Sentences with phrase «public art galleries such»
Sponsoring or becoming a member of museums and public art galleries such as The Metropolitan Museum of Art, The British National Art Gallery or the Musee de Orsay will give you access to private events and talks.
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This office building is open to the public and has hidden gems such as kids shows, theater performances, pop up shops, free fitness classes, and a fantastic art gallery!
New York, NY About Blog Asia Contemporary Art Week connects leading New York City galleries and museums in a citywide event comprising of public programs such as exhibitions, receptions, lectures and performances.
Dan Namingha best social dating app Original paintings are in public art galleries worldwide best meet me in st louis blu ray social dating app and American museums, such as the National Museum of the American Indian, Washington D.C.New York City.
Not having gallery space for such a prolonged period raised questions about how to exhibit art and educate the public without a traditional programmable space.
New York, NY About Blog Asia Contemporary Art Week connects leading New York City galleries and museums in a citywide event comprising of public programs such as exhibitions, receptions, lectures and performances.
Located a seven - minute walk from Helsinki Central Station, the hotel is ideally placed for exploring attractions such as the Ateneum art gallery on foot - allowing you to save money on public transport.
The West End also includes Downtown Napa's growing cultural attractions such as the new Uptown Theatre, which draws some of the country's greatest acts from rock, jazz, comedy and country, as well as art galleries and public art works.
Major Melbourne attractions such as Queen Victoria Markets, Melbourne Museum, National Gallery, Victorian Art Centre, Botanic Gardens, Fitzroy and Treasury Gardens are just short trips by walk or public transport.
Her work is in such public collections as The Fogg Museum at Harvard, The Yale University Art Gallery and The New York Public Lipublic collections as The Fogg Museum at Harvard, The Yale University Art Gallery and The New York Public LiPublic Library.
Miriam Schapiro's art can be found in numerous private and public collections such as: The Museum of Modern Art and The Whitney Museum of Art, New York, New York; The Boston Museum of Fine Arts, Boston, Massachusetts; The National Gallery of Art and The Hirshhorn Museum, Washington, D.C.; The La Jolla Museum of Art, La Jolla, California; The Minneapolis Institute of Art, Minneapolis, Minnesota; The Indianapolis Museum, Indianapolis, Indiaart can be found in numerous private and public collections such as: The Museum of Modern Art and The Whitney Museum of Art, New York, New York; The Boston Museum of Fine Arts, Boston, Massachusetts; The National Gallery of Art and The Hirshhorn Museum, Washington, D.C.; The La Jolla Museum of Art, La Jolla, California; The Minneapolis Institute of Art, Minneapolis, Minnesota; The Indianapolis Museum, Indianapolis, IndiaArt and The Whitney Museum of Art, New York, New York; The Boston Museum of Fine Arts, Boston, Massachusetts; The National Gallery of Art and The Hirshhorn Museum, Washington, D.C.; The La Jolla Museum of Art, La Jolla, California; The Minneapolis Institute of Art, Minneapolis, Minnesota; The Indianapolis Museum, Indianapolis, IndiaArt, New York, New York; The Boston Museum of Fine Arts, Boston, Massachusetts; The National Gallery of Art and The Hirshhorn Museum, Washington, D.C.; The La Jolla Museum of Art, La Jolla, California; The Minneapolis Institute of Art, Minneapolis, Minnesota; The Indianapolis Museum, Indianapolis, IndiaArt and The Hirshhorn Museum, Washington, D.C.; The La Jolla Museum of Art, La Jolla, California; The Minneapolis Institute of Art, Minneapolis, Minnesota; The Indianapolis Museum, Indianapolis, IndiaArt, La Jolla, California; The Minneapolis Institute of Art, Minneapolis, Minnesota; The Indianapolis Museum, Indianapolis, IndiaArt, Minneapolis, Minnesota; The Indianapolis Museum, Indianapolis, Indiana.
The artist's work has been viewed in prominent public collections such as the Metropolitan Museum of Art, New York; the Corcoran Gallery of Art, Washington, D.C.; The Museum of Fine Arts, Houston, Texas; The Nelson - Atkins Museum of Art, Kansas City, Missouri and the High Museum of Art, Atlanta, Georgia, among others.
She has participated in many group shows at venues such as the Aspen Art Museum, Colorado, Neuberger Museum of Art, Purchase, Gagosian Gallery, New York, Public Art Fund at the Metrotech Center, New York, and The Jewish Museum, New York.
SUPERFLEX are represented in several public art institutions, such as MoMA, New York; Queensland Art Gallery, Brisbane; Louisiana Museum of Modern Art, Denmark; FRAC Nord - Pas de Calais; and Coleccion Jumex, Mexico Ciart institutions, such as MoMA, New York; Queensland Art Gallery, Brisbane; Louisiana Museum of Modern Art, Denmark; FRAC Nord - Pas de Calais; and Coleccion Jumex, Mexico CiArt Gallery, Brisbane; Louisiana Museum of Modern Art, Denmark; FRAC Nord - Pas de Calais; and Coleccion Jumex, Mexico CiArt, Denmark; FRAC Nord - Pas de Calais; and Coleccion Jumex, Mexico City.
Showcasing works that have transformed the public space of the city and also altered public expectations and the role of art outside the museums and galleries, the exhibition will include renderings, models, photographs and video footage of work by artists such as Red Grooms, Christo and Jeanne - Claude, and Kara Walker, among others.
Engaging and surreal, walking into what feels like such a private space in one of the most public environments in the art world, this stand has more detail than most artworks — worth a visit of its own, it would be worth the gallery creating this installation around the world.
As curator of this university contemporary art gallery for over four years, Blackson initiated a public art program, international publishing house, and numerous solo exhibitions with artists such as Jimmie Durham, Minerva Cuevas, Christoph Büchel, Brian Chippendale, Julianne Swartz, Anthony McCall, Harry Smith, and Big Chief of the Yellow Pocahontas Mardi Gras Indian Tribe, Darryl Montana.
Her work is held in various prestigious public collections such as the Museum of Modern Art, New York, Walker Art Center, Minneapolis; San Francisco Museum of Modern Art, New York; Corcoran Gallery of Art, Washington D.C. and Tate Gallery, London.
He is featured in a number of prominent public collections, including the Smithsonian, the Heckscher Museum, San Francisco Museum of Modern Art, the Grey Art Gallery at New York University, the Montclair Museum of Art, and such university museums as Brown University, the University of Greensboro and Tufts University.
Public art of Julian Opie is spread around the globe, from continuous animations on LCD screens such as Suzanne Walking (2002) in Dublin or Galloping Horse (2012) in Yorkshire Park, or installation Public collections, including the Tate Gallery in London, the National Museum of Art in Osaka, and the Museum of Modern Art in New York poses Opie's works from different periods.Besides the institutional frame, he has been collaborating with the famous pop band Blur, creating the cover for their Best of the album, and with a rock star Bryan Adaart of Julian Opie is spread around the globe, from continuous animations on LCD screens such as Suzanne Walking (2002) in Dublin or Galloping Horse (2012) in Yorkshire Park, or installation Public collections, including the Tate Gallery in London, the National Museum of Art in Osaka, and the Museum of Modern Art in New York poses Opie's works from different periods.Besides the institutional frame, he has been collaborating with the famous pop band Blur, creating the cover for their Best of the album, and with a rock star Bryan AdaArt in Osaka, and the Museum of Modern Art in New York poses Opie's works from different periods.Besides the institutional frame, he has been collaborating with the famous pop band Blur, creating the cover for their Best of the album, and with a rock star Bryan AdaArt in New York poses Opie's works from different periods.Besides the institutional frame, he has been collaborating with the famous pop band Blur, creating the cover for their Best of the album, and with a rock star Bryan Adams.
The house would have a two - level basement, closed to the public, conceived as an underground studio where he would make his art — a secret lair and such a natural extension of his overall artistic project that it seems like some kind of joke (it is tempting to think of it as a real - life «Fortress of Solitude,» Superman's hideout, which Kelley constructed in three - dimensional form and used as the central image in his final solo exhibition last September at the Gagosian Gallery in London).
Kozloff's work is included in public collections such as the Brooklyn Museum of Art, NY; Los Angeles County Museum of Art, CA; Metropolitan Museum of Art, NY; Museum of Modern Art, NY; National Gallery of Art, Washington, D.C.; and Whitney Museum of American Art, NY.
She has exhibited at such venues as the 2011 Istanbul Biennial, Turkey; the Manifesta 9 Biennial, Belgium; the Getty Center, Los Angeles; Atlanta Contemporary Arts Center; Rowan University, New Jersey; SUNY, New York; galleries in Los Angeles, Düsseldorf, Belgrade, and Tijuana; and many other public sites and institutions.
His work is in the permanent collections of public institutions such as Albright - Knox Art Gallery, Buffalo, NY; The Baltimore Museum of Art, Baltimore, MD; The Denver Art Museum, Denver, CO; Indianapolis Museum of Art, Indianapolis, IN; Lehmbruck Museum, Duisburg, Germany; Museo de Arte Moderno, Bogota, Colombia; Metropolitan Museum of Art, New York, NY; Museum of Contemporary Art, Chicago, IL; The Museum of Modern Art, NY; Museo de Ponce, Ponce, Puerto Rico; Pasadena Museum, Pasadena, CA; Philadelphia Museum of Art, Philadelphia, PA; Rhode Island School of Design, Providence, RI; and Whitney Museum of American Art, New York, NY, and others.
His work is in public collections such as The Albright Knox Gallery, The Everson Museum of Art, and The Chrysler Museum of Art.
Miyajima's work is included in numerous public and private collections around the world, such as Benesse Art Site (Naoshima, Japan), Chiba City Museum of Art (Japan), Contemporary Art Museum (Kumamoto, Japan), Dallas Museum of Art (US), Dannheisser Foundation (New York, US), Denver Art Museum (US), DESTE Foundation for Contemporary Art (Athens), Goetz Collection (Munich, Germany), Group Home Sala (Akita, Japan), FARET Tachikawa (Tokyo), Fondation Cartier pour l'art contemporain (Paris), Foundation Teseco per l'Arte (Pisa, Italy), Hara Museum of Contemporary Art (Tokyo), Hiroshima City Museum of Contemporary Art (Japan), Iwaki City Art Museum (Fukushima, Japan), Izumi City Plaza (Osaka, Japan), Kunisaki City (Japan), Kunstmuseum Bern, Kunstmuseum Stuttgart (Germany), la Caixa Collection of Contemporary Art (Barcelona, Spain), Museum of Contemporary Art (Chicago, US), Museum of Contemporary Art Tokyo, Modern Art Museum of Fort Worth (Texas, US), Museum of Modern Art (Saitama, Japan), Museum of Modern Art (Shiga, Japan), Nagoya City Art Museum (Japan), National Gallery of Canada (Ottawa), National Museum of Modern Art (Kyoto, Japan), Samsung Foundation for Culture (Seoul), San Francisco Museum of Modern Art (US), Schweizerische Mobiliar Genossenschaft Collection (Bern), Staatsgalerie Moderne Kunst (Munich), Taipei Fine Arts Museum, Tate Collection (London), Tokyo Opera City Art Gallery, Toyota Municipal Museum of Art (Aichi, Japan), TV Asahi Corporation (Tokyo), and Université de Genève (Switzerland).
Simone Leigh's sculpture, as well as her recent social practice — related work, such as The Free People's Medical Clinic (2014) and The Waiting Room (2016), locates experiential activities geared toward communities of color within museums and art galleries, which are sometimes viewed as elitist by the general public.
His works are included in public collections in over 40 museums in the world such as, The Museum of Modern Art, The Metropolitan Museum of Art, The National Gallery of Art, National Gallery of Australia, Tate Gallery in United Kingdom, and The Uffizi Gallery in Italy.
St. Louis Public Radio covers a selection of new African American art exhibitions on view in the city, including «Hands Up, Don't Shoot,» a direct response to the Michael Brown killing organized by the Alliance of Black Gallery owners and on view at 14 venues; «Other Ways» at Philip Slein Gallery featuring than 60 works from local private collections by artists such as Radcliffe Bailey, Dawoud Bey, Mark Bradford, Ellen Gallagher, Kara Walker and Kehinde Wiley; «Living Like Kings» at the World Chess Hall of Fame explores the intersection of chess and hip hop; and a presentation of Nick Cave «s Sound Suits at the St. Louis Art Museum opening Oct. art exhibitions on view in the city, including «Hands Up, Don't Shoot,» a direct response to the Michael Brown killing organized by the Alliance of Black Gallery owners and on view at 14 venues; «Other Ways» at Philip Slein Gallery featuring than 60 works from local private collections by artists such as Radcliffe Bailey, Dawoud Bey, Mark Bradford, Ellen Gallagher, Kara Walker and Kehinde Wiley; «Living Like Kings» at the World Chess Hall of Fame explores the intersection of chess and hip hop; and a presentation of Nick Cave «s Sound Suits at the St. Louis Art Museum opening Oct. Art Museum opening Oct. 31.
Her work is held in public collections such as the Walker Art Center, Minneapolis; Museum of Modern Art, New York; Corcoran Gallery of Art, Washington D.C. and Tate Gallery, London.
Her work is in major public collections such as the Canada Council Art Bank, Glenbow Museum, Mendel Art Gallery, The National Gallery of Canada, Nickle Arts Museum, University of Lethbridge and Vancouver Art Gallery.
Her artwork has been shown nationally and internationally at venues such as EXIT Art Gallery, New York; Art Mûr Gallery, Montreal; The Drake Hotel, Toronto; La Jolla Projects, Chicago; Cottage Home Gallery, Los Angeles; Monte Vista Projects, Los Angeles; Public Fiction, Los Angeles; and The Los Angeles Convention Center.
The weekend before this year's Art Basel, the Löwenbräu art center in Zürich (Switzerland) opened its doors so the public could see the renovated and restructured building that houses art galleries and institutions such as Kunsthalle Zürich, Luma Westbau / Pool etc., Migros Museum für Gegenwartskunst, Galerie Bob van Orsouw, Galerie Freymond - Guth, and Hauser & WirArt Basel, the Löwenbräu art center in Zürich (Switzerland) opened its doors so the public could see the renovated and restructured building that houses art galleries and institutions such as Kunsthalle Zürich, Luma Westbau / Pool etc., Migros Museum für Gegenwartskunst, Galerie Bob van Orsouw, Galerie Freymond - Guth, and Hauser & Wirart center in Zürich (Switzerland) opened its doors so the public could see the renovated and restructured building that houses art galleries and institutions such as Kunsthalle Zürich, Luma Westbau / Pool etc., Migros Museum für Gegenwartskunst, Galerie Bob van Orsouw, Galerie Freymond - Guth, and Hauser & Wirart galleries and institutions such as Kunsthalle Zürich, Luma Westbau / Pool etc., Migros Museum für Gegenwartskunst, Galerie Bob van Orsouw, Galerie Freymond - Guth, and Hauser & Wirth.
Whitney's work is included in public collections such as the Nelson - Atkins Museum of Art, Kansas City, the Philadelphia Museum of Art and Yale University Art Gallery, New Haven.
Through the gallery, represented artists» works have been placed in various public collections such as the Guggenheim Museum, the Whitney Museum of American Art, the Benton Museum, Public Library of New York, the Contemporary Museum of Photography, The Philbrook Museum of Art, Rhode Island Museum of Art, the Minneapolis Institute of Art, El Museo del Barrio, and the Kadist Art Foundpublic collections such as the Guggenheim Museum, the Whitney Museum of American Art, the Benton Museum, Public Library of New York, the Contemporary Museum of Photography, The Philbrook Museum of Art, Rhode Island Museum of Art, the Minneapolis Institute of Art, El Museo del Barrio, and the Kadist Art FoundPublic Library of New York, the Contemporary Museum of Photography, The Philbrook Museum of Art, Rhode Island Museum of Art, the Minneapolis Institute of Art, El Museo del Barrio, and the Kadist Art Foundation.
Her work has exhibited internationally at galleries, film festivals and venues such as Vitrine Gallery (London), Public Fiction (Los Angeles), Storefront for Art and Architecture, Anthology Film Archives (New York), and Antimatter Film Festival (Canada).
He has had solo shows at Fringe Exhibitions, Los Angeles (2007), bitforms gallery, New York (2006), Kunsthalle Loppem, Belgium (1995), Lisson Gallery, London (1994), Barbara Gladstone Gallery, New York (1991, 1993 and 1994) and has been included in group exhibitions such as Illiterature, Arena 1 Gallery, Santa Monica (2009), Beneath the Underdog, Gagosian Gallery, New York (2007), CUT / FILM Film as Found Object in Contemporary Video, MOCA, North Miami (2004), Public Offerings, Los Angeles Museum of Contemporary Art, Los Angeles (2001), 1993 Biennial Exhibition, Whitney Museum of American Art, New York gallery, New York (2006), Kunsthalle Loppem, Belgium (1995), Lisson Gallery, London (1994), Barbara Gladstone Gallery, New York (1991, 1993 and 1994) and has been included in group exhibitions such as Illiterature, Arena 1 Gallery, Santa Monica (2009), Beneath the Underdog, Gagosian Gallery, New York (2007), CUT / FILM Film as Found Object in Contemporary Video, MOCA, North Miami (2004), Public Offerings, Los Angeles Museum of Contemporary Art, Los Angeles (2001), 1993 Biennial Exhibition, Whitney Museum of American Art, New York Gallery, London (1994), Barbara Gladstone Gallery, New York (1991, 1993 and 1994) and has been included in group exhibitions such as Illiterature, Arena 1 Gallery, Santa Monica (2009), Beneath the Underdog, Gagosian Gallery, New York (2007), CUT / FILM Film as Found Object in Contemporary Video, MOCA, North Miami (2004), Public Offerings, Los Angeles Museum of Contemporary Art, Los Angeles (2001), 1993 Biennial Exhibition, Whitney Museum of American Art, New York Gallery, New York (1991, 1993 and 1994) and has been included in group exhibitions such as Illiterature, Arena 1 Gallery, Santa Monica (2009), Beneath the Underdog, Gagosian Gallery, New York (2007), CUT / FILM Film as Found Object in Contemporary Video, MOCA, North Miami (2004), Public Offerings, Los Angeles Museum of Contemporary Art, Los Angeles (2001), 1993 Biennial Exhibition, Whitney Museum of American Art, New York Gallery, Santa Monica (2009), Beneath the Underdog, Gagosian Gallery, New York (2007), CUT / FILM Film as Found Object in Contemporary Video, MOCA, North Miami (2004), Public Offerings, Los Angeles Museum of Contemporary Art, Los Angeles (2001), 1993 Biennial Exhibition, Whitney Museum of American Art, New York Gallery, New York (2007), CUT / FILM Film as Found Object in Contemporary Video, MOCA, North Miami (2004), Public Offerings, Los Angeles Museum of Contemporary Art, Los Angeles (2001), 1993 Biennial Exhibition, Whitney Museum of American Art, New York (1993).
His work is in many public collections such as in the Cleveland Museum of Art, US; Kemper Museum of Contemporary Art, KC, US; and the National Portrait Gallery, London, UK.
Meg Shiffler presented several past and future projects that she organized at the San Francisco Arts Commission Gallery that highlighted local communities or sociopolitical circumstances such as the yearlong engagement (exhibitions and public programs) around the fact that San Francisco is a «Sanctuary City» and is defiantly refusing to comply with the Trump administration's request for personal documents related to its immigrant populations.
His work is in public collections such as the Albright Knox Gallery (Buffalo), the Everson Museum of Art (Syracuse) and the Chrysler Museum of Art (Norfolk, Virginia).
Shikeith's public programs and group and solo exhibitions have been held at national and international venues such as the MAK Gallery in London; the Wright Museum of African American History in Detroit; MoMA, the Aperture Foundation, and the Vera List Center in New York City; Pittsburgh's Kelly - Strayhorn Theatre; Massachusetts Institute of Technology (MIT); Morehouse College in Atlanta; the Seattle Art Museum; and the Wrocław Contemporary Museum in Poland, among others.
His paintings, sculptures, public art projects, and performance and sound installations have been exhibited at spaces such Beep Beep Gallery, Barbara Archer Gallery, Eyedrum and the Atlanta BeltLine.
His exhibitions and public programmes were presented at venues such as The Kitchen (New York), Värmlands Museum (Karlstad), National Gallery of Art (Washington, DC), Contemporary Arts Center (New Orleans), Gallery 400 (Chicago), and Akademie der Künste (Berlin).
Such is the expansion and the growth of both the London art market and parallel exhibition gallery activity that a smaller institution such as the Serpentine Gallery, offering many free - access public exhibitions (as a registered charity), has to rely, like major galleries, on the profit element in the provision of restaurant facilities of a high orSuch is the expansion and the growth of both the London art market and parallel exhibition gallery activity that a smaller institution such as the Serpentine Gallery, offering many free - access public exhibitions (as a registered charity), has to rely, like major galleries, on the profit element in the provision of restaurant facilities of a highgallery activity that a smaller institution such as the Serpentine Gallery, offering many free - access public exhibitions (as a registered charity), has to rely, like major galleries, on the profit element in the provision of restaurant facilities of a high orsuch as the Serpentine Gallery, offering many free - access public exhibitions (as a registered charity), has to rely, like major galleries, on the profit element in the provision of restaurant facilities of a highGallery, offering many free - access public exhibitions (as a registered charity), has to rely, like major galleries, on the profit element in the provision of restaurant facilities of a high order.
There are many private art museums in the District of Columbia, which house major collections and exhibits open to the public such as the National Museum of Women in the Arts; the Corcoran Gallery of Art, the largest private museum in Washington; [153] and The Phillips Collection in Dupont Circle, the first museum of modern art in the United Statart museums in the District of Columbia, which house major collections and exhibits open to the public such as the National Museum of Women in the Arts; the Corcoran Gallery of Art, the largest private museum in Washington; [153] and The Phillips Collection in Dupont Circle, the first museum of modern art in the United StatArt, the largest private museum in Washington; [153] and The Phillips Collection in Dupont Circle, the first museum of modern art in the United Statart in the United States.
In addition to participating in prestigious group exhibitions such as DocumentaVIII and IX, Oursler's work is included in many public collections worldwide, including the Hirshhorn Museum and Sculpture Garden, Washington, DC; Centre Georges Pompidou, Paris; Museum of Modern Art, New York; National Museum of Osaka, Japan; Tate Gallery, London; Van Abbemuseum, Eindhoven and ZMK / Center for Art & Media, Karlsruhe, Germany.
His innovative work is represented in public collections in the UK and abroad such as Crafts Council Collection, Leeds Art Gallery and Museum of Arts and Design, New York.
His innovative work is represented in public collections in the UK and abroad such as Crafts Council Collection, Leeds Art Gallery and Museum of...
Public Art Fund director Rochelle Steiner, Detroit - based collector Burt Aaron, and other dealers eager to find new artists, such as James Cohan Gallery's Elyse Goldberg, squeezed past one another in the aisles.
Uecker's work is included in numerous public institutions such as the Albright - Knox Art Gallery, Buffalo; Tate Modern, London; Museum of Modern Art, New York; Georges Pompidou Centre, Paris; and the Peggy Guggenheim Collection, Venice, Italy.