Sentences with phrase «public and private spaces such»

From visits to public and private spaces such as JUMEX Collection, MUAC or Museo Rufino Tamayo, art galleries and other venues.

Not exact matches

Projects were launched, some private and some public, to canvass space for signs of intelligence such as signals that followed a pattern.

It is not about making the online space, now such an important tapestry of public and private spaces — to be completely off - limits to legitimate law enforcement, and I can not believe that most of the signatories to this letter sincerely believe that it is.

Such a scheme would also mean that the space agencies owning and operating the ISS today would be customers buying services on a public - private basis from private space stations.

Notice that this figure conveys conversational spaces that can be public and social, where conventional knowledge can be introduced and explained, as well as private and individual (such as occurs when students read independently or record their thoughts in reading logs, appropriating and transforming what they have learned).

Engaging and surreal, walking into what feels like such a private space in one of the most public environments in the art world, this stand has more detail than most artworks — worth a visit of its own, it would be worth the gallery creating this installation around the world.

Evolving through a range of mediums such as performance, video, installation, sound, and literature, her works consider the fluid border between public and private space, and in so doing, challenge established conventions relating to the body, sexuality, power relations, and institutional spaces.

for the contemporary austin, south korean artist do ho suh renders a multipart installation, extending his devotion to such themes of global identity, public versus private space, memory, and displacement.

These ideas are further conveyed in his Hub works, where transitory, connecting spaces between rooms, such as vestibules and corridors, speak metaphorically about movement between cultures and the blurring of public and private, as well as reflecting on the passage of the artist's own life.

Here, we might further examine how these artists consider the queer body in space amongst the domestic, the architectural, the landscape, public or private sectors — and how the collision between such domains might summon, conjure, or propose a third space.

His genre scenes, such as Idol Hands, 2012, which is included in the exhibition, investigate public and private spaces and are frequently rendered in a skewed aerial perspective featuring generalized figures that signal the everyman.

Eligible for Q - INTERNATIONAL grants are non-Italian, non-profit public or private organizations whose purpose is the promotion of the contemporary visual arts, such as museums, university institutes, kunsthalle, kunstverein, kunsthaus, centres for contemporary art, foundations, alternative spaces, cultural associations and organisations such as biennials, triennials and quadrennials.

His sculptures range from historic bronze re-creations for public spaces and private commissions, commemorative portraits for museums and industry magnates, to fantasy sculptures such as dinosaurs and dragons.

Through the artists» examinations of such spaces — both public and private — the contexts of these environments are revealed.

By photographing intensely intimate, however «public,» spaces such as motels or offices, Thurber indicates the unique interstices of public and private that these spaces represent, pointing to their layered internal significance.

Together they have collaborated internationally for venues such as, The Royal Danish Library, Copenhagen; Sesc Pompeia, Sao Paulo: Moderna Museet, Stockholm; CAC Málaga, Málaga; The Art of Elysium, Los Angeles; Foundation Beyeler, Basel, Henie Onstad Kunstsenter, Oslo; and many other public, private and independent spaces throughout the world.

Referencing past, genre - bending artists such as Keith Haring and Sterling Ruby, art world renegades who successfully designed and applied their own aesthetic to commercial spaces, fashion boutiques, and public urban centers — blurring the line between private and public, between art and commodity — San Pablo has implemented his own distinct style to re-imagine the gallery space as an installation and retail platform which uniquely showcases the collaborative and multi-dimensional nature of Vacancy Projects.

Sometimes the line between public and private space gets muddied, such as it did in New York's Zuccotti park during the Occupy Wall Street days.