Sentences with phrase «public art collections from»

Not exact matches

Their estimated net worth was revealed earlier this year in public filings that document the couple's assets, including a $ 25 million art collection, and income from the Ivanka Trump lifestyle brand and various investments.

Works from internationally acclaimed artists Joan Miro, Helen Frankenthaler, Robert Motherwell and Buffalo native Charles Clough are part of a spectacular collection of modern and contemporary art donated to the Buffalo & Erie County Public Library by the foundation of former Library Director Donald H. Cloudsley (1925 — 2012).

Like Gian Giacomo Poldi Pezzoli did with his Museum that, already open to the general public in Milan in 1881, is one of the most important museum houses in Europe, a good example of one of the finest 19th century collections: from the fifteenth - century Lombardy maestros (Luini, Boltraffio, Solario) to masterpieces by Pollaiolo, Piero della Francesca, Botticelli, Mantegna, Bellini and Cosmè Tura through to eighteenth - century paintings (Guardi and Canaletto) and exceptional collections of decorative arts.

Art works from His Highness Sheikh Suroor bin Mohammed Al Nahyan's private collection provide a local Arabian touch in public areas and conference pre-function areas.

Within a week of MoMA's reinstall, the Metropolitan Museum of Art unveiled «Open Access»: a shift toward becoming an ostensible museum without borders, wherein the digitized catalogue of all public domain artworks from its collection, totaling more than 375,000 images — from Japanese woodblock prints, to studies by American modernist painter Arthur Dove, to Eugène Atget's gelatin silver prints of a Haussmann - izing Paris — are now accessible and downloadable to anyone with an Internet connection, anywhere, at any time.

Works from the private art collection of renowned poet and author Maya Angelou will soon go on public display.

Jack Tworkov: Against Extremes — Five Decades of Painting, on view from August 13 to October 27, 2009, offers a chronological arrangement of Tworkov's most celebrated works lent from prominent private and public collections including The Albright - Knox Art Gallery (Buffalo, NY), The Hirshhorn Museum and Sculpture Garden (Washington, DC), The Metropolitan Museum of Art (New York, NY), and The Provincetown Art Association and Museum (MA).

Presented in addition to the exhibitions at the Luther W. Brady Art Gallery, this selection is an opportunity for the public to view works from the university's collection in a different setting.

The exhibition brings together works from institutions such as the Museum of Modern Art in New York, the Centre Pompidou in Paris, and the Joan Mitchell Foundation as well as works from private collections which have never or only seldom been shown in public.

The Studio Museum in Harlem and the Frances Young Tang Teaching Museum and Art Gallery at Skidmore present an exhibition featuring works from every period in painter Alma Thomas's career, including rarely exhibited watercolors and early abstractions, as well as her signature canvases drawn from a variety of private and public collections.

Originally from Brooklyn, with roots in Puerto Rico, her work is included in public collections such as the Whitney Museum of American Art and the Studio Museum in Harlem, and has been exhibited at venues such as the Brooklyn Museum, the High Museum in Atlanta, the Contemporary Art Museum in Houston, SNO Contemporary Art Projects in Sidney, Australia, and Peregrine Program in Chicago.

Barneys New York will donate 25 % of all retail sales from the Art Production Fund x Alex Katz x Barneys New York product collection to Art Production Fund, a non-profit founded by Yvonne Force Villareal and Doreen Remen and directed by Casey Fremont, which is dedicated to commissioning and producing public art projecArt Production Fund x Alex Katz x Barneys New York product collection to Art Production Fund, a non-profit founded by Yvonne Force Villareal and Doreen Remen and directed by Casey Fremont, which is dedicated to commissioning and producing public art projecArt Production Fund, a non-profit founded by Yvonne Force Villareal and Doreen Remen and directed by Casey Fremont, which is dedicated to commissioning and producing public art projecart projects.

Frazier is the recipient of many awards, including a fellowship from the John Simon Guggenheim Memorial Foundation (2014), Gwendolyn Knight and Jacob Lawrence Prize of the Seattle Art Museum (2013), the Theo Westenberger Award of the Creative Capital Foundation (2012), the Louis Comfort Tiffany Foundation Award (2011), and Art Matters (2010) Her work can be found in public and private art collections such as the Brooklyn Museum; Carnegie Museum, Pittsburgh; Centre National Des Arts Plastiques, France; JP Morgan Chase Collection, Library of Congress, Washington, D.C.; Museum of Contemporary Art, Chicago; Museum of Contemporary Photography, Columbia College, Chicago; Nacher Museum at Duke University, Durham, N.C.; Spelman College Museum of Fine Art, Atlanta; Whitney Museum of American Art, New York; Zabludowicz Collection, London, and Pomeranz Collection, Vienna, among otheArt Museum (2013), the Theo Westenberger Award of the Creative Capital Foundation (2012), the Louis Comfort Tiffany Foundation Award (2011), and Art Matters (2010) Her work can be found in public and private art collections such as the Brooklyn Museum; Carnegie Museum, Pittsburgh; Centre National Des Arts Plastiques, France; JP Morgan Chase Collection, Library of Congress, Washington, D.C.; Museum of Contemporary Art, Chicago; Museum of Contemporary Photography, Columbia College, Chicago; Nacher Museum at Duke University, Durham, N.C.; Spelman College Museum of Fine Art, Atlanta; Whitney Museum of American Art, New York; Zabludowicz Collection, London, and Pomeranz Collection, Vienna, among otheArt Matters (2010) Her work can be found in public and private art collections such as the Brooklyn Museum; Carnegie Museum, Pittsburgh; Centre National Des Arts Plastiques, France; JP Morgan Chase Collection, Library of Congress, Washington, D.C.; Museum of Contemporary Art, Chicago; Museum of Contemporary Photography, Columbia College, Chicago; Nacher Museum at Duke University, Durham, N.C.; Spelman College Museum of Fine Art, Atlanta; Whitney Museum of American Art, New York; Zabludowicz Collection, London, and Pomeranz Collection, Vienna, among otheart collections such as the Brooklyn Museum; Carnegie Museum, Pittsburgh; Centre National Des Arts Plastiques, France; JP Morgan Chase Collection, Library of Congress, Washington, D.C.; Museum of Contemporary Art, Chicago; Museum of Contemporary Photography, Columbia College, Chicago; Nacher Museum at Duke University, Durham, N.C.; Spelman College Museum of Fine Art, Atlanta; Whitney Museum of American Art, New York; Zabludowicz Collection, London, and Pomeranz Collection, Vienna, among otheArt, Chicago; Museum of Contemporary Photography, Columbia College, Chicago; Nacher Museum at Duke University, Durham, N.C.; Spelman College Museum of Fine Art, Atlanta; Whitney Museum of American Art, New York; Zabludowicz Collection, London, and Pomeranz Collection, Vienna, among otheArt, Atlanta; Whitney Museum of American Art, New York; Zabludowicz Collection, London, and Pomeranz Collection, Vienna, among otheArt, New York; Zabludowicz Collection, London, and Pomeranz Collection, Vienna, among others.

«This occasion is particularly momentous in light of the fact that Denver's collection of Still's work — one of the last great treasures of twentieth - century American art, donated directly from the estates of Clyfford and Patricia Still — was hidden from public and scholarly view for 60 years,» notes Dean Sobel, director.

The remainder come from a mix of private and public collections, with the Whitney Museum of American Art lending one highlight: the 1958 canvas «Three Flags» done in encaustic — a traditional, wax - based medium that Mr. Johns used to create an uneven, almost rippling texture, underscoring the handmade nature of his flags.

Public art of Julian Opie is spread around the globe, from continuous animations on LCD screens such as Suzanne Walking (2002) in Dublin or Galloping Horse (2012) in Yorkshire Park, or installation Public collections, including the Tate Gallery in London, the National Museum of Art in Osaka, and the Museum of Modern Art in New York poses Opie's works from different periods.Besides the institutional frame, he has been collaborating with the famous pop band Blur, creating the cover for their Best of the album, and with a rock star Bryan Adaart of Julian Opie is spread around the globe, from continuous animations on LCD screens such as Suzanne Walking (2002) in Dublin or Galloping Horse (2012) in Yorkshire Park, or installation Public collections, including the Tate Gallery in London, the National Museum of Art in Osaka, and the Museum of Modern Art in New York poses Opie's works from different periods.Besides the institutional frame, he has been collaborating with the famous pop band Blur, creating the cover for their Best of the album, and with a rock star Bryan AdaArt in Osaka, and the Museum of Modern Art in New York poses Opie's works from different periods.Besides the institutional frame, he has been collaborating with the famous pop band Blur, creating the cover for their Best of the album, and with a rock star Bryan AdaArt in New York poses Opie's works from different periods.Besides the institutional frame, he has been collaborating with the famous pop band Blur, creating the cover for their Best of the album, and with a rock star Bryan Adams.

Featuring works from the BCMA's robust collection of American art, as well as loans from 30 prestigious public and private collections across the United States — such as The Metropolitan Museum of Art; Phillips Collection; Philadelphia Museum of Art; and Museum of Fine Arts, Boston — the exhibition provides visitors with an opportunity to consider transformations in American art across generations and traditional stylistic confinart, as well as loans from 30 prestigious public and private collections across the United States — such as The Metropolitan Museum of Art; Phillips Collection; Philadelphia Museum of Art; and Museum of Fine Arts, Boston — the exhibition provides visitors with an opportunity to consider transformations in American art across generations and traditional stylistic confinArt; Phillips Collection; Philadelphia Museum of Art; and Museum of Fine Arts, Boston — the exhibition provides visitors with an opportunity to consider transformations in American art across generations and traditional stylistic confinArt; and Museum of Fine Arts, Boston — the exhibition provides visitors with an opportunity to consider transformations in American art across generations and traditional stylistic confinart across generations and traditional stylistic confines.

Data gathered from the Met's public collections in 1989 showed that women artists had produced less than 5 % of the works in the Modern Art Department, while 85 % of the nudes were female.

Drawn from public and private collections, including MoMA's own, this survey is organized around three key themes: abstraction, Neo-Concretism, and the «abandonment» of art.

CSMRC Fellows will have an opportunity to access materials from the CSM archives and art collection, as well as other collections, including materials from two adjacent institutions, the Denver Public Library (DPL) and the Denver Art Museum (DAart collection, as well as other collections, including materials from two adjacent institutions, the Denver Public Library (DPL) and the Denver Art Museum (DAArt Museum (DAM).

The exhibition showcases outstanding works from public and private collections throughout the U.S., including The Metropolitan Museum of Art, Art Institute of Chicago, Museum of Fine Arts, Boston, and works from Phoenix Art Museum's permanent collection.

To the consternation of some and the delight of others, the painting is now housed less than two miles away from the Corcoran at the National Gallery of Art — a public museum that is arguably the most prestigious in the United States — where its been brought into the permanent collection.

Organized with the full support and assistance of Lewis» family, and curated by Ruth Fine, recently retired after a four - decade career at the National Gallery of Art in Washington, Procession brings together work from major public and private collections.

It is a touchstone for contemporary art internationally, plays a central role in London's cultural landscape and is pivotal to the continued growth of the world's most vibrant contemporary art quarter.The Whitechapel Gallery does not own a Collection, but has a dedicated gallery for opening up public and private collections, including five displays from the British Council Collection from April 2009 — May 2010; four displays from The D. Daskalopoulos Collection, Greece, from June 2010 — May 2011; five displays from the Government Art Collection, from June 2011 — September 2012; four displays from the Collection Sandretto Re Rebaudengo from September 2012 — September 2013; four displays drawn from member museums of the Contemporary Art Society from September 2013 — August 2014 and four displays of works from the V - A-C Foundation collection from September 2014 — August 20art internationally, plays a central role in London's cultural landscape and is pivotal to the continued growth of the world's most vibrant contemporary art quarter.The Whitechapel Gallery does not own a Collection, but has a dedicated gallery for opening up public and private collections, including five displays from the British Council Collection from April 2009 — May 2010; four displays from The D. Daskalopoulos Collection, Greece, from June 2010 — May 2011; five displays from the Government Art Collection, from June 2011 — September 2012; four displays from the Collection Sandretto Re Rebaudengo from September 2012 — September 2013; four displays drawn from member museums of the Contemporary Art Society from September 2013 — August 2014 and four displays of works from the V - A-C Foundation collection from September 2014 — August 20art quarter.The Whitechapel Gallery does not own a Collection, but has a dedicated gallery for opening up public and private collections, including five displays from the British Council Collection from April 2009 — May 2010; four displays from The D. Daskalopoulos Collection, Greece, from June 2010 — May 2011; five displays from the Government Art Collection, from June 2011 — September 2012; four displays from the Collection Sandretto Re Rebaudengo from September 2012 — September 2013; four displays drawn from member museums of the Contemporary Art Society from September 2013 — August 2014 and four displays of works from the V - A-C Foundation collection from September 2014 — August 20Art Collection, from June 2011 — September 2012; four displays from the Collection Sandretto Re Rebaudengo from September 2012 — September 2013; four displays drawn from member museums of the Contemporary Art Society from September 2013 — August 2014 and four displays of works from the V - A-C Foundation collection from September 2014 — August 20Art Society from September 2013 — August 2014 and four displays of works from the V - A-C Foundation collection from September 2014 — August 2015.

The Hall Art Foundation collaborates with other public institutions around the world to organize exhibitions and facilitate loans from its own collection and that of the Halls.

Her work is included in public collections ranging from the Art Institute of Chicago to the White House.

Previously shown at Ateneum Art Museum, Helsinki, the Finnish National Gallery and the Gemeentemuseum, den Haag, the exhibition is arranged chronologically and includes portraits, cityscapes and still life paintings borrowed from an extensive list of public and private collections.

The exhibition loans come from a wide variety of leading public and private collections, including: Museum of Modern Art, New York; Museum of Contemporary Art, Los Angeles; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; the Philadelphia Museum of Art; Virginia Museum of Fine Arts; Mugrabi Collection; Berardo Collection; Robert B. Mayer Family Collection, Chicago; Frederick R. Weisman Art Foundation, Los Angeles, as well as from the Estate of Tom Wesselmann, New York.

The university's public art programme holds a prominent collection of works that are installed throughout the 433 - acre (1.75 sq km) campus and includes commissions and acquisitions of works by Mark di Suvero, Ann Hamilton, Sol LeWitt, Nancy Rubins and James Turrell, as well as 28 sculptures on long - term loan from the Metropolitan Museum of Art, featuring works by Magdalena Abakanowicz, Louise Bourgeois, Tony Smith and Ursula von Rydingsvard among otheart programme holds a prominent collection of works that are installed throughout the 433 - acre (1.75 sq km) campus and includes commissions and acquisitions of works by Mark di Suvero, Ann Hamilton, Sol LeWitt, Nancy Rubins and James Turrell, as well as 28 sculptures on long - term loan from the Metropolitan Museum of Art, featuring works by Magdalena Abakanowicz, Louise Bourgeois, Tony Smith and Ursula von Rydingsvard among otheArt, featuring works by Magdalena Abakanowicz, Louise Bourgeois, Tony Smith and Ursula von Rydingsvard among others.

The Hall Art Foundation was founded in 2007 and makes available postwar and contemporary art works from its own collection and that of Andrew and Christine Hall for the enjoyment and education of the publArt Foundation was founded in 2007 and makes available postwar and contemporary art works from its own collection and that of Andrew and Christine Hall for the enjoyment and education of the publart works from its own collection and that of Andrew and Christine Hall for the enjoyment and education of the public.

A forefather of the underground or «outsider» art movement, English's work can be seen everywhere from his extralegal «liberated» public billboards to the finest collections and museums in the world.

1998 Black New York Artists of the 20th Century, Selections from the Schomburg Center Collections, The New York Public Library, New York, NY African - American Art: 20th Century Masterworks V, Michael Rosenfeld Gallery, LLC, New York, NY; Newcomb Art Gallery, Tulane University, New Orleans, LA

The exhibition's installations, sculpture and video, some rarely exhibited in public previously, come from collections such as the Museo Reina Sofía in Madrid, the Thyssen - Bornemisza Art Contemporary in Vienna, and the François Pinault Collection in Paris and Venice.

VMFA is internationally recognized for its ambitious special exhibitions drawn from the world's finest public and private art collections as well as the museum's permanent collection.

From then on, Etta acquired art to fill out the collection as a public trust.

From his precisely gridded works of the 1970s to the three - dimensional panels of the 1980s and his now celebrated Wall of Light paintings from the 1990s, this volume gathers the entire oeuvre of the artist, whose work is held in numerous public collections including the Metropolitan Museum of Art, MoMA, and Solomon R. Guggenheim Museum, New York; the National Gallery of Art, Corcoran Gallery of Art, and Hirshhorn Museum and Sculpture Garden, Washington, DC; Modern Art Museum of Fort Worth, Texas; and the Tate, LonFrom his precisely gridded works of the 1970s to the three - dimensional panels of the 1980s and his now celebrated Wall of Light paintings from the 1990s, this volume gathers the entire oeuvre of the artist, whose work is held in numerous public collections including the Metropolitan Museum of Art, MoMA, and Solomon R. Guggenheim Museum, New York; the National Gallery of Art, Corcoran Gallery of Art, and Hirshhorn Museum and Sculpture Garden, Washington, DC; Modern Art Museum of Fort Worth, Texas; and the Tate, Lonfrom the 1990s, this volume gathers the entire oeuvre of the artist, whose work is held in numerous public collections including the Metropolitan Museum of Art, MoMA, and Solomon R. Guggenheim Museum, New York; the National Gallery of Art, Corcoran Gallery of Art, and Hirshhorn Museum and Sculpture Garden, Washington, DC; Modern Art Museum of Fort Worth, Texas; and the Tate, London.

He had earlier gifted some works from the collection to the Art Fund in 1929 to function as a Loan Collection for public institutions.

St. Louis Public Radio covers a selection of new African American art exhibitions on view in the city, including «Hands Up, Don't Shoot,» a direct response to the Michael Brown killing organized by the Alliance of Black Gallery owners and on view at 14 venues; «Other Ways» at Philip Slein Gallery featuring than 60 works from local private collections by artists such as Radcliffe Bailey, Dawoud Bey, Mark Bradford, Ellen Gallagher, Kara Walker and Kehinde Wiley; «Living Like Kings» at the World Chess Hall of Fame explores the intersection of chess and hip hop; and a presentation of Nick Cave «s Sound Suits at the St. Louis Art Museum opening Oct. art exhibitions on view in the city, including «Hands Up, Don't Shoot,» a direct response to the Michael Brown killing organized by the Alliance of Black Gallery owners and on view at 14 venues; «Other Ways» at Philip Slein Gallery featuring than 60 works from local private collections by artists such as Radcliffe Bailey, Dawoud Bey, Mark Bradford, Ellen Gallagher, Kara Walker and Kehinde Wiley; «Living Like Kings» at the World Chess Hall of Fame explores the intersection of chess and hip hop; and a presentation of Nick Cave «s Sound Suits at the St. Louis Art Museum opening Oct. Art Museum opening Oct. 31.

His work has been presented from Japan to the USA and is represented in many private and public collections including the Arts Council of Ireland.

2007 Re - Make / Re-Model, Sorcha Dallas, Glasgow, Scotland Issabella Bortolozzi, Berlin, Germany Love Me Tender, Works from the Tate collection, Tate Britain, London Linn Luhn, Cologne, Germany Harry Smith Anthology Remixed, Alt.Gallery, Newcastle Sympathy for the Devil: Art and Rock and Roll since 1967, Museum of Contemporary Art Chicago, IL, USA What We Do Is Secret, Blancpain Art Contemporain, Geneva, Switzerland The Secret Public: The last days of the British Underground 1978 — 1988, ICA, London Panic Attack!

«American Art in Upstate New York: Drawings, Watercolors and Small Sculpture from Public Collections,» Albright - Knox Art Gallery, Buffalo, NY; travelled to: Memorial Art Gallery, University of Rochester, Rochester, NY; Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY; Everson Museum of Art, Syracuse, NY; Munson - Williams - Proctor Institute, Utica, NY; Albany Institute of History and Art, Albany, NY

Within the globalized art scene, its journey takes the many forms of traveling exhibitions, international art fairs, biennials, public contests, and loans from personal or institutional collections.

Classic bodies of work from his fifty - year career have been extensively published in monographs and are included in major public and private fine art collections around the world, including the Museum of Modern Art and International Center of Photography in New York, and the Smithsonian American Art Museum in Washington, D.art collections around the world, including the Museum of Modern Art and International Center of Photography in New York, and the Smithsonian American Art Museum in Washington, D.Art and International Center of Photography in New York, and the Smithsonian American Art Museum in Washington, D.Art Museum in Washington, D.C..

1974 Contemporary Religious Imagery in American Art, Ringling Museum of Art, Sarasota, FL 149th Annual Exhibition, National Academy of Design, New York, NY Art of the Pacific Northwest from the 1930s to the Present, National Collection of Fine Arts, Washington DC American Art in Upstate New York Drawings, Watercolors, and Small Sculpture from Public Collections in Albany, Buffalo, Ithaca, Rochester, Syracuse, and Utica, Memorial Art Gallery, Herbert F. Johnson Museum of Art, Everson Museum of Art, Munson - Williams - Proctor Institute, Albany Institute of History and Art, Albany, NY

«Figure Study II is one of the greatest acquisitions the Contemporary Art Society has ever made and the first painting by Francis Bacon to enter a public collection in this country... Its display with Figure Study I offers a rare opportunity to understand the artist's thinking across two works from a critical moment of Bacon's career».

The artists presented in this selection from the Rose Art Museum's collection — Sarah Charlesworth, JJ PEET, Robert Rauschenberg, and Andy Warhol — question the role of images circulated within the public sphere.

Alternative Figures in American Art, 1960 to the Present, Curated by Dan Nadel, Matthew Marks, New York, NY 1995 Pacific Dreams: Currents of Surrealism and Fantasy in Early California Art 1934 - 1957, Oakland Museum, UCLA Hammer Museum of Art and Nora Eccles Harrison Museum of Art, UT 1993 Selections from the Permanent Collection - California: Art from the 1930s to the Present, San Francisco Museum of Modern Art 1989 Forty Years of California Assemblage San Jose Museum of Art, Fresno Art Museum and Joslyn Art Museum 1986 California Sculpture: 1959 - 1980, San Francisco Museum of Modern Art 1985 Art in the San Francisco Bay Area 1945 - 1980, Oakland Museum 1984 Contemporary American Wood Sculpture, Crocker Art Museum, University of Arizona Museum of Art, Huntsville Museum of Art and Chrysler Museum The Dilexi Years 1958 - 1970, Oakland Museum 1982 100 Years of California Sculpture, Oakland Museum Northern California Art of the Sixties, De Saisset Museum, University of Santa Clara 1976 California Painting and Sculpture: The Modern Era, San Francisco Museum of Modern Art and National Collection of fine Arts, Smithsonian Institution 1975 Masterworks in Wood: The Twentieth Century, Portland Art Museum First Artists» Soap Box Derby, San Francisco Museum of Modern Art 1971 Continuing Surrealism, La Jolla Museum of Art 1969 An American Report on the Sixties, Denver Art Museum American Sculpture of the Sixties, Grand Rapids Art Museum 1968 On Looking Back: Bay Area 1945 - 62, San Francisco Museum of Art The West Coast Now: Current Work from the Western Seaboard, Portland Art Museum, Seattle Art Museum and De Young Museum 1967 FUNK, University Art Museum, Berkeley, and Institute of Contemporary Art, Boston American Sculpture of the Sixties, Los Angeles County Museum of Art and Philadelphia Museum of Art 1966 Twenty Drawings: New Acquisitions, Museum of Modern Art, New York Two - Dimensional Sculpture, Three - Dimensional Painting, Richmond Art Center, CA 1964 Annual Exhibition of Contemporary American Sculpture, Whitney Museum of American Art 1962 Fifty California Artists, Whitney Museum of American Art, Walker Art Center, Albright Knox Art Gallery and Des Moines Art Center Public Collections

The Virginia Museum of Fine Arts» renowned Fabergé collection is returning from an international tour, and will be displayed in a new suite of renovated galleries opening to the public on October 22, 2016.

Alongside a wealth of reproductions of works from 1961 to 2007, it also features an illustrated chronology and list of works in U.K. public collections, an essay by Michael Bracewell, and a wonderful meditation by Riley, titled «Work,» in which she looks back on the curve of her art across the decades.

Van Gogh, Manet, and Matisse: The Art of the Flower features major loans from institutional members of FRAME (French Regional American Museum Exchange) as well as other important public and private collections.