Sentences with phrase «public architectural installations»

Iglesias is renowned for her public architectural installations.

Not exact matches

Gary Simmons» installation inaugurated Culture Lab 2016, a two - day series of discussions, dinners, and public projects centering around different approach to walls — architectural or ideological boundaries which both define cultural practice and limit understandings of art, architecture, and other cultural undertakings.

Dividing and subdividing the gallery, this installation both tackles and expands upon two central themes: an architectural play with transparency and concealment as well as an encounter between an intimate and private exhibition space and a strikingly public stage, which places «on view» the visitor's every movement.

He collaborated with architectural studios to develop concepts for artistic installations in public buildings, providing relevant solutions to the needs of future residents and users.

Sonnier has received more than 20 major commissions of his architectural neon installations in public spaces and his work can be found in dozens of public collections in Europe, Japan and the United States.

It interacts with Mexican artist José Davila's public art installation Untitled (The Space Beneath Us), an architectural intervention made of ceramic tiles that was installed in front of the Bass Museum of Art and that translates the Homage to the Square series of paintings by the German - born American artist Joseph Albers into sculpture.

For the fourth installation at Vancouver Art Gallery Offsite, renowned sculptor Elspeth Pratt draws on architectural forms as inspiration to investigate how built environments define public space.

Drawing inspiration from the Earthworks movement, which saw artists such as Walter De Maria, Michael Heizer, and Robert Smithson making site - specific works from the natural landscape, Art on the Beach provided a temporary public venue for site - specific installations that were sculptural, architectural, and theatrical.

Eliasson's practice encompasses sculpture, painting, photography, film, and installation and also engages the broader public sphere through architectural projects and interventions in civic space.

I am an interventionist public artist who uses architectural installations, graphic design and performance art to activate invisible public spaces.

Their «New Sculpture» pushed beyond Minimalism and called all previous conceptions of the art form into question by employing unusual materials that had never before been used.Throughout his career, Sonnier has experimented with materials as varied as latex, satin, bamboo, found objects, satellite transmitters, and video.In 1968, the artist began working with neon, which quickly became a defining element of his work.The linear quality of neon allows Sonnier to draw in space with light and color, while the diffuseness of the light enables his work to interact on various architectural planes.Sonnier's architectural neon installations in public spaces have earned him wide acclaim in an international context.

Michael Elmgreen & Ingar Dragset (born 1961 and 1969, Denmark and Norway): «Any structure can be altered, exchanged or interchanged»: since their series of installations and sculptures called powerless structures the two artists had been working with space and its multiple meanings: mental, social, architectural, public, etc, questioning notions of power that lay behind any use of space.

In addition to his installations in galleries and museums, Eliasson's work has increasingly engaged broader audiences through permanent architectural projects and interventions in public spaces.

She uses both traditional and unconventional materials — including plastic chairs upholstered with beach towels or pineapple upside - down cake — to create sculptures, installations and architectural interventions that foster accessibility and encourage public participation.

For this project, her second large - scale painting installation and first public artwork, Balco uses the vernacular of painting — form and color — to stage interventions in existing architectural spaces that transform the way we think about public and private space.

His oeuvre includes paintings, prints, sculptures, environments, architectural integrations, public interventions and monumental public installations.

For Please Touch the Art, the artist has installed three forms of social sculptures in Brooklyn Bridge Park: Appearing Rooms, a systematically shifting architectural space formed by jets of water; Mirror Labyrinth NY, a site - specific installation of mirror - polished stainless steel that reflects and distorts the distinctive skyline of lower Manhattan; and sixteen bright red Modified Social Benches, alterations upon the familiar outdoor park bench, which actively engage visitors» perceptions of public space with their curious curves and undulations.

Through newly commissioned and existing architectural proposals, texts, videos and installations by Hong Kong and international artists, the exhibition explores notions of land scarcity, private and public spaces attributed to the living and the dead, and the formation of memory landscapes.

His large - scale installations of fabric recreations of former homes, meticulous rubbings of the interior of his apartment in New York, and drawings of moveable and anthropomorphic architectural structures are evocative meditations on the definition of home, its public and personal significance, and how it is affected by displacement and context.

Sonnier's architectural neon installations in public spaces have earned him wide acclaim in an international context.

Large - scale sculptural installation of three architectural follies marks Feinstein's first public art exhibition in the U.S.