Sentences with phrase «public art project at»

If you find yourself in Terminal 7 at the Los Angeles International Airport, you can't miss Timothy Nolan's new public art project, a series of large - scale prints, made from collages that incorporate images of maps, galaxies, and other ephemera from the days when we looked things up in encyclopedias and used atlases to find our... read more... «Interview: Timothy Nolan and his public art project at LAX»

The City of El Paso's Public Art Program invites all professional artists or artist teams residing in the state of Texas to submit their qualifications to be considered for a public art project at the Bataan Memorial Trainway located in downtown El Paso.

Creed, who grew up in Lenzie, will be back with a larger show in August at the Fruitmarket, when his public art project at the Scotsman steps will be unveiled as part of the Edinburgh Art Festival.

Current projects include Rule of the Trees, a public art project at Commercial Broadway SkyTrain station and BUSH gallery, a conceptual land - based gallery grounded in Indigenous knowledges.

Fernández, who was invited by President Obama to serve on the U.S. Commission of Fine Arts in 2011, most recently delivered an ambitious public art project at Madison Square Park, installing a canopy of golden, mirror - polished discs reaching in six sections to a total of five - hundred feet length.

Originally commissioned as 11 Rooms by Manchester International Festival, the International Arts Festival Ruhrtriennale 2012 - 2014 and Manchester Art Gallery, the project was shown as 11 Rooms at Manchester International Festival in July 2011, as 12 Rooms at the International Arts Festival Ruhrtriennale 2012 - 2014 and as 13 Rooms by Kaldor Public Art Projects at Pier 2/3 in Sydney's Walsh Bay in April 2013.

It was shown as 11 Rooms at Manchester International Festival in July 2011, as 12 Rooms at the International Arts Festival RUHRTRIENNALE 2012 - 2014 and as 13 Rooms by Kaldor Public Art Projects at Pier 2/3 in Sydney's Walsh Bay in April 2013.

New York artist Chakaia Booker, pictured in front of her work in 2010, is one of seven finalists competing to design the first public art projects at Treasure Island.

These works have been exhibited nationally and internationally as well as commissioned for public art projects at Seattle City Light, Seattle Washington, Portland State University and Cyan / Pdx in Portland, Oregon.

Not exact matches

Additional Arts in Public Places projects will be unveiled at the Fire Training Center in Pomona, at the Sparkill Creek Drawbridge in Piermont and on the campus of the Dr. Robert L. Yeager Health Center where artist and long - time Pomona resident Bill Hochhausen is in the process of restoring his art deco bus shelter, first designed in 1990.

In the past, New York built projects that were not only practical, but works of public art, like the New York State Capitol, Grand Central Terminal, the original Penn Station and the Central Mall Mosaics at Jones Beach.

At 11:30 a.m., NYC Parks Commissioner Mitchell Silver, FAICP, UNIQLO USA CEO Hiroshi Taki, UNIQLO Global Director of Corporate Social Responsibility Jean Shein, NYC Councilwoman Laurie Cumbo, artist Alexandre Arrechea and community members announce a partnership project that will bring more public art to city parks, Fort Greene Park Plaza, corner of Washington Park and Myrtle Avenue, Brooklyn.

The winning project is called «Buffalo's Reading Park,» and the Buffalo & Erie County Public Library is collaborating with partners City of Buffalo, Buffalo Place, Just Buffalo Literary Center, WNY Book Arts Center, Visit Buffalo Niagara, Plurality Press, Albright - Knox Art Gallery Public Art Initiative and the University at Buffalo School of Architecture & Planning, in cooperation with Erie County, to create «Buffalo's Reading Park» directly adjacent to the downtown Central Library.

Smitsonian Institution Programs Summer Archeology Programs Connected with DC Universities [Program for Deaf Students] Drinking Water Quality Research Center, Miami, FL [proposal for outreach to disabled students] Museum of Science and Industry, IL Chicago Schools Cooperative Museum Program, IL Recreational Faculties for the Handicapped at Rend Lake, IL SELPH Material Lawrence Hall King Report on Survey of the Special Educational Programs of Members of the Association of Science Technology Centers University of Kentucky Outdoor Education for Handicapped Project Directory of OOPS Programs Maryland Science Center, Baltimore, MD [notes on interview] ABCD Collaboration Science Program Non-Mainstreamed Museum of Fine Arts, Boston, MA Technical Education Research Center Camp Happy Hollow, Mayrille, MI Squam Lakes Science Center, NH Science Enrichment Program Opened to Handicapped Students NY League of Hard of Hearing, NY Center of Science and Industry, OH Carnegie Museum, Pittsburg, PA Pacoma Environmental Education Center, PA Roanoke Valley Science Museum, VA Fairfax County Public Schools, VA US Geological Survey Earth Science Program, WI ERIC - CRESS Info on Outdoor Ed - Science Programs National Council for Therapy and Rehabilitation through Horticulture Environments for the Able and Disabled Nature Study - A Journal of Education and Interpretation OOPS Out of School Science Proposal and Drafts Original Newspaper Article, 1980 - 1981 OOPS Out of School Science Proposal and Drafts II, 1980 - 1981

The tripmark exhibit is still being finalized, but already this art - science project has been on display at two conferences as part of an effort to make the public more aware of soil microbial life.

One of my favorite projects was working with Michael SHVO, a real estate developer and an art collector who curated a Claude & Françios - Xavier LaLanne exhibition at Sotheby's and the Lalanne Sheep Station, a public art installation at the Getty Station on 23rd Street, facilitating my exposure to sculpture that I would later imitate in my own apartment.

Lance Rutter has spent the last 30 + years of his career devoted to graphic design, working on projects in his Chicago design studio, teaching design at the School of the Art Institute of Chicago, serving on the national board of the AIGA, and presiding over the 2008 and 2010 Chicago International Poster Biennials, among other public design advocacy initiatives.

After spending a semester on interviews, research, and documentation, the group will explain what they discovered about the future of East New York by creating an educational art project, which they'll share with the community at large through a public presentation.

The Center for Community Arts Partnerships at Columbia College Chicago, in partnership with Chicago Public Schools, received a development grant from the Investing in Innovation Fund (i3) of the U.S. Department of Education for their Convergence Academies project (http://convergenceacademies.org/ourorigins.html).

Milwaukee Selected for National «Our Town» Grant Arts Project Selected by NEA for New Milwaukee Public Library South Side Branch Mayor Tom Barret announced today that the City of Milwaukee has been selected as a recipient of a grant of $ 150,000 from the National Endowment of the Art (NEA) to fund the new Gathering Art, Stories and Place project at the soon - to - be-opened Milwaukee Public Library Mitchell Street Branch, currently under construction at 9th and Mitchell Streets on the City's soutProject Selected by NEA for New Milwaukee Public Library South Side Branch Mayor Tom Barret announced today that the City of Milwaukee has been selected as a recipient of a grant of $ 150,000 from the National Endowment of the Art (NEA) to fund the new Gathering Art, Stories and Place project at the soon - to - be-opened Milwaukee Public Library Mitchell Street Branch, currently under construction at 9th and Mitchell Streets on the City's soutproject at the soon - to - be-opened Milwaukee Public Library Mitchell Street Branch, currently under construction at 9th and Mitchell Streets on the City's south side.

Facing History and Ourselves in Memphis today announced the people and groups who will be memorialized on their «Upstanders Mural,» a public art project that will cover one entire wall of their office complex at 115 Huling Avenue in the South Main district of downtown Memphis.

In 2008, a group called Remember the Triangle Fire Coalition began planning for a memorial work of public art at the site, with New York Governor Andrew Cuomo announcing in 2015 that the state was committing more than a million dollars to the project.

Following the presentations, the design plan for a Cannon Beach public art project related to the Beach Bill will be unveiled at the Gower Street beach access.

You'll also go behind - the - scenes to see how the liquid identities of some of Paula's most respected projects came to life (including Jazz at Lincoln Center, the Type Directors Club, and Microsoft Windows), explore her latest re-branding for the Philadelphia Museum of Art, and join her at the Public Theater in Manhattan — her most iconic, long - standing project to date.

Glynn's work has been included in group exhibitions, including Pacific Standard Time organized by the Getty Research Institute, Los Angeles (2012); migrating public art project Station to Station (2013); Made in LA at the Hammer Museum, Los Angeles (2012); Performa 11, New York (2011); and The Generational: Younger Than Jesus at the New Museum, New York (2009).

Open Plan is a long term public art and education project which invites international and British artists to create artworks with and for the SLG's close neighbours on Elmington, Pelican and Sceaux Gardens housing estates, along with a programme of events at the gallery.

She was also commissioned by the DC Commission on the Arts and Humanities, DCCAH to create a mural for the Windows in to DC project at the Walter E. Washington Convention Center and granted apprenticeship to create a public art installation with the DCCAH, D.C. Creates Public Arts Prpublic art installation with the DCCAH, D.C. Creates Public Arts PrPublic Arts Program.

A look at this week's art news, including Doreen Garner's tattoo project, «Invisible Man Tattoo,» Diana Al - Hadid's upcoming public installation in Madison Square Park, and Tania Bruguera's 2018 commission for Tate Modern's Turbine Hall.

5 × 5, a project of the DC Commission on the Arts and Humanities (DCCAH), will bring public art to all eight wards of the city — transforming, at least temporarily, neighborhoods and parks, street corners, and...

Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY

However, because of my involvement with public art projects and queer identity in early, 90s, I decided to return to paintings with work that looked at the social ideas about the origins of one's sexual identity, often with black humor, of course.

Arlen Austin (b. 1981, Winooski VT), has worked on an uncompensated or below minimum wage basis for: Columbia University School of the Arts, Scaramouche Gallery, Chinese Staff and Workers» Association, Brooklyn is Burning, Public Art Fund Development Grant, Daniele Ugolini Contemporary, National Mobilization Against Sweatshops, Lower Manhattan Cultural Council, Mole Vanvitelliana, Ancona, Sweatshop Free Upper West Side, Volta NYC, Creative Time / Queens Museum, 6 - 9 Months Project Space, Fischer - Landau Center for Contemporary Art, Barefoot in the Head at Bruce High Quality Foundation, White Box and Frederich Petzel Galleries.

2013 Art Public: Only One Like You, curated by Nicolas Baume, Art Basel Miami Beach, Miami Beach, FL Pataphysics (A Theoretical Exhibition), Sean Kelly Gallery, New York, NY Body is Present, Berrie Center for Performing and Visual Arts, Ramapo College, NJ Hold on Her, (performance), Cleveland Museum of Art, Cleveland, OH All Good Things, SOMA Arts, San Francisco, CA Remainder, curated by Lauren Ross, Philbrook Museum of Art, Tulsa, Oklahoma The Lobby Project, City Center, New York, NY Sisyphus: Heroism of the Absurd, Arte Actual, Quito, Ecuador If Color, then also Dimension; If Flatness, then Texture, etc., LMCC at Governor's Island, New York, NY Object Focus: The Bowl, Museum of Contemporary Craft, Portland, OR Paint Things: Beyond the Stretcher, Decordova Sculpture Park and Museum, Lincoln, MA In Praise of Chance and Failure, Family Business, New York, NY There Is No Place Like Home, Paul Robeson Galleries, Rutgers, Newark, NJ Only as Signal Show, Southern Exposure, San Francisco, CA No Sun Without Shadow, Lu Magnus, New York, NY Unfolding Tales: Selections from the Contemporary Collection, Brooklyn Museum, Brooklyn, NY

Originally from Brooklyn, with roots in Puerto Rico, her work is included in public collections such as the Whitney Museum of American Art and the Studio Museum in Harlem, and has been exhibited at venues such as the Brooklyn Museum, the High Museum in Atlanta, the Contemporary Art Museum in Houston, SNO Contemporary Art Projects in Sidney, Australia, and Peregrine Program in Chicago.

2014 — PUBLIC ART COMMISSION: CHICAGO TRANSIT AUTHORITY, PERMANENT INSTALLATION FOR 35TH / WHITE SOX CTA STATION 2014 — RESIDENCY, DESIGN FABRICATION, ÍFRANS MAYER, MUNICH, GERMANY, 2014 2014 — NOMINATION 3 - ARTS AWARD 2011 — VISITING ARTIST, TEACHER INSTITUTE IN CONTEMPORARY ART, SAIC, NEA 2010 — GRANT: ARTIST PROJECT IN VISUAL ARTS, ILLINOIS ARTS COUNCIL 2009 — NEW AT THE MUSEUM OF CONTEMPORARY ART, CHICAGO 2009 — THE DRAWING CENTER VIEWING PROGRAM, CURATED ARTIST REGISTRY, NEW YORK, NY 2008 — CATWALK, NY ARTIST RESIDENCY, SCHOOL OF THE ART INSTITUTE CHICAGO 2004 — POST - MFA FELLOWSHIP, VISITING LECTURER, UNIVERSITY OF CHICAGO 1998 — HONORABLE MENTION AWARD / STATE LINE EXHIBITION / ROCKFORD MUSEUM, ILLINOIS 1996/1997 — ARTS MIDWEST / REGIONAL NEA VISUAL ARTIST FELLOWSHIP AWARD (PAINTING) 1990 — ILLINOIS ARTS COUNCIL: SPECIAL ASSISTANCE GRANT / NORTHWESTERN UNIVERSITY EXHIBIT 1987 — ILLINOIS ARTS COUNCIL: SPECIAL ASSISTANCE GRANT / CHICAGO CULTURAL CENTER EXHIBIT

He has recently created major public art projects: Scaffold (2012), installed at the Walker Art Center in 2017 and now in an ongoing process of transformation after mediations with Dakota Native American elders, represented gallows used in seven hangings from 1859 to 2006 sanctioned by the U.S. government; Labyrinth (2015) in Philadelphia, PA, addressed mass incarceration; and The Meeting House (2016) in Concord, MA, examined the subject of race in colonial and contemporary New Englaart projects: Scaffold (2012), installed at the Walker Art Center in 2017 and now in an ongoing process of transformation after mediations with Dakota Native American elders, represented gallows used in seven hangings from 1859 to 2006 sanctioned by the U.S. government; Labyrinth (2015) in Philadelphia, PA, addressed mass incarceration; and The Meeting House (2016) in Concord, MA, examined the subject of race in colonial and contemporary New EnglaArt Center in 2017 and now in an ongoing process of transformation after mediations with Dakota Native American elders, represented gallows used in seven hangings from 1859 to 2006 sanctioned by the U.S. government; Labyrinth (2015) in Philadelphia, PA, addressed mass incarceration; and The Meeting House (2016) in Concord, MA, examined the subject of race in colonial and contemporary New England.

Recent solo shows include The Present Moment, Instituto Moreira Salles, Sao Paulo, Brazil; (2017 - 2018); Museo Tamayo, Mexico City (2017); The Last Resort, Kaldor Public Art Projects, Sydney, Australia (2017); Answer Me, The New Museum (2016); The Present Moment, Instituto Moreira Salles, Rio de Janeiro (2016); Teshima Seawall House, Benesse Art Site Naoshima, Teshima Island, Japan (2016); Haus der Kunst, Munich (2014); the French Pavilion at the 55th Venice Biennale (2013); the Centre Georges Pompidou, Paris (2012); The Serpentine Gallery, London (2011); The Contemporary Arts Center, Cincinnati (2009); The Museum of Contemporary Art, North Miami (2008); and the Fondazione Nicola Trussardi, Milan (2005); among other venues.

Sadie is the recipient of the Bemis Center for the Arts Artist Residency; sound designer for Brujos Web Series; Curator - In - Residence at Art + Public Life Arts Incubator with La Keisha Leek; Resident Curator for Terrain - HATCH Projects; participating artist of Ten x Ten; resident DJ at Boleo at The Kimpton Gray Hotel; and Lecturer at the School of the Art Institute of Chicago.

HOUSTON — Atlas, Plural, Monumental, an exhibition at CAMH thanks to the museum's curator Dean Daderko, is a midcareer retrospective of the artist Paul Ramírez Jonas, known for his public art, sculpture, social practice projects.

Jonathan T. D. Neil on radical politics and slowing markets; Maria Lind, curator of the next Gwangju Biennale, on Christopher Kulendran Thomas at the Dhaka Art Summit; novelist and Charlie Hebdo columnist Marie Darrieussecq on freedom of speech in the French capital; Mike Watson reflects on processes of nationbuilding through Santiago Sierra's Black Flag project; J.J. Charlesworth agrees to disagree on the removal of public statues and opinion - shaming; and Jonathan Grossmalerman has a decision - making dilemma.

Anca Rujoiu, is a Romanian curator based in London, where she currently coordinates the public programme of the School of Fine Art at the Royal College of Art and (UK) is part of the curatorial project FormContent.

This is the ninth in a series of public forums investigating the exhibitions Project X produced in the 90s at 18th Street Arts Center, with a focus on the conditions facing Los Angeles artists at that time, and the way they shaped artist - run organizations, alternative exhibitions and publications.

This is the sixth in a series of public forums investigating the exhibitions Project X produced in the 90s at 18th Street Arts Center, with a focus on the conditions facing Los Angeles artists at that time, and the way they shaped artist - run organizations, alternative exhibitions and publications.

In January, addresses the Massachusetts Board of Education at the statehouse to request increased support for arts in the public school system and to propose several approaches to arts in the core curriculum; during summer, collaborates with Townsend and guest artists Richard Rosenblum, Richard Baker, Paul Bowen, James Balla, George Marsh, and Varujan Baghosian at the New Provincetown Print Project; solo exhibition: Monotypes by Michael Mazur for the Inferno, University of Iowa Museum of Art, Iowa City (travels through 1997 with Mazur and Pinsky giving lectures on their collaboration at eight venues).

Trained at London's Royal College of Art, Heatherwick's practice encompasses projects ranging in scale from very small to monumental, from products to public sculpture to architecture.

He has completed more than a dozen temporary and permanent public art projects including the commission Hear My Train in Wanganui, New Zealand completed in 2012 and a public screening at the Oslo Central Station, Oslo Screen Festival in collaboration with Kunsthall Oslo, Oslo, Norway autumn 2013.

This summer, she will complete a large - scale paving project at Unity Plaza, in conjunction with the San Francisco Department of Public Works and the San Francisco Arts Commission.

The house would have a two - level basement, closed to the public, conceived as an underground studio where he would make his art — a secret lair and such a natural extension of his overall artistic project that it seems like some kind of joke (it is tempting to think of it as a real - life «Fortress of Solitude,» Superman's hideout, which Kelley constructed in three - dimensional form and used as the central image in his final solo exhibition last September at the Gagosian Gallery in London).

The Artist - in - Residence program at The Cosmopolitan of Las Vegas represents one component of its larger art program, developed and curated in partnership with Art Production Fund, a non-profit organization dedicated to producing ambitious public art projects, reaching new audiences and expanding awareness through contemporary aart program, developed and curated in partnership with Art Production Fund, a non-profit organization dedicated to producing ambitious public art projects, reaching new audiences and expanding awareness through contemporary aArt Production Fund, a non-profit organization dedicated to producing ambitious public art projects, reaching new audiences and expanding awareness through contemporary aart projects, reaching new audiences and expanding awareness through contemporary artart.

«As Franklin Furnace approaches its 40th anniversary in 2016, collaborating with a formidable educational institution like Pratt will make it possible for us to provide public and pedagogical access to emerging artists, and for Pratt and Franklin Furnace to undertake long - term preservation and documentation projects that will have cultural impact long into the future,» said artist Martha Wilson, Franklin Furnace founding director and visiting associate professor of Fine Arts at Pratt Institute.