the mode of the art of Pace's teacher Hans Hofmann, Melville Price's Untitled (ca. 1959), a gestural painting in the abstract expressionist idiom in which figurative elements have a suggestive presence, and George Segal's Three Nudes (1959), in which a psychological tension is conveyed in the expressively treated figures that are integrated into spaces defined by veils or blankets of color.