After a 4 a.m. knock at the door and a haunting voice, Kristen McKay (Liv Tyler, The Leftovers) and James Hoyt (Scott Speedman, Underworld) find that their remote getaway becomes a night of
psychological terror as three masked strangers invade.
«After a 4 a.m. knock at the door and a haunting voice, Kristen McKay (Liv Tyler) and James Hoyt (Scott Speedman) find that their remote getaway becomes a night of
psychological terror as three masked strangers invade.
Not exact matches
The study raises awareness of the effects that tragic events such
as terror attacks and mass shootings have not only those directly affected but also on those with PTSD and other preexisting
psychological conditions.
«When we imagine our emotions
as we approach death, we think mostly of sadness and
terror,» says
psychological scientist Kurt Gray of the University of North Carolina at Chapel Hill.
Featuring Howard Shore's hair - raising debut film score, this deeply personal take on the trials of parenthood and the trauma of divorce — which Cronenberg described
as his version of Kramer vs. Kramer — establishes the mix of body horror and
psychological terror that would soon become the director's trademark.
Up - and - coming filmmaker Trey Edward Shults follows his acclaimed debut film Krisha with It Comes At Night, a
psychological horror thriller centering on a teenage boy (Kelvin Harrison, Jr.)
as he faces mounting
terrors — both external and internal — in the aftermath of an unnamed apocalypse.
«American Sniper» wants to have it both ways —
as a war - on -
terror fantasy and poignant PTSD drama — but while it doesn't shy away from the physical and
psychological horrors of battle, the movie is so heavy on pro-military propaganda that it doesn't realize its dramatic potential until it's too late.
And now comes Split, a remarkably weird and wonderful exercise in
psychological terror featuring a virtuoso performance by Scottish actor James McAvoy (X-Men)
as a deranged killer named Kevin who is at turns terrifying, grotesque, pitiful, lovable, brilliant, confident, pathetic, happy, sad, mad, and glad.
Certainly, his latest film exhibits many of his most characteristic features: an early static shot of a concert audience once again emphasises spectatorship
as a primary concern; we meet,
as so often, a bourgeois family about to experience severe suffering; Emmanuelle Riva follows Isabelle Huppert, Juliette Binoche and Naomi Watts in giving an extraordinary performance in response to
psychological terror; and violence, with its attendant guilt, comes
as a shocking intrusion into this world.
The Strangers: After a 4 a.m. knock at the door and a haunting voice, Kristen (Liv Tyler) and James» (Scott Speedman) remote getaway becomes a
psychological night of
terror as three masked strangers invade.
The
Terror The surviving crew members are forced to make life - or - death decisions
as this
psychological horror - drama about an ill - fated 19th century expedition in the Arctic airs its final episode.
Including Pilar Albarracin, Karen Finley, Pearl C. Hsiung, Glenn Kaino, Mike Kelley, Martin Kersels, Daniel Joseph Martinez, Rodney McMillian, and Robin Rhode, these artists reference subjects such
as war and
terror, social and racial tension, urban and environmental disaster,
psychological break - down, and criminal behavior in a range of mixed media and video installations.
The French / American artist Louise Bourgeois has also used the «cage»
as a
psychological metaphor for the
terrors dormant in the family home — in Cell (Choisy)(1990 — 93), the first of her series of large cages, she placed a model of her childhood home in a metal chain - link cage with a threatening guillotine suspended above the entrance.