Sentences with phrase «public art collections with»

As a DIA curator, I researched our extraordinary painting collection, enhanced our permanent galleries by displaying our artwork in new ways, curated temporary exhibitions, visited private and public art collections with our patrons, and identified new works for acquisition among many other things — the work curators perform is one of the most interesting in the museum profession because of the multiplicity of duties that it entails.

Not exact matches

Located on a 121 - acre wildlife sanctuary just south of Boston, the Museum of American Bird Art houses Mass Audubon's extensive art collection, which is shared with the public through exhibitions as well as through a wide variety of education prograArt houses Mass Audubon's extensive art collection, which is shared with the public through exhibitions as well as through a wide variety of education prograart collection, which is shared with the public through exhibitions as well as through a wide variety of education programs.

Incessant testing with no relation to the real world, the mindless collection of trivia classified as data, forcing a «business model» like Enron or Lehman Brothers or General Motors on the public schools, driving the arts and the social sciences out of the curriculum, and watching every Chancellor, Superintendent, Commissioner, and Secretary of Education promote charter schools over their own public schools at every turn.

The hotel's public areas are filled with original art — more than 500 paintings and other artworks (the largest private collection open to the public in northern Germany).

Signature features include a permanent curated art collection on view throughout the resort's public spaces and an elegant lobby with soaring ceilings and sleek Italian furnishings.

Like Gian Giacomo Poldi Pezzoli did with his Museum that, already open to the general public in Milan in 1881, is one of the most important museum houses in Europe, a good example of one of the finest 19th century collections: from the fifteenth - century Lombardy maestros (Luini, Boltraffio, Solario) to masterpieces by Pollaiolo, Piero della Francesca, Botticelli, Mantegna, Bellini and Cosmè Tura through to eighteenth - century paintings (Guardi and Canaletto) and exceptional collections of decorative arts.

Puerto Vallarta is home to some of the most prestigious art galleries in Mexico and its famous Malecon (beach boardwalk) offers an impressive collection of public art along its streets, also adorned with beautiful bronze sculptures.

Within a week of MoMA's reinstall, the Metropolitan Museum of Art unveiled «Open Access»: a shift toward becoming an ostensible museum without borders, wherein the digitized catalogue of all public domain artworks from its collection, totaling more than 375,000 images — from Japanese woodblock prints, to studies by American modernist painter Arthur Dove, to Eugène Atget's gelatin silver prints of a Haussmann - izing Paris — are now accessible and downloadable to anyone with an Internet connection, anywhere, at any time.

In September 2015, the couple decided to share their considerable collection with the public by transforming a 90 - year old building in the Short North Arts District of Columbus, Ohio, into a public gallery, complete with a sculpture garden and resource library.

Public collections with works by the artist include: MIMA the Millennium Iconoclast Museum of Art in Brussels, American Academy of Arts & Letters in New York City, Facebook Headquarters in Menlo Park, CA and Oakland Museum of California.

Highlights in the / Dialogues talks, which were presented in partnership with the School of the Art Institute of Chicago, included «Museum Models: The Global Impact of Public Collections,» moderated by Jacob Proctor and featuring Thelma Golden, Solveig Øvstebø and Franklin Sirmans on Friday and «Hans Olrich Obrist in Conversation with the Hairy Who,» with Art Green, Gladys Nilsson and Karl Wirsum on Saturday.

Her work has been exhibited with galleries in Australia, the UK and France, and acquired by private and public collections, including Charles Saatchi, David Roberts, The University of the Arts London, Artbank and The Art Gallery of South Australia.

The series is part of APF's Works on Whatever (WOW) series: a unique collection of everyday items designed by artists with sales supporting APF's non-profit mission to engage the public and expand the audience for contemporary art.

Originally from Brooklyn, with roots in Puerto Rico, her work is included in public collections such as the Whitney Museum of American Art and the Studio Museum in Harlem, and has been exhibited at venues such as the Brooklyn Museum, the High Museum in Atlanta, the Contemporary Art Museum in Houston, SNO Contemporary Art Projects in Sidney, Australia, and Peregrine Program in Chicago.

Her work is well represented in important private and public collections worldwide, including those of New York's Guggenheim Museum, and Museum of Modern Art, The New Museum, and Whitney Museum of American Art, along with the Museum of Contemporary Art, Chicago, 21st Century Museum of Art in Kanazawa, Japan, Walker Art Center in Minneapolis, Boston Museum of Fine Arts, High Museum of Art in Atlanta, GA, and the Los Angeles Museum of Contemporary Art.

Starting Point is a new annual opportunity open to recent graduate curators to work with public collections of modern and contemporary art.

Institutions with collections of Latin American art are in large part responsible for forming the public's understanding of what constitutes Latin American art.

This leaves older public art institutions with the problem of how to address the prevalence of male artists in their historic collections and exhibition programmes.

The Fondazione Merz, founded on April 2005, holds the collection of works by Mario Merz, a heritage of inestimable historic worth, with the aim of conserving and safeguarding it and making it accessible and comprehensible to the public; moreover supports the research on contemporary art and promotes cultural initiatives.

The remainder come from a mix of private and public collections, with the Whitney Museum of American Art lending one highlight: the 1958 canvas «Three Flags» done in encaustic — a traditional, wax - based medium that Mr. Johns used to create an uneven, almost rippling texture, underscoring the handmade nature of his flags.

Public art of Julian Opie is spread around the globe, from continuous animations on LCD screens such as Suzanne Walking (2002) in Dublin or Galloping Horse (2012) in Yorkshire Park, or installation Public collections, including the Tate Gallery in London, the National Museum of Art in Osaka, and the Museum of Modern Art in New York poses Opie's works from different periods.Besides the institutional frame, he has been collaborating with the famous pop band Blur, creating the cover for their Best of the album, and with a rock star Bryan Adaart of Julian Opie is spread around the globe, from continuous animations on LCD screens such as Suzanne Walking (2002) in Dublin or Galloping Horse (2012) in Yorkshire Park, or installation Public collections, including the Tate Gallery in London, the National Museum of Art in Osaka, and the Museum of Modern Art in New York poses Opie's works from different periods.Besides the institutional frame, he has been collaborating with the famous pop band Blur, creating the cover for their Best of the album, and with a rock star Bryan AdaArt in Osaka, and the Museum of Modern Art in New York poses Opie's works from different periods.Besides the institutional frame, he has been collaborating with the famous pop band Blur, creating the cover for their Best of the album, and with a rock star Bryan AdaArt in New York poses Opie's works from different periods.Besides the institutional frame, he has been collaborating with the famous pop band Blur, creating the cover for their Best of the album, and with a rock star Bryan Adams.

At the Hammer, Hodge will work closely with Cynthia Burlingham, deputy director of collections and director of the Grunwald Center for the Graphic Arts; Douglas Fogle, chief curator and deputy director of exhibitions and public programs; Anne Ellegood, senior curator; curators Ali Subotnick and Allegra Pesenti; and adjunct curator Russell Ferguson.

Featuring works from the BCMA's robust collection of American art, as well as loans from 30 prestigious public and private collections across the United States — such as The Metropolitan Museum of Art; Phillips Collection; Philadelphia Museum of Art; and Museum of Fine Arts, Boston — the exhibition provides visitors with an opportunity to consider transformations in American art across generations and traditional stylistic confinart, as well as loans from 30 prestigious public and private collections across the United States — such as The Metropolitan Museum of Art; Phillips Collection; Philadelphia Museum of Art; and Museum of Fine Arts, Boston — the exhibition provides visitors with an opportunity to consider transformations in American art across generations and traditional stylistic confinArt; Phillips Collection; Philadelphia Museum of Art; and Museum of Fine Arts, Boston — the exhibition provides visitors with an opportunity to consider transformations in American art across generations and traditional stylistic confinArt; and Museum of Fine Arts, Boston — the exhibition provides visitors with an opportunity to consider transformations in American art across generations and traditional stylistic confinart across generations and traditional stylistic confines.

With a thriving art scene and a growing collector base, Sydney is a dynamic cultural destination with an international reputation for presenting the very best in visual art through its public institutions, private collections, leading commercial galleries, and internationally renowned Biennale of Sydney, the third oldest in the woWith a thriving art scene and a growing collector base, Sydney is a dynamic cultural destination with an international reputation for presenting the very best in visual art through its public institutions, private collections, leading commercial galleries, and internationally renowned Biennale of Sydney, the third oldest in the wowith an international reputation for presenting the very best in visual art through its public institutions, private collections, leading commercial galleries, and internationally renowned Biennale of Sydney, the third oldest in the world.

Community support is essential for the Fine Arts Museums of San Francisco to fulfill its commitment to sharing our exhibitions, collections, and programs with the public.

Organized with the full support and assistance of Lewis» family, and curated by Ruth Fine, recently retired after a four - decade career at the National Gallery of Art in Washington, Procession brings together work from major public and private collections.

The Hall Art Foundation collaborates with other public institutions around the world to organize exhibitions and facilitate loans from its own collection and that of the Halls.

In addition to exhibiting and placing art works in important public and private collections, the gallery nurtures the careers of its artists, working closely with institutions to organize exhibitions, collaborations, publications, and special projects.

Beneath the Surface Much like the Rubells, Rosa and Carlos de la Cruz have a private collection that's on par with most public contemporary art museums.

Louvre Abu Dhabi first started sharing its collection with the public through an exhibition titled Talking Art: Louvre Abu Dhabi, which opened in May 2009.

As one of the most prolific artists worldwide, his photography has been exhibited internationally in both individual and group exhibitions, with works residing in many significant public and private collections including the Tate Modern and San Francisco Museum of Modern Art.

«It has an unparalleled collection of art and a deep history of helping artists develop their practice and realize ambitious projects... I am excited to begin working with Jessica and the team to guide Dia's strategic approach to exhibitions, collections, and public programs and help the institution continue to fulfill its mission.»

The Grunwald Center's comprehensive holdings of Kent's work, which includes over 1,400 serigraphs along with related drawings, sketches, and layouts, reflect the artist's desire that her work be preserved within a university art collection accessible to faculty, students, and the public for research purposes.

This online database of art in UK public collections is an important resource with scholarly and popular appeal.

As a growing university with almost 6,000 students, Winston - Salem State University is not only home to a fine department of visual arts and a world - class collection of public art by artists such as John Biggers, Mel Edwards, Beverly Buchanan and Tyrone Mitchell, it is also home to one of the South's leading showcases dedicated to African and African - American art.

In accordance with guidelines specified by the College Art Association and the Association of Art Museum Directors, images of collection objects in the Public Domain may be used for personal and educational purposes under the terms outlined at mfah.org/terms.

In our Arts Playlist, we learn more about the collection as Delaware Public Media's Kelli Steele chats with Mark Bramble and the Historic Odessa Foundation's assistant curator Brian Miller.

«Figure Study II is one of the greatest acquisitions the Contemporary Art Society has ever made and the first painting by Francis Bacon to enter a public collection in this country... Its display with Figure Study I offers a rare opportunity to understand the artist's thinking across two works from a critical moment of Bacon's career».

is a nonprofit cultural and educational institution that shares its unparalleled art collection with the public, organizes special exhibitions, and presents programming that fosters new ways of thinking about human creativity.

The PMA is pleased to welcome Director and Chief Curator of the Smith College Museum of Art and former Chief Curator of the Portland Museum of Art Jessica Nicoll and the Carolyn Muzzy Director and Chief Curator of the Colby Museum of Art Sharon Corwin in a discussion with PMA Director Mark Bessire about museum collections and how they are presented to the public.

Comprising more than 50 works with significant loans from public and private collections in the United States and Europe, «Richard Diebenkorn» demonstrates the variety and subtlety of the artist's oeuvre and reveals the vital role he played in the development of American art.

The Virginia Museum of Fine Arts has launched Evans 360º, a multidimensional learning experience that offers the public new ways to engage with the museum and its world - renowned collection.

According to the Huffington Post, the minister is working with museum sector leaders to develop a plan in which works from the government art collection would be «shared more strategically» across the country, in a range of different public buildings.

The museum attracts art lovers with exhibitions of the permanent collection, which comprises of major works by artists such as Bacon, Calder, van Gogh, Matisse and Picasso, and temporary shows with contemporary artists such as Jeff Koons and Philippe Parreno, and public art projects by Louise Bourgeois, Jenny Holzer, and other renowned artists.

In addition to advisory and curatorial services for private and public collections, Puccio Fine Art assists individuals and institutions with collection management, fine art investment portfolios, insurance valuation, authentication and provenance researArt assists individuals and institutions with collection management, fine art investment portfolios, insurance valuation, authentication and provenance researart investment portfolios, insurance valuation, authentication and provenance research.

Their help enables us to promote Donald Judd's legacy by publishing his writings, producing a catalogue raisonné, conserving our collection, and stewarding scholarship on Judd's work It is through the support of our Patrons that we are able to activate our spaces in new ways, providing a platform for public integration with the art, architecture, and design of Donald Judd.

Public collections with major holdings of D'Arcangelo's works include the Museum of Modern Art, the Whitney Museum of American Art, the Albright - Knox Art Gallery, the Hirshhorn Museum and Sculpture Garden, and the Virginia Museum of Fine Arts.

Esperanza's work is in private and public collections with a recent acquisition of three sculptures by the Art in Embassies Program for the New American Embassy in Monterey, Mexico.

While the Syracuse University Art Collection has evolved over 135 years of active collecting, its mission continues to follow Dr. Comfort's original intent: to establish a resource that provides meaningful encounters with objects through the acquisition, preservation and interpretation of the collection to the University community of students, faculty and staff, alumni, and to the region's general public.

In the early 1970s the New York — based group Experiments in Art and Technology (E.A.T.) put together a collection of some of the most important American art of the 1960s, including Pop, Minimal, and Conceptual practices, with the aim of donating it to a public museArt and Technology (E.A.T.) put together a collection of some of the most important American art of the 1960s, including Pop, Minimal, and Conceptual practices, with the aim of donating it to a public museart of the 1960s, including Pop, Minimal, and Conceptual practices, with the aim of donating it to a public museum.