Sentences with phrase «public art organizations including»

In September 2001, LaVerdiere and Myoda collaborated, along with a team of architects and public art organizations including Creative Time and the Municipal Arts Society, to create Tribute in Light, a light memorial for the victims of the World Trade Center collapse.

In September 2001, LaVerdiere and fellow artist Paul Myoda collaborated with a team of architects, public art organizations including Creative Time and The Municipal Arts Society and The New York City Mayor's Office, to create The Tribute in Light.

Not exact matches

The mayor's plan amounts to $ 26 million and is said to include funding for major infrastructure improvements, public safety, cultural organizations, arts, libraries and parks.

Ms. Sanford began her career as a public school teacher, which led to a senior executive career that spans more than 28 years, with 22 years as the President and CEO of nonprofit / public organizations that include the Arts and Science Council in Charlotte, NC, and the Fulton County Arts Council in GA..

The CPS Arts Education Plan was developed through more than 25 community engagement sessions with key stakeholders including principals, teachers, parents, students, arts and cultural organizations and the general pubArts Education Plan was developed through more than 25 community engagement sessions with key stakeholders including principals, teachers, parents, students, arts and cultural organizations and the general pubarts and cultural organizations and the general public.

In March 1962, five Rhode Island veterinarians founded the Rhode Island Veterinary Medical Association (RIVMA) as a non-profit organization dedicated to advancing the science and art of veterinary medicine, including its relationship to public health and agriculture.

While Johnson's works are grounded in a dialogue with modern and contemporary art history, specifically abstraction and appropriation, they also give voice to an Afro - futurist narrative in which the artist commingles references to experimental musician Sun Ra, jazz great Miles Davis, and rap group Public Enemy, to name just a few, with various symbols including that of Sigma Pi Phi (also known as the Boulé), the first African American Greek - letter organization, and writings by civil rights activist W. E. B. Du Bois, among others.

Those organizations include: Texas Commission on the Arts, Texas Film Commission, Texas Mountain Trail, Chinati Foundation, Judd Foundation, Marfa Public Radio, CineMarfa Film Festival, Marfa I.S.D., Marfa Public Library, Marfa Book Co., Blackwell School Alliance, UT McDonald Observatory, C3 Presents, and El Paso Opera.

18th Street's programs include residencies for Los Angeles artists and arts organizations, residencies for international visiting artists, two galleries for visual arts exhibitions, and free art events for the public.

Prior to Performa, he worked at the public art organization Creative Time; his recent projects include the first New York public art quadrennial, Plot09: This World & Nearer Ones; Hey Hey Glossolalia: Exhibiting the Voice, and the Russian and South American touring show Electric Earth: Film & Video from Britain for the British Council.

Public Art Fund is a non-profit organization supported by contributions from individuals, foundations, corporations, and with funds from government agencies, including the New York City Department of Cultural Affairs in partnership with the City Council.

Their programming includes networking, training programs, research, public performance and collaborations with other cultural arts organizations and artists of various disciplines.

The 1,195 grants in this round are distributed under the categories of Art Works II, which funds the creation of art that encourages public engagement, lifelong learning, and community building; Our Town, a creative placemaking program that supports partnerships of artists, arts organizations, and municipal government to revitalize neighborhoods; Research: Art Works; and includes state and regional arts agenciArt Works II, which funds the creation of art that encourages public engagement, lifelong learning, and community building; Our Town, a creative placemaking program that supports partnerships of artists, arts organizations, and municipal government to revitalize neighborhoods; Research: Art Works; and includes state and regional arts agenciart that encourages public engagement, lifelong learning, and community building; Our Town, a creative placemaking program that supports partnerships of artists, arts organizations, and municipal government to revitalize neighborhoods; Research: Art Works; and includes state and regional arts agenciArt Works; and includes state and regional arts agencies.

Before the High Line, Hammond supported the launch of online businesses in the public health and travel commerce industries, and worked as a consultant for an array of organizations, including the Times Square Alliance, and Alliance for the Arts.

Founded and led by artist Theaster Gates, Rebuild is part of a network of sister organizations, including Arts + Public Life, Place Lab, and the Space Fund, that collaborate to extend the social engagement of Gates» studio practice to the South Side of Chicago and beyond.

Rodrigues Widholm has served as a juror and panelist for numerous organizations including the Headlands Arts Center, Creative Capital, New American Paintings, and been a visiting critic, graduate advisor, given numerous public talks, and has written extensively on contemporary art.

Additional organizations include Altered Esthetics, Artistry, Bryant Lake Bowl, Carleton College, Christensen Gallery at Augsburg College, Concordia University Gallery, Gamut Gallery, Highpoint Center for Printmaking, Hopkins Center for the Arts, Instinct Gallery, Intermedia Arts, Juxtaposition Arts, Minnesota Museum of American Art, Public Functionary, Soo Visual Arts Center, St. Olaf College, The Soap Factory, Third Place Gallery, and Waiting Room.

The gallery's dynamic approach to fostering artistic growth includes the presentation of compelling exhibitions, and collaborations with public institutions, professional art organizations, and collectors, both locally and internationally.

And here's the thing, unlike most no - profit art organizations, including museums, public art studios and such things, the Joan Mitchell Foundation doesn't compete for state, federal or private funds.

She is also an arts worker, with administrative and curatorial experience at various non-profit arts organizations, including the Oakland Museum of California, Machine Project, Momenta Art, Bronx Museum of the Arts, and most recently, at Clockshop, as Director of Public Prograrts worker, with administrative and curatorial experience at various non-profit arts organizations, including the Oakland Museum of California, Machine Project, Momenta Art, Bronx Museum of the Arts, and most recently, at Clockshop, as Director of Public Prograrts organizations, including the Oakland Museum of California, Machine Project, Momenta Art, Bronx Museum of the Arts, and most recently, at Clockshop, as Director of Public ProgrArts, and most recently, at Clockshop, as Director of Public Programs.

In 2017, with the collaboration of Federico Sardella, the art historian who orginally began to archive Simeti's work on canvas, Dep Art will publish the Simeti Catalogue Raisonné, edited by Skira.In addition to its exhibition activity, Dep Art is active in the promotion and organization of initiatives in public institutions and galleries, both in Italy and internationally.The most important exhibitions include those dedicated to Mario Nigro (2017, 2006), Henk Peeters and Jan Schoonhoven (2017), Alberto Biasi (2016, 2013), Emilio Scanavino (2016, 2012, 2008), Turi Simeti (2015, 2013), Pino Pinelli (2015), Ludwig Wilding (2014, 2013), Salvo (2017, 2010, 2007) and Emilio Vedova (201art historian who orginally began to archive Simeti's work on canvas, Dep Art will publish the Simeti Catalogue Raisonné, edited by Skira.In addition to its exhibition activity, Dep Art is active in the promotion and organization of initiatives in public institutions and galleries, both in Italy and internationally.The most important exhibitions include those dedicated to Mario Nigro (2017, 2006), Henk Peeters and Jan Schoonhoven (2017), Alberto Biasi (2016, 2013), Emilio Scanavino (2016, 2012, 2008), Turi Simeti (2015, 2013), Pino Pinelli (2015), Ludwig Wilding (2014, 2013), Salvo (2017, 2010, 2007) and Emilio Vedova (201Art will publish the Simeti Catalogue Raisonné, edited by Skira.In addition to its exhibition activity, Dep Art is active in the promotion and organization of initiatives in public institutions and galleries, both in Italy and internationally.The most important exhibitions include those dedicated to Mario Nigro (2017, 2006), Henk Peeters and Jan Schoonhoven (2017), Alberto Biasi (2016, 2013), Emilio Scanavino (2016, 2012, 2008), Turi Simeti (2015, 2013), Pino Pinelli (2015), Ludwig Wilding (2014, 2013), Salvo (2017, 2010, 2007) and Emilio Vedova (201Art is active in the promotion and organization of initiatives in public institutions and galleries, both in Italy and internationally.The most important exhibitions include those dedicated to Mario Nigro (2017, 2006), Henk Peeters and Jan Schoonhoven (2017), Alberto Biasi (2016, 2013), Emilio Scanavino (2016, 2012, 2008), Turi Simeti (2015, 2013), Pino Pinelli (2015), Ludwig Wilding (2014, 2013), Salvo (2017, 2010, 2007) and Emilio Vedova (2010).

The Brooklyn Rail is distributed in galleries, universities, museums, bookstores, and other organizations including Anthology Film Archives, the Brooklyn Public Library, the Brooklyn Museum, MoMA PS1, BAM, Printed Matter, Inc., The Kitchen, Columbia University School of the Arts, The New School, and Yale University, among others.

MOCA GA has a wide range of educational programs available to the public including Draw@MOCA, a monthly art workshop lead by guest Georgia artists, ArtMERGE, a series of field trips to artist's studios and art organizations in Georgia, YOGA@MOCA, as well as artist talks and panel discussions that accompany exhibitions.

Today's funding trends such as Creative Place - making, made possible through partnership enterprises among foundation, governmental, and financial - sector support, such as ArtPlace America, are concentrated on giving art and artists opportunities in diverse communities yet also require artists and arts organizations to think through an entrepreneurial frame by integrating their initiatives into their community's economic development and community revitalization strategies and having the potential to attract additional private and public support of the community.3 Is this a worthy challenge of contemporary arts insularity or does it discount subversive and against - the - grain art production, made by and for art communities, including that which is made within and by these same diverse communities that are being targeted by new funding initiatives as in need of help in the form of artistic interventions?

The show also includes a few artist - run organizations: the project space and journal Public Fiction; the Chinatown radio station KChung; and The Los Angeles Museum of Art, a micro-gallery in Eagle Rock not to be confused with the much larger county museum of a similar name.

Designed specifically for non-profit arts organizations, the Art Basel Crowdfunding Initiative will offer visibility and support for a wide variety of artistic projects, including non-profit exhibitions, public installations, films, artist books, education programs, artist residencies, talks, conservation and archiving, and other innovative art projecArt Basel Crowdfunding Initiative will offer visibility and support for a wide variety of artistic projects, including non-profit exhibitions, public installations, films, artist books, education programs, artist residencies, talks, conservation and archiving, and other innovative art projecart projects.

A large collaborative initiative that is founded and directed by the New Museum, and involves scores of downtown organizations, including universities, arts institutions, and community groups, the Festival serves as a platform for artists, writers, architects, engineers, designers, urban farmers, planners, and thought leaders to exchange ideas, propose solutions, and invite the public to participate.

As director, and previously as general manager, of Experimenta Media Arts in Melbourne, Australia, Mizuik has been instrumental in shaping that preeminent media arts organization's activities, including strategic and creative planning, curation and the implementation of a range of artistic, public and educational progrArts in Melbourne, Australia, Mizuik has been instrumental in shaping that preeminent media arts organization's activities, including strategic and creative planning, curation and the implementation of a range of artistic, public and educational prograrts organization's activities, including strategic and creative planning, curation and the implementation of a range of artistic, public and educational programs.

Pasternak is, in her own words, a «populist,» one who's decorated career includes staging Paul Chan's Waiting for Godot in New Orleans and helping to organize Kara Walker's sugar sphinx in Williamsburg, all under the auspices of the public art organization Creative Time.

Necessary attention is also given to the works and actions of Gran Fury and ACT UP, as well as to the ongoing work of the Visual AIDS organization, which since 1988 has sponsored public art campaigns, including Day Without Art (1989), the iconic red AIDS ribbon (1991), and freely distributed AIDS - awareness broadsides designed by the likes of Barbara Kruger and Glenn Ligon (199art campaigns, including Day Without Art (1989), the iconic red AIDS ribbon (1991), and freely distributed AIDS - awareness broadsides designed by the likes of Barbara Kruger and Glenn Ligon (199Art (1989), the iconic red AIDS ribbon (1991), and freely distributed AIDS - awareness broadsides designed by the likes of Barbara Kruger and Glenn Ligon (1992).

In recent years, CCNY Art Department faculty members shaped organizations including Public Art Dialogue and contributed to major exhibitions at institutions including the Museum of Modern Art and the Whitney Museum of American Art.

Over the years, owens has worked with many Oklahoma organizations including Allied Arts, Arts Council Oklahoma City, Downtown OKC, Inc., Individual Artists of Oklahoma, Oklahoma Arts Council, Oklahoma City Public Schools, Oklahoma Contemporary, Oklahomans for the Arts, Oklahoma Visual Arts Coalition, Paseo Arts Association, and Plaza District.

I'm currently an artist - member of Vox Populi and public art project manager at Mural Arts Philadelphia, and have previously worked with non-profit arts organizations in the Bay Area and Seattle, including Headlands Center for the Arts, San Francisco Arts Commission Galleries, and Southern Exposure, among othArts Philadelphia, and have previously worked with non-profit arts organizations in the Bay Area and Seattle, including Headlands Center for the Arts, San Francisco Arts Commission Galleries, and Southern Exposure, among otharts organizations in the Bay Area and Seattle, including Headlands Center for the Arts, San Francisco Arts Commission Galleries, and Southern Exposure, among othArts, San Francisco Arts Commission Galleries, and Southern Exposure, among othArts Commission Galleries, and Southern Exposure, among others.

Since then, the organization has collaborated with many artists, including Marina Abramovic, Laurie Anderson, Doug Aitken and Takashi Murakami, to create engaging and surprising works of public art.

As part of its CreateNYC cultural plan, New York City today announced seven projects designated for grants to either create or continue partnerships between arts organizations and city agencies in the interest of, according to a press release, «bringing the unique benefits of arts and culture to help address pressing civic issues including public health and safety, domestic violence, literacy, planning, immigration, and criminal justice.»

Artsy hosts select benefit auctions to support important nonprofit organizations, including the Whitney Museum of American Art, the Brooklyn Museum, the Watermill Center, Public Art Fund, TWO x TWO for AIDS and Art, and Independent Curators International.

The public - art organization Slow Space asked Franceschini to launch something similar in Oslo, so she called upon some of her favorite collaborators, including architect Lode Vranken and chef Boris Portnoy, to help her.

Our pro bono program has received numerous awards from legal service organizations, including Pro Bono Project, California Lawyers for the Arts, Public Interest Law Firm and the Santa Clara County Bar Association.

Founded in 2012, 10x10 offers an ongoing multi-platform series of public photobook events, including reading rooms, salons, publications, and partnerships with art organizations and institutions.

Sectors of impact include public health and health care systems, education and community - based organizations, business and economics and arts and entertainment.