Sentences with phrase «public art piece on»

Early on, some residents had discussed the possibility of creating a public art piece on the coal silo.

While you're in the area, take time to admire the new public art piece on the Greenway from local Janet Echelman.

Not exact matches

Look up and you'll notice stunning pieces of public art suspended from the ceiling and painted on the walls.

Visit Good to read about how Tan's work was installed as a public art piece in NYC, and get a free screensaver of the Nature Matching System on Tan's website.

Comicpalooza started in a theater during the movie premier of the Dark Knight and to commemorate our 10th anniversary, Discovery Green, across the Avenida from the George R. Brown Convention Center, will be showing the movie Friday night at 8:00 p.m. New this year for gamers is a watch party for the Houston Outlaws as the Overwatch team battles the San Francisco Shock Friday, May 25th at 10:00 p.m. Saturday night, you can party with us on the plaza for another public event at the After Party on the Avenida with special guests Ghostland Observatory, while inside guests can wander through a Live Art auction as artists create original pieces before our eyes.

Ahead of the auction's catalog being made public this coming Monday, we've got our hands on several pieces of Kurtzman's creature concept art, some of it depicting blood - sucking creatures that never actually ended up making it into the film — at least not as originally designed.

After having promised the public a serious forum for research, he quickly had been forced to scale the magazine back when the publisher demanded fewer pieces on new ideas and more on social comings and goings and the arts.

I have a solo exhibition titled «Charge Your Self,» which will be going live at Chandran Gallery in San Francisco on July 13, and a public art piece I will be working on in downtown Denver.

Permanent works and public projects include Streetcar Stop for Portland, Regional Arts and Culture Council, Portland (2014); Plat 99, Bar and Lounge designed for The Alexander Hotel, Indianapolis, (2013); Tecoh, private residence, Yucatán (2012); Untitled (reinstallation of the Latin American Galleries), LACMA Los Angeles County Museum of Art, Los Angeles, US (2008); Untitled (Guadalajara Light Piece), Solares Foundation, Guadalajara (2005); House for Cesar and Mimi Reyes, Old San Juan (2004); Project, a reimagining of the lobby and new bookshop for Dia Art Foundation Chelsea, New York, US (2000); 4166 Sea View Lane, a proposal as part of an exhibition for LA MoCA to build an artist's house on a hillside in Mount Washington, Los Angeles, for which Pardo designed every element of the building (completed 1998).

On «A Subtlety,» Kara Walker's first public art work, a monumental sugar sphinx on view over the summer in Brooklyn «I was a little disappointed with Kara Walker's piece that she did for the former Domino Sugar factorOn «A Subtlety,» Kara Walker's first public art work, a monumental sugar sphinx on view over the summer in Brooklyn «I was a little disappointed with Kara Walker's piece that she did for the former Domino Sugar factoron view over the summer in Brooklyn «I was a little disappointed with Kara Walker's piece that she did for the former Domino Sugar factory.

Aligning his status as a young artist with that of the fly - by - night businesses usually advertised on telephone poles, the signs are an invitation to the public to call him at his personal number to discuss art or create an art piece based upon the client's choice.

The hotel invited Art Production Fund, a non-profit art organization dedicated to producing public works and expanding the audience for contemporary art, to bring together a range of talent to collaborate on a single pieArt Production Fund, a non-profit art organization dedicated to producing public works and expanding the audience for contemporary art, to bring together a range of talent to collaborate on a single pieart organization dedicated to producing public works and expanding the audience for contemporary art, to bring together a range of talent to collaborate on a single pieart, to bring together a range of talent to collaborate on a single piece.

From Jackson Pollock to Helen Frankenthaler to Clyfford Still, the gallery provided countless of breath - taking art pieces to its viewers, allowing the public to analyse, judge and infer their own view on distant artists» dramatic emotion.

Drop - in for informal gallery talks with artists Marta Chilindron and Michael Kelly Williams, and experience Miguel Luciano's public art piece, Pimp my Piragua on the Lenfest plaza.

In it's 4th year since being resurrected, EXPO Chicago has been gaining steam attracting major sponsors including returning presenting sponsor Northern Trust Bank, Tiffany & Co., Rolls - Royce, and to kick it off on the evening of Thursday, September 17, the Women's Board of Museum of Contemporary Art (MCA) Chicago hosted the preview night that drew over 7,000 people which included VIPs and the see and be scene crowd checking out the available art pieces from the showing galleries before the general publArt (MCA) Chicago hosted the preview night that drew over 7,000 people which included VIPs and the see and be scene crowd checking out the available art pieces from the showing galleries before the general publart pieces from the showing galleries before the general public.

In 1952 when the curator of the Batley Art Gallery accepted the piece as a gift from the Contemporary Art Society on behalf of Batley, it became the second work by Bacon to enter a public collection, the first being Painting, 1946 acquired by the Museum of Modern Art in New York.

All work in the 100 Projects will be displayed on our digital gallery platform and a number of pieces will be presented on the campus of Otis College of Art and Design in Los Angeles and in other public venues and outlets, as available.

Honors: Guggenheim Fellowship Two National Endowment for the Arts grants, among other commendations Public collections Solomon R. Guggenheim Museum, New York, New York Los Angeles County Museum of Art, California The Museum of Modern Art, New York, New York National Gallery of Victoria, Melbourne, Australia San Francisco Museum of Modern Art, California Walker Art Center, Minneapolis, Minnesota Whitney Museum of American Art, New York, New York Retrospective: traveled to Irish Museum of Modern Art, Dublin The Van Abbemuseum, Eindhoven, The Netherlands Le Consortium, Dijon, France Museum of Art, Rhode Island School of Design, Providence New Museum, New York, New York The Museum of Contemporary Art, Los Angeles Roberta Smith wrote in The New York Times on Feb. 17, 2011 of Benglis» retrospective, «Whether you have been watching Ms. Benglis» varied career for decades or know her primarily from the latex pieces and her star turn in Artforum, this exhibition pulls together and elaborates her remarkable career in a thrilling way.

These pieces, along with others that emphasize creative reuse of textiles and trim, are now on view in the Garment District's Space for Public Art (215 West 38th Street).

The public exhibition, offers the chance to view and bid, at the gallery and online, on stunning pieces of contemporary art by some of the country's most celebrated artists, who have impressed Macmillan and De'Longhi with their incredible generosity and talent.

Daniel Canogar has created numerous public art pieces, including Waves, a permanent sculptural LED screen for the atrium of 2 Houston Center, Houston; Travesías, a sculptural LED screen commissioned for the atrium of the European Union Council in Brussels during the Spanish Presidency of the European Union in 2010; Constelaciones, the largest photo - mosaic in Europe created for two pedestrian bridges over the Manzanares River, in MRío Park, Madrid; Helix, a permanent LED sculptural screen made for Quantum of the Seas, a Royal Caribbean cruise ship andClandestinos, a video - projection presented on various emblematic monuments including the Arcos de Lapa in Rio de Janeiro, the Puerta de Alcalá in Madrid and the church of San Pietro in Montorio in Rome.

Along with pieces from its collection, the museum also presents works on long - term loan from other private and public art institutions.

Project aiming to be UK's biggest art exhibition will put pieces chosen by the public on 30,000 poster sites across the country

For the duration of her Blank Forms residency in the midst of Josiah McElheny's public - art piece Prismatic Park, she will invite others to collaborate on the creation of work in a kind of open - studio environment.

Playing on the Barclays Center's «Oculus» screen through March 5 as part of the Public Art Fund's «Commercial Break» series, Meriem Bennani's 30 - second video piece «Your Year by Fardaous Funjab,» features an «advertisement» for the artist's fictional hijab design.

The piece was the subject of a State Supreme Court battle over public art on private property.

Power to the people: Artist Jeremy Deller does not make «things» that can be put in a gallery, and relies on the public to help, so he hopes his interactive piece for the Glasgow International Festival of Visual Art will bring out the best in the city.

We are currently working on facilitating a land - art piece for the artist Robert Andrade and programmed a highly successful series of artist talks on public art in correlation to Andrade's project.

After an interesting experiment with two - dimensional accumulations (Dadaist stamp prints dubbed «cachets») which he showed at a solo exhibition staged at Paris's trendy Galerie Iris Clert in 1958, Arman moved on to his «Coupes» and «Coleres» accumulations of objects which he cut into thin strips before smashing them to pieces in public, in a sort of action - packed performance art.

These textual explorations are complemented by extensive documentation of related projects, both historical and contemporary, by artists, architects, and performance artists, including Coughing Piece, a never - before released 1961 audio work by Yoko Ono; an obscure audio work by Nauman from 1969; projects by Suzanne Lacy, a leading figure in the development of conceptual practice and public art; and an experimental text by Jane Rendell on psychic architectures.

When it debuted in 1987 on an electronic billboard in New York City's Times Square, as part of the Messages to the Pubic series produced by the Public Art Fund, the piece was seen by some as provocative.

For the THIRST on Lady Bird Lake project, executive director Chris Cowden collaborated with architects Emily Little, Norma Yancey, landscape architect Cassie Bergstrom, and UT associate professor Beili Liu to install a public art piece that depicted this loss of natural life.

2006 The Downtown Show, The New York Art Scene 1974 - 1984, New York University Grey Art Gallery, New York, US Onestar Shop by Hans Schabus, Art Metropole, Toronto, CA Public Space / Two Audiences, Works and Documents from the Herbert Collection, Museu d'Art Contemporani de Barcelona, ES Draft Deceit, Kunstnernes Hus, NO Location Shots, Galerie Erna Hecey, Brussels, BE Pierre Huyghe: Celebration Park, Musée d'Art Moderne de la Ville de Paris / ARC, FR Cerealart, Cerealart Lounge Pier 90, The Armory Show, New York, US Artists for Chinati, Phillips de Pury & Company, New York, US The Early Show: Video from 1969 - 1979, curated by Constance De Jong, The Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York, US Onestar Press, The First Five Years, The Engholm Engelhorn Gallerie, Vienna, AT Message Personnel, Yvon Lambert, Paris, FR Not Quite Ten Years Without Martin Kippenberger, a project by Chris Hamond, Bar MOT for Kippenberger (MOT), London, UK That Was Then This Is Now, De Appel, Amsterdam, NL Czesław Miłosz / To Allen Ginsberg, Dvir Gallery, Tel - Aviv, IL Mental Image - Wortwerke und Textbilder, Kunstverein St. Gallen Kunstmuseum, CH Conceptual Comics, curated by AA Bronson, Max Schumann, Walter Phillips Gallery at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, FR

This piece, made from red - dyed painter's canvas and wittily suspended on a wire hanger by two actual clothespins, is a charming version of his series treating the common household object — which for Oldenburg has both anthropomorphic qualities and an affinity to Brancusi's pillars — that found its grandest expression in a giant public - art sculpture across from Philadelphia's City Hall.

In December of 2016, the work pictured above, a mixed - media piece on wood from the artist's Biomorphic series, was accepted into the permanent public collection of the Islip Art Museum in Islip, New York.

Achieving acclaim and notoriety as a graffiti artist in Atlanta as a teenager in the nineties, Brewer, 36, has evolved creatively, with little formal art education but two decades of experience working outdoors and on large - scale public pieces.

Josephine Meckseper's public art piece «Manhattan Oil Project,» installed more than a year ago on a vacant lot near Times Square, set two bobbing oil pump jacks amid the neighborhood's bright lights and electronic billboards.

[3] Building on the momentum from a successful exhibition of his photostat pieces at the Cordier and Ekstrom Gallery in 1964, Bearden was invited to do a solo exhibition at the Corcoran Gallery of Art in Washington, D.C., which increased his public profile.

«The curator of Public, Nicholas Baume, has taken time out from his day job as the director of the New York - based Public Art Fund to organise (for Art Basel in Miami Beach, in collaboration with the Bass Museum of Art) the site - specific installations and performance pieces that are now on show in Collins Park.»

It is too bad that the editors picked a bad piece of art to accompany our letter but the focus of the climate deniers on the art is an effort to divert public attention once again from the facts of climate change.

SFMOMA opened to the public on May 14, featuring an expansive new addition displaying hundreds of pieces of postwar and contemporary art work from the Fisher Family.

Built in the 1940s and opened to the public in 2007 following the death of David Whitney, Johnson's partner of many years, the Glass House is but one piece of architectural art standing on the 47 - acre estate, which also includes art galleries, outdoor sculptures, buildings that look like sculptures and more (philipjohnsonglasshouse.org).